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Artykuły w czasopismach na temat "Sean O'Casey"
Countryman, John, James Simmons, Heinz Kosok i Nesta Jones. "Sean O'Casey". Theatre Journal 39, nr 2 (maj 1987): 251. http://dx.doi.org/10.2307/3207703.
Pełny tekst źródłaCountryman, John, i Garry O'Connor. "Sean O'Casey: A Life". Theatre Journal 41, nr 4 (grudzień 1989): 560. http://dx.doi.org/10.2307/3208029.
Pełny tekst źródłaO'Brien, Paul, i Christopher Murray. "Sean O'Casey: Writer at Work". Canadian Journal of Irish Studies 30, nr 2 (2004): 75. http://dx.doi.org/10.2307/25515539.
Pełny tekst źródłaFirchow, Peter E., i Garry O'Connor. "Sean O'Casey: A New Life". World Literature Today 63, nr 2 (1989): 311. http://dx.doi.org/10.2307/40144906.
Pełny tekst źródłaNewsinger, John. "Sean O'casey, Larkinism and literature". Irish Studies Review 12, nr 3 (grudzień 2004): 283–92. http://dx.doi.org/10.1080/0967088042000267588.
Pełny tekst źródłaInnes, Christopher. "The Essential Continuity of Sean O'Casey". Modern Drama 33, nr 3 (wrzesień 1990): 419–33. http://dx.doi.org/10.3138/md.33.3.419.
Pełny tekst źródłaSchrank, Bernice, David Krause i Sean O'Casey. "The Letters of Sean O'Casey, Volume III, 1955-1958". Canadian Journal of Irish Studies 16, nr 2 (1990): 135. http://dx.doi.org/10.2307/25512839.
Pełny tekst źródłaDurbach, Errol, i E. H. Mikhail. "Sean O'Casey and His Critics: An Annotated Bibliography, 1916-1982". Canadian Journal of Irish Studies 14, nr 1 (1988): 72. http://dx.doi.org/10.2307/25512729.
Pełny tekst źródłaShaw, W. David, i Michael Kenneally. "Portraying the Self: Sean O'Casey and the Art of Autobiography". Canadian Journal of Irish Studies 15, nr 1 (1989): 116. http://dx.doi.org/10.2307/25512773.
Pełny tekst źródłaKrause, David. ""We Cannot Always Suffer Ecstasy" "The Letters of Sean O'Casey"". Canadian Journal of Irish Studies 15, nr 2 (1989): 39. http://dx.doi.org/10.2307/25512786.
Pełny tekst źródłaRozprawy doktorskie na temat "Sean O'Casey"
Dumay, Émile-Jean. "Le theatre de sean o'casey". Paris 3, 1987. http://www.theses.fr/1987PA030006.
Pełny tekst źródła1 specific choices in resorting to reality o'casey is right when he denies a realistic label. But he clings to innumerable bits of reality, to life. These levels of actuality are to be found throughout the dramatic works in stage directions, verbal communication of trifling everyday dialogues, absence of standard psychological approach, but characters endowed with minimal probability, absence of standard plots but development of basic situations, stylization of history, didactic features, melodrama, comedy and language. 2 aspects and final meanings of fancy and dream-like scenes their evolution play after play. Fancy is to be found already in the dublin trilogy but so to speak negatively. The silver tassie appears as a break, with fancy and dream sweeping through to express the dramatist's progressive views and convey his visions of a "socialistic" new jerusalem, aesthetically, socially and politically glorious. The evolution just mentioned leads to an increasingly clear embodiment of the author's dream in mythical creatures and, towards the end, oddly enough, to an intimation of god. Merriment and celebration is also part of o'casey's revolutionary fancy. 3 revolutionary modes : the inmost specificity of o'casey's plays is studied under the following headings :. Theatre of discomfort (abrupt changes of tone, perpetual questioning of things. . ). Theatre of demonstration, provocation, agitation, unrest (characters as agitators, survey of performances of plays and their critical reception). Theatre of cultural aesthetic revolution (blending of art and life ; use of song, dance and lyricism to mean beauty and to try and convey it ; the militant and or poet as character ; revolutionary value of beauty). Naive surrealism ; in particular a parallel with magritte's paintings
Peyronnet, Marianne. "Les personnages féminins dans l'oeuvre dramatique de Sean O'Casey". Paris 8, 1997. http://www.theses.fr/1997PA081255.
Pełny tekst źródłaIn ireland, from the beginning of the century to the sixties, men dominate their female fellow-citizens in every field. The elementary rights of the irish women are flouted : they are deprived of citizenship, are relegated to the home in spite of their resistance. Sean o'casey, in his dramatic works, during the whole period, depicts female characters fighting for their emancipation. He shows brave heroines confronted by coward companions and lovers. They are determined to free themselves from male yoke. O'casey paints images of women which cause displeasure to his contemporaries because of their realism, because they are too far from the models of submitted mothers and wives desired by the religious and nationalist groups. He creates a language to make them appear superior ; he gives them a political function. He maintains that women only will be able to construct a better, a more egalitarian world. Through his works, the evolution of his thought can be read ; a change in his way of looking at woman's place in society is revealed. If he can be considered at the beginning as a "feministe differencialiste", he becomes at the end a feministe
Dumay, Émile-Jean. "Le Théâtre de Sean O'Casey réalité, rêve et révolution /". Lille 3 : ANRT, 1989. http://catalogue.bnf.fr/ark:/12148/cb37604756w.
