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Artykuły w czasopismach na temat "Sculpture"
Luecking, Stephen. "Sculpture from Patchwise Modules". Mathematics 7, nr 2 (19.02.2019): 197. http://dx.doi.org/10.3390/math7020197.
Pełny tekst źródłaFang, Zhiyu. "Contemporary Chinese Sculpture Promoting the “Idea of China” (the case of Cao Chunsheng and Deng Ke)". Scientific and analytical journal Burganov House. The space of culture 18, nr 6 (10.12.2022): 95–100. http://dx.doi.org/10.36340/10.36340/2071-6818-2022-18-6-95-100.
Pełny tekst źródłaPutney, Dani. "Sino-Filipino Artistic Collaboration". Athanor 39 (22.11.2022): 35–52. http://dx.doi.org/10.33009/fsu_athanor130974.
Pełny tekst źródłaYang, Zeyin. "Interoperability Analysis between Traditional Chinese Sculpture and Painting Modeling from the Perspective of Big Data Management". Mathematical Problems in Engineering 2022 (8.08.2022): 1–9. http://dx.doi.org/10.1155/2022/3237282.
Pełny tekst źródłaKhattri, Om. "Art in nature: Shifting trends in Nepali sculpture". Journal of Fine Arts Campus 3, nr 1 (31.12.2021): 35–43. http://dx.doi.org/10.3126/jfac.v3i1.42494.
Pełny tekst źródłaFriedman, Nat. "An introduction to hyperseeing and hypersculptures". Kybernetes 40, nr 7/8 (9.08.2011): 1015–20. http://dx.doi.org/10.1108/03684921111160241.
Pełny tekst źródłaSazonov, Vadim V. "THE UNITY OF MONUMENTAL SCULPTURE AND THE ENVIRONMENT IN THE MONUMENT “TO THE FIRST BUILDERS OF KOMSOMOLSK-ON-AMUR”: TO THE QUESTION OF THE PROBLEMS OF THE EARLY WORK OF V.E. GOREVOY". Articult, nr 1 (2022): 18–24. http://dx.doi.org/10.28995/2227-6165-2022-1-18-24.
Pełny tekst źródłaالاء عيسى كريم i علي عبدالله عبود. "Fashion Aesthetics in Contemporary Arab Sculpture". Basrah Arts Journal, nr 27 (30.11.2023): 136–42. http://dx.doi.org/10.59767/2023.11/27.10.
Pełny tekst źródłaMARTIROSYAN, MADONA. "THE CHARACTER OF TIGRAN THE GREAT IN COINS AND SCULPTURE". Scientific bulletin 1, nr 44 (28.04.2023): 170–85. http://dx.doi.org/10.24234/scientific.v1i44.54.
Pełny tekst źródłaखत्री Khatri, ओम Om. "आधुनिक नेपाली मूर्तिकला : सन्दर्भ ऐतिहासिक सैनिक स्मारक मूर्तिहरू {Modern Nepali Sculpture: Reference Historical Military Memorial Statues}". SIRJANĀ – A Journal on Arts and Art Education 4, nr 1 (1.12.2017): 98–107. http://dx.doi.org/10.3126/sirjana.v4i1.44520.
Pełny tekst źródłaRozprawy doktorskie na temat "Sculpture"
Lindberg, Siri. "Embodied sequences : Sculptural architecture, architecture for sculpture". Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-223745.
Pełny tekst źródłaDubrion, Véronique. "Sculptures membranes : de la sculpture comme objet de désir". Paris 1, 2008. http://www.theses.fr/2008PA010705.
Pełny tekst źródłaPerotto, Émilie. "La sculpture contemporaine envisagée comme une situation : modes de production, usages et objets". Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3052.
Pełny tekst źródłaThis doctorate research tries to define precisely what I term a sculptural situation considering sculpture – ie historically still & perennial – as the meeting point of multiple temporalities. To elaborate this research I took my artistic pratice as a ground to inquire into. I did test several assumptions which have informed my latest works thereafter described. Furthermore, a greater attention was given to contemporary sculpture so as to open wider perspectives drawn from historical artistic practives & theories. I studied the relationship between sculpture & daily life and most specifically their being time-based experiences, as much during the making of the works as when perceived by a spectator. I was then able to study sculpture in relation to everyday objects : either through the introduction of the later in sculptures themselves or their possible reproduction or even the use that can be made of them. I thus established a typology of what I name usable sculpture, whose functionality is not an end in itself but is nevertheless a possible way of experiencing the work of art
Kueny, Claire. "Sculptures d’ombres : l’ombre projetée dans la sculpture à partir des années 1980". Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080064.
Pełny tekst źródła“Shadow sculptures” are works of art where artists use projected shadows as a material. All works are composed with a basic projection device, and comprised of at least, a light source, a screen and an object. The shadow-pictures, still or moving, appear by the object’s interception of light. Since the 80’s, projected shadows have multiplied in sculpture. In addition, artists use them to enhance their picture quality. Inspired by the works from the beginning of the 20th century (such as László Moholy-Nagy’s Light-Space Modulator (1922-1930)), shadow sculptures stand between photography, cinema and sculpture, between sculpture and picture and between sculpture and projection. They use their technical vocabulary and their vision modality. This specificity distinguishes shadow sculptures from sculptures in the past few decades that preferred the sensorial quality of light and shadows. It also gives the opportunity to question the medium sculpture, which has been constantly (re-)defined since the late 60’s. Lastly, this specificity of shadow sculptures positions them in the context of the 80’s that they question and reflect. Artwork analyses, the definition of the medium sculpture, the study of the historical period beginning in the 80’s and the exploration of the shadows’ polysemy are the four principal elements investigated in the following PhD. They all participate to define shadow sculptures as a singular medium
Kueny, Claire. "Sculptures d’ombres : l’ombre projetée dans la sculpture à partir des années 1980". Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080064.
Pełny tekst źródła“Shadow sculptures” are works of art where artists use projected shadows as a material. All works are composed with a basic projection device, and comprised of at least, a light source, a screen and an object. The shadow-pictures, still or moving, appear by the object’s interception of light. Since the 80’s, projected shadows have multiplied in sculpture. In addition, artists use them to enhance their picture quality. Inspired by the works from the beginning of the 20th century (such as László Moholy-Nagy’s Light-Space Modulator (1922-1930)), shadow sculptures stand between photography, cinema and sculpture, between sculpture and picture and between sculpture and projection. They use their technical vocabulary and their vision modality. This specificity distinguishes shadow sculptures from sculptures in the past few decades that preferred the sensorial quality of light and shadows. It also gives the opportunity to question the medium sculpture, which has been constantly (re-)defined since the late 60’s. Lastly, this specificity of shadow sculptures positions them in the context of the 80’s that they question and reflect. Artwork analyses, the definition of the medium sculpture, the study of the historical period beginning in the 80’s and the exploration of the shadows’ polysemy are the four principal elements investigated in the following PhD. They all participate to define shadow sculptures as a singular medium
Charvet, Célia. "Sculpter l'habitat : les dimensions de l'habiter dans la sculpture contemporaine". Besançon, 2010. http://www.theses.fr/2010BESA1010.
Pełny tekst źródłaThinking about "inhabiting" from the viewpoint of contemporary art – contemporary sculpture, to be precise – means engaging in an analysis of three-dimensional forms, and thus looking at inhabiting in its visible, tangible dimensions, in a concrete instantiation of its implications, and crystallising the concepts of body, space and time. Giving form(s) to inhabiting does not only mean elucidating the phenomena associated with it, but also generating its spatio-temporal dimensions on the scale of human existence. It means structuring, orientating, qualifying the multiple relationships between individuals and their different places of existence, whether in the private or the public sphere. It means looking at inhabiting as an act – and an act of resistance – rather than simply a fact. It means, finally, defining territories of inhabiting, where the different parts of space-time induce the inhabitance of human beings, in other words their potentiality to inhabit. Starting with works by sculptors of inhabiting (this being the generic term we will use to define those whose work we discuss), the aim is to identify that which fashions, reveals and probes the dimensions of inhabiting. Centred on four aspects of space-time that define the nature of these dimensions, the analysis brings out the sculptural specificities of inhabiting, and its consequences in the field of existence. In this respect, besides constituting a point of departure for an analysis of inhabiting, art can provide a way of reassessing commonly-held definitions. The dichotomy between private and public is called into question by these works, which syncretise essential and existential elements. The human scale determines the dimensions of sculpture, not only physically but also symbolically and ideologically, in that it is dictated by the body – that of the artist, that of the viewer – and by the wall qua referent and point of articulation between body and architecture. But beyond the body, and beyond categories, it is the individual who is in question(s); and particularly the individual's innermost being. The spacings reserved by the wall for the body, and by the work for the individual, express the different significances of inhabiting, which have more to do with haunting than with inhabiting. In the end, sculpting inhabiting does not just mean giving it visibility or corporality, but also resisting, so as to assert its singularities, confer sense on existence and remain aware that inhabiting combines identity and dignity
Ferley, Eric. "Sculpture virtuelle". Phd thesis, Grenoble INPG, 2002. http://tel.archives-ouvertes.fr/tel-00004393.
Pełny tekst źródłaMoulton, Marc. "Making sculpture". The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1303236154.
Pełny tekst źródłaTeneul, Thierry. "La sculpture intouchable : méditation sur la sculpture "ennemie" du toucher !" Paris 1, 1995. http://www.theses.fr/1995PA010606.
Pełny tekst źródłaHannold, Allan. "Sculpture and environment". Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/724982.
Pełny tekst źródłaDepartment of Art
Książki na temat "Sculpture"
Helen, Shiner, i Kunsthal Rotterdam, red. André Derain: Sculpture = sculptuur. Warnsveld: Terra, 2004.
Znajdź pełny tekst źródłaGeelen, Guido. Sculptuur = sculpture: 1986-2000. Rotterdam: NAi Publishers, 2003.
Znajdź pełny tekst źródłaJooren, Marieke, Eva van Diggelen, Otto Letze, Franklin Hill Perrell, Loes Visch i Emily Ansenk. Hyperrealisme sculptuur: Hyperrealism sculpture. Zwolle: Waanders Uitgevers, 2018.
Znajdź pełny tekst źródłaIsacker, Philip van. De sculptura: Reflections on sculpture. Ghent: Mer. B&L, imprint of Borgerhoff & Lamberigts, 2021.
Znajdź pełny tekst źródłaSculptures, sculpture: Rodin, Giacometti, Picasso. Campagnan: EC Editions, 2006.
Znajdź pełny tekst źródłaDupré, Michel. Sculptures, sculpture: Rodin, Giacometti, Picasso. Campagnan: EC, 2006.
Znajdź pełny tekst źródłaIoan, Florica. Florica Ioan: Sculptură, desen = sculpture, drawing. București: Muzeul Național de Artă al României, 1998.
Znajdź pełny tekst źródłaLefftz, Michel. Sculpture en Belgique = Sculptuur in Belgi = Sculpture in Belgium: 1000-1800. Bruxelles: Racine, 2001.
Znajdź pełny tekst źródłaLefftz, Michel. Sculpture en Belgique =: Sculptuur in België = Sculpture in Belgium : 1000-1800. Bruxelles: Racine, 2001.
Znajdź pełny tekst źródłaCornel, Bierens, Hefting Paul i Amsterdam (Netherlands) Stedelijk Museum, red. Guido Geelen: Sculptuur = sculpture 1986/2000. Rotterdam: NAi Uitg., 2000.
Znajdź pełny tekst źródłaCzęści książek na temat "Sculpture"
Hartwig, Melinda K. "Sculpture". W A Companion to Ancient Egyptian Art, 189–218. Chichester, UK: John Wiley & Sons, Ltd, 2014. http://dx.doi.org/10.1002/9781118325070.ch11.
Pełny tekst źródłaHeppner, John B., David B. Richman, Steven E. Naranjo, Dale Habeck, Christopher Asaro, Jean-Luc Boevé, Johann Baumgärtner i in. "Sculpture". W Encyclopedia of Entomology, 3320. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6359-6_4089.
Pełny tekst źródłaSherwood, Andrew N., Milorad Nikolic, John W. Humphrey i John P. Oleson. "Sculpture". W Greek and Roman Technology, 252–65. Second edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge sourcebooks for the ancient world: Routledge, 2019. http://dx.doi.org/10.4324/9781315682181-8.
Pełny tekst źródłaBährle-Rapp, Marina. "sculpture". W Springer Lexikon Kosmetik und Körperpflege, 496. Berlin, Heidelberg: Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-71095-0_9218.
Pełny tekst źródłaGreen, Susan L. "Sculpture". W An Introduction to the Making of Western Art, 65–99. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003354840-4.
Pełny tekst źródłaXingbo, Luo. "Sculpture". W Chinese Handicrafts, 637–92. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5379-8_7.
