Gotowe bibliografie tematyczne / Saint Hildegard von Bingen

Gotowa bibliografia na temat „Saint Hildegard von Bingen”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 20 lutego 2023

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Artykuły w czasopismach na temat "Saint Hildegard von Bingen"

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Ramos-e-Silva, Marcia. "Saint Hildegard von Bingen (1098-1179): "the light of her people and of her time"". International Journal of Dermatology 38, nr 4 (kwiecień 1999): 315–20. http://dx.doi.org/10.1046/j.1365-4362.1999.00617.x.

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GÖSMANN, Elisabeth. "Hildegard von Bingen". Journal of the European Society of Women in Theological Research 1 (1.01.1993): 161–68. http://dx.doi.org/10.2143/eswtr.1.0.2017344.

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Tarnawska, Joanna. "Obraz św. Hildegardy z Bingen w polskiej kulturze współczesnej". Załącznik Kulturoznawczy, nr 1 (2014): 60–86. http://dx.doi.org/10.21697/zk.2014.1.03.

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The article St. Hildegard of Bingen in Contemporary Culture was based on fragments of Licence Work.: St.Hildegard of Bingen – medival “feminist” and contemporary doctor of Church. The author concentrates on great interest of Saint Hildegard – the most interesting and best known monk of medieval ages. Saint Hildegard is a authority and inspiration for many different societes generating discussions. This work tries to answer questions on manipulation and use of Hildegard by contemporary culture. It also underlines stereotypes of thinking about medival ages and position of women in Church
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Johnson, S. "Interpreting Hildegard von Bingen". Early Music 42, nr 1 (1.02.2014): 139–41. http://dx.doi.org/10.1093/em/cau013.

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Nogueira, Maria Simone Marinho, i Ana Rachel Gondim Cabral de Vasconcelos. "HILDEGARD VON BINGEN E ELISABETH VON SCHÖNAU:". Trilhas Filosóficas 13, nr 1 (7.09.2020): 35–54. http://dx.doi.org/10.25244/tf.v13i1.2396.

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Neste artigo pretendemos apresentar, a partir das duas primeiras cartas trocadas entre Hildegard von Bingen (1098-1179) e Elisabeth von Schönau (1129-1164), a relação de amizade e inspiração dessas duas mulheres, que foram importantes místicas visionárias cristãs do século XII e influenciaram sobremaneira a cristandade medieval. Apresentaremos, assim, aspectos da vida e da obra da sibila do Reno e sua influência sobre Elisabeth von Schönau, delimitando também algumas das diferenças entre elas, inclusive no que se refere à mística.
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Poizat, Michel. "Hildegard von Bingen : la voix sacrée". Les Cahiers du GRIF 2, nr 1 (1996): 49–64. http://dx.doi.org/10.3406/grif.1996.1901.

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Wagner, Fritz. "Die Welt der Hildegard von Bingen". AMSTERDAMER BEITRÄGE ZUR ÄLTEREN GERMANISTIK 51, nr 1 (17.11.1999): 306–7. http://dx.doi.org/10.1163/18756719-051-01-90000051.

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Stahler-Gey, S. "Das Heilwissen der Hildegard von Bingen". Psych. Pflege Heute 13, nr 1 (luty 2007): 23–26. http://dx.doi.org/10.1055/s-2006-927353.

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Gresser, G. "Medizinische Ethik bei Hildegard von Bingen". Ethik in der Medizin 10, S1 (wrzesień 1998): S92—S103. http://dx.doi.org/10.1007/pl00014828.

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Zátonyi, Maura. "Rebell oder Mitarbeiter Gottes? Hildegard von Bingen zu einem bekehrten Umgang mit der Schöpfung". Studia Universitatis Babeș-Bolyai Theologia Catholica 66, nr 1-2 (15.12.2021): 221–31. http://dx.doi.org/10.24193/theol.cath.2021.10.

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Rebel or collaborator of God? Hildegard of Bingen about a converted creation approach. Hildegard of Bingen (1098-1179) describes the consequences of the destruction of nature with surprising modern illustrations. At the same time, she shows ways to change for the better. Instead of rebelling against God and the order of creation, man is invited to take his position in the heart of creation. Obedience frees man to deal with creation in a compliant manner. This way he can respond to God’s love and act with responsibility in the world. Keywords: Hildegard von Bingen, Schöpfung, Gottes Liebe, Freiheit, Vernunft, Verantwortung, Gottesvergessenheit, Umkehr, geschöpfliches Dasein, Gehorsam.
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Rozprawy doktorskie na temat "Saint Hildegard von Bingen"

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Bain, Jennifer 1967. "Selected antiphons of Hildegard von Bingen : notation and structural design". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23206.

