Gotowa bibliografia na temat „Service public radiophonique”
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Artykuły w czasopismach na temat "Service public radiophonique"
Deleu, Christophe. "Y a-t-il une spécificité du service public en matière radiophonique ?" Les Enjeux de l'information et de la communication 14/2, nr 2 (2013): 95. http://dx.doi.org/10.3917/enic.015.0095.
Pełny tekst źródłaBeccarelli, Marine. "Donner à l'auditeur une présence radiophonique nocturne en direct, une mission du service public ? L'exemple de la France et de France Inter". Les Enjeux de l'information et de la communication 14/2, nr 2 (2013): 111. http://dx.doi.org/10.3917/enic.015.0111.
Pełny tekst źródłaLavoie, Elzéar. "L'évolution de la radio au Canada français avant 1940". Articles 12, nr 1 (12.04.2005): 17–49. http://dx.doi.org/10.7202/055513ar.
Pełny tekst źródłaGauvin, Gilles. "Une certaine idée de la francophonie dans l’océan Indien : l’académicien et vice-recteur de La Réunion Hippolyte Foucque (1887-1970)". La F/francophonie dans l’aire indiaocéanique : singularités, héritages et pratiques, nr 11 (17.07.2023). http://dx.doi.org/10.35562/rif.1442.
Pełny tekst źródłaBéal, Christine, i Catherine Détrie. "Les formes nominales d’adresse dans les émissions d’information radiophoniques : une approche comparative des pratiques dans les radios de service public en France et en Australie". Cahiers de praxématique, nr 60 (12.12.2013). http://dx.doi.org/10.4000/praxematique.3889.
Pełny tekst źródłaRozprawy doktorskie na temat "Service public radiophonique"
Choquet, Anastasia. "Le métier de programmateur musical à Radio France : analyse d’un groupe professionnel d’intermédiaires culturels de service public à l’ère du numérique". Electronic Thesis or Diss., Université Paris-Panthéon-Assas, 2023. http://www.theses.fr/2023ASSA0075.
Pełny tekst źródłaAgainst a backdrop of crisis in cultural prescription, this thesis analyzes a professional group of public service cultural intermediaries, the music programmers at Radio France. Faced with the loss of audience for music radio stations, competition from streaming platforms and the introduction of digital technologies into the professional practices of music programming at Radio France, how are the boundaries of a public service professional group evolving ? Subjected to public service missions that give them an a priori singular role in the radio space - and more broadly in the cultural space - the study of the professional practices of Radio France's music programmers constitutes a fertile field of research for understanding the mutations of music prescription as well as the contemporary stakes of public service radio. From an interactionist perspective and with an inductive and comprehensive methodological approach, this work is based on an analysis of the "narratives of practice" of music programmers delivered in interviews, but also on interviews conducted with other professional groups involved in music programming at Radio France. Conducted between 2016 and the beginning of 2020, these interviews are complemented by the analysis of a corpus of contemporary official documents
Bertin, Juliette. "Les auditeurs de France Inter : développement d’une pratique radiophonique". Thesis, 2020. http://hdl.handle.net/1866/25443.
Pełny tekst źródłaFrance Inter is the most listened to radio station in France with almost 7 million daily listeners. According to popular opinions, the typical listener would be a middle or upper class individual, in his fifties, Parisian, a “bobo” therefore by definition from the left-wing (Gustave & Péronnet, 2013). This Master’s thesis questions the nature of the relationship between France Inter listeners and their station, and how does the representation we have of them influence their radio practice? Information on these listeners is almost non-existent. Stuart Hall's theories of reception explain that there is not just one type of listener and not one way to appropriate media content (Hall, 1980). Then, Pierre Bourdieu allows us to deconstruct the received idea that tastes are the fruit of a deliberate choice, taken without external influence (Bourdieu, 1979). The sociologist came to the conclusion that our tastes are shaped by social mechanisms of distinction. Bourdieu’s research led him to establish a theory on social class ; our tastes and cultural practices can help situate us socially. France Inter listeners are put at the center with semi-structured interviews allowing to answer the two research questions: how do France Inter listeners start and keep listening to this station? And how did the representation we have of them influence the development of this listening? Four influences on listening are identified: social, family, societal, political and age. Faced with the representation, our participants disagree because they are basing themselves on their own reality. However, many agree on one point: the intellectual curiosity and the need for education. It is certain that this representation does not have a noticeable impact on their listening. If they receive negative remarks, it will only make them listen even more. For all, this station had and still has a monumental influence. It serves as a clock, a landmark and a daily companion. It affects moods throughout the day, provokes reflections and informs on the world of yesterday, today and tomorrow.