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Artykuły w czasopismach na temat "Science fiction films"
Nandi, Shibasambhu. "Science Fiction and Film: An Analytical Study of Two Select Indian Movies". International Journal of English Learning & Teaching Skills 5, nr 4 (3.07.2023): 3438–46. http://dx.doi.org/10.15864/ijelts.5407.
Pełny tekst źródłaRocha, Thaís Mendes, Josie Agatha Parrilha da Silva i Bettina Heerdt. "O uso dos filmes de ficção científica para o ensino de ciências com enfoque ciência, tecnologia e sociedade: uma revisão sistemática da literatura". Revista Brasileira de Educação em Ciências e Educação Matemática 5, nr 1 (30.04.2021): 129–51. http://dx.doi.org/10.33238/rebecem.2021.v.5.n.1.26935.
Pełny tekst źródłaGenovese, Michael A. "Politics and Science Fiction Films". News for Teachers of Political Science 46 (1985): 7–8. http://dx.doi.org/10.1017/s0197901900001793.
Pełny tekst źródłaYu, Lei. "Ecological Concerns and Insights in Science Fiction Films — A Case Study of The Wandering Earth". Journal of Research in Social Science and Humanities 3, nr 3 (marzec 2024): 56–60. http://dx.doi.org/10.56397/jrssh.2024.03.09.
Pełny tekst źródłaAl-Mamori, Yasir Khudeir Obid. "Addressing the Future with Data Visualization in Science Fiction Films: Dystopia or Utopia". Человек и культура, nr 2 (luty 2022): 12–20. http://dx.doi.org/10.25136/2409-8744.2022.2.37817.
Pełny tekst źródłaKavut, İsmail Emre, i Elifnaz Olgaç. "The Technology of Fictional Space Designs in Dune Movies Investigation of Change in Time with Its Effect". Journal of Interior Design and Academy 3, nr 1 (19.07.2023): 1–25. http://dx.doi.org/10.53463/inda.20230166.
Pełny tekst źródłaKolodinskiy, Mikhail N. "Evolution of Dramaturgy of Fiction Popular Science Films". Journal of Flm Arts and Film Studies 7, nr 3 (15.09.2015): 30–39. http://dx.doi.org/10.17816/vgik7330-39.
Pełny tekst źródłaRojek, Patrycja. "Figura mitologicznej Kasandry w filmach science fiction". Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 28, nr 37 (31.03.2021): 234–46. http://dx.doi.org/10.14746/i.2020.37.14.
Pełny tekst źródłaDeaca, Mircea Valeriu. "Science fiction films as gedanken experiments". Ekphrasis. Images, Cinema, Theory, Media 17, nr 1 (30.06.2017): 99–118. http://dx.doi.org/10.24193/ekphrasis.17.7.
Pełny tekst źródłaFang, Zhuxin. "A Functional Study of Film Sound Design in Science Fiction Films". SHS Web of Conferences 183 (2024): 01005. http://dx.doi.org/10.1051/shsconf/202418301005.
Pełny tekst źródłaRozprawy doktorskie na temat "Science fiction films"
Wood, Aylish. "Technoscience in the cinema : beyond science fiction". Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313246.
Pełny tekst źródłaPopovich, George Lee. "Structural analyses of selected modern science-fiction films /". The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487329662145685.
Pełny tekst źródłaKawamoto, Marcia Tiemy Morita. "The question of time in science fiction films". reponame:Repositório Institucional da UFSC, 2016. https://repositorio.ufsc.br/xmlui/handle/123456789/162843.
Pełny tekst źródłaMade available in DSpace on 2016-05-24T17:56:09Z (GMT). No. of bitstreams: 1 339055.pdf: 2588449 bytes, checksum: d4d00ba9f41706ab7c9defe3cfc2f172 (MD5) Previous issue date: 2016
Abstract : Time is a hard-to-define concept in its most fundamental aspects. Different from space, to which it is commonly associated, time cannot be physically grasped, although we do try to measure it. What does not stop it from being simply ubiquitous, since we cannot escape or ignore it. The representation of time in fiction reflects its own social period. Having this in mind, this research understands that time has assumed different meanings in distinct contexts, since it reveals itself as a product of its historical times. Within this, the objective of this dissertation is to investigate time in times of change, understanding how the transitions and intersections of the Modern, Post-Modern and yet without a proper name Post-Postmodern periods affect the concept of time in film production, specifically in science fiction films. This dissertation analyzes science fiction films, since they seem to present a more conflicting and marked tendency in relation to time. Metropolis marks the modernist period with its notion of linear and futuristic time, strongly attached to an idea of industrial capitalism, in which the rhythm of the production conditions the workers. Blade Runner and Twelve Monkeys present a post-modern nostalgic vision of the future with a fragmented time, constructed through the character?s search of a past and identity. Lastly, Source Code and Interstellar seem to join a notion of digital cinema and time, proposing a more flexible temporality. In this last idea, space and time also influence one?s existence, that changes his/her ontology and starts existing in other realities and dimensions.
Tempo é um conceito difÃcil em seus aspectos mais fundamentais. Diferente do conceito de espaço, ao qual ele é comumente associado, o tempo não pode ser fisicamente apanhado, apesar de tentarmos medi-lo. O que não impede que ele seja simplesmente ubÃquo, pois não podemos escapar dele ou ignorá-lo. A representação do tempo em ficção reflete seu tempo social. Com isso em mente, essa pesquisa entende que o tempo tem assumido significados diferentes em contextos distintos, uma vez que se revela como um produto de seu tempo histórico. Em vista disso, o objetivo principal dessa tese é investigar o tempo em tempos de mudança, ao entender como as transições e intersecções dos perÃodos Moderno, Pós-moderno e o ainda sem nome definitivo Pós-Pósmoderno afetam o conceito de tempo na produção fÃlmica, especificamente em filmes de ficção cientÃfica. Essa dissertação analisa filmes de ficção cientÃfica, uma vez que eles parecem apresentar uma tendência mais conflituosa e marcante em relação ao tempo. Metropolis marca o perÃodo modernista com sua noção de tempo linear e futurista, fortemente atrelado a uma ideia de capitalismo industrial, em que o ritmo da produção condiciona os trabalhadores. Blade Runner e Twelve Monkeys apresentam uma visão pós-moderna nostálgica do futuro com um tempo fragmentado construÃdo pela busca de passado e identidade dos personagens. Por último, Source Code e Interstellar parecem unir a noção de cinema digital e de tempo, ao propor uma temporalidade mais flexÃvel. Nesta última ideia, espaço e tempo também influenciam na existência do ser, que muda sua ontologia e passa a existir em outras realidades e dimensões.
Ross, Simon David. "Nostalgia in postmodern science fiction film". Thesis, Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23472741.
Pełny tekst źródłaVeith, Errol. "Screening Science: Contexts, Texts and Science in Fifties Science Fiction Film". Thesis, Griffith University, 1999. http://hdl.handle.net/10072/366488.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Film, Media and Cultural Studies
Full Text
Lammes, Sybille. "In het laboratorium van de science fiction film technowetenschap in vooroorlogse Hollywood films /". [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2002. http://dare.uva.nl/document/63401.
Pełny tekst źródłaVeith, Errol, i n/a. "Screening Science: Contexts, Texts and Science in Fifties Science Fiction Film". Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20051012.112131.
Pełny tekst źródłaSmith, Elizabeth Ann. "Ecstatic Truth through Fiction: Re-framing the Science Film to Engage a Wider Audience". Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/smith/SmithE0507.pdf.
Pełny tekst źródłaWong, Yee-ling, i 黃綺玲. "Cyborgs, capitalism, hope: a study of Hong Kong and Hollywood science fiction films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50900146.
Pełny tekst źródłapublished_or_final_version
Comparative Literature
Master
Master of Philosophy
Mather, Philippe. "L'eloignement cognitif : vers une semiologie du cinema de science-fiction". Paris 3, 1995. http://www.theses.fr/1995PA030125.
Pełny tekst źródłaThis thesis attempts to determine how the twin concepts of cognition and estrangement are articulated in a group of six american films commonly described as belonging to the sciencefiction genre, from syntactic, semantic and pragmatic points of view. Cognition represents the fiction's content, specifically the knowledge offered by a thought experiment inspired by the scientific method, which also constitutes a critical comment on the implied referent, the social and historical context of the fiction's origin. Estrangement is the genre's formal parameter, which first manifests itself on a macro-discursive level : science-fiction creates estranged worlds, that is to say, different from the reader's world ; the micro-discursive level concerns the defamiliarization created by various stylistic figures
Książki na temat "Science fiction films"
Haycock, Kate. Science Fiction Films. New York: Crestwood House, 1992.
Znajdź pełny tekst źródłaGeorge, Susan A. Gendering Science Fiction Films. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137321589.
Pełny tekst źródłaGrant, Barry Keith. 100 Science Fiction Films. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6.
Pełny tekst źródłaHahn, Ronald M. Lexikon des Science Fiction Films. Wyd. 7. München: Heyne, 1997.
Znajdź pełny tekst źródłaPhil, Hardy, i Kobal Collection, red. Science fiction. London: Aurum Press, 1995.
Znajdź pełny tekst źródłaFeige, Marcel. Science Fiction. Hamburg: Europäische Verlagsanstalt/Rotbuch, 2001.
Znajdź pełny tekst źródłaGianni, Canova, Monteleone Franco 1938- i Martino Cecilia, red. Science fiction. Roma: Bulzoni, 2003.
