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Hall, Karen Peta. "Discovering the lost race story : writing science fiction, writing temporality". University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0216.
Pełny tekst źródłaJames, Sarah J. "Not without my body : feminist science fiction and embodied futures". Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/14613.
Pełny tekst źródłaFloerke, Jennifer Jodelle. "A queer look at feminist science fiction: Examing Sally Miller Gearhart's The Kanshou". CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2889.
Pełny tekst źródłaGlover, Jayne Ashleigh. ""A complex and delicate web" : a comparative study of selected speculative novels by Margaret Atwood, Ursula K. Le Guin, Doris Lessing and Marge Piercy". Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1002241.
Pełny tekst źródłaWeekes, Ann Owens. "BEGINNING A TRADITION: IRISH WOMEN'S WRITING, 1800-1984 (EDGEWORTH, JOHNSTONE, KEANE, IRELAND)". Diss., The University of Arizona, 1986. http://hdl.handle.net/10150/183990.
Pełny tekst źródłaTagore, Proma. "The shapes of silence : contemporary women's fiction and the practices of bearing witness". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36793.
Pełny tekst źródłaGossage, Ann. "Between the lines : the representation of Canadian women in English-language novels written by women in the 1930s". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24085.
Pełny tekst źródłaShea, Maureen Elizabeth. "Latin American women writers and the growing potential of political consciousness". Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184310.
Pełny tekst źródłaMarron, Rosalyn Mary. "Rewriting the nation : a comparative study of Welsh and Scottish women's fiction from the wilderness years to post-devolution". Thesis, University of South Wales, 2012. https://pure.southwales.ac.uk/en/studentthesis/rewriting-the-nation(acc79b10-cd63-48ee-b045-dabb5af2f77c).html.
Pełny tekst źródła李仕芬 i Shi-fan Lee. "The male characters in the fiction of contemporary Taiwanese women writers". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.
Pełny tekst źródłaYu, Yuen-yee Frankie, i 余婉兒. "Living on the margin". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015168.
Pełny tekst źródła李仕芬 i Shi-fan Lee. "Love and marriage". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31208721.
Pełny tekst źródłaGoremusandu, Tania. "Gender possibilities in the African context as explored by Mariama Ba's So long a letter, Neshani Andrea's The purple violet of Oshaantu and Sindiwe Magona's Beauty gift". Thesis, University of Fort Hare, 2016. http://hdl.handle.net/10353/6469.
Pełny tekst źródłaHoffman, Megan. "Women writing women : gender and representation in British 'Golden Age' crime fiction". Thesis, University of St Andrews, 2012. http://hdl.handle.net/10023/11910.
Pełny tekst źródłaLangston, Jessica. "Writing herself in : mother fiction and the female Künstlerroman". Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79957.
Pełny tekst źródłaMarsh, Rebecca Kirk. "Refiguring Milton in Virginia Woolf's A Room of One's Own". CSUSB ScholarWorks, 2004. https://scholarworks.lib.csusb.edu/etd-project/2602.
Pełny tekst źródłaChan, Suet Ni. "Women at crossroads : a study of women's search for identity in twentieth century Chinese-American fiction". HKBU Institutional Repository, 2009. https://repository.hkbu.edu.hk/etd_ra/1095.
Pełny tekst źródłaChung, Wing-yu, i 鍾詠儒. "British women writers and the city in the early twentieth century". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B2702409X.
Pełny tekst źródłaHill, Lorna. "Bloody women : a critical-creative examination of how female protagonists have transformed contemporary Scottish and Nordic crime fiction". Thesis, University of Stirling, 2017. http://hdl.handle.net/1893/27352.
Pełny tekst źródłaMunoz, Cabrera Patricia. "Journeying: narratives of female empowerment in Gayl Jones's and Toni Morrison's ficton". Doctoral thesis, Universite Libre de Bruxelles, 2009. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210259.
Pełny tekst źródłaThrough comparative analysis of eight fictional works, I explore the writers’ idea of female freedom and emancipation, the structures of power affecting the transition from oppressed towards liberated subject positions, and the literary techniques through which the authors facilitate these seminal trajectories.
My research addresses a corpus comprised of three novels and one book-long poem by Gayl Jones, as well as four novels by Toni Morrison. These two writers emerge in the US literary scene during the 1970s, one of the decades of the second black women’s renaissance (1970s, 1980s). This period witnessed unprecedented developments in US black literature and feminist theorising. In the domain of African American letters, it witnessed the emergence of a host of black women writers such as Gayl Jones and Toni Morrison. This period also marks a turning point in the reconfiguration of African American literature, as several unknown or misplaced literary works by pioneering black women writers were discovered, shifting the chronology of African American literature.
Moreover, the second black women's renaissance marks a paradigmatic development in black feminist theorising on womanhood and subjectivity. Many black feminist scholars and activists challenged what they perceived to be the homogenising female subject conceptualised by US white middle-class feminism and the androcentricity of the subject proclaimed by the Black Aesthetic Movement. They claimed that, in focusing solely on gender and patriarchal oppression, white feminism had overlooked the salience of the race/class nexus, while focus by the Black Aesthetic Movement on racism had overlooked the salience of gender and heterosexual discrimination.
In this dissertation, I discuss the works of Gayl Jones and Toni Morrison in the context of seminal debates on the nature of the female subject and the racial and gender politics affecting the construction of empowered subjectivities in black women's fiction.
Through the metaphor of journeying towards female empowerment, I show how Gayl Jones and Toni Morrison engage in imaginative returns to the past in an attempt to relocate black women as literary subjects of primary importance. I also show how, in the works selected for discussion, a complex idea of modern female subjectivities emerges from the writers' re-examination of the oppressive material and psychological circumstances under which pioneering black women lived, the common practice of sexual exploitation with which they had to contend, and the struggle to assert the dignity of their womanhood beyond the parameters of the white-defined “ideological discourse of true womanhood” (Carby, 1987: 25).
Doctorat en philosophie et lettres, Orientation langue et littérature
info:eu-repo/semantics/nonPublished
Davidson, Elizabeth Macleod. "Women's writing in exile : three Austrian case studies, Veza Canetti, Anna Gmeyner, Lilli Korber". Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:17215528-0abb-41d2-8f22-883fc185e7c9.
Pełny tekst źródłaDueck, Cheryl E. "Rifts in time and in the self : two generations of GDR women writers and the development of the female subject (Christa Wolf, Brigitte Reimann, Helga Künigsdorf, Helga Schubert)". Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35875.
Pełny tekst źródłaThe first generation to embark on a literary career in the GDR, with great aspirations for the socialist project, is represented by Wolf and Reimann. A shift in political parameters meant that the following generation of writers, including Konigsdorf and Schubert, was faced with a pre-determined ideological structure, unsatisfactory to them. Accordingly, a diachronic investigation of the literary subject is pursued, and reveals the shift between these generations. As a result, rifts in time, in the subject, and rifts between the subject and its time are exposed.
In the 1960s, Wolf and Reimann rejected the literary female subject's role as an agent in the implementation of socialism. Crises in GDR social structures and crises of the psyche are shown to overlap and to result in divided subjects. The non-contemporaneity of Marxism begins to surface in the 1970s, and the rift in time affects the female subjects of Wolf and Reimann, which increasingly fragment Konigsdorf's and Schubert's short prose of the late 1970s reveals a rejection of the unified Marxist subject and the move toward a notion of the self informed by Freudian psychoanalysis. In the 1980s, the effects of the socio-political environment prove fatal to the individual subject in the works by both generations, and parallels are drawn to the National Socialist past. These links instigate a fundamental reevaluation of standards in language, power and cycles of history at the crossroads of life and death. The post-Wende period witnesses a shift away from problems of subjectivity in the texts of Konigsdorf and Schubert, while Wolf initially experiments with the postmodern, and most recently, surprisingly re-consolidates the female subject.
