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1

Caballero Escamilla, Sonia. "Los santos dominicos y la propaganda inquisitorial en el convento de Santo Tomás de Ávila". Anuario de Estudios Medievales 39, nr 1 (15.06.2009): 357–87. http://dx.doi.org/10.3989/aem.2009.v39.i1.107.

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Duba, William. "Dante, Paris, and the Benefactor of Saint-Jacques". Vivarium 58, nr 1-2 (18.12.2019): 65–88. http://dx.doi.org/10.1163/15685349-12341370.

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AbstractBased on the comments of Giovanni Boccaccio and Giovanni Villani, a theory holds that Dante Alighieri may have studied philosophy and theology at Paris in 1309-1310. That same academic year, the Dominican bachelor of the Sentences at Paris, Giovanni Regina di Napoli (John of Naples), delivered a speech thanking a ‘Benefactor’. This Benefactor, neither a Dominican nor a theologian, gave the sole benefit of honoring Giovanni, the convent of Saint-Jacques, and the Dominican Order with his presence, attending Giovanni’s lectures on theology. This paper explores the likelihood that the Benefactor was Dante. An edition and an English translation of Giovanni’s speech are included in appendices.
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Barclay Lloyd, Joan. "PAINTINGS FOR DOMINICAN NUNS: A NEW LOOK AT THE IMAGES OF SAINTS, SCENES FROM THE NEW TESTAMENT AND APOCRYPHA, AND EPISODES FROM THE LIFE OF SAINT CATHERINE OF SIENA IN THE MEDIEVAL APSE OF SAN SISTO VECCHIO IN ROME". Papers of the British School at Rome 80 (24.09.2012): 189–232. http://dx.doi.org/10.1017/s0068246212000104.

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Fragments of frescoes were found in the late nineteenth century on the medieval apse wall, hidden behind the fifteenth-century chancel, of the Dominican nunnery church of San Sisto Vecchio, Rome. They were painted in two phases, one in the late thirteenth or early fourteenth century, the other approximately a century later. When they were restored in 1990–2, two new scenes came to light. This paper reconsiders the murals of both phases, including the images uncovered during the restoration campaigns. Historical evidence shines new light on the medieval patrons of the nunnery, who were relatives of individual nuns, and reveals the social context in which buildings and paintings were provided for the convent. It is argued that the frescoes were designed for the Dominican nuns, whose religious ideals are reflected in their iconography. Up until now studies of these murals have not paid much attention to their socio-historical importance, nor the Dominican significance of the images, even in two scenes from the life of Saint Catherine of Siena. Accordingly, this study contributes to the discussion of the frescoes by placing them in a ‘Dominican’ framework, attempting to show what they may have meant to the medieval nuns in the convent.
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GAPOSCHKIN, M. CECILIA. "Philip the Fair, the Dominicans, and the liturgical Office for Louis IX: new perspectives on Ludovicus Decus Regnantium". Plainsong and Medieval Music 13, nr 1 (kwiecień 2004): 33–61. http://dx.doi.org/10.1017/s0961137104000026.

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This article traces the early reception of Ludovicus Decus Regnantium, the most common Proper Office for Saint Louis, King of France, canonized in 1297. It is generally considered a Dominican Office thought to have been produced on commission by the Dominican, Arnaud DuPrat, after his Order instituted Louis’ feast day. A number of factors confuse this attribution, including the existence of an earlier, rare Office for Louis, Nunc Laudare. A close examination of the extant evidence for the attribution and early reception of the Office leads to the conclusion that the Office was not celebrated by most, or even many, of the Dominican convents in France. It can thus be better understood in its Parisian and royal milieu within the context of the close relationship between the royal court of Philip the Fair (r. 1285–1314) and the Dominican convent of the Rue St-Jacques in Paris.
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Gómez-Ferrer, Mercedes. "El sepulcro del Venerable Domingo Anadón en el convento de Santo Domingo de Valencia (1609), obra genovesa encargo del Conde de Benavente = The Tomb of the Venerable Domingo Anadon in the Dominican Convent of Valencia (1609), A Genoese Work Commissioned by the Count of Benavente". Espacio Tiempo y Forma. Serie VII, Historia del Arte, nr 8 (17.11.2020): 397. http://dx.doi.org/10.5944/etfvii.8.2020.27240.

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El presente texto confirma que el monumento funerario encargado en 1609 por Juan Alfonso Pimentel, conde-duque de Benavente a los genoveses Giuseppe Carlone y Oberto Casella fue para la sepultura del fraile Domingo Anadón en el convento de Santo Domingo de Valencia. Se analizan las vicisitudes de este sepulcro junto al de fray Juan Micó en la capilla de San Luis Beltrán del convento, en el marco de la llegada de piezas genovesas a España en época Moderna.AbstractThis text confirms that the funerary monument commissioned in 1609 by Juan Alfonso Pimentel, count-duke of Benavente to the genoese sculptors Giuseppe Carlone and Oberto Casella was for friar Domingo Anadon in the dominican convent of Valencia. The history of this sepulchre linked to the one of friar Juan Micó in the chapel of Saint Louis Beltran of this convent is taken into account focusing on the arrival of genoese sculptures to Spain in Modern Times.
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Solère, Jean-Luc. "Durand of Saint-Pourçain’s Refutation of Concurrentism". Religions 15, nr 5 (29.04.2024): 558. http://dx.doi.org/10.3390/rel15050558.

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The Dominican theologian Durand of Saint-Pourçain (ca. 1275–1334), breaking from the wide consensus, made a two-pronged attack on concurrentism (i.e., the theory according to which God does more than conserving creatures in existence and co-causes all their actions). On the one hand, he shows that the concurrentist position leads to the unacceptable consequence that God is the direct cause of man’s evil actions. On the other hand, he attacks the metaphysical foundations of concurrentism, first in the version offered by Thomas Aquinas and Giles of Rome, and then in a more general way. Against Thomas and Giles, he challenges Neoplatonic assumptions about causality and being. More generally, he establishes that God’s action and a creature’s action can be neither identical nor different, and thus cannot both be direct causes of the same effect. Without claiming that Durand’s series of objections are definitely unanswerable, we may at least observe that they have generally been underestimated (which earned him the lowly role of the mere foil of the concurrentist view in the history of philosophy) and are able to do considerable damage to concurrentism.
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Bolinhas, Maria Inês. "Apostola apostolorum – Mary Magdalene according to St. Thomas Aquinas". Revista Portuguesa de Humanidades 27, nr 1-2 (31.12.2023): 35–50. http://dx.doi.org/10.17990/rph/2023_27_1_035.

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In 2016, partially recovering its old status of Festum Duplex I Classis, the liturgical celebration of Mary Magdalene was reassigned into Feast, because of her crucial role in announcing the resurrection of Christ to the apostles, becoming, therefore, their own apostle. The designation apostola apostolorum is literally found in Saint Thomas Aquinas. Pursuing a better knowledge of Mary Magdalene, we focus our analysis on chapter 20 of Super Evangelium S. Ioannis lectura, written by the Dominican Master. We follow John’s narrative through the pen of Saint Thomas and examine several scenes: the empty sepulchre, the run to Peter and John (and their run to the grave), the sadness, the dialogue with the angels and with the hypothetical gardener and, last, the mission assigned to her by Jesus Christ. We also explain Aquinas’ difficulties in connecting the biblical text with the biological status of woman in Aristotelian biology. Finally, we clarify why Aquinas states that the strength of Magdalene surpasses the strength of the disciples and presents her as a role model.
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Amini, Mahdi. "The Relationship Between Beauty and Metaphysics in the Theory of Saint Tomas Aquinas". European Journal of Multidisciplinary Studies 6, nr 2 (10.06.2017): 341. http://dx.doi.org/10.26417/ejms.v6i2.p341-341.

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Metaphysics and beauty are very important and challenging issues in philosophy that have been always noteworthy of philosophers. The relationship between these issues and the condition of these in philosophers's philosophical system is very different and various and every philosopher try to describe this in a specific way. It seems that there are very deep relationship between metaphysics and beauty in the philosophical system of philosophers that metaphysics is a fundamental subject in their philosophical system, because they explain their philosophical issue base on their metaphysical theory. Scholastic philosophers and philosophers of the middle Ages who were affected by Greek philosophy and lived in the Christian World are one group of that philosophers, however this relationship could be different. Saint Thomas Aquinas was a Catholic Priest in the Dominican Order and one of the most important medieval philosophers and theologians who have considered his theory base on metaphysics and theology. So, in this article I try by philosophical analysis method to show how metaphysics and beauty are connected in the philosophy of Thomas Aquinas. The results of this Article show that we cannot separate metaphysics and beauty in philosophy of Thomas Aquinas, so study on metaphysics of Thomas Aquinas is required as a prior condition for study on beauty.
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Räsänen, Marika. "Ecce novus: Saint Thomas Aquinas and Dominican Identity at the End of the Fourteenth Century". Acta ad archaeologiam et artium historiam pertinentia 31 (31.12.2019): 161–76. http://dx.doi.org/10.5617/acta.7805.

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Thomas Aquinas (1224/25-1274) joined the Order of Preachers around the year 1244 and became one of the most famous friars of this own time. He died in 1274 at the Cistercian monastery of Fossanova where his remains were venerated for almost a hundred years. The Dominicans, who had desired the return of the body of their beloved brother, finally received it by the order of Pope V in 1368. The Pope also ordered that the relics should have been transported (translatio) to Toulouse, where they arrived on 28 January 1369. In this article, I argue that his joining the Order was considered Thomas's first coming, and the transportation of his relics to Toulouse was his second coming to the Order. I will analyse the Office of Translatio (ca.1371) in the historical contexts of the beginning of the Observant reform of the Dominican Order in a period which was extremely unstable regarding both the papacy itself and politics between France and Italy. I will propose that the Office of Translatio inaugurated Thomas as the leader of a new era and the saviour of good Christians in a Christ-like manner. The liturgy of Translatio appears to offer a new interpretation of new apostles, the Dominicans, and the construction of eschatological self-understanding for the Dominican identity. On cover:Monks singing the Office and decorated initial A[sperges me.]. Gradual Olivetan Master (Use of the Olivetan Benedictines), illuminated manuscript on parchment ca. 1430-1439. Italy, Monastero di Santa Maria di Baggio near Milan, Ca 1400-1775.Beinecke Ms1184: The olivetan Gradual. Gradual. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.
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Woda, Angelo Luciani Moa Dosi. "THE EXPERIENCE OF EVIL AND DISORDER ACCORDING SAINT THOMAS AQUINAS (On Evil, q. 1, aa. 1-2)". In Veritate Lux : Jurnal Ilmu Kateketik Pastoral Teologi, Pendidikan, Antropologi, dan Budaya 5, nr 2 (31.08.2022): 52–61. http://dx.doi.org/10.63037/ivl.v5i2.5.

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Dalam kenyataan hidup sehari-sehari, kita semua sebagai manusia yang berada di dalam dunia yang fana ini, kita nyaris tidak dapat menghindari apa yang disebut dengan kejahatan. Lantas, pertanyaan mendasar yang dapat kita ajukan ialah apakah itu kejahatan? Mengapa ada kejahatan? Apa yang harus kita lakukan untuk menghindari kejahatan? Santo Thomas Aquinas, seorang Pujangga Gereja dari Ordo Dominican menyatakan bahwa kejahatan adalah tiadanya atau kekurangan dari kebaikan. Jelas kejahatan bukanlah esensi atau hakekat dari ada. Akan tetapi kejahatan adalah sesuatu yang mengganggu, merugikan, dan menindas kehidupan manusia. Oleh sebab itu hanya melalui peristiwa Inkarnasi, Sengsara, Wafat dan Kebangkitan Kristus, kejahatan dapat dikalahkan.
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11

MEWS, CONSTANT J., JOHN N. CROSSLEY i CAROL WILLIAMS. "Guy of Saint-Denis on the tones: thinking about chant for Saint-Denis c.1300". Plainsong and Medieval Music 23, nr 2 (3.09.2014): 153–78. http://dx.doi.org/10.1017/s0961137114000023.

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ABSTRACTThis article examines the thinking of Guy of Saint-Denis about plainchant tones as formulated in his Tractatus de Tonis (c.1300), preserved as the final item in an anthology of texts that he prepared (British Library, MS Harley 281). It examines his attitude to each of the major theorists singled out in this anthology. It argues that Guy's approach to chant combines the practically oriented writings of Guido of Arezzo with the Aristotelian perspective formulated by Johannes de Grocheio, but takes that perspective a step further by reflecting on the ways different types of chant impact on the emotions. Guy was also much influenced by Peter of Auvergne, a philosopher in the Arts Faculty at Paris committed to developing the teaching of Thomas Aquinas. Careful corrections to the Tractatus in Harley 281 reflect this ongoing concern to refine his thinking, possibly stimulated by Jerome of Moravia. His core conviction is that chant modes each have an affective attribute, and need to be chosen according to the subject matter of the text being sung. Guy criticised the practice of choosing modes sequentially in liturgical offices composed by those he calls ‘moderns’. Guy argues his case by drawing on examples of chant from Saint-Denis. A case can be made, on palaeographic grounds, for identifying him with Guy of Châtres, abbot of Saint-Denis (1326–42) and author of a Sanctilogium that updates the traditional monastic martyrology by reference to more recent Dominican collections of saints' lives in order to make them more accessible for liturgical use.
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KITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 67, nr 3-4 (1.01.1993): 293–371. http://dx.doi.org/10.1163/13822373-90002670.

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-Gesa Mackenthun, Stephen Greenblatt, Marvelous Possessions: The wonder of the New World. Chicago: University of Chicago Press, 1991. ix + 202 pp.-Peter Redfield, Peter Hulme ,Wild majesty: Encounters with Caribs from Columbus to the present day. An Anthology. Oxford: Oxford University Press, 1992. x + 369 pp., Neil L. Whitehead (eds)-Michel R. Doortmont, Philip D. Curtin, The rise and fall of the plantation complex: Essays in Atlantic history. New York: Cambridge University Press, 1990. xi + 222 pp.-Roderick A. McDonald, Hilary McD.Beckles, A history of Barbados: From Amerindian settlement to nation-state. Cambridge: Cambridge University Press, 1990. xv + 224 pp.-Gertrude J. Fraser, Hilary McD.Beckles, Natural rebels; A social history of enslaved black women in Barbados. New Brunswick NJ and London: Rutgers University Press and Zed Books, 1990 and 1989. ix + 197 pp.-Bridget Brereton, Thomas C. Holt, The problem of freedom: Race, labor, and politics in Jamaica and Britain, 1832-1938. Baltimore: John Hopkins University Press, 1991. xxxi + 517 pp.-Peter C. Emmer, A. Meredith John, The plantation slaves of Trinidad, 1783-1816: A mathematical and demographic inquiry. Cambridge: Cambridge University Press, 1988. xvi + 259 pp.-Richard Price, Robert Cohen, Jews in another environment: Surinam in the second half of the eighteenth century. Leiden: E.J. Brill, 1991. xv + 350 pp.-Russell R. Menard, Nigel Tattersfield, The forgotten trade: comprising the log of the Daniel and Henry of 1700 and accounts of the slave trade from the minor ports of England, 1698-1725. London: Jonathan Cape, 1991. ixx + 460 pp.-John D. Garrigus, James E. McClellan III, Colonialism and science: Saint Domingue in the old regime. Baltimore: John Hopkins University Press, 1992. xviii + 393 pp.-Lowell Gudmundson, Richard H. Collin, Theodore Roosevelt's Caribbean: The Panama canal, the Monroe doctrine, and the Latin American context. Baton Rouge: Louisiana State University Press, 1990. xviii + 598 pp.-Andrés Serbin, Ivelaw L. Griffith, Strategy and security in the Caribbean. New York : Praeger, 1991. xv + 208 pp.-W.E. Renkema, M.J. van den Blink, Olie op de golven: de betrekkingen tussen Nederland/Curacao en Venezuela gedurende de eerste helft van de twintigste eeuw. Amsterdam: De Bataafsche Leeuw, 1989. 119 pp.-Horatio Williams, Obika Gray, Radicalism and social change in Jamaica, 1960-1972. Knoxville: University of Tennessee Press, 1991. xiv + 289 pp.-Daniel A. Segal, Brackette F. Williams, Stains on my name, war in my veins: Guyana and the politics of cultural struggle. Durham: Duke University Press, 1991. xix + 322 pp.-A. Lynn Bolles, Olive Senior, Working miracles: Women's lives in the English-speaking Caribbean. Bloomington: Indiana University Press (and Bridgetown, Barbados: ISER),1991. xiii + 210 pp.-Teresita Martínez Vergne, Margarita Ostolaza Bey, Política sexual en Puerto Rico. 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13

Farbaky, Péter. "Neapolitan Cardinal in Early Renaissance Hungary •". Acta Historiae Artium 62, nr 1 (7.04.2022): 63–104. http://dx.doi.org/10.1556/170.2021.00005.

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In recent years, international research has turned with renewed attention to the Hungarian early renaissance and the art patronage of King Matthias Corvinus. indeed, it was in Hungary that italian renaissance art first appeared outside the italian peninsula. in 1476, he married Beatrice, daughter of Ferdinando d’aragona (Ferrante), who brought to Buda a love of books and music she had inherited from her grandfather, alfonso d’aragona. the work of Beatrice’s brother, giovanni d’aragona, previously known mainly from thomas Haffner’s monograph on his library (1997), is presented here from the viewpoint of his influence on Matthias’s art patronage. Ferrante’s children, alfonso, Beatrice, and giovanni were educated by outstanding humanist teachers. giovanni acquired many church benefices, and when Pope sixtus iv created him cardinal at the age of twenty-one, he made a dazzling entrance to rome. John was – together with Marco Barbo, oliviero Carafa, and Francesco gonzaga – one of the principal contemporary patrons of the College of Cardinals.On 19 april 1479 the pope named him legatus a latere to support King Matthias’s planned crusade against the Porte. giovanni went from rome to Hungary via Ferrara and Milan with two noted humanists in his retinue: the encyclopedist raffaele Maffei (volaterranus) and Felice Feliciano, bookbinder and collector of roman inscriptions. He spent much of his eight-month stay in Hungary with Matthias and Beatrice, no doubt exerting a significant influence on them, particularly in the collecting of books. Matthias appointed his brother-in-law archbishop of esztergom, the highest clerical office in Hungary. leaving Hungary in July 1480, giovanni returned to rome via venice and Florence, where lorenzo de’ Medici showed him the most valuable works of art in his palace. giovanni was appointed legate to Hungary again by sixtus iv in september 1483, and – together with Francesco Fontana – he stayed in Buda and esztergom between october 1483 and June 1484. the royal couple presented him with silver church vessels, a gold chalice, vestments, and a miter.Giovanni’s patronage focused on book collecting and building. He spent an annual sum of six thousand ducats on his library, and his acquisitions included contemporary architectural treatises by alberti and Filarete. it was around the time he was in Buda – between 1479 and 1481 – that the first large-format luxury codices were made for Matthias and Beatrice by the excellent Florentine miniaturist, Francesco rosselli. in rome, giovanni (and Francesco gonzaga) employed the Paduan illuminator gaspare da Padova, and his example encouraged Matthias and Beatrice to commission all’antica codices. anthony Hobson has detected a link between Queen Beatrice’s Psalterium and the livius codex copied for giovanni: both were bound by Felice Feliciano, who came to Hungary with the Cardinal. Feliciano’s probable involvement with the erlangen Bible (in the final period of his work, probably in Buda) may therefore be an important outcome of the art-patronage connections between giovanni and the king of Hungary.A passion for building was something else that giovanni shared with Matthias. He built a palace for himself in the monastery of Montevergine and another near Montecassino, of which he was abbot. He also built the villa la Conigliera in Naples. Matthias’ interest in architecture is much mentioned in antonio Bonfini’s history of Hungary, but only fragments of his monumental constructions, which included the renaissance villa Marmorea in the gardens to the west of the royal Palace of Buda, have survived.Giovanni and Matthias also had a connection through the famous Milan goldsmith Cristoforo Foppa (Caradosso), whose workshop was located in giovanni’s palace in rome. after his patron’s death in autumn 1485, he attempted to sell a – subsequently famous – silver salt cellar he had been unable to complete. it may also have been at the Cardinal’s recommendation that Matthias invited Caradosso to Buda for a several-month stay in 1489/90, during which he made silver tableware and possibly – together with three other lombardian goldsmiths who were there at the time – the lower part of the magnificent Matthias Calvary.Further items in the metalware category are our patrons’ seal matrices. My research has uncovered two smaller seals, both with the arms of the House of aragon at the center, that belonged to giovanni d’aragona. one, dating from 1473, is held in the archives of the Benedictine abbey of Montecassino. the other was made after he was created cardinal in late 1477 (it is held in Hungarian National archives). He also had an elaborate prelate’s seal matrix made in the early renaissance style, of which impressions survive on the documents in the archivio apostolico vaticano and the esztergom Primatial archive. at the center of the mandorla-shaped field, sitting on a throne, is the virgin Mary (Madonna lactans type) together with two intervening standing saint figures whose identification requires further research. Beneath it is the cardinal’s coat of arms crowned with a hat. it may date from the time of Caradosso’s first presumed stay in rome (1475–1479), suggesting him as the maker of the matrix, although to my knowledge there is no further evidence for this. the seals of King Matthias have been thoroughly studied, and the form and use of each type have been almost fully established.Giovanni d’aragona was buried in rome, in his titular church, the Dominican Basilica of santa sabina. Johannes Burckard described the funeral procession from the palace to the aventine in his Liber notarum. Matthias died in the vienna Burg, a residence he had only just taken up, in 1490. His body was taken in grand procession to Buda and subsequently to Fehérvár Basilica, the traditional burial place of Hungarian kings. the careers of giovanni and Matthias, full of military, political and ecclesiastical accomplishments, were thus both cut short. the great works of art they engendered, however, mark them out as highly influential patrons of renaissance art and humanist culture.
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Somavilla, Dr Enrique, i Carmen Calderón Patier. "Estado en el pensamiento de San Agustín y Santo Tomás". Anuario Jurídico y Económico Escurialense, nr 55 (24.01.2022). http://dx.doi.org/10.54571/ajee.504.

