Gotowe bibliografie tematyczne / Sensibilities

Gotowa bibliografia na temat „Sensibilities”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Sensibilities"

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Lum, Wing Tek. "Local Sensibilities". Amerasia Journal 12, nr 1 (styczeń 1985): 111–12. http://dx.doi.org/10.17953/amer.12.1.t785647011647471.

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Peterson, Marina. "Atmospheric Sensibilities". Social Text 35, nr 2 131 (czerwiec 2017): 69–90. http://dx.doi.org/10.1215/01642472-3820545.

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Little, Suzanne. "Somatic Sensibilities". Contemporary Psychoanalysis 45, nr 2 (kwiecień 2009): 266–76. http://dx.doi.org/10.1080/00107530.2009.10745999.

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SMITH, MARION, RICHARD SPARKS i EVI GIRLING. "Educating Sensibilities". Punishment & Society 2, nr 4 (październik 2000): 395–415. http://dx.doi.org/10.1177/14624740022228079.

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Wynn, Thomas. "Sade's Sensibilities". French Studies 69, nr 4 (18.09.2015): 531–32. http://dx.doi.org/10.1093/fs/knv156.

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Puplick, Christopher. "Satanic Sensibilities". Media Information Australia 52, nr 1 (maj 1989): 58–60. http://dx.doi.org/10.1177/1329878x8905200115.

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Crozier, Michael. "Antipodean Sensibilities". South Atlantic Quarterly 98, nr 4 (1.10.1999): 839–59. http://dx.doi.org/10.1215/00382876-98-4-839.

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Phillips, D. Z. "Senses and Sensibilities". New Blackfriars 84, nr 989-990 (lipiec 2003): 346–53. http://dx.doi.org/10.1111/j.1741-2005.2003.tb06308.x.

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Darmon, Isabelle, i Alan Warde. "Senses and Sensibilities". Food, Culture & Society 19, nr 4 (październik 2016): 705–22. http://dx.doi.org/10.1080/15528014.2016.1243769.

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Tal, Shay, i Johan Paulsson. "Cells' senses and sensibilities". Nature Chemical Biology 5, nr 10 (październik 2009): 705–6. http://dx.doi.org/10.1038/nchembio.229.

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Rozprawy doktorskie na temat "Sensibilities"

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Winter, Lucas William. "An exploration of small town sensibilities". Thesis, Montana State University, 2010. http://etd.lib.montana.edu/etd/2010/winter/WinterL0510.pdf.

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This thesis will explore the design process of creating a contextually appropriate building by responding to sensibilities gleaned from a series of local narratives. The resulting architectural exploration is a three story elderly housing project in downtown Miles City, Montana.
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Bednar, Michael Andrew. "Memory and Intuition: An Uncovering of Sensibilities". Thesis, Virginia Tech, 2016. http://hdl.handle.net/10919/73498.

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This is an exploration beginning with memory of growing up in and exploring a forest surrounding my childhood home. This environment encompassed overwhelming scale and comforting intimacy, with a small intervention that related them. My thesis attempts to extract memory from growing up in the woods and create mediating, complimentary built interventions in a hypothetical world of meaning. It is an exercise in creating for others by extracting from personal memory and identifying personal sensibilities. With abstract spatial drawings, architecture's possible influence is understood at a slower pace. Through layered colored pencil drawings, my work attempts to depict human influence and its enhancement on the natural world surrounding it.
Master of Architecture
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Hiley, Victoria. "In Pursuit of a Good Death: Managing Changing Sensibilities Toward Death and Dying". University of Sydney, 2008. http://hdl.handle.net/2123/2611.

