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Artykuły w czasopismach na temat "Shashi Deshpande"
Satendra Kumar. "Women: Perspectives and Issues in Shashi Deshpande’s A Matter of Time and Small Remedies". Creative Launcher 7, nr 2 (30.04.2022): 97–101. http://dx.doi.org/10.53032/tcl.2022.7.2.12.
Pełny tekst źródłaSarkar, Shilpa. "The Delineation of Human Relationship in Shashi Deshpande’s ‘A Matter of Time’". SMART MOVES JOURNAL IJELLH 8, nr 3 (28.03.2020): 5. http://dx.doi.org/10.24113/ijellh.v8i3.10478.
Pełny tekst źródłaChoudhury, Romita. "Interview with Shashi Deshpande". World Literature Written in English 34, nr 2 (styczeń 1995): 15–26. http://dx.doi.org/10.1080/17449859508589222.
Pełny tekst źródłaSharma, Alpana. "The Modernism of Shashi Deshpande". South Asian Review 33, nr 1 (lipiec 2012): 207–22. http://dx.doi.org/10.1080/02759527.2012.11932871.
Pełny tekst źródłaSaraswathy, M. "Optimistic Changes in the Characters of Shashi Deshpande’s in A Matter of Time". SMART MOVES JOURNAL IJELLH 9, nr 5 (27.05.2021): 72–80. http://dx.doi.org/10.24113/ijellh.v9i5.11045.
Pełny tekst źródłaPandey, Abha. "MODERN WOMENS ASPIRATIONS IN SHASHI DESHPANDE THE DARK HOLDS NO TERRORS". International Journal of Advanced Research 9, nr 10 (31.10.2021): 732–34. http://dx.doi.org/10.21474/ijar01/13604.
Pełny tekst źródłaKannan .D i Narasimhamurthy S V. "Feminine Sensibility and Self-Affirmation of Woman in Shashi Deshpande’s “The Dark Holds No Terrors”". Shanlax International Journal of English 12, S1-Dec (14.12.2023): 380–85. http://dx.doi.org/10.34293/rtdh.v12is1-dec.122.
Pełny tekst źródłaSinha, Arti. "Shashi Despande as a Feminist". Journal of Advanced Research in Journalism & Mass Communication 07, nr 01 (15.06.2020): 15–16. http://dx.doi.org/10.24321/2395.3810.202004.
Pełny tekst źródłaSekhar, V. "WOMEN’S ENDURING SILENT IN SHASHI DESHPANDE’S ‘THE BINDING VINE’, ‘THE DARK HOLDS NO TERRORS’ AND ‘ROOTS AND SHADOWS’". International Journal of Research -GRANTHAALAYAH 4, nr 7(SE) (31.07.2016): 1–4. http://dx.doi.org/10.29121/granthaalayah.v4.i7(se).2016.2620.
Pełny tekst źródłaSarkar, Shilpa. "Feministic Images of Women in Shashi Deshpande's Fiction Roots and Shadows and The Binding Vine". SMART MOVES JOURNAL IJELLH 8, nr 4 (28.04.2020): 269. http://dx.doi.org/10.24113/ijellh.v8i4.10545.
Pełny tekst źródłaRozprawy doktorskie na temat "Shashi Deshpande"
Roy, Amitabh. "Negotiating modernity in the novels of Shashi Deshpande". Thesis, University of North Bengal, 2017. http://ir.nbu.ac.in/handle/123456789/2582.
Pełny tekst źródłaMondal, Lily. "Rewriting Indian woman: a study of the novels of Shashi Deshpande". Thesis, University of North Bengal, 2011. http://hdl.handle.net/123456789/1388.
Pełny tekst źródłaBALVANNANAOHAN, AIDA. "Tradition hindouiste, colonialisme et evolution de la conscience feminine chez quatre romanceires indo-anglaises (kamala markandaya, anita desai, shashi deshpande et githa hariharan)". Paris 12, 2000. http://www.theses.fr/2000PA120016.
Pełny tekst źródłaJagtiani-Naumann, Lalita. "Briser le moule de Sita : statut et libération de la femme indienne dans une sélection de romans d'Anita Desai, Shashi Deshpande et Githa Hariharan". Rennes 2, 2002. http://www.theses.fr/2002REN20047.
Pełny tekst źródła@What is the image of Indian women that emerges in these writings? What are the literary techniques exploited by the writers to discuss the issues related to the status of women? By fusing an Indocentric methodology with Western approaches to narratology the thesis shows that the novels, selected on the basis of gender rather than their feminist concerns, reveal, through the use of allegory and myth, how centuries of patriarchal dominance in Indian women's lives are being challenged by women in the post-colonial era. The writers create new myths to replace male-oriented ones by narrating them from a woman's viewpoint. The protagonists of the novels reverse the position of power as they break out of the myth of the Sita-mould. A significant difference between the Indian and Western feminsit emerges : while the novels' Western-educated, middle-class protagonists are willing to negociate their liberation from the hold of tradition, they are unwilling to break the Indian social continuum in their quest for indivuation. The three sections of the thesis, order, disorder and reorder, reflect the upward spiral that gathers momentum in the progress that the female characters make in moving beyond the threshold of marginalizing limitations. The subsequent instability as they explore hitherto out-of-bound spaces becomes the impetus that deconstructs the stability within patriarchal norms
García, López Isabel. "La femme hindoue et ses mythes dans l'imaginaire romanesque de quatre écrivains indo-anglaises : Kamala Markandaya, Anita Desai, Shashi Deshpande et Bharati Mukherjee : une perspective de gender". Rennes 2, 2001. http://www.theses.fr/2001REN20034.
