Gotowa bibliografia na temat „Series:The Warrior”
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Artykuły w czasopismach na temat "Series:The Warrior"
Mondal, Krishna Chatur Sow. "Tripathi's Sita: A Symbol of Feminist Revisionist Nationhood". International Research Journal of Multidisciplinary Scope 05, nr 02 (2024): 830–45. http://dx.doi.org/10.47857/irjms.2024.v05i02.0661.
Pełny tekst źródłaBednar, Michael Boris. "Mongol, Muslim, Rajput: Mahimāsāhi in Persian Texts and the Sanskrit Hammīra-Mahākāvya". Journal of the Economic and Social History of the Orient 60, nr 5 (26.07.2017): 585–613. http://dx.doi.org/10.1163/15685209-12341434.
Pełny tekst źródłaMeshcheriakov, Sergey. "Stanislav Krakov: Writer and Warrior". Stephanos Peer reviewed multilanguage scientific journal 54, nr 4 (31.07.2022): 17–25. http://dx.doi.org/10.24249/2309-9917-2022-54-4-17-25.
Pełny tekst źródłaChivers, Marian, Lesley Speed i Meg Tasker. "The warrior woman in Harlequin’s Bombshell Athena Force series". Australasian Journal of Popular Culture 3, nr 3 (1.09.2014): 335–49. http://dx.doi.org/10.1386/ajpc.3.3.335_1.
Pełny tekst źródłaYao, Wenmin, Tong Chu, Wenlong Tang, Jingyu Wang, Xin Cao, Fengjun Zhao, Kang Li, Guohua Geng i Mingquan Zhou. "SPPD: A Novel Reassembly Method for 3D Terracotta Warrior Fragments Based on Fracture Surface Information". ISPRS International Journal of Geo-Information 10, nr 8 (5.08.2021): 525. http://dx.doi.org/10.3390/ijgi10080525.
Pełny tekst źródłaFlynn, Catherine. "OPERANT: …(IPHIGENIA) AT BERKELEY". Ramus 52, nr 1 (czerwiec 2023): 65–68. http://dx.doi.org/10.1017/rmu.2023.3.
Pełny tekst źródłaKomorowska, Joanna, i Aneta Kliszcz. "Unending War: Combat Trauma in Joss Whedon’s "Firefly"". Załącznik Kulturoznawczy, nr 10 (31.12.2023): 449–67. http://dx.doi.org/10.21697/zk.2023.10.21.
Pełny tekst źródłaMironova, Olga A., Alexander P. Lesnov i Anton P. Karmazin. "Horizons of biotechnology in Russia’s animal husbandry". RUDN Journal of Ecology and Life Safety 32, nr 1 (15.03.2024): 77–86. http://dx.doi.org/10.22363/2313-2310-2024-32-1-77-86.
Pełny tekst źródłaKezia Clarissa Langi, Setiawan Sabana i Hafiz Aziz Ahmad. "Kezia Clarissa Langi STUDI LAPANGAN: TRADISI BAJU PERANG NIAS MASA KINI DI KOTA GUNUNGSITOLI DAN DESA BAWOMATALUO". PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT 2 (24.01.2020): 8–13. http://dx.doi.org/10.33153/semhas.v2i0.95.
Pełny tekst źródłaSeregin, N. N., A. A. Tishkin, S. S. Matrenin i T. S. Parshikova. "Burial of a warrior of the Rouran period from Northern Altai". VESTNIK ARHEOLOGII, ANTROPOLOGII I ETNOGRAFII, nr 2(61) (15.06.2023): 80–94. http://dx.doi.org/10.20874/2071-0437-2023-61-2-7.
Pełny tekst źródłaRozprawy doktorskie na temat "Series:The Warrior"
Sweet, Anne. "Le Girl Power en question dans Xena Warrior Princess et Charmed : enjeux sociaux et commerciaux dans des politiques de genre". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030159.
