Gotowe bibliografie tematyczne / San Francisco (Calif.) – History – Fiction

Gotowa bibliografia na temat „San Francisco (Calif.) – History – Fiction”

Autor: Grafiati
Data publikacji: 26 lipca 2024

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Artykuły w czasopismach na temat "San Francisco (Calif.) – History – Fiction"

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Duncan, J. M. "Thirteenth Bjerrum Memorial Lecture: A case history of mysterious settlements in a building". Canadian Geotechnical Journal 29, nr 1 (1.02.1992): 1–10. http://dx.doi.org/10.1139/t92-001.

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This lecture describes the investigation of large and damaging settlements in the One Lombard Building in San Francisco Calif. The cause of the settlements was a mystery. Although it was known that settlement began during construction of a major new sewer near the building, it was not clear how the settlements could be related to the sewer construction activities. The paper explains the cause of the settlements and describes the technique used to remedy the problem. The legal and insurance aspects of the case, in some ways more mysterious than the technical aspects, are also described. Key words : settlement, foundations, clay, dewatering, pile driving, underpinning.
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Wild, H. M. "California Historical Society, http://www.californiahistoricalsociety.org/. Created and maintained by the California Historical Society, San Francisco, Calif. Reviewed Dec. 27-30, 2005". Journal of American History 93, nr 2 (1.09.2006): 622–23. http://dx.doi.org/10.2307/4486395.

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Kellow, Aynsley. "AC/DC: The Savage Tale of the First Standards War. By Tom McNichol. (San Francisco, Calif.: Jossey‐Bass, 2006. Pp.198. $24.95.)". Historian 70, nr 4 (1.12.2008): 796–97. http://dx.doi.org/10.1111/j.1540-6563.2008.00227_29.x.

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Gallagher, Philip F. "Church and State in Early Christianity. By Hugo RahnerS.J. Translated by Leo Donald Davis S.J. San Francisco, Calif.: Ignatius Press, 1992. xviii + 324 pp." Church History 66, nr 1 (marzec 1997): 89–90. http://dx.doi.org/10.2307/3169639.

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McDougall, Bonnie S. "Philip F. Williams: Village echoes: the fiction of Wu Zuxiang. vii, 303 pp. Boulder, San Francisco and Oxford: Westview Press, 1993. £26.95." Bulletin of the School of Oriental and African Studies 58, nr 1 (styczeń 1995): 192–93. http://dx.doi.org/10.1017/s0041977x00012532.

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Lagerquist, L. DeAne. "In Our Own Voices: Four Centuries of American Women's Religious Writing. Edited by Rosemary Radford Ruether and Rosemary Skinner Keller. San Francisco, Calif.: HarperSanFrancisco, 1995. 542 pp. $30.00." Church History 65, nr 3 (wrzesień 1996): 560–61. http://dx.doi.org/10.2307/3170030.

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Andreescu, Raluca. "“Very much alive and very much under threat”: Chasing the Coffee-Flavored American Dream in Dave Eggers’s Monk of Mokha". East-West Cultural Passage 19, nr 2 (1.12.2019): 55–70. http://dx.doi.org/10.2478/ewcp-2019-0012.

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Abstract This essay examines the manner in which Dave Eggers’s recent work of literary nonfiction, The Monk of Mokha (2018), sets out to amplify the voices of the marginalized by chronicling the adventures of a young Yemeni-American in search of the best coffee in the world. This takes the protagonist from the infamous neighborhood of his birth in San Francisco, “a valley of desperation in a city of towering wealth,” to his trials and tribulations in the war-torn homeland of Yemen. I will argue that the narrative, which blurs the lines between fiction and nonfiction and combines history, politics, biography and thriller, highlights the American entrepreneurial zeal and contagious exuberance which still feed the immigrant American Dream and proves that social mobility in the United States is still attainable, sometimes as a result of chasing the world’s most dangerous cup of coffee. Moreover, I argue that the protagonist’s endeavor can be read within the larger context of contemporary political consumption as an example of social justice activism and ethics-driven buying.
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Rubinstein, Murray A. "The China Call: The American Missionary in China. By James Culp Productions for the Film History Foundation, 650 Fifth Street, No. 202, San Francisco, Calif. 94107. VHS and 3/4״ Video Format, $295.00." Journal of Asian Studies 51, nr 4 (listopad 1992): 997–99. http://dx.doi.org/10.2307/2059135.

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Richey, Russell E. "Faith and Philanthropy in America: Exploring the Role of Religion in America's Voluntary Sector. By Robert Wuthnow, Virginia A. Hodgkinson and Associates. The Jossey-Bass Nonprofit Sector Series. San Francisco, Calif.: Jossey-Bass Publishers, 1990. xxi + 327 pp." Church History 63, nr 2 (czerwiec 1994): 321–23. http://dx.doi.org/10.2307/3168643.

