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Autor: Grafiati

Data publikacji: 18 maja 2024

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1

The neo-Vaiṣṇative [i.e. Vaiṣṇavite] movement and the Satra institution of Assam. Guwahati: Lawers Book Stall, 1999.

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2

Nicola, Spinosa, red. Guida sacra della città di Napoli. Napoli: Società editrice napoletana, 1985.

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3

Galante, Gennaro Aspreno. Guida sacra della città di Napoli. Napoli: Società editrice napoletana, 1985.

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4

Campbell, Joseph Toping (Stanislaus). Structural reform of the Roman office, 1964-1971. Ann Arbor, MI: University Microfilms International, 1987.

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5

True reform: Liturgy and ecclesiology in Sacrosanctum concilium. Collegeville, Minn: Liturgical Press, 2012.

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Faggioli, Massimo. True reform: Liturgy and ecclesiology in Sacrosanctum concilium. Collegeville, Minn: Liturgical Press, 2012.

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7

Universitas Sumatera Utara. Fakultas Ekonomi., red. Penelitian mengenai pengetahuan sikap dan praktek keluarga berencana di Desa Kebun Lada dan Desa Satria di Kotamadya Binjai: Hasil riset institutional untuk pembinaan penalaran mahasiswa dalam rangka kegiatan sub proyek NKK USU. [Medan]: Fakultas Ekonomi, USU Medan, 1989.

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8

Satra-samskrtira rupa-baicitrya. Guwāhāṭī: Purbayana Prakasana, 2019.

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9

Herrmann, Steffen, i Matthias Flatscher, red. Institutionen des Politischen. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748904618.

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According to widespread criticism, radical democratic theories exhibit shortcomings when it comes to institutions, which prevents these conceptions from contributing to a concrete transformation of the political landscape. This volume's aim is to respond to this criticism and to highlight radical democratic perspectives with which to shape political institutions. To this end, it marries basic conceptual and historical reflections on the notion of an institution with concrete proposals for alternative institutional designs and contemporary controversies about institutions. With contributions by Niklas Angebauer, Thomas Bedorf, Matthias Flatscher, Oliver Flügel-Martinsen, Sara Gebh, Andreas Gelhard, Felix Heidenreich, Steffen Herrmann, Oliver Marchart, Franziska Martinsen, Malte Miram, Niklas Plätzer, Karsten Schubert, Gerhard Thonhauser and Manon Westphal.

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10

Deslongchamps, Loiseleur. Manava-Dharma-Sastra. Lois de Manou, Comprenant les Institutions Religieuses et Civiles des Lndiens. Creative Media Partners, LLC, 2018.

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11

Ahmed, Sara. Complaint! Duke University Press, 2021. http://dx.doi.org/10.1215/9781478022336.

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In Complaint! Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.

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12

Kosstrin, Hannah. Modernist Forms in a Jewish State. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199396924.003.0006.

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Focusing on Sokolow’s work in Israel, this chapter highlights tensions between American Jewishness and Israeliness through critical response to her dances Dreams (1961), Opus ’63 (1963), Forms (1964), and Odes (1964). It introduces the term “sabra physicality” to describe the performative qualities of defiant vulnerability that dancers in Sokolow’s Israeli company Lyric Theatre introduced into her oeuvre. With financial support from the American Fund for Israeli Institutions (America–Israel Cultural Foundation), Sokolow was part of the North American influence building Israeli art and cultural institutions as postwar alliances formed between the United States and Israeli governments. This chapter further shows Sokolow’s role in disseminating American modern dance through the bodies of her students abroad, through her work with the Inbal Yemenite Dance Group (Inbal Dance Theater) and Lyric Theatre. In turn, the way those dancers performed Graham’s technique and Sokolow’s choreography changed American modernism.

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13

Matthews, Samantha. Album Verses and Romantic Literary Culture. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857945.001.0001.

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‘Will you write in my album?’ Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s ‘albo-mania’ come from, and why was it satirized as a women’s ‘mania’? What was the relation between visitors’ books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums’ re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a ‘feminized’ practice identified mainly with young women? When albums were central to women’s culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture’s privileging of ‘original poetry’ have to say about attitudes towards creativity, poetic practice, and the print marketplace? Album Verses recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by the Lake poets’ daughters. Album Verses and Romantic Literary Culture shows that album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations between 1780 and 1850.

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14

LiTTscapes: Landscapes of Fiction from Trinidad and Tobago. St Augustine, Trinidad: Kris Rampersad, 2012.

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15

LiTTscapes - Landscapes of Fiction from Trinidad and Tobago. St Augustine, Trinidad and Tobago: Kris Rampersad, 2012.

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