Pełny tekst źródłaDavies, David. "Sculpture". W The Routledge Companion to the Philosophies of Painting and Sculpture, 17–27. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003312727-4.
Pełny tekst źródłaSnider, Arthur David. "Sculpture". W From STEM to STEAM, 7–80. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57316-3_2.
Pełny tekst źródłaPalladino, Leo, i June Hunt. "Nail Sculpture". W The Nail File, 75–82. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-11634-8_12.
Pełny tekst źródłaWood, Robert E. "On Sculpture". W Nature, Artforms, and the World Around Us, 75–94. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-57090-7_5.
Pełny tekst źródłaStreszczenia konferencji na temat "Sculpture"
Marian, Ana. "Anatomical constructions in the making of the nude moldovan sculpture. Approaches in the realm of realism". W Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.07.
Pełny tekst źródłaMarian, Ana. "Female images in Moldovan sculpture". W Simpozion Național de Studii Culturale, dedicat Zilelor Europene ale Patrimoniului. Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/sc21.11.
Pełny tekst źródłaZhu, Jie. "Integrating Urban Sculptures into the Urban Planning System in China: Origin, Transition and Breakthrough, 1982-2003". W The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5051pspxz.
Pełny tekst źródłaDobrovolschi, Oleg, i Teodora Hubenco. "Materials specific to sculpture and methods of processing them". W International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.30.
Pełny tekst źródłaJaurégui, Léa. "La sculpture chimérique, la sculpture confisquée". W Les chefs-d'œuvre inconnus au XIXe siècle. Fabula, 2021. http://dx.doi.org/10.58282/colloques.6912.
Pełny tekst źródłaMARIAN, Ana. "Lion statues – the manifestation of the animalistic sculptural genre during the interwar period". W Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p184-187.
Pełny tekst źródłaMisawa, Daichi. "Transparent sculpture". W the 7th International Conference. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2460625.2460707.
Pełny tekst źródłaHashida, Tomoko, Yasuaki Kakehi i Takeshi Naemura. "Photochromic sculpture". W ACM SIGGRAPH 2011 Emerging Technologies. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/2048259.2048270.
Pełny tekst źródłaPassa, Chiara. "Live Sculpture". W Electronic Visualisation and the Arts (EVA 2015). BCS Learning & Development, 2015. http://dx.doi.org/10.14236/ewic/eva2015.76.
Pełny tekst źródłaArpa, Sami, Sabine Süsstrunk i Roger D. Hersch. "Sculpture paintings". W Expressive '18: Joint Symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3229147.3229156.
Pełny tekst źródłaRaporty organizacyjne na temat "Sculpture"
Ikeda, Kanetaka. Construction-sculpture. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2740.
Pełny tekst źródłaBogdan, Laura. Stone sculpture. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.5373.
Pełny tekst źródłaRottle, Nancy, Pam Emerson i Delia Lacson. Olympic Sculpture Park. Landscape Architecture Foundation, 2012. http://dx.doi.org/10.31353/cs0380.
Pełny tekst źródłaFranz, Evelyn. Three-Dimensional Wall Sculpture. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.2345.
Pełny tekst źródłaHelzer, Richard. Teaching Sculpture in High Schools. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.1501.
Pełny tekst źródłaPeekema, Joanne. Sculpture for the Secondary Level. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.1762.
Pełny tekst źródłaGallegos de Donoso, Magdalena. The Development of Sculpture in the Quito School. Inter-American Development Bank, październik 1994. http://dx.doi.org/10.18235/0007914.
Pełny tekst źródłaBuell, Krista. Aphrodite of Knidos, Trendsetter: Depictions of the Female Nude and Sexuality in Ancient Greek Sculpture. Portland State University Library, styczeń 2016. http://dx.doi.org/10.15760/honors.265.
Pełny tekst źródłaTurner, B., M. Quat, M. Boiridy, R. Debicki i P. Thurston. Dynamic Earth, Greater Sudbury: ancient seafloor, meteorite-blasted rock, ice age sculpture and Greater Sudbury's smelter. Natural Resources Canada/CMSS/Information Management, 2015. http://dx.doi.org/10.4095/329900.
Pełny tekst źródłaHealey, Patrick. The Social Sculpture in Practice: Joseph Beuys, Waldo Bien and the Free International University World Art Collection, A Report. Redaktor Gerhard Bruyns. FIUWAC, październik 2020. http://dx.doi.org/10.31182/001.
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