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Doctor of Juridical Science
This thesis challenges a number of claims that are made in the context of the euthanasia debate: that there is only one version of the good death; that rights discourse is the most appropriate vehicle by which to secure legal recognition of a right to die; that the Netherlands is either a model for reform or the epitome of a slippery slope in its regulation of euthanasia; and that a key argument in the euthanasia debate, the sanctity of life doctrine, is a fixed, immutable concept. In this thesis I use process sociology, developed by Norbert Elias, in order to capture changing sensibilities toward death and dying in the common law jurisdictions (Australia, England, the United States of America, Canada and New Zealand) and in the Netherlands. At the same time I analyse changing attitudes among key groups whose work impacts upon the euthanasia debate namely, parliamentarians, law reform bodies, the judiciary and medical associations. My aim in adopting this approach is threefold. First of all, to examine evolving attitudes to death and dying in order to determine whether the institutions of law and medicine are responding in an adequate manner to changing sensibilities in the common law countries and in the Netherlands. Secondly, to highlight shifting balances of power within the euthanasia debate. Thirdly, to assess whether the various options for reform that I discuss are workable or not. In this thesis I show that there appears to be a sensibility of support in the common law countries for euthanasia to be legally available when an adult is terminally ill, is experiencing pain that he or she cannot bear and has expressed a wish to die (the typical euthanasia scenario). However, the situation is far from clear cut. The methods adopted by one of the ways of measuring sensibilities, opinion polls, suggest that sensibilities may not always be well-informed. Further, attitudes within and between key groups are not uniform or settled. In the context of this unsettled state of affairs, I show that responses to changing sensibilities from law and medicine in the common law jurisdictions are far from satisfactory. So far as legal responses are concerned, case law outcomes in right to die applications suggest a lack of flexibility. Outcomes in prosecutions following active voluntary euthanasia or assisted suicide reveal a non-application of established legal principles and suggest that the courts do not focus, squarely, upon the real issues at stake in the euthanasia debate. Medical responses are similarly less than optimal due to a tendency to de-emphasise existential (emotional) pain which, research shows, is the prime motivating factor in requests to be assisted to die sooner. Responses to changing sensibilities to death and dying in the Netherlands are also unsatisfactory because of the disorganised manner in which euthanasia was legalised and because regulation is inadequate. I come to the conclusion that there are three ways in which we could possibly resolve these problems and increase the flexibility of responses to changing sensibilities toward death and dying. They are as follows: by legalising euthanasia; by permitting a defence of necessity; or, by liberalising the use of terminal sedation in end-of-life care. Of these three, I conclude, in light of shifting sensibilities and overall negative attitudes among key groups to euthanasia, that the last is the most appropriate option at the present time. In closing, I address some of the larger issues at stake in the euthanasia debate. In particular, I deal with the effect that changing sensibilities toward the process of dying have had upon human social life, leading to the problematic situation that Elias referred to as the ‘loneliness of the dying’.
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Dublon, Gershon. "Sensor(y) Landscapes : technologies for new perceptual sensibilities". Thesis, Massachusetts Institute of Technology, 2018. http://hdl.handle.net/1721.1/119070.

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Thesis: Ph. D., Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2018.
Cataloged from PDF version of thesis.
Includes bibliographical references (pages 151-160).
When we listen closely, there is a pervading sense that we could hear more if we could only focus a little more intently. Our own perceptual limits are a moving target that we cannot delineate and rarely reach. This dissertation introduces technologies that operate at that mysterious boundary. I envision sensor(y) landscapes, physical sites that meld distributed sensing and sensory perception to afford new perceptual sensibilities. Today's mainstream technologies are well designed for rapid consumption of information and linear, sequential action. A side effect of their effectiveness to task, however, is a loss of undirected, curiosity-driven exploration in the world. I propose alternative technologies that would extend perceptual presence, amplify attention, and leverage intuitions. My focus is on turning rich sensor data into compelling sensory input, and as such, a substantial component of my work involved deploying sensor infrastructure in beautiful places. My projects center on a wetland restoration site, called Tidmarsh, where environmental data are densely and continuously collected and streamed. Using sound and vibration as the medium and nature as the setting, I undertook this work in two steps. The first constructs environments suffused with sensing and built for being present in. My projects in this space comprise sensor-driven virtual worlds, glass elevator sound installations, and vibrating forests that give oral histories. Building on lessons and infrastructure from the first approach, my culminating work uses non-occluding spatial audio to create situated perceptions of data. I developed a bone-conduction headphone device, called HearThere, that renders a live soundscape from distributed microphones and sensors, fully merged with the user's natural hearing. HearThere combines its wearer's inferred listening state with classification output from an Al engine to adjust the mix and spatial parameters of virtual audio sources. The device was developed based on findings from lab studies into spatial hearing and attention, and evaluated in a human subjects study with a panel of experts. Through these projects, I found that deriving meaning in the medium is a matter of possessing or developing perceptual sensibilities, intuitions for how the permeated data can be teased out and contemplated. Carefully composed perceptual confusion-a blurring of place and distributed media-becomes an opportunity for the development of new transpresence sensibilities. How do users make sense of these new dimensions of perception, and how can technologies be designed to facilitate perceptual sense-making?
by Gershon Dublon.
Ph. D.
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Betz, Laura Wells. "Textual sensibilities the physicality of British poetry, 1750-1850 /". College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2394.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2005.
Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Lueth, Marit Lee. "The natural circumstances of place: design to awaken sensibilities". Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/lueth/LuethM1208.pdf.