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San Agustín desarrolla en la obra de La Ciudad de Dios, el tema de la paz, que la define como la tranquilidad del orden, sus formas y medios para establecerla que son las leyes y el concepto de Estado. San Agustín, asume que la ciudad terrena, es decir, el poder temporal, se encuentra al servicio de la ciudad de Dios, que es el poder espiritual. Mas tarde, la armonización entre la fe y la razón, que será la que sobresalga respecto a las demás posturas, por medio de santo Tomás de Aquino, OP, que intenta mantener un sano y adecuado equilibrio entre filosofía y teología. Para llegar a una sana confluencia entre ambas figuras, el primero proyecta su sistema filosófico sobre el neoplatonismo y el segundo sobre Aristóteles; de ambas corrientes, la platónica-agustiniana dejará paso a la aristotélica dominica y esta se impondrá ya en el siglo XIII de forma definitiva con el esquema tomista para el desarrollo de las tesis filosófico-teológicas. El Estudio de ambos métodos proyectará una nueva cosmovisión de la realidad y del hombre. Abstract Saint Augustine develops in the work of The City of God, the theme of peace, which he defines as the tranquility of order, its forms and means to establish it, which are the laws and the concept of the State. Saint Augustine, assumes that the earthly city, that is, temporal power, is at the service of the city of God, which is spiritual power. Later, the harmonization between faith and reason, which will be the one that stands out compared to the other positions, through Saint Thomas Aquinas, OP, who tries to maintain a healthy and adequate balance between philosophy and theology. To reach a healthy confluence between the two figures, the first projects his philosophical system on Neoplatonism and the second on Aristotle; Of both currents, the Platonic-Augustinian will give way to the Dominican Aristotelian and this will be imposed in the 13th century in a definitive way with the Thomist scheme for the development of philosophical-theological theses. The Study of both methods will project a new worldview of reality and of man.
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Cunanan, Ericka Mae. "True Harmony Between Liturgy and Popular Piety: Expressing The Thomasian Faith in The Sabuaga Festival". Scientia - The International Journal on the Liberal Arts 10, nr 2 (30.09.2021). http://dx.doi.org/10.57106/scientia.v10i2.134.

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The Directory on Popular Piety and the Liturgy (DPPL) upholds that Christian worship originates and is brought to completion in the Spirit of Christ, which dispenses truthful liturgical devotion and realistic manifestations of popular piety. A vigorous engagement of evangelization and culture is embodied in the Sabuaga Festival, an Easter Sunday celebration in Sto. Tomas, Pampanga. It is a collaboration of the Catholic Church (St. Thomas the Apostle Parish) and the Local Government Unit (Sto. Tomas). This paper argues how a true and fruitful harmony between liturgy and popular piety is achieved in the Sabuaga Festival. Hence, the researcher articulates the following, namely: First, the dimensions of the Sabuaga Festival that make it an expression of popular piety. Second, the principles offered by DPPL for the true and fruitful harmonization of liturgy and popular piety. Third, the pastoral action plan, entitled: “An Authentic Pastoral Action of the Liturgy: Towards Building upon the Riches of the Sabuaga as a Popular Piety,” which provides suitable catechesis for the harmonization of Liturgy and Popular Piety in the Sabuaga Festival. References Archdiocese of Saint Paul and Minneapolis, “What Is ‘Liturgy’? Why Is It Important?” Accessed last March 29, 2021 from https://www.archspm.org/faith-and-discipleship/catholic-faith/what-is-liturgy-why-is-it-important/. Benedict XVI, Jesus of Nazareth. Holy Week: From the Entrance into Jerusalem to the Resurrection. London: Catholic Truth Society. Catholic Church. Catechism of the Catholic Church: Revised in Accordance with the Official Latin Text Promulgated by Pope John Paul II. Vatican City: Libreria Editrice Vaticana, 1997. Catholic Bishops’ Conference of the Philippines. Acts and Decrees of the Second Plenary Council of the Philippines. Manila: CBCP, 1992. Catholic Bishops’ Conference of the Philippines. Catechism for Filipino Catholics. Manila: ECCCE Word and Life Publications, 2008. Robert E. Alvis. “The Tenacity of Popular Devotions in the Age of Vatican II: Learning from the Divine Mercy,” Religions 12, 1 (2021): 65. https://doi.org/10.3390/rel12010065 Catholic Culture. “Catholic Activity: Liturgy of Easter Sunday and the Octave of Easter,” Accessed March 16, 2021 from https://www.catholicculture.org/culture/liturgicalyear/activities/view.cfm?id=1044. Chupungco, Anscar J. “Liturgical Inculturation: The Future That Awaits Us.” Accessed last 3 April 2021 from https://www.valpo.edu/institute-of-liturgical-studies/files/2016/09/chupungco2.pdf. Cole, Father. “St. John Damascene: Holy Pictures to the Rescue!” National Catholic Register. Last modified December 1, 1996. Accessed last March 31, 2021 from https://www.ncregister.com/news/st-john-damascene-holy-pictures-to-the-rescue. Coffey, David. “The Common and the Ordained Priesthood,” Theological Studies 58 (1997). Congregation for Divine Worship and Discipline of the Sacraments. Directory on Popular Piety and the Liturgy, Principles, and Guidelines. Promulgated on December 2001. Accessed from http://www.vatican.va/roman_curia/congregations/ccdds/documents/rc_con_ccdds_doc_20020513_vers-direttorio_en.html Deguma, Jabin J. Melona S. Case, and Jemima N. Tandag. “Popular Religiosity: Experiencing Quiapo and Turumba.” American Research Journal of Humanities & Social Science Vol. 2, 6 (June 2019). https://www.researchgate.net/publication/337158384_Popular_Religiosity_Experiencing_Quiapo_and_Turumba Duggan, Robert D. “Good Liturgy: The Assembly,” America: The Jesuit Review. Last modified, 1 March 2004. Accessed last 4 April 2021 from https://www.americamagazine.org/issue/475/article/good-liturgy-assembly Ecclesia in Asia, Post Synodal Exhortation solemnly promulgated by His Holiness: John Paul II on November 6, 1999. Accessed last March 29, 2021 from http://www.vatican.va/content/john-paul-ii/en/apost_exhortations/documents/hf_jp- ii_exh_06111999_ecclesia-in-asia.html. Estevez, Jorge Arturo Medina. “Popular Piety And The Life Of Faith,” Catholic Culture. Accessed March 31, 2021 from https://www.catholicculture.org/culture/library/view.cfm?recnum=4614. Evangelii Gaudium. Apostolic Exhortation on the Proclamation of the Gospel in Today’s World of the His Holiness Pope Francis promulgated on 24 November 2013. Accessed last 4 April 2021 from http://www.vatican.va/content/francesco/en/apost_exhortations/documents/papa-francesco_esortazione-ap_20131124_evangelii-gaudium.html#The_evangelizing_power_of_popular_piety Evangelii Nuntiandi Apostolic Exhortation, solemnly promulgated by His Holiness Pope Paul VI on December 8, 1975. Accessed last 30 March 2021 from http://www.vatican.va/content/paul-vi/en/apost_exhortations/documents/hf_p-vi_exh_19751208_evangelii-nuntiandi.html. Fifth General Conference of the Bishops of Latin America and the Caribbean convened in Aparecida (Brazil), from May 13 to 31, 2007. 258-265. Gueguen, John. “Jesus of Nazareth from Baptism in the Jordan to the Transfiguration Joseph Ratzinger-Pope Benedict XVI." Accessed last 14 March 2021, from http://my.ilstu.edu/~jguegu/BenedictXVIPart2.pdf?fbclid=IwAR2Ehr2_33BasxvvDnOGBEqaEz0VajyxpzfO2FYCq5Vi-j0et09a_St2PiU Graduateway. “Popular Piety: Emotive Christianity in Medieval Society Example.” Accessed last 11 December 2020 from https://graduateway.com/popular-piety-emotive-christianity-in-medieval-society/. Guardini, Romano. “The Spirit of the Liturgy.” Accessed last March 31, 2021 from https://www.ewtn.com/catholicism/library/spirit-of-the-liturgy-11203. Ivan About Town. “Pampanga: Easter Sunday Salubong, Pusu-Puso, and Sagalas of Santo Tomas.” Last modified, 6 April 2010. Accessed last 5 April 2021, from https://www.ivanhenares.com/2010/04/pampanga-easter-sunday-salubong-pusu.html Keenan OP, Oliver James. New Series: Popular Piety,” The Dominican Friars – England and Scotland. Last modified 18 October 2013. Accessed last March 30, 2021 from https://www.english.op.org/godzdogz/new-series-popular-piety Krueger, Derek. “The Religion of Relics in Late Antiquity and Byzantium,” in Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe, eds. Martina Bagnoli, Holger A. Klein, C Griffith Mann, and James Robinson. London: The British Museum Press, 2011. Kroeger, James H. “Popular Piety: Some Missiological Insights,” Japan Mission Journal Vol. 70, 4 (Winter 2016). Lumen Gentium. Dogmatic Constitution on the Church, solemnly promulgated by His Holiness Pope Paul VI on November 21, 1964. Accessed last March 30, 2021 from http://www.vatican.va/archive/hist_councils/ii_vatican_council/documents/vat-ii_const_19641121_lumen-gentium_en.html. McEvoy, Bernice. “Why Do Catholics Wear Medals, Scapulars & Venerate Relics?” St Martin Apostolate. Last modified July 8, 2019. Accessed last 4 April 2021 from https://www.stmartin.ie/why-do-catholics-wear-medals-scapulars-venerate-relics/. Mirus, Jeff. “Vatican II on the Liturgy: Particular Norms and the Eucharist,” Catholic Culture. Last modified 11 February 2010. Accessed last March 29, 2021 from https://www.catholicculture.org/commentary/vatican-ii-on-liturgy-particular-norms-eucharist/. Musicam Sacram, Second Vatican Ecumenical Council Instruction on Music in the Liturgy solemnly promulgated on 5 March 1967. Accessed last 4 April 2021 from http://www.vatican.va/archive/hist_councils/ii_vatican_council/documents/vat-ii_instr_19670305_musicam-sacram_en.html Piotr, Roszak. and Sławomir Tykarski. “Popular Piety and Devotion to Parish Patrons in Poland and Spain, 1948–98” Religions 11, 658 (2020): doi:10.3390/rel11120658 Plese, Matthew. “A Catholic Guide to Relics: What Kinds Are There and Why Do We Honor Them?” The Fatima Center. Accessed last 1 March 2020 from https://fatima.org/news-views/catholic-apologetics-58/. __________. “The Importance of Kneeling and Prostrations,” The Fatima Center. last modified June 15, 2020. Accessed last 4 April 2021 from https://fatima.org/news-views/the-importance-of-kneeling-and-prostrations/. Pontifical Council for Culture, Towards a Pastoral Approach to Culture. Promulgated in 1999. Accessed last 4 April 2021 from https://www.vatican.va/roman_curia/pontifical_councils/cultr/documents/rc_pc_pc-cultr_doc_03061999_pastoral_en.html. Ratzinger, Joseph Cardinal. God and the world: believing and living in our time: A Conversation with Peter Seewald. Translated by Henry Taylor. San Francisco, CA: Ignatius Press, 2002. __________. “Sacred Places: The Altar and the Direction of Liturgical Prayer,” The Institute for Sacred Architecture. Accessed last March 31, 2021 from https://www.sacredarchitecture.org/articles/the_altar_and_the_direction_of_liturgical_prayer/. Rosales, Daniel Montoya. “The Influence of the Missionary Heritage on Liturgical Forms.” International Review of Missions, 74, 295 (July 1985): 373-376. https://doi.org/10.1111/j.1758-6631.1985.tb02595.x Sacramentum Caritatis. Post-Synodal Apostolic Exhortation on the Eucharist as the Source and Summit of the Church's Life and Mission, solemnly promulgated by His Holiness Benedict XVI on 22 February 2007. Accessed March 29, 2021 from https://www.vatican.va/content/benedict-xvi/en/apost_exhortations/documents/hf_ben-xvi_exh_20070222_sacramentum-caritatis.html#Actuosa_participatio Sacrosanctum Concilium. Constitution on Sacred Liturgy, solemnly promulgated by His Holiness Pope Paul VI on December 4, 1963. Accessed last 1 April 2021 from https://www.vatican.va/archive/hist_councils/ii_vatican_council/documents/vat-ii_const_19631204_sacrosanctum-concilium_en.html Saunders, William. “Icons and Sacred Images,” Catholic Exchange. Last modified January 19, 2017. Accessed last 4 April 2021 from https://catholicexchange.com/icons-sacred-images-2. Salvador, Ryan. “Some Reflections on Theology and Popular Piety: A Fruitful or Fraught Relationship?” HeyJ 53 (2012): 961–971. Scheuman, Joseph. “Five Truths About the Incarnation,” Desiring God. Last Modified 25 December 2013. Accessed last March 31, 2021 from https://www.desiringgod.org/articles/five-truths-about-the-incarnation. Sheehan, Peter C. “Role of Music in Liturgy.” Academia.edu. Accessed March 31, 2021. https://www.academia.edu/12569062/Role_of_Music_in_Liturgy. Stroik, Duncan G., and Barbara J. Elliott, James Fitzmaurice, et al. “The Church Building as Sacred Place: Beauty, Transcendence & Eternal,” The Imaginative Conservative. Last modified August 13, 2019. Accessed last 4 April 2021 from https://theimaginativeconservative.org/2013/02/the-church-building-as-sacred-place.html. Synod of Bishops XIII Ordinary General Assembly The New Evangelization for the Transmission of the Christian Faith, Instrumentum Laboris" promulgated in 2012. Accessed last March 30, 2021 from http://www.vatican.va/roman_curia/synod/documents/rc_synod_doc_20120619_instrumentum-xiii_en.html. Szylak, Paweł. “Popular Piety: Processions,” The Dominican Friars – England and Scotland. Last modified 14 January 2014. Accessed March 31, 2021. https://www.english.op.org/godzdogz/popular-piety-processions. Theodula and Popular Religiosity. “Liturgy and Popular Religiosity: Historical Perspective,” accessed last 4 April 2020 from https://theologicaldramatics.wordpress.com/popular-religiosity/02-popular-religionreligiosity-and-official-liturgy/notes-mark-francis-csv/ Theodula and Popular Religiosity. “Debosyon.” Accessed last 4 April 2021 from https://theologicaldramatics.wordpress.com/liturgy-popular-piety-religiosity-in-the-magisterium/ Thompson, O.P Augustine. “The Dominican Venia and Kissing the Scapular.” New Liturgical Movement. Last modified 5 July 2008. Accessed March 31, 2021 from http://www.newliturgicalmovement.org/2008/07/dominican-venia-and-kissing-scapular.html#.YGQCrZMzbe0. Appendix: SC- Sacrosanctum Concilium CCC- Catechism of the Catholic Church DPPL- Directory on Popular Piety and the Liturgy YOUCAT- Youth Catechism EG- Evangelii Gaudium
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"Buchbesprechungen". Zeitschrift für Historische Forschung 46, nr 4 (1.10.2019): 641–754. http://dx.doi.org/10.3790/zhf.46.4.641.

