Gotowe bibliografie tematyczne / San Stefano Maggiore (Basilica)

Gotowa bibliografia na temat „San Stefano Maggiore (Basilica)”

Autor: Grafiati
Data publikacji: 25 lipca 2024

Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych

Wybierz rodzaj źródła:

Spis treści

Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „San Stefano Maggiore (Basilica)”.

Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.

Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.

Artykuły w czasopismach na temat "San Stefano Maggiore (Basilica)"

1

Baek, Hyeyoun Ellie. "A Study on Tintoretto’s Last Supper in the Basilica di San Giorgio Maggiore". Journal of the Association of Western Art History 48 (28.02.2018): 83–104. http://dx.doi.org/10.16901/jawah.2018.02.48.083.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Loni, Augusto, Antonio Fornaciari, Angelo Canale, Valentina Giuffra, Stefano Vanin i Giovanni Benelli. "Insights on Funeral Practices and Insects Associated With the Tombs of King Ferrante II d’Aragona and Other Renaissance Nobles". Journal of Medical Entomology 56, nr 6 (4.07.2019): 1582–89. http://dx.doi.org/10.1093/jme/tjz102.

Pełny tekst źródła
Streszczenie:
Abstract The impressive Sacristy of the Basilica of San Domenico Maggiore contains 38 wooden sarcophagi with the bodies of 10 Aragonese princes and other Neapolitan nobles, who died in the 15th and 16th centuries. To improve the knowledge about the entomofauna associated with bodies in archaeological contexts, herein we provide insights on the funerary practices and the insect community associated to Ferrante II King of Naples and other Italian Renaissance mummies of the Aragonese dynasty buried in the Basilica of St. Domenico Maggiore. We identified 842 insect specimens: 88% were Diptera (Muscidae, Fanniidae, and Phoridae), followed by 9% Lepidoptera (Tineidae) and 3% Coleoptera (Dermestidae and Ptinidae). Ninety-seven percent of the specimens were collected from the coffin of Francesco Ferdinando d’Avalos, which was the best preserved. A lack of fly species characterizing the first colonization waves of exposed bodies was noted. The most common fly was the later colonizing muscid Hydrotaea capensis (Wiedemann); only a few Fanniidae (Fannia spp.) were retrieved. The lack of blowflies, coupled with recording H. capensis as the dominant fly, supports our hypothesis that corpses have been kept indoors for a long time under confined environmental conditions. Other explanations include odorous oils/balms having been used in the embalming process, causing the delay or stopping the arrival of first colonizer flies. Hermetically sealing of the coffin with bitumen may also have played a role in preventing access to the corpses. This scenario describes a historical context characterized by a well-advanced knowledge of body preparation, with specific burial techniques adopted for nobles.
Style APA, Harvard, Vancouver, ISO itp.
3

D’Ovidio, Stefano. "Alla ricerca di un Medioevo perduto. La basilica di San Giorgio Maggiore a Napoli (iv-xvii secolo)". Convivium 3, nr 2 (lipiec 2016): 48–67. http://dx.doi.org/10.1484/j.convi.4.000014.

Pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Veress, Ferenc. "Following the Star : Nativity Scenes and Sacred Drama from the Middle Ages to the Baroque". Uránia 1, nr 1 (2021): 58–77. http://dx.doi.org/10.56044/ua.2021.1.4.eng.

Pełny tekst źródła
Streszczenie:
This study discusses the origin, and liturgical function, of a popular accessory of the Christmas celebrations, that is, the Bethlehem nativity scene. The events of the life of Jesus attracted much attention in the early period of Christianity, as a result of which the Holy Land was visited by flocks of pilgrims. Descriptions of the sentiments aroused by a pilgrimage to Bethlehem may be found in sources as early as the letters of Saint Jerome. Fragments of the Bethlehem manger were kept in the Santa Maria Maggiore Cathedral in Rome, so it is here that one of the first nativity scenes, a sculptural group by Arnolfo di Cambio, can be found (late 13th century). The work of Arnolfo was commissioned by the same Pope Nicholas IV who also sponsored the ornamentation of the Cathedral of San Rufino. One screen of the Giotto Assisi fresco cycle depicts Saint Francis’ Miracle of Greccio, in which the Holy Mass is celebrated over the manger and the Child comes to life. The Bethlehem nativity scene was the subject of numerous paintings and sculptures during the Renaissance and the Baroque era. From the sacrificial procession of the faithful in the liturgy evolved the genre of sacral drama, from which in turn mystery plays were developed, leaving the premises of the church. Nativity scenes incorporating elements of mystery plays, such as the presence of the shepherds, were intended primarily to make the miracle of embodiment a palpable reality for the believers. The presence of the Holy Family, the three Magi and the shepherds made the nativity scene realistic, always with a touch of the day and age. A tabernacle cabinet carried by angels was erected in 1589 over the Chapel of the Nativity in the Santa Maria Maggiore Basilica; commissioned, again, by a Franciscan Pope, Sixtus V. Caravaggio’s Adoration of the Shepherds altar paintings (the Museo Nazionale, Messina, and the San Lorenzo church, Palermo), represented a novel interpretation of the subject. In sculpture, Antonio Begarelli’s terracotta groups (1526-1527, Modena Cathedral), which resemble paintings, preceded baroque art. The nativity scene, as a genre in sculpture, started to flourish again in Hungary in the 17th century, a symbolic representative of which was the medieval Adoration of the Shepherds sculptural group found by Jesuits in the Town Hall of Lőcse (today Levoča, in Slovakia), a work executed by the master Pál Lőcsei (today in the Basilica of Saint James, Levoča). Three Magi altars are to be found in the churches of Saint Michael in both Sopron and Kolozsvár (today Cluj-Napoca, in Romania), which presumably must have had their medieval antecedents. While the Adoration of the Three Magi sculptural group is a work of an immigrant Bavarian sculptor, Georg Schweitzer, in Sopron, it was Franz Anton Maulbertsch who painted a Three Magi altar screen in Kolozsvár (Cluj-Napoca). Maulbertsch also developed the theme of the Three Magi and the Adoration of the Shepherds in two separate fresco scenes in the parish church of Sümeg, deliberately associating with the great tradition leading to the Church of Nativity in Bethlehem, via the Santa Maria Maggiore Basilica in Rome.
Style APA, Harvard, Vancouver, ISO itp.
5

Fornaciari, Gino, Silvia Marinozzi, Valentina Gazzaniga, Valentina Giuffra, Malayka Samantha Picchi, Mario Giusiani i Massimo Masetti. "The Use of Mercury against Pediculosis in the Renaissance: The Case of Ferdinand II of Aragon, King of Naples, 1467–96". Medical History 55, nr 1 (styczeń 2011): 109–15. http://dx.doi.org/10.1017/s0025727300006074.

Pełny tekst źródła
Streszczenie:
The hair samples of Ferdinand II of Aragon (1467–1496), King of Naples, whose mummy is preserved in the Basilica of San Domenico Maggiore in Naples, showed a high content of mercury, with a value of 827ppm. Furthermore, examination using a stereomicroscope and a scanning electron microscope (SEM) of head and pubic hairs of Ferdinand II, revealed a lice infestation. The reasons for the massive presence of the mercury in the king's hair are discussed and contemporary literature regarding the use of this metal in medical therapies and in cosmetic practices is analysed. As a result, the high value of mercury in the hair of Ferdinand II can be attributed to antipediculosis therapy, applied as a topic medicament. This case represents an important finding for the history of medicine, because demonstrates that in the Renaissance mercury was applied locally not only to treat syphilis, as well attested by direct and indirect sources, but also to prevent or eliminate lice infestation.
Style APA, Harvard, Vancouver, ISO itp.