Pełny tekst źródłaThis thesis investigates the social and economic issues at play in the politics of gender. Hence it delves into the phenomenon of Girl Power, or the « power of girls », and examines the discourses renegotiated around gender through analysis of TV series’ heroines from the 1990s. In contrast with series from the 1970s, which were influenced by the second wave of feminism, the series from 1990-2000 inscribed themselves more in the sphere of influence of feminism’s third wave. These series have provoked debates about issues of televisual violence and feminism. The corpus is principally composed of two Girl Power series, Xena: Warrior Princess and Charmed, which symbolize women’s power because they are centered on action heroines. These were successful series that were broadcast for several seasons and whose icons continue to disseminate in American popular culture. The analysis of these series is organized into two parts: the first part examines respresentations of Girl Power and its ambiguities, while the second part focuses on the negotiation of discourses of power and gender. The interpretation of these symbols of women’s power is not fixed, and blurs gender borders, notably in showing masculinity in crisis. TV series about violent women are commercial products. Yet they have had an impact on American culture in underlining the contradictions and tensions between the two waves of feminism. They have also affected the lives of the communities of fans, who sustain relationships with the series through web sites and social networks
Malínský, Zdeněk. "Zařízení pro měření tepové frekvence". Master's thesis, Vysoké učení technické v Brně. Fakulta elektrotechniky a komunikačních technologií, 2008. http://www.nusl.cz/ntk/nusl-217231.
Pełny tekst źródłaLai, Kwong-ki. "A philological study of the Chu bamboo text of the Warring States period as seen in volume two of the monograph series compiled on the basis of the collection housed in Shanghai Museum "Shanghai bo wu guan cang Zhan guo Chu zhu shu (er)" cong kao /". Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B39368452.
Pełny tekst źródłaGlangeaud, Chloé. "De série monde à série phénomène : analyse diégétique et de la réception de Xena la guerrière (1995-2001)". Thesis, 2020. http://hdl.handle.net/1866/24299.
Pełny tekst źródłaThis dissertation proposes an analysis of a series phenomenon through the concept of world series developed in television and film. Our object of analysis is Xena: Warrior Princess (Syndication 1995-2001), a television series from the 1990s known in the contemporary era for the phenomenon of fandom created around the series and characters Xena and Gabrielle. The series of the late 1990s are part of an era of transition, where digital and narratives mutations come together in the creation of dense and complex objects. We will try to draw a parallel between the structure of a television series and its reception, both of which are based on a logic of densification, to be observed in different forms: extension, continuity, and derivation, as well as on two levels: the text of Xena and the fandom of Xena. The diegetic analysis of the series will allow us to establish the conception and origins of the series as something dense and complex that invites and suggests a plurality of interpretations. Spectators/fans invest time and effort in the show in a variety of ways to produce rich and varied interpretations and fandom content. Defining a serial phenomenon would therefore take us back to examining the correlation of: producer, text, fans, and context, which allows this expansion of the series in multiple directions. The analysis of Xena: Warrior Princess around a logic of densification will allow us to better understand certain phenomena of fandom around contemporary series.
"A Quantitative Study of Alliance Structures in the Warring States of Ancient China, 453-221 B.C". Thesis, 2015. http://hdl.handle.net/10388/ETD-2015-04-2044.
Pełny tekst źródłaKsiążki na temat "Series:The Warrior"
Jade, McKayla. Warriors Trust: Elite Warrior Series. Independently Published, 2020.
Znajdź pełny tekst źródłaWarrior Reborn (Warrior Series). Pocket, 2012.
Znajdź pełny tekst źródłaThe Warrior (Warriors series) (Volume 1). CreateSpace Independent Publishing Platform, 2015.
Znajdź pełny tekst źródłaGarwood, Haley Elizabeth. Warrior Queen Series. Northwest Pub, 1996.
Znajdź pełny tekst źródłaWeisman, John, i Richard Marcinko. Rogue Warrior: Designation Gold (Rogue Warrior Series). Simon & Schuster Audio, 1997.
Znajdź pełny tekst źródłaStewart, R. J. MacBeth: Scotland's Warrior King (Heroes and Warriors Series). Sterling Pub Co Inc, 1988.
Znajdź pełny tekst źródłaWarrior the Complete Series. Rebecca Royce, 2022.
Znajdź pełny tekst źródłaXML (Web Warrior Series). Course Technology, 2002.
Znajdź pełny tekst źródłaXHTML, Web Warrior Series. Course Technology, 2003.
Znajdź pełny tekst źródłaGnos, C. J. Warrior's Quest: Book Two of the Warrior Series. Outskirts Press, Incorporated, 2014.
