Rozprawy doktorskie na temat „Sacred”
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Kiefer, John. "Sacred containers/sacred cups". Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1129631.
Pełny tekst źródłaDepartment of Art
Miller, Lori Samlin. "Sacred memories /". Full text available online, 2007. http://www.lib.rowan.edu/find/theses.
Pełny tekst źródłaBrodén, Linus. "Sacred coloration". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-694.
Pełny tekst źródłaGonzalez, Liliana Maribel. "Sacred + Profane". Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/42854.
Pełny tekst źródłaMaster of Architecture
Kaufman, Bradley Richard. "Sacred Space". Thesis, Virginia Tech, 2017. http://hdl.handle.net/10919/75172.
Pełny tekst źródłaMaster of Architecture
Williams, Gary D. "[Sacred] Aperture". University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1337363338.
Pełny tekst źródłaLemieux, Glenn C. (Glenn Claude). "Sacred Symphony". Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc330973/.
Pełny tekst źródłaAiry, Melissa. "Sacred steps". Thesis, University of Iowa, 2019. https://ir.uiowa.edu/etd/6694.
Pełny tekst źródłaHirji, Naznin. "Learning the sacred". Thesis, University of Surrey, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.443387.
Pełny tekst źródłaGewalt, Sara. "Sacred and profane". Thesis, Konstfack, Keramik & Glas, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6281.
Pełny tekst źródłaBurdzy, Donna. "Sacred Emotional Scale". Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1395415876.
Pełny tekst źródłaPemberton, Diana Ruth. "The Sacred Transfigured". Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1587732487572178.
Pełny tekst źródłaSpencer, Edward G. S. "The sacred way". Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53387.
Pełny tekst źródłaMaster of Architecture
Nieuwsma, Shenandoah L. "The shifting sacred". Laramie, Wyo. : University of Wyoming, 2007. http://proquest.umi.com/pqdweb?did=1404339941&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Pełny tekst źródłaReichert, Alexis. "Sacred Trees, Sacred Deer, Sacred Duty to Protect: Exploring Relationships between Humans and Nonhumans in the Bishnoi Community". Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/32877.
Pełny tekst źródłaWood, Amber Sheree. "Sacred women/sacred children: Tradition, identity, and abortion among the Lakota". Connect to online resource, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1456704.
Pełny tekst źródłaAlcântara, Ailton S. de [UNESP]. "Paulistinhas: imagens sacras, singelas e singulares". Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/86900.
Pełny tekst źródłaUniversidade Estadual Paulista (UNESP)
A produção de imagens sacras no Brasil teve uma importante função didática para difusão do evangelho, uma ação educativa realizada pelas ordens religiosas que foram se instalando em várias partes do país. Em virtude disto, o sucesso da missão propiciou a edificação de muitas igrejas que continham em seus altares belas imagens sacras de cunho erudito para o culto coletivo, envoltas em um contexto místico, nas quais o fiel buscava conforto espiritual, por meio da contemplação. Aliadas aos sucessivos ciclos econômicos, passaram, ao longo da história, por adequações de material, estilo e dimensão, que acabaram por levá-las para o interior das casas e lá permaneceram fazendo parte do cotidiano. Posta assim a questão, no estado de São Paulo, em meados do século XIX, na região que hoje chamamos de Vale do Paraíba, houve uma grande demanda de imagens para o culto doméstico, que possuem vários pontos de tangência com as eruditas barrocas, encontradas nas igrejas locais. Denominadas Paulistinhas, estas imagens foram produzidas, exclusivamente no estado de São Paulo, para suprir as necessidades devocionais de um número significativo de pessoas que migraram para o vale, motivadas pelo cultivo do café, o então chamado ouro-verde. Imagens de devoção confeccionadas, por mais de um século por muitos santeiros, sendo na sua maioria anônimos, os quais, por meio da criatividade, fizeram surgir uma simplificação formal demasiada e muito singular para estas imagens que representavam os santos católicos e que, atualmente, se revelam preciosas não só pela devoção que elas suscitavam, mas também por marcar uma distinta escola de imagem sacra, imbuída do espírito barroco.
The manufacturing of sacred statues had an important educational role in the spreading of the Gospels in Brazil. Such confection was conduced by the religious orders which settled down in various regions of the country. The successful mission led to the construction of many churches whose altars had beautiful baroque statues surrounded by a mystic context, which the churchgoers sought for spiritual comfort through contemplation. Attached to the successive economic cycle, these baroque statues suffered, through history, many adaptations of material, style and dimension, taking them to the follower houses, where they stayed composing the daily life. In São Paulo State, by the middle of the 19th century, in the region called Vale do Paraíba (Paraíba Valey) there was a great search of such statues intended for domestic praying. These domestic versions had much in common with the original ones from the local churches. Such statues, dubbed Paulistinhas, were exclusively made in São Paulo State, responding to a demand for the devotional necessity of a significant number of people who migrated to the area, drawn by the coffee growing, then called “Green-gold”. Devotional statues manufactured, for more than a century, by anonymous sculptors who by means of creativity made a particular and exaggerated formal simplification for the statues which represented the Catholics saints which are, currently, not only important for their devotional values, but also for indicating a different school of sacred statues which are plenty of the baroque spirit.