Książki na temat "San Stefano Maggiore (Basilica)"

1

Sofia, Boesch Gajano, Pani Ermini Letizia i Toscano Bruno, red. La Basilica di San Gregorio Maggiore a Spoleto: Guida storico-artistica. Cinisello Balsamo, Milano: Silvana, 2002.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
2

Foglia, Orsola. La Basilica di San Giovanni Maggiore a Napoli: Storia e restauro. Napoli: CLEAN, 2014.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
3

Lorenzoni, Giovanni. Il duomo di Modena e la basilica di San Zeno. Verona: Banca popolare di Verona, 2000.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
4

Valenzano, Giovanna. La Basilica di San Zeno in Verona: Problemi architettonici. Vicenza: Neri Pozza, 1993.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
5

Rota, Albino. Il monumentale organo Serassi della Basilica di San Martino in Alzano Maggiore: Storia del restauro. Alzano Lombardo, Bergamo, Italy: Parrocchia San Martino, 1996.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
6

D'Arbitrio, Nicoletta. San Domenico Maggiore "La nova sacristia": Le arche, gli apparati e gli abiti dei re aragonesi. Napoli: Edisa, 2001.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
7

Gemma, Sena Chiesa, red. Il tesoro di San Nazaro: Antichi argenti liturgici della basilica di San Nazaro al Museo diocesano di Milano. Cinisello Balsamo, Milano: Silvana, 2009.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
8

Lombardini, Nora. Il restauro della facciata della Basilica di San Michele Maggiore a Pavia e l'opera di Piero Sanpaolesi. Canterano (RM): Aracne editrice, 2020.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
9

Tigler, Guido. Il portale maggiore di San Marco a Venezia: Aspetti iconografici e stilistici dei rilievi duecenteschi. Venezia: Istituto veneto di scienze, lettere ed arti, 1995.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
10

Mas, Roberta M. Dal. La Basilica di San Paolo Maggiore a Bologna e il Palazzo Regis a Roma: Restauro e nuove tecnologie. Ariccia (RM): Aracne editrice int.le S.r.l., 2016.

Znajdź pełny tekst źródła
Style APA, Harvard, Vancouver, ISO itp.
Więcej źródeł

Części książek na temat "San Stefano Maggiore (Basilica)"

1

Ronzani, Mauro. "Vescovi e monasteri in Tuscia nel secolo XI (1018-1120 circa)". W La Basilica di San Miniato al Monte di Firenze (1018-2018), 17–48. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.03.

Pełny tekst źródła
Streszczenie:
The paper deals with foundation and further fortunes of the Florentine abbey of San Miniato, founded by bishop Ildebrando (1018), and discusses the grounds of the strong hostility that Vallombrosan monks demonstrated toward florentine bishops like the same Ildebrando or Pietro Mezzabarba (who 1067 founded the nunnery of San Pier Maggiore). The so-called Vita anonima of John Gualberto, discovered and published by Robert Davidsohn, is particularly hard on these bishops, but it was written around 1120 by a monk of San Salvatore di Settimo (near Florence), in order to discredit the present bishop Goffredo Alberti, brother of count Tancredi Nontigiova. The paper considers also the cases of Pistoia and Pisa, where around the end of 11th century local bishops founded the abbeys of San Michele in Forcole and San Rossore.
Style APA, Harvard, Vancouver, ISO itp.
2

Giovannoni, Pietro Domenico. "«… Ricondurre in qualche modo il buon ordine e impedire nuovi scandali». La visita apostolica ai monasteri olivetani toscani del 1843". W La Basilica di San Miniato al Monte di Firenze (1018-2018), 303–48. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-295-9.15.

Pełny tekst źródła
Streszczenie:
Between 1843 and 1845 Pope Gregory XVI entrusted the two Tuscan Olivetan monasteries, Monte Oliveto Maggiore in the Sienese area and San Bartolomeo in Florence, to the jurisdiction of the Archbishop of Florence Ferdinando Minucci with the task of conducting an apostolical visit. At the same time, the Tuscan government, following the legislation of Pietro Leopoldo, instructed the Archbishop himself to conduct a visit to the same monasteries in the name and on behalf of the State. The essay analyses the story by cross-examining the ecclesiastical sources with those of the Government. An episode emerges that testifies to the persistence of dynamics typical of the ancient regime regarding the relations between State and Church in the context of the Restoration age.
Style APA, Harvard, Vancouver, ISO itp.
Możesz być także zainteresowany rozszerzonymi bibliografiami na temat „San Stefano Maggiore (Basilica)” dla poszczególnych typów źródeł:
Książki
Oferujemy zniżki na wszystkie plany premium dla autorów, których prace zostały uwzględnione w tematycznych zestawieniach literatury. Skontaktuj się z nami, aby uzyskać unikalny kod promocyjny!

Do bibliografii