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This thesis suggests redirecting our attention to our immediate, palpable natural environment in an effort to re-establish an attachment to place through a better understanding of the unique qualities of our natural surroundings. It acknowledges that a better understanding of the natural environment, the one outside one's backdoor, is gained through first-hand experience and discovery and when provided with the opportunity to engage in primary experience of our natural places there exists the potential for improved understanding and emotional involvement in place.
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Lueth, Marit Lee. "The natural circumstances of place design to awaken sensibilities /". Thesis, Montana State University, 2009. http://etd.lib.montana.edu/etd/2008/lueth/LuethM1208.pdf.

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Hsu, Matthew. "Indie-Folk™: Vintage sensibilities in the 21st century". Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/127050/1/Matthew_Hsu_Thesis.pdf.

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This project investigates the indie-folk music scene, characterised by lo-fi and vintage sensibilities evoking the Western colonial 'frontier spirit'—marked by old-timey handmade aesthetics, acoustic instruments and a back-to-basics ethos. Beginning as a niche genre then exploding into mainstream awareness in the 2000s, its popularity grew alongside cultural trends for all things natural, eco-friendly and 'rootsy'. Through interviews with artists, industry practitioners and fans, this research reveals the complexities involved in vintage sensibilities existing in a digitally-connected modern world, and how they relate to authenticity, hipster culture, green consumerism, gender, race and class.
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Lee, Jackie Chia-Hsun. "Spatial user interface : augmenting human sensibilities in a domestic kitchen". Thesis, Massachusetts Institute of Technology, 2005. http://hdl.handle.net/1721.1/33887.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2005.
Includes bibliographical references (leaves 83-90).
The real world is not a computer screen. When can augmented reality and ambient interfaces improve the usability of a physical environment? This thesis presents data from design studies and experiments that demonstrate the value for ambient information and augmented reality design. The domestic kitchen is used as a domain to place smart technologies and to study visual attention,multi-tasking, food-preparation and disruptiveness. Human perception in visually complex environments can be significantly enhanced by overlaying intuitive, immersive and attentive displays. Placing Graphical User Interface designs in a physical environment made only 20% of the subjects understand what to do in the Soft-Boiled Egg experiment. In the stovetop study, 94% of the subjects understood that the augmented stovetop was still hot and dangerous through the abstract and immersive display, while only 19% of the subjects were able to determine that the normal stovetop was still hot from a distance. In the Sink study, 94% of the subjects immediately understood that the water was hot by its red color. Useful knowledge about cooking, safety, and using home appliances can be embedded with sensors into the physical environment.
(cont.) Causal-related cooking events (i.e. when a subject opened the freezer and then stood in front of the microwave, a 'Defrost' appeared on the microwave.) were added in KitchenSense in order to maintain an easily understood physical environment.
by Jackie Chia-Hsun Lee.
S.M.
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Taig, Phillip Barry. "The Musicality of The Sublime: Romantic sensibilities in film music". Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/24674.

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This thesis gives a cultural and philosophical account of the meaning of music through the analysis of romantic film music as it underscores dramatic, narrative film. The argument is furnished by thinkers and poets of the Romantic revolution in thought, language and sensibility that took place at the end of the eighteenth century and into the first third of the nineteenth century. The main claim is that romantic orchestral music is particularly suited, and has become ubiquitous as a standard, for expressing the darkness of the human heart; exhilarated and awed by the thrills and terrors of the sublime; elated and tortured by its pleasures and pains; recognizing that even happiness, pleasure and love are underwritten by the dark reality of our divided selves engaging a world riven by contradictions. Schiller’s conception of das Musikalische, as a pre-conceptual reflection of the importance of music, provides a potent starting point for this argument. The ability of music to express a characteristic darkness, which finds its way into romantic orchestral film music, is enlisted precisely because only it can express such darkness in consonance with the existential and chiaroscuro darkness of film and cinematic experience as a spectacle of the sublime. Chapter one cites some examples of symphonic orchestral film music in order to locate the style of music to be discussed. Chapter two presents a philosophical argument that justifies the main claims of the thesis. Chapter three presents a concise historical account, connecting the dark sublime of romantic literary practice with the evolution of dark themes in popular entertainment, leading eventually to the films of Hollywood’s Golden Era. Chapter four connects the mythological programme of Wagner’s conception of music drama with the New Mythology of the Romantics, and demonstrates how this programme came to influence symphonic film music. Chapters five and six give a musical and filmic analysis that illustrates the claims made throughout the thesis. Chapter five examines an instance of music composed in the late-romantic period being applied to a film. Chapter six gives a detailed analysis of two films that demonstrate abundantly the application of a dark sublime aesthetic to cinematic experience through the use of symphonic orchestral film music, and extends the insights gained to other, illustrative examples.
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Książki na temat "Sensibilities"