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Rexroth, Frank / Teresa Schröder-Stapper (Hrsg.), Experten, Wissen, Symbole. Performanz und Medialität vormoderner Wissenskulturen (Historische Zeitschrift. Beihefte (Neue Folge), 71), Berlin / Boston 2018, de Gruyter Oldenbourg, 336 S. / Abb., € 89,95. (Lisa Dannenberg-Markel, Aachen) Enenkel, Karl A. E. / Christine Göttler (Hrsg.), Solitudo. Spaces, Places, and Times of Solitude in Late Medieval and Early Modern Cultures (Intersections, 56), Leiden / Boston 2018, Brill, XXXIV u. 568 S. / Abb., € 165,00. (Mirko Breitenstein, Dresden / Leipzig) Tracy, Larissa (Hg.), Medieval and Early Modern Murder. Legal, Literary and Historical Contexts, Woodbridge 2018, Boydell Press, 486 S., £ 60,00. (Benjamin Seebröker, Dresden) Müller, Mario, Verletzende Worte. Beleidigung und Verleumdung in Rechtstexten aus dem Mittelalter und aus dem 16. Jahrhundert (Hildesheimer Universitätsschriften, 33), Hildesheim / Zürich / New York 2017, Olms, 410 S. / Abb., € 78,00. 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Akademische Landstandschaft im Spannungsfeld von reformatorischer Lehre, landesherrlicher Instrumentalisierung und ständischer Solidarität (Quellen und Forschungen zu Thüringen im Zeitalter der Reformation, 8), Wien / Köln / Weimar 2018, Böhlau, 1093 S., € 125,00. (Bernhard Homa, Stade) Kikuchi, Yuta, Hamburgs Ostsee- und Mitteleuropahandel 1600 – 1800. Warenaustausch und Hinterlandnetzwerke (Wirtschafts- und Sozialhistorische Studien, 20), Köln / Weimar / Wien 2018, Böhlau, 426 S. / Abb., € 65,00. (Mark Häberlein, Bamberg) Hoppe, Peter / Daniel Schläppi / Nathalie Büsser / Thomas Meier, Universum Kleinstadt. Die Stadt Zug und ihre Untertanen im Spiegel der Protokolle von Stadtrat und Gemeinde (1471 – 1798) (Beiträge zur Zuger Geschichte, 18), Zürich 2018, Chronos in Kommission, 320 S. / Abb., € 38,00. (Volker Reinhardt, Fribourg) Griffin, Carl J. / Briony McDonagh (Hrsg.), Remembering Protest in Britain since 1500. Memory, Materiality and the Landscape, Cham 2018, Palgrave Macmillan, XIV u. 253 S. / Abb., € 96,29. (Georg Eckert, Wuppertal / Potsdam) Queckbörner, Boris, Englands Exodus. Form und Funktion einer Vorstellung göttlicher Erwählung in Tudor-England, Bielefeld 2017, transcript, 596 S. / Abb., € 49,99. (Andreas Pečar, Halle a. d. S.) Fleming, Gillian B., Juana I. Legitimacy and Conflict in Sixteenth-Century Castile (Queenship and Power), Cham 2018, Palgrave Macmillan, XXI 356 S. / Abb., € 103,99. (Pauline Puppel, Berlin) Heidenreich, Benjamin, Ein Ereignis ohne Namen? Zu den Vorstellungen des „Bauernkriegs“ von 1525 in den Schriften der „Aufständischen“ und in der zeitgenössischen Geschichtsschreibung (Quellen und Forschungen zur Agrargeschichte, 9), Berlin / Boston 2019, de Gruyter Oldenbourg, IX u. 350 S., € 99,95. (Wiebke Voigt, Dresden) Lehmann, Sarah, Jrdische Pilgrimschafft und Himmlische Burgerschafft. Leid und Trost in frühneuzeitlichen Leichenpredigten (The Early Modern World, 1), Göttingen 2019, V&R unipress, 374 S. / Abb., € 50,00. (Volker Leppin, Tübingen) Hanß, Stefan, Lepanto als Ereignis. Dezentrierende Geschichte‍(n) der Seeschlacht von Lepanto (1571) (Berliner Mittelalter- und Frühneuzeit-Forschung, 21), Göttingen 2017, Vandenhoeck & Ruprecht, 710 S. / Abb., € 85,00. (Cornel Zwierlein, Berlin) Hanß, Stefan, Die materielle Kultur der Seeschlacht von Lepanto (1571). Materialität, Medialität und die historische Produktion eines Ereignisses, 2 Teilbde. (Istanbuler Texte und Studien, 38.1 u. 38.2), Würzburg 2017, Ergon in Kommission, 1006 S. / Abb., € 148,00. (Cornel Zwierlein, Berlin) Nagel, Ulrich, Zwischen Dynastie und Staatsräson. Die habsburgischen Botschafter in Wien und Madrid am Beginn des Dreißigjährigen Krieges (Veröffentlichungen des Instituts für Europäische Geschichte Mainz. Abteilung für Universalgeschichte, 247), Göttingen 2018, Vandenhoeck & Ruprecht, 464 S., € 80,00. (Hillard von Thiessen, Rostock) Mitchell, Silvia Z., Queen, Mother, and Stateswoman. Mariana of Austria and the Gouvernment of Spain, University Park Pennsylvania 2019, The Pennsylvania State University Press, XII u. 293 S. / Abb., $ 84,95. (Katrin Keller, Wien) Krause, Oliver, Die Variabilität frühneuzeitlicher Staatlichkeit. Die niederländische „Staats“-Formierung der Statthalterlosen Epoche (1650 – 1672) als interkontinentales Regiment (Beiträge zur Europäischen Überseegeschichte, 105), Stuttgart 2018, Steiner, 529 S., € 76,00. (Johannes Arndt, Münster) Stevens, Ralph, Protestant Pluralism. The Reception of the Toleration Act, 1689 – 1720 (Studies in Modern British Religious History, 37), Woodbridge / Rochester 2018, The Boydell Press, XIV u. 201 S., £ 65,00. (Frouke Veenstra-Vis, Groningen) Mitchell, A. Wess, The Grand Strategy of the Habsburg Empire, Princeton / Oxford 2018, Princeton University Press, XIV u. 403 S. / Abb., $ 27,00. (Simon Karstens, Trier) Pohlig, Matthias / Michael Schaich (Hrsg.), The War of the Spanish Succession. New Perspectives (Studies of the German Historical Institute London), Oxford 2018, Oxford University Press, IX u. 509 S. / Abb., £ 85,00. (Anuschka Tischer, Würzburg) Vollhardt, Friedrich, Gotthold Ephraim Lessing. Epoche und Werk, Göttingen 2018, Wallstein, 490 S. / Abb., € 29,90. (Michael Maurer, Jena) Walliss, John, The Bloody Code in England and Wales, 1760 – 1830 (World Histories of Crime, Culture and Violence), Cham 2018, Palgrave Macmillan, XXIII u. 176 S. / graph. Darst., € 85,59. (Benjamin Seebröker, Dresden) „Die Schlesier im Ganzen taugen wahrlich nichts!“ Johann Gustav Gottlieb Büschings Briefe an seine Braut. An der Wiege der Breslauer Germanistik, hrsg., komm. u. mit einem Vorwort versehen v. Krzysztof Żarski / Natalia Żarska (Schlesische Grenzgänger, 10), Leipzig 2018, Leipziger Universitätsverlag, 575 S., € 49,00. (Michael Maurer, Jena)
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