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Barnett, Suzanne Wilson. "Westward to China. By James Culp. Productions for the Film History Foundation, 650 Fifth Street, No. 202, San Francisco, Calif. 94107. Video Format, 1990. 57 minutes, 45 seconds; color and b/w. VHS $295.00; BETA $295.00; 3/4” $350.00." Journal of Asian Studies 51, nr 1 (luty 1992): 218–19. http://dx.doi.org/10.2307/2058417.

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Rozprawy doktorskie na temat "San Francisco (Calif.) – History – Fiction"

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Walker, Jon Jeffrey. "The Intellectual Grounding of the San Francisco Committee of Vigilance of 1851". PDXScholar, 1993. https://pdxscholar.library.pdx.edu/open_access_etds/1277.

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Vigilantism has a long history in the United States stretching back to the Regulator movement in South Carolina in 1767. These extralegal movements are distinguished from spontaneous and ephemeral mob activity by their regular organization and limited life-span. The San Francisco Committee of Vigilance of 1856 was the largest vigilante movement in American history. After a summer of vigilantism that included four hangings, the committee turned to politics and formed the People’s Party which dominated San Francisco's city government for the next decade. The 1856 committee is generally considered the great exemplar of American vigilantism and has received considerable attention from scholars. San Francisco’s 1856 vigilance committee regarded itself as a reorganization of that city's 1851 Committee of Vigilance. Like its more illustrious offspring, the 1851 committee hanged four men and banished many others. The vigilantes of 1851 did not, however, form a political party. Because of this some scholars have considered the work of the 1851 committee to be incomplete and have deemed it less worthy of attention than the committee of 1856. But in attempting to understand the intellectual grounding of San Francisco's vigilantes, this view is incorrect. The vigilantes in 1856 felt they were carrying on the work of the 1851 committee. Thus, to comprehend the events of 1856 it is necessary to understand the inspiration for the 1851 vigilance committee. The key to vigilantism in San Francisco lies in 1851. An understanding of the spirit which animates vigilantism is valuable because of what it reveals about American concepts of self-government. Vigilantes conceive of their their authority as springing from the same source as does that of the government: the people. San Francisco provides an extraordinary case for the study of notions about popular sovereignty in antebellum America. In order to make sense of what happened in San Francisco in 1851 this thesis first analyzes the political thought and philosophy that had developed in America to that time. It also examines the changing social ethos that came to emphasize equality. The two vigilance committees of San Francisco were a consummation of the political and social developments of antebellum America. I have relied on the extensive secondary literature for my interpretation. San Francisco in 1851 was in the midst of a singular episode in American history: the gold rush. The promise of riches made California the reification of the ideals of equality and opportunity that matured during the antebellum era. For the exploration of California and San Francisco I have used secondary sources and some primary sources, especially the Alta California, one of San Francisco’s newspapers. This reliance on the Alta was in part due to its availability. The attitudes toward vigilantism expressed by the 표L후르 were similar to other California newspapers. All of them supported the vigilantes in 1851. The episode of vigilantism in 1851 was a formative experience for the city of San Francisco. It served as an example of popular action and helped to define the limits of such action for the city's residents. The relationship between popular action and government was illuminated in San Francisco. Because of the way in which the people were endowed with power, they could create government and later defy that same government without destroying their creation.
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Görgen, Carolin. "Out here it is different - The California Camera Club and community imagination through collective photographic practices : toward a critical historiography, 1890-1915". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC010/document.