Boettcher, Anna Margarete. "Through Women's Eyes: Contemporary Women's Fiction about the Old West". PDXScholar, 1995. https://pdxscholar.library.pdx.edu/open_access_etds/4966.
Pełny tekst źródłaGantzert, Patricia L. "Throwing voices, dialogism in the novels of three contemporary Canadian women writers". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/mq23313.pdf.
Pełny tekst źródłaBirge, Amy Anastasia. ""Mislike Me not for My Complexion": Shakespearean Intertextuality in the Works of Nineteenth-Century African-American Women". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278175/.
Pełny tekst źródłaErickson, Stacy M. "Animals-as-Trope in the Selected Fiction of Zora Neale Hurston, Alice Walker, and Toni Morrison". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2227/.
Pełny tekst źródłaCoupal, Sophie. "Discours métalinguistique et pratiques d'écriture féministes". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33278.
Pełny tekst źródłaWhile some American feminists were proposing an important reform of the language, in Quebec, a few women writers incorporated their preoccupations with language in their literary texts. These women dedicated themselves to intensive textual researches, with the intention of creating a new "women's language" that would override the patriarchal law ruling the symbolic order. The different works studied in this thesis have been chosen between those of the women most representative of feminist metalinguistic discourse in Quebec: L'Euguelionne (1976), by Louky Bersianik, L'Amer ou le chapitre effrite (1977), by Nicole Brossard, Une voix pour Odile (1978) by France Theoret and Lueur: roman archeologique (1979) by Madeleine Gagnon.
The analysis of these texts will particularly be focused on the tensions building between discursive and formal aspects of each work. We'll see if and how the metalinguistic discourse, which we can find in the texts themselves and in more theoretic articles, is manifesting itself by a radical manipulation of the language at a formal level. The variety of ways some women writers of Quebec tried to inscribe feminine experience in language can be shown as a proof of the extreme difficulty of these textual practices, which elaborate themselves through what they are desperately trying to overcome.
Vrtis, Christina E. 1979. ""Death is the Only Reality": a Folkloric Analysis of Notions of Death and Funerary Ritual in Contemporary Caribbean Women's Literature". Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10697.
Pełny tekst źródłaCaribbean cultural ideas and values placed on death and mourning, especially in relation to cultural roles women are expected to perform, are primary motivating factors in the development of female self and identity in Caribbean women's literature. Based on analysis of three texts, QPH, Annie John, and Beyond the Limbo Silence, I argue that notions of death and funerary rituals are employed within Caribbean women's literature to (re)connect protagonist females to their homeland and secure a sense of identity. In addition, while some texts highlight the necessity of prescribing to the socially constructed roles of women within the ritual context and rely on the uproper" adherence to the traditional process to maintain the status quo, other texts show that the inversion or subversion of these traditions is also an important aspect of funerary rituals and notions of death that permeate contemporary Caribbean culture.
Committee in Charge: Dr. Dianne Dugaw, Folklore; Dr. Lisa Gilman, English; Dr. Phil Scher, Anthropology
Margrave, Christie L. "Women and nature in the works of French female novelists, 1789-1815". Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6391.
Pełny tekst źródłaAnderson, Emma Kate School of English UNSW. "Representations of female sexuality in chick-lit texts and reading Anais Nin on the train". Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/27319.
Pełny tekst źródłaYoung, Erin S. "Corporate heroines and utopian individualism: A study of the romance novel in global capitalism". Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11460.