Pełny tekst źródłaThe research aims at identifying the gender ideology transmitted by the literary images of four Hindu women writers in English : Kamala Markandaya, Anita Desai, Shashi Deshpande and Bharati Mukherjee. Because we are dealing with a literature by women, product of a colonial encounter but rooted at the same time in the Hindu tradition, we are compelled to understand the historic context of te Indo-English literature as well as the sociological context of the Hindu female protagonist. Therefore, we analyse the impact of the British colonisation and modernity on the Indian culture to point out the dramatic convulsions which has shaken particularly the Hindu woman, symbol of the culture and responsible for its continuity. Given the fact that the Hindu tradition is pervaded by an ancient mythology, we will study the crucial role played by goddesses, such as Kali, and epic heroines, such as Sita, in the cultural construction of "Hindu woman". Both myths are interpreted as symbols of a feminine divided between a negative/destructive side, Kali, and a positive/benevolent one, Sita. The Indo-English women writers use the references to Kali and Sita in the literary representations of the Hindo-woman as a vehicle to articulate their vision of gender. Their new readings, reveal the engagement of those authors in a new formulation of the ideologie of gender, continuing at the same time with the cultural transmission of myths
Mathai, Kavita. "A question of identity : a study of three Indian novels in English of the nineteen eighties /". Thesis, Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1886174X.
Pełny tekst źródłaVijay, S. "Margaret Laurence and Shashi Deshpande: A study of the notion of Marginal woman in Canadian and Indian fiction in English". Thesis, 1998. http://hdl.handle.net/2009/1695.
Pełny tekst źródłaKsiążki na temat "Shashi Deshpande"
Shashi Deshpande. Tavistock, U.K: Northcote House, 2006.
Znajdź pełny tekst źródłaSuman, Bala, red. Women in the novels of Shashi Deshpande. New Delhi: Khosla Pub. House, 2001.
Znajdź pełny tekst źródłaThe novels of Shashi Deshpande in postcolonial arguments. New Delhi: Prestige Books, 2000.
Znajdź pełny tekst źródłaAtrey, Mukta. Shashi Deshpande: A feminist study of her fiction. Delhi: B.R. Pub. Corp., 1998.
Znajdź pełny tekst źródłaChow, Sheat Fun. Silences that speak in selected novels of Shashi Deshpande. [Minden], Pulau Pinang: Penerbit Universiti Sains Malaysia, 2009.
Znajdź pełny tekst źródłaChow, Sheat Fun. Silences that speak in selected novels of Shashi Deshpande. [Minden], Pulau Pinang: Penerbit Universiti Sains Malaysia, 2009.
Znajdź pełny tekst źródłaA feminist perspective on the novels of Shashi Deshpande. New Delhi: Prestige Books, 2001.
Znajdź pełny tekst źródłaSilences that speak in selected novels of Shashi Deshpande. [Minden], Pulau Pinang: Penerbit Universiti Sains Malaysia, 2009.
Znajdź pełny tekst źródłaGendered realities, human spaces: The writing of Shashi Deshpande. Jaipur: Rawat Publications, 2003.
Znajdź pełny tekst źródłaSandhu, Sarbjit K. The image of woman in the novels of Shashi Deshpande. New Delhi: Prestige Books, 1991.
Znajdź pełny tekst źródłaCzęści książek na temat "Shashi Deshpande"
Ghosh-Schellhorn, Martina. "Deshpande, Shashi". W Metzler Autorinnen Lexikon, 124–25. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_88.
Pełny tekst źródłaGunwant, Suraj, i Rashmi Gaur. "Resisting Patriarchy Without Separatism: A Re-Reading of Shashi Deshpande’s The Dark Holds No Terrors". W The English Paradigm in India, 125–38. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5332-0_9.
Pełny tekst źródła"Front Matter". W Shashi Deshpande, i—vi. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.1.
Pełny tekst źródła"Small Remedies". W Shashi Deshpande, 75–86. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.11.
Pełny tekst źródła"A Matter of Time". W Shashi Deshpande, 62–74. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.10.
Pełny tekst źródła"Notes". W Shashi Deshpande, 93–102. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.13.
Pełny tekst źródła"The Binding Vine". W Shashi Deshpande, 49–61. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.9.
Pełny tekst źródła"Select Bibliography". W Shashi Deshpande, 103–9. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.14.
Pełny tekst źródła"Biographical Outline". W Shashi Deshpande, ix—x. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.4.
Pełny tekst źródła"Conclusion". W Shashi Deshpande, 87–92. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3078972.12.
Pełny tekst źródłaStreszczenia konferencji na temat "Shashi Deshpande"
"CONCEPT OF BOUNDING AND BONDAGE IN SHASHI DESHPANDE’S THE DARKS HOLDS NO TERRORS". W 2nd National Conference on Translation, Language & Literature. ELK Asia Pacific Journals, 2015. http://dx.doi.org/10.16962/elkapj/si.nctll-2015.6.
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