Drake, David Doyle. "Sacred Union and Sacred Violence in Tournier's Gilles et Jeanne". BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/2494.
Pełny tekst źródłaTilley, Jessica. "Death in Sacred Harp". Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/rs_theses/11.
Pełny tekst źródłaYu, Shiu-nung, i 余劭農. "Upholding the sacred teachings". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952549.
Pełny tekst źródłaKimbriel, Samuel Calvin. "Friendship as sacred knowing". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.607905.
Pełny tekst źródłaLu, Xiao. "Searching for the Sacred". Thesis, KTH, Arkitektur, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-228501.
Pełny tekst źródłaHameed, Rabeea. "Threshold to the Sacred". Thesis, Virginia Tech, 2012. http://hdl.handle.net/10919/42872.
Pełny tekst źródłaMaster of Architecture
Ackerman, Joy Whiteley. "Walden: A Sacred Geography". Antioch University / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1268155007.
Pełny tekst źródłaSisson, Sarah A. "Redefining what is sacred". [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002784.
Pełny tekst źródłaWhitson, Robert. "Sacred landscape : An unsettling". Thesis, Mt. Helen, Vic. :, 2002. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/36547.
Pełny tekst źródłaMaster of Arts- (Visual Arts)
Whitson, Robert. "Sacred landscape : an unsettling". Mt. Helen, Vic. :, 2002. http://archimedes.ballarat.edu.au:8080/vital/access/HandleResolver/1959.17/15639.
Pełny tekst źródłaMaster of Arts- (Visual Arts)
Khan, Sharmeen. "Sacred space and sacred symbol : Hamas' use of Jerusalem during the first Intifada". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79955.
Pełny tekst źródła1Roger Friedland and Richard D. Hecht, "The Politics of Sacred Spaces: Jerusalem's Temple Mount/al-haram al-sharif" in Sacred Places and Profane Spaces: Essays in the Geographics of Judaism, Christianity, and Islam, ed. Jamie Scott and Paul Simpson-Housley (New York: Greenwood Press, 1991): 23.
Bhatta, Deen B. "COMMUNITY APPROACHES TO NATURAL RESOURCES MANAGEMENT: SACRED AND NON-SACRED LANDSCAPES IN NEPAL". Miami University / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=miami1056396738.
Pełny tekst źródłaRaaijmakers, Janneke Ellen. "Sacred time, sacred space history and identity at the monastery of Fulda (744-856) /". [S.l. : Amsterdam : s.n.] ; Universiteit van Amsterdam [Host], 2003. http://dare.uva.nl/document/70408.
Pełny tekst źródłaJones, Charlotte. ""THIS SACRED LAND IS OUR SHIELD": Deploying the Sacred in Indigenous Art and Activism". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1206.
Pełny tekst źródłaKaha, Myra. "The vessel and the sacred". Morgantown, W. Va. : [West Virginia University Libraries], 2006. https://eidr.wvu.edu/etd/documentdata.eTD?documentid=4791.
Pełny tekst źródłaTitle from document title page. Document formatted into pages; contains v, 15 p. : col. ill. Vita. Includes abstract. Includes bibliographical references (p. 13).
Kennedy, Jean Marie. "Architecture and the sacred way". Thesis, Georgia Institute of Technology, 1985. http://hdl.handle.net/1853/21695.
Pełny tekst źródłaPollard, P. A. "The sacred landscape of Ireland". Thesis, Queen's University Belfast, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.432511.
Pełny tekst źródłaBurrows, Donald. "Handel in England: Sacred Music". Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37211.
Pełny tekst źródłaGeng, Bowen. "Sacred Groves in Burial Grounds". Thesis, Virginia Tech, 2019. http://hdl.handle.net/10919/96149.