Pełny tekst źródłaPaull, Michelle Constance. "The plays of Sean O'Casey 1919-1959 : innovation, history and form". Thesis, Goldsmiths College (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434836.
Pełny tekst źródłaHarris, Peter James. "Sean O'Casey's letters and autobiographies : reflections of a radical ambivalence /". Trier : WVT, Wiss. Verl. Trier, 2004. http://www.gbv.de/dms/goettingen/390326526.pdf.
Pełny tekst źródłaMalick, Neeraj. "The politics of laughter : a study of Sean O'Casey's drama". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39493.
Pełny tekst źródłaRiordan, Michael, i n/a. "Terrible Beauty: Ideology and Political Discourse in the Early Plays of Sean O'Casey". Griffith University. School of Humanities, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040615.132200.
Pełny tekst źródłaRiordan, Michael. "Terrible Beauty: Ideology and Political Discourse in the Early Plays of Sean O'Casey". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/367087.
Pełny tekst źródłaThesis (Masters)
Master of Philosophy (MPhil)
School of Humanities
Full Text
McDonald, Ronan. "Versions and aversions : conceptions of tragedy in J.M. Synge, Sean O'Casey and Samuel Beckett". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313585.
Pełny tekst źródłaEl, Fouadi Kamal. "The scope of naturalism in British working-class drama, with particular reference to Joe Corrie, D.H. Lawrence and Sean O'Casey". Thesis, University of Glasgow, 1989. http://theses.gla.ac.uk/3197/.
Pełny tekst źródłaKsiążki na temat "Sean O'Casey"
Sean O'Casey. London: Faber and Faber, 1998.
Znajdź pełny tekst źródłaJames, Simmons. Sean O'Casey. Houndmills, Basingstoke: Macmillan, 1988.
Znajdź pełny tekst źródłaChristopher, Murray. Sean O'Casey. London: Faber and Faber, 2000.
Znajdź pełny tekst źródłaMárton, Mesterházi. Sean O'Casey Magyarországon. Budapest: Akadémiai Kiadó, 1993.
Znajdź pełny tekst źródłaLiterature, International Association for the Study of Anglo-Irish. Studies on Sean O'Casey. [Caen]: The Association, 1987.
Znajdź pełny tekst źródłaSean O'Casey: A life. London: Paladin, 1989.
Znajdź pełny tekst źródłaO'Connor, Garry. Sean O'Casey: A life. New York: Atheneum, 1988.
Znajdź pełny tekst źródłaO'Connor, Garry. Sean O'Casey: A life. London: Hodder and Stoughton, 1988.
Znajdź pełny tekst źródłaO'Casey, Eileen. Sean. London: Papermac, 1990.
Znajdź pełny tekst źródłaSean O'Casey: A research and productionsourcebook. Westport, Conn: Greenwood Press, 1996.
Znajdź pełny tekst źródłaCzęści książek na temat "Sean O'Casey"
O’Sullivan, Emer. "O'Casey, Sean". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14422-1.
Pełny tekst źródłaWilson, John. "Sean O'casey". W The Faith of an Artist, 68–79. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003291282-6.
Pełny tekst źródłaHölscher, Meike. "O'Casey, Sean: The Silver Tassie". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14426-1.
Pełny tekst źródłaPankratz, Anette. "O'Casey, Sean: Juno and the Paycock". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14424-1.
Pełny tekst źródłaYun, Hunam. "The Strange Case of Sean O'Casey". W Appropriations of Irish Drama in Modern Korean Nationalist Theatre, 123–58. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003163947-4.
Pełny tekst źródłaLemke, Cordula. "O'Casey, Sean: The Shadow of a Gunman". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14423-1.
Pełny tekst źródłaKluge, Walter, i Meike Hölscher. "O'Casey, Sean: The Plough and the Stars". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14425-1.
Pełny tekst źródłaMoran, James. "The Plough and the Stars (1926) by Sean O'Casey". W Fifty Key Irish Plays, 45–48. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003203216-12.
Pełny tekst źródłaWatson, G. J. "Sean O'casey: Hearts O' Flesh, Hearts O' Stone, and Chassis". W Irish Identity and the Literary Revival, 245–87. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003369943-5.
Pełny tekst źródłaWynands, Sandra. "The Word of Politics/Politics of the Word: Immanence and Transdescendence in Sean O'Casey and Samuel Beckett". W A Companion to Irish Literature, 113–28. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781444328066.ch36.
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