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Senses and sensibilities. New York: Wiley, 1989.

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Northup, Lesley A. Sex and sensibilities. Gulf Breeze, FL: Academic International Press, 2003.

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Megalopolis: Contemporary cultural sensibilities. Minneapolis: University of Minnesota Press, 1992.

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Vanishing sensibilities: Schubert, Beethoven, Schumann. New York: Oxford University Press, 2012.

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Jacobsen, Michael Hviid, Thomas Johansson i Gunnar C. Aakvaag. Introduction to sociology: Scandinavian sensibilities. Harlow, England: Pearson, 2012.

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Yoshida, Mitsukuni. Asobi: The sensibilities at play. Hiroshima, Japan: Mazda Motor Corp., 1987.

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Homoerotic sensibilities in late imperial China. London: Routledge, 2004.

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Scribano, Adrián, Margarita Camarena Luhrs i Ana Lucía Cervio, red. Cities, Capitalism and the Politics of Sensibilities. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58035-3.

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Scribano, Adrian, i Pedro Lisdero, red. Digital Labour, Society and the Politics of Sensibilities. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12306-2.

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Badin, Donatella Abbate. Lady Morgan's Italy: Anglo-Irish sensibilities and Italian realities. Bethesda, MD: Academica Press, 2007.

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Części książek na temat "Sensibilities"

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Schulkin, Jay. "Emersonian Sensibilities". W Oliver Wendell Holmes Jr., Pragmatism and Neuroscience, 119–50. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-23100-2_6.

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Bruno, Cosima. "Shared Sensibilities". W Ecocriticism and Chinese Literature, 55–69. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003212317-5.

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Graham, Emma-Jayne. "Interactional sensibilities". W Disability Studies and the Classical Body, 165–91. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Routledge studies in ancient disabilities: Routledge, 2021. http://dx.doi.org/10.4324/9780429273711-7.

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Liedke, Heidi. "Sensibilities of Seeing". W The Experience of Idling in Victorian Travel Texts, 1850–1901, 39–64. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95861-3_3.

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Novak, John M., Denise E. Armstrong i Brendan Browne. "Managing Educational Sensibilities". W Leading For Educational Lives, 113–23. Rotterdam: SensePublishers, 2014. http://dx.doi.org/10.1007/978-94-6209-554-0_8.

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Del Campo, Matias, Sandra Manninger, Leete Jane Wang i Marianne Sanche. "Sensibilities of Artificial Intelligence". W Impact: Design With All Senses, 529–38. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-29829-6_41.

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Dunk-West, Priscilla, i Fiona Verity. "Imaginative Sensibilities and Habits". W Practising Social Work Sociologically, 38–52. London: Macmillan Education UK, 2018. http://dx.doi.org/10.1057/978-1-137-54808-5_4.

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Sharma, Susheel Kumar. "Divided nations, unified sensibilities". W Nationalism in India, 83–94. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003181408-6.

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Slotkin, Joel Elliot. "Satanic Sensibilities in Paradise Lost". W Sinister Aesthetics, 173–215. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-52797-0_5.

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Sakellaridou, Elizabeth. "Stretching Medea to Postmodern Sensibilities". W Staging International Feminisms, 140–50. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287693_14.

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Streszczenia konferencji na temat "Sensibilities"

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Mörtberg, Christina, i Dagny Studedahl. "Silences and sensibilities". W the 4th decennial conference. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1094562.1094584.