Pełny tekst źródłaThis dissertation explores two subgenres of popular romance fiction that emerge in the 1990s: "corporate" and "paranormal" romance. While the formulaic conventions of popular romance have typically centralized the gendered tension between hero and heroine, this project reveals that "corporate" and "paranormal" romances negotiate a new primary conflict, the tension between work and home in the era of global capitalism. Transformations in political economy also occur at the level of personal and emotional life, which constitute the central problem that contemporary romances attempt to resolve. Drawing from sociological studies of globalization and intimacy, feminist criticism, and queer theory, I argue that these subgenres mark the transition from what David Harvey calls Fordist capitalism to flexible or global capitalism as the primary social condition negotiated in the popular romance. My analysis demonstrates that corporate and paranormal romance novels reflect changing ideals about intimacy in a globalized world that is increasingly influenced, socially and culturally, by the values and philosophies that dominate the marketplace. Each of these subgenres offers a distinct formal resolution to the cultural and social effects of a flexible capitalist economy. The "corporate" romances of Jayne Ann Krentz, Nora Roberts, Elizabeth Lowell, and Katherine Stone feature heroines who constantly navigate the dual and intersecting arenas of work and home in an effort to locate a balance that leads to success and happiness in both realms. In contrast, the "paranormal" romances of Laurell K. Hamilton, Charlaine Harris, Kelley Armstrong, and Carrie Vaughn dissolve the tension between home and work, or the private and the public, by affirming the heroine's open and endless pursuit of pleasure, adventure, and self-fulfillment. Such new forms of romantic fantasy at once reveal the tension in globalization and the domination of corporate and masculinist values that the novels hope to overcome.
Committee in charge: David Leiwei Li, Chair; Mary Elene Wood; Cynthia H. Tolentino; Jiannbin L. Shiao
Campbell, Leslie Marion. "Scottish influence and the construction of Canadian identity in works by Sara Jeannette Duncan, Alice Munro, and Margaret Laurence". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ57276.pdf.
Pełny tekst źródłaSojka, Eugenia. "Search procedures, carnivalization in language- and theory-focused texts of four Canadian women writers". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25775.pdf.
Pełny tekst źródłaPilon, Simone. "Constitution du corpus des écrits des femmes dans la presse canadienne-française entre 1883 et 1893 et analyse de l'usage des pseudonymes". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ48549.pdf.
Pełny tekst źródłaGiordano, Maria Graciela. "Más allá del trauma colectivo : represión y exilio en la narrativa de mujeres y el cine argentino". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100610.
Pełny tekst źródłaThe purpose of this dissertation is to analyse the "social tics" which flourish in various art forms, as well as in the underpinnings of Argentine society, and come from the fact that collective suffering has created a defined present which controls the past, and, inevitably, influences the future. In turn, certain themes thus emerge from subjective and fragmented spaces of enunciation where memory plays a crucial role.
In order to do this, I concentrate here on alternative cultural productions to the official propaganda produced during and after the period of dictatorship, paying special attention to women's narratives and testimonies or memoirs of repression. Finally, I undertake an analysis of certain selected cinematographic productions which, like the contemporary literature analysed here, also form part of the movement that demonstrates the need to question Argentine reality---present and past---by foregrounding collective and individual memory in opposition to the generalized trend of amnesia/anaesthesia to point up the very real danger inherent in such "historic amnesia." Taken together, these works reveal the existence of a past that must be recaptured and redeemed, but which, given the existence of the negated and silenced "sinister" space in contemporary reality, forms only a small part of Argentine history still under construction.
Rine, Abigail. "Words incarnate : contemporary women’s fiction as religious revision". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1961.
Pełny tekst źródłaBrooklyn, Bridget. "Something old, something new : divorce and divorce law in South Australia, 1859-1918". Title page, contents and summary only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phb872.pdf.
Pełny tekst źródłaVeillette, Marie-Paule. "La représentation de la folie dans l'écriture féminine contemporaine des Amériques". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57482.pdf.
Pełny tekst źródłaVolz, Jessica A. "Vision, fiction and depiction : the forms and functions of visuality in the novels of Jane Austen, Ann Radcliffe, Maria Edgeworth and Fanny Burney". Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/4438.
Pełny tekst źródłaRheeder, Elle-Sandrah. "Pathologies of vision : representations of deviant women and the cyborg body". Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020319.