Znajdź pełny tekst źródłaSchelde, Per. Androids, humanoids, and other science fiction monsters: Science and soul in science fiction films. New York: New York University Press, 1993.
Znajdź pełny tekst źródłaSearles, Baird. Films of science fiction and fantasy. New York: AFI Press, 1988.
Znajdź pełny tekst źródła1940-, Haining Peter, red. Space movies: Classic science fiction films. Sutton, Surrey: Severn House, 1995.
Znajdź pełny tekst źródłaCzęści książek na temat "Science fiction films"
George, Susan A. "Introduction: Gendering Science Fiction Invasion Films". W Gendering Science Fiction Films, 1–19. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137321589_1.
Pełny tekst źródłaGeorge, Susan A. "Saturday Matinee Cautionary Tales: Science Fiction Vamps and Promethean Scientists". W Gendering Science Fiction Films, 47–84. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137321589_3.
Pełny tekst źródłaGeorge, Susan A. "Keep Watching the Screens: Gender in Fifties Science Fiction Films and Beyond". W Gendering Science Fiction Films, 161–69. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137321589_7.
Pełny tekst źródłaGrant, Barry Keith. "Introduction". W 100 Science Fiction Films, 1–4. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_1.
Pełny tekst źródłaBorden, Lizzie. "Born in Flames". W 100 Science Fiction Films, 21–22. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_10.
Pełny tekst źródłaCorman, Roger. "X: The Man with the X-Ray Eyes". W 100 Science Fiction Films, 201–2. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_100.
Pełny tekst źródłaBoorman, John. "Zardoz". W 100 Science Fiction Films, 203–4. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_101.
Pełny tekst źródłaJones, L. Q. "A Boy and His Dog". W 100 Science Fiction Films, 23–24. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_11.
Pełny tekst źródłaGilliam, Terry. "Brazil". W 100 Science Fiction Films, 25–26. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_12.
Pełny tekst źródłaSayles, John. "The Brother from Another Planet". W 100 Science Fiction Films, 27–28. London: British Film Institute, 2013. http://dx.doi.org/10.1007/978-1-349-92604-6_13.
Pełny tekst źródłaStreszczenia konferencji na temat "Science fiction films"
Ruan, Jian. "Interpretation of Costume Design in Science Fiction Films from the Perspective of Postmodernism". W Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icassee-19.2019.96.
Pełny tekst źródłaKvetanová, Zuzana, i Jana Radošinská. "AQUAMAN THE MOVIE AS A LATE MODERN FAIRY TALE". W NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/24.
Pełny tekst źródłaKusumastuti, Fenty. "Analyzing Translation through the Science Fiction Film Arrival". W 1st Bandung English Language Teaching International Conference. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0008214600050013.
Pełny tekst źródłaTianle, Huang. "Research on Innovation of Science Fiction Film with Intelligent Equipment". W 2019 11th International Conference on Measuring Technology and Mechatronics Automation (ICMTMA). IEEE, 2019. http://dx.doi.org/10.1109/icmtma.2019.00027.
Pełny tekst źródłaBouchet, Marie, i Yves Iehl. "La poétique du masque — De la «Nouvelle rêvée» d’Arthur Schnitzler au film de Stanley Kubrick, Eyes Wide Shut". W Territoires du récit bref. De l'image dans la fiction à l'imaginaire en science-fiction. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5265.
Pełny tekst źródłaPeldszus, Regina, Hilary Dalke i Chris Welch. "Science Fiction Film as Design Scenario Exercise for Psychological Habitability: Production Designs 1955-2009". W 40th International Conference on Environmental Systems. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2010. http://dx.doi.org/10.2514/6.2010-6109.
Pełny tekst źródłaIvanchyshyn, Danylo, Victoria Vysotska i Solomiia Albota. "The Film Script Generation Analysis Based on the Fiction Book Text Using Machine Learning". W 2021 IEEE 16th International Conference on Computer Sciences and Information Technologies (CSIT). IEEE, 2021. http://dx.doi.org/10.1109/csit52700.2021.9648818.
Pełny tekst źródłaZhang, Yeyang. "Interaction, Transmedia Narrative Adaptation and Visual Communication: A Case Study of the Internet Fiction Adaptaed Film Better Days". W 2021 5th International Seminar on Education, Management and Social Sciences (ISEMSS 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210806.057.
Pełny tekst źródłaSoares, Liliana, Ermanno Aparo i Rita Almendra. "Design and creativeness for a three-act session". W 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003537.
Pełny tekst źródłaYıldız, Murat. "Ethical Value Issues in Corporate Sustainability Reports". W 3rd International Congress on Engineering and Life Science. Prensip Publishing, 2023. http://dx.doi.org/10.61326/icelis.2023.55.
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