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Häkkilä, Jonna, Mikael Wiberg, Nils Johan Eira, Tapio Seppänen, Ilkka Juuso, Maija Mäkikalli i Katrin Wolf. "Design Sensibilities - Designing for Cultural Sensitivity". W NordiCHI '20: Shaping Experiences, Shaping Society. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3419249.3420100.

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Xiaoxia Wang i Ren Peng. "Design, symbols media and culture sensibilities". W Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730790.

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Desai, Amit, i Sara Donetto. "O32 Evolving ethnographic sensibilities: using actor-network theory in health services research". W Crafting the future of qualitative health research in a changing world abstracts. British Medical Journal Publishing Group, 2019. http://dx.doi.org/10.1136/bmjopen-2019-qhrn.32.

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Reiners, Torsten, i Heinz Dreher. "Culturally-based Adaptive Learning and Concept Analytics to Guide Educational Website Content Integration". W InSITE 2008: Informing Science + IT Education Conference. Informing Science Institute, 2008. http://dx.doi.org/10.28945/3211.

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In modem learning environments, the lecturer or educational designer is often confronted with multi-national student cohorts, requiring special consideration regarding language, cultural norms and taboos, religion, and ethics. Through a somewhat provocative example we demonstrate that taking such factors into account can be essential to avoid embarrassment and harm to individual learners’ cultural sensibilities and, thus, provide the motivation for finding a solution using a specially designed feature, known as adaptive learning paths, for implementation in Learning Management Systems (LMS). Managing cultural conflicts is achievable by a twofold process. First, a learner profile must be created, in which the specific cultural parameters can be recorded. According to the learner profile, a set of content filter tags can be assigned to the learning path for the relevant students. Example content filter tags may be “no sex” or “nudity ok, but not combined with religion”. Second, the LMS must have the functionality to select and present content based on the content filter tags. The design of learning material is presented via a meta-data based repository of learning objects that permits the adaptation of learning paths according to learner profiles, which include the cultural sensibilities in addition to prior knowledge and learning and categorized learning content - a detailed example is given.
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Nagwanshi, Sajal, i Sukanya Mudaliar. "Use of Participatory Design to Understand Aesthetic and Cultural Sensibilities for Reminiscing About a Dear Departed". W the India HCI 2014 Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2676702.2676713.

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Cho, Jangsik, Shohei Kato i Hidenori Itoh. "Comparison of sensibilities of Japanese and Koreans in recognizing emotions from speech by using Bayesian networks". W 2009 IEEE International Conference on Systems, Man and Cybernetics - SMC. IEEE, 2009. http://dx.doi.org/10.1109/icsmc.2009.5346125.

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Akash, Animesh, i Ajit Duara. "The effect of subtitles on the visual sensibilities of the audience in their reception of foreign cinema". W 11TH ANNUAL INTERNATIONAL CONFERENCE (AIC) 2021: On Sciences and Engineering. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0121842.

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Caraman, S., M. Barbu i G. Dumitrascu. "Wastewater Treatment Process Identification Based on the Calculus of State Variables Sensibilities with respect to the Process Coefficients". W 2006 IEEE International Conference on Automation, Quality and Testing, Robotics. IEEE, 2006. http://dx.doi.org/10.1109/aqtr.2006.254631.

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Yoshimura, Masataka, Tsutomu Nishimura i Kazuhiro Izui. "Acquisition of Product Design Guidelines Considering User Kansei Data Pertaining to Product Environments". W ASME 2005 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2005. http://dx.doi.org/10.1115/detc2005-85160.

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Recently, almost all industrially manufactured consumer goods have a high level of engineering excellence, and product designers face an increasingly difficult task of creating products that will stand out in a competitive marketplace. At present, users tend to base their purchasing decisions on the product’s degree of fitness to their preferences, not the degree of functional fulfillment that the product offers. The development of products that are more attractive to users requires the consideration of human preferences and sensibilities, so-called “Kansei,” as well as the skillful application of these factors to the design sequence. The process of identifying and clarifying Kansei suggests that personal preferences concerning a given product are strongly influenced by both the person’s environment and the circumstances in which the product will be used. Analyzing both of these clarifies the influence that subconscious desires and human nature have on the expression of Kansei. This paper proposes a method for extracting the Kansei of potential customers and applying it to product designs that aim to maximize their human appeal, rather than their technical superiority.
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Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „Sensibilities” dla poszczególnych typów źródeł:
Artykuły w czasopismach Rozprawy doktorskie Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii