Gotowa bibliografia na temat „Science fiction cinema”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Science fiction cinema”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Science fiction cinema"
KILINÇARSLAN, Yasemin. "NEW TRENDS IN SCIENCE FICTION CINEMA AND GENETIC CINEMA". INTERNATIONAL PEER-REVIEWED JOURNAL OF COMMUNICATION AND HUMANITIES RESEARCHES, nr 10 (30.03.2016): 485. http://dx.doi.org/10.17361/uhive.20161016615.
Pełny tekst źródłaSherryl Vint. "Possibilities for a Science-Fiction Cinema". Science Fiction Studies 43, nr 3 (2016): 563. http://dx.doi.org/10.5621/sciefictstud.43.3.0563.
Pełny tekst źródłaCENGIZ, GIZEM. "INTERWAR ERA IN SCIENCE FICTION CINEMA: DIESELPUNK". Akademik Sanat Dergisi 4, nr 8 (30.12.2019): 40–49. http://dx.doi.org/10.34189/asd.4.8.003.
Pełny tekst źródłaMoey, Natalie. "Projecting Tomorrow: Science Fiction and Popular Cinema". Film Matters 8, nr 3 (1.12.2017): 47–48. http://dx.doi.org/10.1386/fm.8.3.47_1.
Pełny tekst źródłaLandon, Brooks. "Science Fiction Cinema: between fantasy and reality". Historical Journal of Film, Radio and Television 31, nr 1 (marzec 2011): 144–47. http://dx.doi.org/10.1080/01439685.2011.553455.
Pełny tekst źródłaMoreno, Erika Tiburcio. "Red Alert: Marxist Approaches Science Fiction Cinema". Historical Journal of Film, Radio and Television 38, nr 3 (3.05.2018): 682–83. http://dx.doi.org/10.1080/01439685.2018.1467903.
Pełny tekst źródłaShail, Robert. "Terence Fisher and British science fiction cinema". Science Fiction Film & Television 2, nr 1 (kwiecień 2009): 77–90. http://dx.doi.org/10.3828/sfftv.2.1.5.
Pełny tekst źródłaYILDIRIM ŞAHİN, Emek. "SCIENCE FICTION IN RUSSIAN LITERATURE AND CINEMA". Avrasya Uluslararası Araştırmalar Dergisi 9, nr 26 (17.03.2021): 296–312. http://dx.doi.org/10.33692/avrasyad.895999.
Pełny tekst źródłaWomack, Jeffrey. "Nuclear Weapons, Dystopian Deserts, and Science Fiction Cinema". Vulcan 1, nr 1 (2013): 70–85. http://dx.doi.org/10.1163/22134603-00101005.
Pełny tekst źródłaPariser, David, Leroy Dubeck, Suzanne Moshier i Judith Boss. "Science in Cinema: Teaching Science Fact through Science-Fiction Film". Leonardo 26, nr 1 (1993): 85. http://dx.doi.org/10.2307/1575797.
Pełny tekst źródłaRozprawy doktorskie na temat "Science fiction cinema"
Wood, Aylish. "Technoscience in the cinema : beyond science fiction". Thesis, University of Nottingham, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313246.
Pełny tekst źródłaJones, Matthew William. "The British reception of 1950s science fiction cinema". Thesis, University of Manchester, 2011. https://www.research.manchester.ac.uk/portal/en/theses/the-british-reception-of-1950s-science-fiction-cinema(b180c812-ec8b-4369-afe7-97da1bc14890).html.
Pełny tekst źródłaBeck, Gregory. "The city in the image of science fiction cinema". Thesis, Massachusetts Institute of Technology, 1986. http://hdl.handle.net/1721.1/71379.
Pełny tekst źródłaWarton, John Phillips. "The aesthetics of destruction in contemporary science fiction cinema". Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/25992.
Pełny tekst źródłaTaylor, Aaron E. N. "World without end, historicity and the contemporary science fiction cinema". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0034/MQ57688.pdf.
Pełny tekst źródłaTaylor, Aaron E. N. (Aaron Edward Nicholas) Carleton University Dissertation Film Studies. "World without end: historicity and the contemporary science fiction cinema". Ottawa, 2000.
Znajdź pełny tekst źródłaMather, Philippe. "L'eloignement cognitif : vers une semiologie du cinema de science-fiction". Paris 3, 1995. http://www.theses.fr/1995PA030125.
Pełny tekst źródłaThis thesis attempts to determine how the twin concepts of cognition and estrangement are articulated in a group of six american films commonly described as belonging to the sciencefiction genre, from syntactic, semantic and pragmatic points of view. Cognition represents the fiction's content, specifically the knowledge offered by a thought experiment inspired by the scientific method, which also constitutes a critical comment on the implied referent, the social and historical context of the fiction's origin. Estrangement is the genre's formal parameter, which first manifests itself on a macro-discursive level : science-fiction creates estranged worlds, that is to say, different from the reader's world ; the micro-discursive level concerns the defamiliarization created by various stylistic figures
Swarbrick, Josephine. "The Monstrous Masculine: Male Metamorphosis in Contemporary Science Fiction Cinema". Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/672043.
Pełny tekst źródłaEsta tesis investiga la construcción y la representación de los monstruos masculinos en el cinema de ciencia ficción contemporáneo. El monstruo masculino en este caso es un hombre que experimenta una metamorfosis que resulta en la confusión de las categorías binárias cómo, por ejemplo, masculinidad/feminidad, humano/maquina o yo/otro. Los cinco capítols consideran cinco figuras de monstruos masculinos: el mutante, el cíborg subyugado, el cíborg-villano poderoso, el alienígena y el transhumano. La pregunta central de la tesis es por qué los hombres padecen transformaciones corporeales y psicológicas— y muchas veces dolorosas— tan frecuentamente en la gran pantalla.
This dissertation investigates the construction and representation of the monstrous masculine in contemporary science fiction cinema. That is to say, men who undergo a striking metamorphosis resulting in the blurring of binaries such as masculine/feminine, human/machine and self/other. A close-reading of key films and a consideration of their historical and socio-cultural contexts serves to identify and explore the mechanisms at work in the formation of male monsters as well as examining the growing presence and influence of technology and posthuman ideas in the portrayal of monstrous men. The five chapters consider five recurrent figures of monstrous masculinity: the mutant, the disempowered cyborg, the cyborg super villain, the alien and the transhuman. Ultimately, the thesis addresses the question as to why masculine characters so often undergo profound, often painful, corporeal and psychological transformations.
Universitat Autònoma de Barcelona. Programa de Doctorat en Teoria de la Literatura i Literatura Comparada
Haciomeroglu, T. Nihan. "Reconstruction Of Architectural Image In Science Fiction Cinema: A Case Study On New York". Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609545/index.pdf.
Pełny tekst źródła#8211
New York City &
#8211
is selected as the case study subject
that the research is developed upon. Initially the study is based on the discussion over cinema architecture relationship from an architect&
#8217
s point of view. Subsequently architectural image in architecture and cinema is studied under several categories. Twenty four science fiction movies with various plots are chosen where all the movies are either located in New York City or in a fictional city inspired by it. By analyzing these movies through architectural concepts it is aimed to gain understanding to key points in architectural design.
Green, Caroline Ann. ""She has to be controlled" : exploring the action heroine in contemporary science fiction cinema". Thesis, University of Exeter, 2010. http://hdl.handle.net/10036/3052.
Pełny tekst źródłaKsiążki na temat "Science fiction cinema"
The Biology of Science Fiction Cinema. Jefferson, N.C: McFarland, 2001.
Znajdź pełny tekst źródłaE, Moshier Suzanne, i Boss Judith E, red. Science in cinema: Teaching science fact through science fiction films. New York: Teachers College Press, 1988.
Znajdź pełny tekst źródłaScience fiction cinema: Between fantasy and reality. Edinburgh: Edinburgh University Press, 2007.
Znajdź pełny tekst źródłaTanya, Krzywinska, red. Science fiction cinema: From outerspace to cyberspace. London: Wallflower, 2000.
Znajdź pełny tekst źródłaauthor, Cull Nicholas John, red. Projecting tomorrow: Science fiction and popular cinema. London [England]: I.B. Tauris, 2013.
Znajdź pełny tekst źródłaScience fiction cinema: Between fantasy and reality. New Brunswick, N.J: Rutgers University Press, 2007.
Znajdź pełny tekst źródłaKlippel, Heike, Bettina Wahrig i Anke Zechner, red. Poison and Poisoning in Science, Fiction and Cinema. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64909-2.
Pełny tekst źródłaMagerstädt, Sylvie. Body, Soul and Cyberspace in Contemporary Science Fiction Cinema. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137399410.
Pełny tekst źródłaCinema e fantascienza. Bologna: Archetipolibri, 2012.
Znajdź pełny tekst źródłaDoctorow, Cory. Pirate Cinema. New York: Tor Teen, 2012.
Znajdź pełny tekst źródłaCzęści książek na temat "Science fiction cinema"
Baker, Brian, i Nicolas Tredell. "Science Fiction Cinema". W Science Fiction, 139–58. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-47445-2_9.
Pełny tekst źródłaBould, Mark. "Cult science fiction cinema". W The Routledge Companion to Cult Cinema, 59–68. London; New York: Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781315668819-8.
Pełny tekst źródłaCordoba, Antonio. "Spanish science fiction film in times of emergency". W Contemporary European Cinema, 51–64. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Cultural politics of media and popular culture: Routledge, 2018. http://dx.doi.org/10.4324/9781315122427-4.
Pełny tekst źródłaHantke, Steffen. "Science fiction cinema between arthouse and blockbuster". W Contemporary American Science Fiction Film, 109–27. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003189961-7.
Pełny tekst źródłaPaz, Mariano. "Dystopia Redux: Science Fiction Cinema and Biopolitics". W European Cinema in the Twenty-First Century, 299–315. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33436-9_17.
Pełny tekst źródłaNäripea, Eva. "Work in Outer Space: Notes on Eastern European Science Fiction Cinema". W Work in Cinema, 209–26. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137370860_11.
Pełny tekst źródłaRoberts, Adam. "Science Fiction Screen Media 1960–2000: Hollywood Cinema and Television". W The History of Science Fiction, 264–94. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230554658_12.
Pełny tekst źródłaRoberts, Adam. "SF Screen Media, 1960–2000: Hollywood Cinema and TV". W The History of Science Fiction, 383–419. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-56957-8_13.
Pełny tekst źródłaOrbaugh, Sharalyn. "Frankenstein and the Cyborg Metropolis: The Evolution of Body and City in Science Fiction Narratives". W Cinema Anime, 81–111. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983084_5.
Pełny tekst źródłaMagerstädt, Sylvie. "Introduction: Ethical Questions in Contemporary Science Fiction Films". W Body, Soul and Cyberspace in Contemporary Science Fiction Cinema, 1–6. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137399410_1.
Pełny tekst źródła