Pełny tekst źródłaWallace, Linda M. "Negotiating place, explorations of identity and nature in select novels by contemporary Canadian women writers". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/MQ49460.pdf.
Pełny tekst źródłaHolton, Danica Lynn. "Class and stratification in the works of Alice Munro and Margaret Laurence". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ49367.pdf.
Pełny tekst źródłaHart, Hilary 1969. "Sentimental spectacles : the sentimental novel, natural language, and early film performance". Thesis, University of Oregon, 2004. http://hdl.handle.net/1794/297.
Pełny tekst źródłaThe nineteenth-century American sentimental novel has only in the last twenty years received consideration from the academy as a legitimate literary tradition. During that time feminist scholars have argued that sentimental novels performed important cultural work and represent an important literary tradition. This dissertation contributes to the scholarship by placing the sentimental novel within a larger context of intellectual history as a tradition that draws upon theoretical sources and is a source itself for later cultural developments. In examining a variety of sentimental novels, I establish the moral sense philosophy as the theoretical basis of the sentimental novel's pathetic appeals and its theories of sociability and justice. The dissertation also addresses the aesthetic features of the sentimental novel and demonstrates again the tradition's connection to moral sense philosophy but within the context of the American elocution revolution. I look at natural language theory to render more legible the moments of emotional spectacle that are the signature of sentimental aesthetics. The second half of the dissertation demonstrates a connection between the sentimental novel and silent film. Both mediums rely on a common aesthetic storehouse for signifying emotions. The last two chapters of the dissertation compare silent film performance with emotional displays in the sentimental novel and in elocution and acting manuals. I also demonstrate that the films of D. W. Griffith, especially The Birth of a Nation, draw upon on the larger conventions of the sentimental novel.
Regoczy, Lucia Graciela, i n/a. "Espiritu de subversion : la construccion del discurso de la mujer en la narrativa posmoderna hispanoamericana". University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070927.141659.
Pełny tekst źródłaMeyers, Emily Taylor 1979. "Transnational romance: The politics of desire in Caribbean novels by women". Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10232.
Pełny tekst źródłaWriters in the Caribbean, like writers throughout the postcolonial world, return to colonial texts to rewrite the myths that justified and maintained colonial control. Exemplary of a widespread, regional phenomenon that begins at mid-century, writers such as Aimé Césaire and George Lamming take up certain texts such as Shakespeare's The Tempest and recast them in their own image. Postcolonial literary theory reads this act of rewriting the canon as a political one that speaks back to power and often advocates for political and cultural independence. Towards the end of the twentieth century and at the beginning of the twenty-first century, Caribbean women writers begin a new wave of rewriting that continues in this tradition, but with certain differences, not least of which is a focused attention to gender and sexuality and to the literary legacies of romance. In the dissertation I consider a number of novels from throughout the region that rewrite the romance, including Jean Rhys's Wide Sargasso Sea (1966), Maryse Condé's La migration des coeurs (1995), Mayra Santos-Febres's Nuestra señora de la noche (2006), and Dionne Brand's In Another Place, Not Here (1996). Romance, perhaps more than any other literary form, exerts an allegorical force that exceeds the story of individual characters. The symbolic weight of romance imagines the possibilities of a social order--a social order dependent on the sexual behavior of its citizens. By rewriting the romance, Caribbean women reconsider the sexual politics that have linked women with metaphorical constructions of the nation while at the same time detailing the extent to which transnational forces, including colonization, impact the representation of love and desire in literary texts. Although ultimately these novels refuse the generic requirements of the traditional resolution for romance (the so-called happy ending), they nonetheless gesture towards a reordering of community and a revised notion of kinship that recognizes the weight of both gendered and sexual identities in the Caribbean.
Committee in charge: Karen McPherson, Chairperson, Romance Languages; David Vazquez, Member, English; Tania Triana, Member, Romance Languages; Judith Raiskin, Outside Member, Womens and Gender Studies
"中國當代女作家小說創作中女性形象系列硏究(1978-1987)". 2000. http://library.cuhk.edu.hk/record=b6073795.