Znajdź pełny tekst źródłaCzęści książek na temat "Series:The Warrior"
Dalton, Drew. "Have We Left Behind the Rainbow Warriors? The Climate Emergency and Its Impact on Global Queer People and Their Communities". W Sustainable Development Goals Series, 17–40. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-31046-1_2.
Pełny tekst źródła"The Performance Of War: Battle As Spectacle In The ILIAD and into the badlands (2015–2019)". W Ancient Epic in Film and Television, redaktorzy Amanda Potter i Hunter Gardner, 168–84. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474473743.003.0011.
Pełny tekst źródłaCarson, Anne, i Michael Shaw. "Introduction". W Electra and Other Plays, 187–220. Oxford University PressNew York, NY, 1999. http://dx.doi.org/10.1093/oso/9780195387827.003.0009.
Pełny tekst źródłaCarson, Anne, i Michael Shaw. "Introduction". W Sophocles Electra, 3–40. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195049602.003.0001.
Pełny tekst źródłaHingley, Richard. "Julius Caesar in Britain". W Conquering the Ocean, 17–42. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190937416.003.0002.
Pełny tekst źródłaPurves, Alex C. "Standing". W Homer and the Poetics of Gesture, 117–52. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190857929.003.0005.
Pełny tekst źródłaMagoulick, Mary J. "The Bad Goddess in Film and Television". W The Goddess Myth in Contemporary Literature and Popular Culture, 111–37. University Press of Mississippi, 2022. http://dx.doi.org/10.14325/mississippi/9781496837066.003.0005.
Pełny tekst źródłaPenman, Leigh T. I. "The End of Days". W Prophecy, Madness, and Holy War in Early Modern Europe, 112—C6F2. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197623930.003.0006.
Pełny tekst źródła"Series Editors’ Preface". W Star Warriors of the Modern Raj, vii—viii. University of Wales Press, 2021. http://dx.doi.org/10.2307/jj.14491642.2.
Pełny tekst źródłaKelly, William W. "Baseball as Education and Entertainment". W Sportsworld of the Hanshin Tigers, 179–207. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520299412.003.0008.
Pełny tekst źródłaStreszczenia konferencji na temat "Series:The Warrior"
Parkin, E., i J. Chilcott. "Integrating Autonomy - Maintain, Launch, Execute and Recover". W Engine As A Weapon International Symposium VIII. IMarEST, 2019. http://dx.doi.org/10.24868/issn.2515-8171.2019.006.
Pełny tekst źródłaLabrador, Emiliano, Oscar Garcia, Albert Cubeles i Paul Fox. "Playing Entrepreneurship as a Memorable Experience for All Sorts of Talented Warriors". W 2013 5th International Conference on Games and Virtual Worlds for Serious Applications (VS-GAMES). IEEE, 2013. http://dx.doi.org/10.1109/vs-games.2013.6624238.
Pełny tekst źródłaMulualem Teku i Shatrunjay Rawat. "DoSing the road warriors of the next generation Internet for fun and profit". W 2010 IEEE 4th International Conference on Internet Multimedia Services Architecture and Application (IMSAA). IEEE, 2010. http://dx.doi.org/10.1109/imsaa.2010.5729403.
Pełny tekst źródłaUdie, Celestine, Fina Faithpraise, Agnes Anuka i Ekpenyong Ana. "Oil Polluted Soil Remediation Techniques Using a Complete Molecules Destruction Formulated Reagent". W SPE Nigeria Annual International Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/207107-ms.
Pełny tekst źródłaPanović, Danijel, i Ajnur Hodžić. "CONTEMPORARY INTERNATIONAL LEGAL – SECURITY CHALLENGES WITH SPECIAL REFERENCE TO AUSTRIA". W Tradicija, krivično i međunarodno krivično pravo. Srpsko udruženje za međunarodno krivično pravo, 2024. http://dx.doi.org/10.46793/tkmkp24.409p.
Pełny tekst źródłaAgala, B. F., A. R. Jonathan, A. Ofoedu, A. Ayodeji, U. Okon i P. Afuba. "Bonga FPSO: Asset Management Excellence". W Offshore Technology Conference. OTC, 2024. http://dx.doi.org/10.4043/35131-ms.
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