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Le California Camera Club, un collectif de photographes amateurs et professionnels actif à San Francisco notamment entre 1890 et 1915, est une organisation constamment marginalisée dans l’histoire de la photographie et de l’Ouest américain. En adoptant une double approche d’histoire culturelle et matérielle, cette thèse éclaire une gamme d’activités et de productions de ce club largement inconnu, qui ont contribué à forger l’identité d’une communauté éloignée de l’Ouest. Par son approche inclusive, réunissant plus de 400 membres en 1900, le club doit être considéré comme une organisation localement ancrée, qui se sert de la photographie pour produire un récit esthétiquement attirant et historiquement cohérent de la ville et de l’État. Malgré son chevauchement chronologique avec le pictorialisme et son ambition de faire reconnaître le médium parmi les beaux-arts, le corpus du club ne peut être inséré dans un canon d’histoire de l’art de la photographie. En se basant sur diverses stratégies de diffusion et d’exposition, les membres adoptent plutôt une approche collective qui transforme l’aspiration à la reconnaissance en un désir de légitimation régionale. À travers une analyse de pratiques photographiques, d’usages et d’itinéraires des objets, cette thèse retrace la construction d’une représentation idiosyncratique de la culture et de l’histoire californiennes par un club qui participe à la conquête d’une place légitime pour l’État sur la scène nationale. En mettant l’accent sur la dimension collective de la photographie, cette analyse montre comment sa pratique dans un territoire isolé mène à la construction imaginaire d’une communauté dotée d’une compréhension commune de ses valeurs esthétiques et de son histoire. L’enjeu de cette thèse est ainsi de réviser un schéma linéaire et étroit de l’histoire de la photographie en élargissant les perspectives géographiques, socioculturelles et archivistiques
The California Camera Club, a collective of amateur and professional photographers, most active in San Francisco between 1890 and 1915, represents a constantly marginalized organization in the history of photography and of the American West. By adopting a two-fold cultural-historical and material approach, this thesis sheds light on a largely unknown variety of Club activities and productions that served as meaningful elements to forge the identity of a remote Western community. Through its inclusive outlook, unifying more than 400 members in 1900, the Club must be considered a locally embedded organization that mobilized photography to produce an aesthetically pleasing and historically coherent narrative of the city and the state. Despite its chronological position in the period of Pictorialism and the striving for institutional recognition, the Club corpus cannot be inserted into an art-historical canon of photography. Rather, by drawing on diverse strategies of dissemination and exhibition, the members adopted a collective approach to the medium that turned the striving for institutional recognition into a desire for regional legitimation. Through an examination of photographic practices, uses, and object trajectories, this thesis traces the construction of an idiosyncratic representation of Californian culture and history by the Club, which actively assisted the state’s search for a legitimate national place. By focusing on the collective dimension of photography, the analysis demonstrates how the practice in an isolated territory led to the imagination of a community with shared aesthetic and historical understandings. The object of this thesis is to revise both linear and narrow tropes in the history of photography by broadening its geographic, sociocultural, archival perspectives
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Booker, Matthew Morse. "Real estate and refuge an environmental history of San Francisco Bay's tidal wetlands, 1846-1972 /". 2005. http://catalog.hathitrust.org/api/volumes/oclc/65286597.html.

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Książki na temat "San Francisco (Calif.) – History – Fiction"

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Salter, Kenneth W. Gold fever: San Francisco, 1851. Berkeley, California: Regent Press, 2013.

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Karwoski, Gail. Quake!: Disaster in San Francisco, 1906. Atlanta: Peachtree, 2004.

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Novesky, Amy. Me, Frida: Frida Kahlo in San Francisco. New York: Abrams Books for Young Readers, 2010.

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Salter, Kenneth W. Gold fever: Part two : San Francisco, 1851-1852. Berkeley, California: Regent Press, 2015.

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Choldenko, Gennifer. The monkey's secret. London: Hot Key Books, 2015.

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Ware, Ciji. A race to splendor: A tale of rivalry, redemption, and the rebuilding of a devastated city. Naperville, Ill: Sourcebooks Landmark, 2011.

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Hecht, Daniel. Bones of the Barbary Coast: A Cree Black novel. New York: Bloomsbury Pub., 2006.

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Dell, Pamela. A song for Sung Li: A story about the San Francisco earthquake. Excelsior, Minn: Tradition Pub., 2003.

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Vigil, Delfin. Death of a newspaperman: A novel. Los Angeles, CA: A Vireo Book/Rare Bird Books, 2015.

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Fowler, Karen Joy. Sister noon. London: Serpent's Tail, 2015.

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Części książek na temat "San Francisco (Calif.) – History – Fiction"

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Niebur, Louis. "Sylvester’s Fantasy Comes True". W Menergy, 48–60. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197511077.003.0004.

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This chapter provides a history of Fantasy Records, a Berkeley-based jazz label that, with the arrival of Harvey Fuqua, first issued San Francisco–based disco records. Sylvester, the first San Francisco disco superstar, is discussed, including his discovery of backup singers Martha Wash and Izora Rhodes (aka Two Tons o’ Fun). Fuqua signed Sylvester to Fantasy, and his first Fantasy record was released in 1977. There were immediate problems with Sylvester's “too gay” image at Fantasy. Sylvester’s 1977 release, while relatively successful, was considered old-fashioned in 1977. The album lacked three “on trend” features: electronic sounds, as exemplified by Donna Summer and Giorgio Moroder’s Eurodisco hit “I Feel Love” (1977); science fiction–influenced topics, as exemplified by Kebekelektrik and Space’s “Magic Fly” (1977); more overt gayness, demonstrated by Village People’s first album with “San Francisco (You’ve Got Me),” “Hollywood,” and “Fire Island” (1977).
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