Gotowa bibliografia na temat „Shakespeare, William, 1564-1616 Dramatic production”
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Rozprawy doktorskie na temat "Shakespeare, William, 1564-1616 Dramatic production"
Edelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare". Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe21.pdf.
Pełny tekst źródłaWong, Dorothy Wai Yi. "Shakespeare in Hong Kong : transplantation and transposition". HKBU Institutional Repository, 1995. http://repository.hkbu.edu.hk/etd_ra/33.
Pełny tekst źródłaLambert, Pamela Faye. "Acting in Shakespeare: Singular sensations in Shakespeare and song". CSUSB ScholarWorks, 1998. https://scholarworks.lib.csusb.edu/etd-project/1443.
Pełny tekst źródłaBarrus, David W. "Hamlet : the design as process". Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Theatre and Dramatic Arts, c2012, 2012. http://hdl.handle.net/10133/3389.
Pełny tekst źródłaviii, 176 leaves : col. ill. ; 29 cm
McPherson, Leith. "Shakespeare's verse and the training actor". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/163.
Pełny tekst źródłaTuffin, Zoe. "Claiming Shakespeare for our own: An investigation into directing Shakespeare in Australia in the 21st century". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1285.
Pełny tekst źródłaBurnett, Linda Avril. "The argument against tragedy in feminist dramatic re-vision of the plays of Euripides and Shakespeare /". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35857.
Pełny tekst źródłaIn the first part, I maintain that feminist dramatic re-vision is one manifestation of an unrecognized tradition of women's writing in which criticism is expressed through fiction. I also argue that the project of feminist dramatic re-vision embodies a feminist "new poetics."
In the second part, I examine the aesthetics and politics of tragedy from a feminist perspective. Feminist arguments against tragedy are, in effect arguments against patriarchy. But it is the theorists and critics of tragedy---not the playwrights---who are unequivocally aligned with patriarchy. Playwrights like Euripides and Shakespeare can be seen to destabilize tragedy in their plays.
In the third part, I show how recent feminist playwrights (Jackie Crossland, Dario Fo and Franca Rame, Deborah Porter, Caryl Churchill and David Lan, Maureen Duffy, Alison Lyssa, The Women's Theatre Group and Elaine Feinstein, Joan Ure, Margaret Clarke, and Ann-Marie MacDonald) counter tragedy by extrapolating from the arguments presented by Euripides and Shakespeare in The Medea, The Bacchae, King Lear, Hamlet, Romeo and Juliet and Othello , and by allocating voice and agency to their female protagonists.
Green, Bryony Rose Humphries. "A book history study of Michael Radford's filmic production William Shakespeare's The Merchant of Venice". Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1710/.
Pełny tekst źródłaCoston, Micah Keith. "The dramatic role of astronomy in early modern drama". Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:09da8bf1-cf3e-4df6-816b-be7fb13f1753.
Pełny tekst źródłaLyons, Lisa Lynn. "A performance in musical theatre: Singular sensations in Shakespeare and song". CSUSB ScholarWorks, 1999. https://scholarworks.lib.csusb.edu/etd-project/1712.
Pełny tekst źródłaKsiążki na temat "Shakespeare, William, 1564-1616 Dramatic production"
Coursen, Herbert R. Contemporary Shakespeare production. New York: Peter Lang, 2010.
Znajdź pełny tekst źródła1950-, Dymkowski Christine, i Carson Christie, red. Shakespeare in stages: New theatre histories. New York: Cambridge University Press, 2010.
Znajdź pełny tekst źródłaPlaying Shakespeare. London: Methuen Drama, 2009.
Znajdź pełny tekst źródłaClues to acting Shakespeare. New York: Allworth Press, 2000.
Znajdź pełny tekst źródłaClues to acting Shakespeare. Wyd. 2. New York, NY: Allworth Press, 2007.
Znajdź pełny tekst źródłaMeagher, John. Shakespeare's Shakespeare: How the Plays Were Made. Bloomsbury Publishing Plc, 2015.
Znajdź pełny tekst źródłaKnight, George Wilson. Shakespeare's Dramatic Challenge: On the Rise of Shakespeare's Tragic Heroes. Taylor & Francis Group, 2013.
Znajdź pełny tekst źródłaKnight, George Wilson. Shakespeare's Dramatic Challenge: On the Rise of Shakespeare's Tragic Heroes. Taylor & Francis Group, 2013.
Znajdź pełny tekst źródłaKnight, George Wilson. Shakespeare's Dramatic Challenge: G. Wilson Knight: Collected Works, Volume 8. Routledge, 2002.
Znajdź pełny tekst źródłaWells, Stanley. Shakespeare Survey 39. Cambridge University Press, 1987.
Znajdź pełny tekst źródła