Pełny tekst źródła論文(博士)--香港中文大學, 2000.
參考文獻 (p. 215-274)
中英文摘要.
Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Huo Yuying.
Lun wen (bo shi)--Xianggang Zhong wen da xue, 2000.
Can kao wen xian (p. 215-274)
Zhong Ying wen zhai yao.
""五四"女作家書信體小說(1917-1927)研究". 2006. http://library.cuhk.edu.hk/record=b5896480.
Pełny tekst źródła"2006年8月"
論文(哲學碩士)--香港中文大學, 2006.
參考文獻(leaves 133-146).
"2006 nian 8 yue"
Abstracts in Chinese and English.
Liang Shanshan.
Lun wen (zhe xue shuo shi)--Xianggang Zhong wen da xue, 2006.
Can kao wen xian (leaves 133-146).
Chapter 第一章 --- 緒論 --- p.1
Chapter 第一節 --- 硏究對象 --- p.1
Chapter 第二節 --- 硏究範圍 --- p.5
Chapter 第三節 --- 他人硏究成果槪述 --- p.18
Chapter 第四節 --- 女性主義敘事學理論簡介 --- p.20
Chapter 第二章 --- “五四´ح時期書信體小說興起的源流及槪况 --- p.26
Chapter 第一節 --- 客觀歷史條件的具備 --- p.27
Chapter 第二節 --- 晚清以迄“五四´ح書信體小說的流變 --- p.31
Chapter 第三節 --- 西方文學理論的影響 --- p.42
Chapter 第三章 --- 書信體小說的文體特徵 --- p.46
Chapter 第一節 --- 真實性 --- p.46
Chapter 第二節 --- 私密性/封閉性 --- p.48
Chapter 第三節 --- 對話性/公共性 --- p.53
Chapter 第四節 --- 兼容性 --- p.56
Chapter 第四章 --- 書信體小說的敘述視點及敘述層次 --- p.58
Chapter 第一節 --- 敘述視點 --- p.58
Chapter 第二節 --- 敘述層次 --- p.74
Chapter 第三節 --- 小結 --- p.87
Chapter 第五章 --- 書信體小說的女性主義敘事學硏究 --- p.88
Chapter 第一節 --- 作者型敘述聲音 --- p.94
Chapter 第二節 --- 個人型敘述聲音 --- p.100
Chapter 第三節 --- 集體型敘述聲音 --- p.108
Chapter 第四節 --- 小結 --- p.110
Chapter 第六章 --- 書信體小說的衰落 --- p.113
Chapter 第七章 --- 結論 --- p.118
Chapter 第一節 --- 總結 --- p.118
Chapter 第二節 --- 硏究意義 --- p.123
[附錄一]“五四´ح女作家小傳 --- p.125
[附錄二] “五四´ح女作家書信體小說(1917-1927)列表 --- p.131
參考文獻 --- p.133
Chapter 一、 --- 作家作品 --- p.133
Chapter 二、 --- 參考. --- p.135
Chapter 三、 --- 學位論文 --- p.141
Chapter 四、 --- 期刊論文 --- p.141
Mukiwa, Faresi Rumbidzai. "Women and utterance in contexts of violence : Nehanda, Without a name and The strange virgins by Yvonne Vera". Thesis, 2006. http://hdl.handle.net/10413/1632.
Pełny tekst źródłaThesis (M.A.)-University of KwaZulu-Natal, 2006.
Dowling, Finuala Rachel. "Subversive narrative and thematic strategies : a critical appraisal of Fay Weldon's Fiction". Thesis, 1995. http://hdl.handle.net/10500/16680.
Pełny tekst źródłaEnglish Studies
D.Litt. et Phil. (English)
Mawela, Agnes. "The depiction of women characters in selected Venda novels". Diss., 1994. http://hdl.handle.net/10500/18182.
Pełny tekst źródłaAfrican Languages
M.A. (African languages)