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The musical structure of Hildegard von Bingen's "O quam mirabilis est" is directly linked to its notational system. After placing Hildegards's antiphons within an historical context in chapter one, chapter two reviews three previous analyses of "O quam mirabilis est" by Bronarski (1922), Cogan (1990) and Pfau (1990). The first two analyses ignore the syntax and expression of the text by focusing on the motivic level. The third analysis, though it embraces the text, lacks a formalization in its theoretical model. None of the analyses respond to the original notation. In response, chapter three examines the notation found in the sources containing Hildegard's music (the Riesenkodex and the Dendermonde codex) and discusses the structural importance of pitches within the neumatic groupings. The resulting graphic analysis adapt Schenkerian analytic notation to represent a hierarchy of pitch relationships. Chapter four applies this methodology to four other antiphons by Hildegard: "Hodie aperuit," "Nunc gaudeant," "O virtus sapientie," and "O virgo ecclesia."
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Paquette, Megan. "Migraine auras and hypergraphia and their connection to Hildegard Von Bingen". Honors in the Major Thesis, University of Central Florida, 2001. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/244.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Art History
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Collingridge, Lorna Marie, i n/a. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen". Griffith University. School of Theology, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040624.110229.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her songs express, in dense poetic texts set to widely-ranging chant-like melodies, her rich imaging of the fecund presence of the Divine. The singers are thus encouraged to imagine themselves in relationship with the Holy One, the Living Light, through the physical act of singing these evocative songs. This dissertation analyses four of Hildegard's songs, representing a small cross section of her musical oeuvre. The analysis elucidates the way in which the music affectively conveys the meaning and significance of the texts. Carefully incising the "flesh" from the structural "bones" of the melodies reveals underlying organising configurations which pervade the songs and deliver the texts in a distinctive manner. Hildegard professed herself to be musically uneducated because she lacked a knowledge of music notation, although she admitted to extensive experience in singing Divine Office. However, she clearly claims to be the oral composer of her songs, arranging late in her life for music scribes to notate her melodies. My analysis unravels the influence of the oral composer as it intersects with the influence of the musically trained scribes who neumed her texts. Hildegard wrote that the "words symbolize the body, and the jubilant music indicates the spirit" (Scivias 3:12:13). She claims that the music conveys the meaning of the texts with affective power, and my analysis shows ways in which the oral composer endeavors to achieve this goal. Her texts, conveyed by her melodies and thus intimately entwined with the words they deliver, are powerfully persuasive forces in the spiritual education of the women in her monastery. This dissertation uncovers significant insights which can inform the communal practice of worship of the Divine, especially where song forms part of that worship, and particularly in regard to the imagining of Divinity in ways which can nourish the diversity of all humans, all creatures, and all creation. The work of feminist theologians is brought into dialogue with Hildegard's imagery and educational purpose, thus making available ways of imagining the Divine which are especially important for contemporary women, who have suffered from being excluded from the imago Dei. Thus the dissertation unearths a rich lode of female, and creatural embodied images, which threads its way though the millennia, but now needs to be mined to uncover images that might work for contemporary Christians seeking multiple imaging of the Divine to touch the deep feminist, ecological and liberative yearnings of many hearts and spirits.
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Collingridge, Lorna Marie. "Music as Evocative Power: The Intersection of Music with Images of the Divine in the Songs of Hildegard of Bingen". Thesis, Griffith University, 2004. http://hdl.handle.net/10072/365182.

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Hildegard's songs evoke an erotic and embodied devotion to a Divinity imagined as sensuous, relational, immanent and often female. These songs, written for use in her predominantly female community, are part of Hildegard's educational program to guide the spiritual development of the women in her Benedictine monastery. Hildegard's theology of music proposes that the physical act of singing enables humans to experience connection to the Living Light (Hildegard's most common address for the voice of the Holy Presence in her visions, lux vivens), and to embody this Divinity in their midst. Her songs express, in dense poetic texts set to widely-ranging chant-like melodies, her rich imaging of the fecund presence of the Divine. The singers are thus encouraged to imagine themselves in relationship with the Holy One, the Living Light, through the physical act of singing these evocative songs. This dissertation analyses four of Hildegard's songs, representing a small cross section of her musical oeuvre. The analysis elucidates the way in which the music affectively conveys the meaning and significance of the texts. Carefully incising the "flesh" from the structural "bones" of the melodies reveals underlying organising configurations which pervade the songs and deliver the texts in a distinctive manner. Hildegard professed herself to be musically uneducated because she lacked a knowledge of music notation, although she admitted to extensive experience in singing Divine Office. However, she clearly claims to be the oral composer of her songs, arranging late in her life for music scribes to notate her melodies. My analysis unravels the influence of the oral composer as it intersects with the influence of the musically trained scribes who neumed her texts. Hildegard wrote that the "words symbolize the body, and the jubilant music indicates the spirit" (Scivias 3:12:13). She claims that the music conveys the meaning of the texts with affective power, and my analysis shows ways in which the oral composer endeavors to achieve this goal. Her texts, conveyed by her melodies and thus intimately entwined with the words they deliver, are powerfully persuasive forces in the spiritual education of the women in her monastery. This dissertation uncovers significant insights which can inform the communal practice of worship of the Divine, especially where song forms part of that worship, and particularly in regard to the imagining of Divinity in ways which can nourish the diversity of all humans, all creatures, and all creation. The work of feminist theologians is brought into dialogue with Hildegard's imagery and educational purpose, thus making available ways of imagining the Divine which are especially important for contemporary women, who have suffered from being excluded from the imago Dei. Thus the dissertation unearths a rich lode of female, and creatural embodied images, which threads its way though the millennia, but now needs to be mined to uncover images that might work for contemporary Christians seeking multiple imaging of the Divine to touch the deep feminist, ecological and liberative yearnings of many hearts and spirits.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Theology
Full Text
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Maurer, Marie Theresa. "The Feminine as Salvific in Hildegard von Bingen's Letters". PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4860.

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Hildegard alleged a spiritual connection with the physical world in her claim that she, a woman, was chosen by God to incarnate His Word on earth as Christ had done in the flesh years before. Woman, the embodiment of the feminine, was connected to the physical world in the medieval era. It was with this idea in mind that Hildegard attached an important significance to nature and the Virgin, seeing each as the ultimate expressions of the feminine divine on earth. However, included in the incarnation, according to Hildegard, was the Church itself along with the clergy, both men and women. In earth, in mankind, in all of nature, she saw a dimension of God, a dimension that found its expression uniquely in the world yet paralleled the God beyond this world. Using Hildegard's letters in German translation, I will show how, in a patriarchal world of the 12th century, Hildegard emphasized the feminine as salvific as a means to establish a balance in the world, a balance that had been offset by the corrupt behavior of Church and State. I will preface this with a brief discussion of the era (p. 6). In Chapter II, I will focus first on how Hildegard saw the feminine manifested in the world and how, for various purposes, she expressed it in her letters. Secondly in Chapter II, by citing further examples in her letter, I will concentrate on how she saw a lack of feminine expression in the world and how she viewed the negative result of this lack. Finally in Chapter IV, I will show how she achieved the expression of this balance. In concluding my paper, I will consider whether she was successful in her efforts: Did she achieve, from others as well as from herself, the balance she sought or were her efforts in vain?
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Mayer, Kruse Heidi Jo. "Gender, Faith, and Holistism as Prophetic Vision the Legacy of Hildegard Von Bingen's Rhetoric of 'Marriage of God'". Thesis, North Dakota State University, 2015. https://hdl.handle.net/10365/27026.

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Hildegard von Bingen, a 12th century German Catholic nun, became one of the most influential voices in a time when women, especially in the realm of religion, were suppressed. Yet, Hildegard overcame these suppressions through her writing and work subsequently legitimizing her status today as a saint and Doctor of the Church. Hildegard?s influential writings hold weight beyond the Catholic Church especially in feminist circles. This thesis applies rhetorical criticism as the scholarly lens from which to analyze a sample of Hildegard?s writings for the purposes of understanding her contemporary influence. Aided by Kenneth Burke?s interpretive method of logology, this project argues that Hildegard?s legacy is shaped by her consistent use of the ?marriage to God? metaphor. The ?marriage to God? metaphor functions persuasively, I argue, because its prophetic vision emphasizes a union with God, rather than as a disenfranchisement from God.
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Rode, Susan Lill. "The sexual theology of Hildegard of Bingen /". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=64007.

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Sperber, Christian. "Hildegard von Bingen - eine widerständige Frau". Aichach Schwarten, 2003. http://edocs.ub.uni-frankfurt.de/volltexte/2006/3583/.

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Doran, Geraldine. "Hildegard of Bingen as an educator : the body as conduit to knowledge". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22581.

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This study investigates how Hildegard of Bingen (1098-1179), a medieval abbess used visions received during the prodromal stages of migraines to reconstruct herself symbolically. In her visions she believed that God, the "Living Light" instructed her "to write and say the Secrete Dei". By obeying, she obtained extensive influence and power, appropriating functions reserved for the medieval male elite only.
Hildegard is contextualized within the politico-socio-intellectual parameters of the twelfth century in general and within convent life in particular. Events are chronicled to examine how she reconstructed her weaknesses--gender and infirmity--using them to construct knowledge, and to demonstrate how she used that knowledge to educate by writing, teaching and preaching. The source of Hildegard's knowledge is analysed in an attempt to determine whether it is divinely inspired, neurologically based, or derived from secondary religious and secular writings. Whatever the source, Hildegard herself refused to grant the name of "Knowledge" to any insight unless it came to her in the heavenly voice via the "Living Light." The study culminates with a brief discussion on the questions asked in the introduction regarding research in the history of education.
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Starks, Gwendolyn. "The living light Hildegard von Bingen's visionary life : a one act play /". Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Książki na temat "Saint Hildegard von Bingen"

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Termolen, Rosel. Hildegard von Bingen Biographie. Augsburg: Pattloch, 1990.

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Feldmann, Christian. Hildegard von Bingen: Nonne und Genie. Freiburg im Breisgau: Herder, 1991.

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cent, Theodricus 12th, Klaes-Hachmöller M i Gerbodus 13th cent, red. Vita Sanctae Hildegardis =: Leben der heiligen Hildegard von Bingen. Canonizatio Sanctae Hildegardis = Kanonisation der heiligen Hildegard. Freiburg: Herder, 1998.

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Hildegard von Bingen: Ein Leben im Licht : Biographie. Berlin: Aufbau Taschenbuch, 2009.

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Ulrich, Ingeborg. Hildegard von Bingen: Mystikerin, Heilerin, Gefährtin der Engel. München: Kösel, 1990.

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Bäumer-Schleinkofer, Änne. Wisse die Wege: Leben und Werk Hildegards von Bingen : eine Monographie zu ihrem 900. Geburtstag. Wyd. 2. Frankfurt am Main: New York, 2000.

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Wisse die Wege: Leben und Werk Hildegards von Bingen : eine Monographie zu ihrem 900. Geburtstag. Frankfurt am Main: New York, 1998.

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Rainer, Berndt, red. "Im Angesicht Gottes suche der Mensch sich selbst": Hildegard von Bingen (1098-1179). Berlin: Akademie Verlag, 2001.

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Kerner, Charlotte. Alle Schönheit des Himmels: Die Lebensgeschichte der Hildegard von Bingen. Weinheim: Beltz & Gelberg, 1993.

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Frauen bewegen die Päpste: Hildegard von Bingen, Birgitta von Schweden, Caterina von Siena, Mary Ward, Elena Guerra, Edith Stein : Leben und Briefe. Augsburg: Sankt Ulrich Verlag, 2010.

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Części książek na temat "Saint Hildegard von Bingen"

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Büchner, Robert, i Werner Lauter. "Hildegard von Bingen". W Kindler Kompakt: Philosophie des Mittelalters, 99. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04327-6_27.

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Wenzel, Edith. "Hildegard von Bingen". W Metzler Autorinnen Lexikon, 227–29. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_161.

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Gronover, Annemarie. "Hildegard von Bingen". W Metzler Lexikon Religion, 44–46. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03703-9_18.

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Gammaitoni, Milena. "Hildegard von Bingen". W The History and Life Stories of European Women in the Arts, 39–52. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94456-8_2.

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Gronover, Annemarie. "Hildegard von Bingen". W Metzler Lexikon Religion, 576–78. Stuttgart: J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_208.

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Ulrich, Jörg. "Hildegard von Bingen". W Theologen, 139–42. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02948-5_98.

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Orth, Gottfried. "Hildegard von Bingen". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11416-1.

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Büchner, Robert, i Werner Lauter. "Hildegard von Bingen: Scivias". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_11417-1.

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Bernardi, Gabriella. "Hildegard von Bingen (1098–1179)". W The Unforgotten Sisters, 49–54. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-26127-0_8.

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Lerius, Julia. "Hildegard von Bingen on Autonomy". W Women Philosophers on Autonomy, 9–23. 1 [edition]. | New York : Taylor & Francis, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315185330-2.

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