Pełny tekst źródłaMaster of Landscape Architecture
In many ancient societies, sacred groves were an essential aspect of life. In some cases, these groves encompass a large territory; in other cases they may be a few trees. These groves originated in the time following the introduction of agriculture. When societies evolving, sacred groves became not a piece of nature, but an institution that depending on custom, agriculture, and even the cycles of life. Sacred groves are a legacy for everyone. These sacred groves may reflect the culture of society, they are not merely symbols but dynamic and complex landscapes created as settings for specific functions. These sacred groves serve not only as totems of worship, but as moments or places where people purify their souls. Sacred groves surrounding or covering burial grounds have existed widely throughout the world (Tuan, Y. 1977). In many burial sites, sacred groves dominate the landscape. They serve the spiritual needs of the living as well as keep alive memories of the dead. This thesis will discuss the method to make a grove sacred and develop a landscape to provide an opportunity for people to get a sense of their life and culture. The concept is to reinstate the connection between burial grounds and neighborhoods by creating neighborhood cemeteries in the local parks of Arlington, Virginia. Through thoughtful site selection and design, sacred groves can hold precious information about the history of communities for generations.
Gaiser, Sebastian. "Sacred Space - Journey and Change". Thesis, Virginia Tech, 2005. http://hdl.handle.net/10919/31215.
Pełny tekst źródłaMaster of Architecture
Ehmann, Christine Marie. "A dream of the sacred". Thesis, Virginia Polytechnic Institute and State University, 1994. http://hdl.handle.net/10919/53373.
Pełny tekst źródłaMaster of Architecture
Mitchell, Darren. "Anzac Rituals – Secular, Sacred, Christian". Thesis, University of Sydney, 2020. https://hdl.handle.net/2123/22695.
Pełny tekst źródłaSouza, Anderson Alves de. "Mortals, hear the sacred cry". Florianópolis, SC, 2003. http://repositorio.ufsc.br/xmlui/handle/123456789/85670.
Pełny tekst źródłaMade available in DSpace on 2012-10-20T21:25:25Z (GMT). No. of bitstreams: 0
Os símbolos nacionais e, mais especificamente, os hinos nacionais desempenham um papel importante nas lutas pela manutenção e disputa do poder político nas sociedades. Entretanto, poucos estudos têm sido realizados a respeito da natureza, funções e características dos hinos nacionais. Além disso, a maioria do material sobre hinos nacionais limita-se a publicações que trazem apenas as letras e os nomes dos autores dos hinos. Nesta dissertação, eu investigo 9 hinos nacionais sob a perspectiva da Análise Crítica do Discurso (Fairclough, 1989) e da Gramática Sistêmica Funcional (Halliday 1978, 1989, 1994). Os hinos analisados foram sub-divididos em 3 grupos: a) monárquicos, b) revolucionários, e c) hinos de consolidação. Os resultados sugerem que (i) os hinos monárquicos refletem a tentativa dos Monarcas de permanecerem no poder através de uma caracterização positiva que objetiva representa-los como seres humanos especiais, principalmente na posição de Meta e Beneficiários; (ii) os hinos revolucionários refletem a tentativa de um grupo de conquistar o poder exortando os cidadãos à luta e representando-os na posição de Atores, Portadores, Identificados, e Possuidores; e (iii) os hinos de consolidação refletem a fase pós-conquista do poder através da representação de elementos simbólicos tais como países e bandeiras na posição de Atores, Portadores, Identificados, e Possuidores. Além disso, os hinos nacionais trazem em sua estrutura os quatro elementos exortativos (Longacre, 1992) que os permitem serem classificados como um tipo de discurso exortativo. A importância deste trabalho reside no fato de que o mesmo contribui para uma melhor compreensão de como as lutas pelo poder político moldam a produção dos hinos nacionais e como os detentores de poder e os cidadãos são representados neste processo.
Scott, Tashiara. "Bantaba: Designing the Sacred Circle". VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5848.
Pełny tekst źródłaPew, Douglas. "Missa 'Musica Sacra' for Mixed Chorus and Orchestra". University of Cincinnati / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1336763001.
Pełny tekst źródłaMeri, Josef Waleed. "Sacred journeys to sacred precincts : the cults of saints among Muslims and Jews in medieval Syria". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286898.
Pełny tekst źródłaDexter, Phillip. "Towards a political economy of the sacred: a Marxist critique of the sacred dynamics of society". Doctoral thesis, Faculty of Humanities, 2010. http://hdl.handle.net/11427/31562.
Pełny tekst źródłaMcQuarrie, Kylie. "Sacred Things, Sacred Bodies: The Ethics of Materiality and Female Spirituality in Purple Hibiscus". BYU ScholarsArchive, 2015. https://scholarsarchive.byu.edu/etd/4409.
Pełny tekst źródłaBrown, Keri Aroha Michelle. "Upsetting Geographies: Sacred Spaces of Matata". The University of Waikato, 2008. http://hdl.handle.net/10289/2290.
Pełny tekst źródłaJohnson, Brian Todd. "Sacred conversations viewing liturgy through art /". Theological Research Exchange Network (TREN) Access this title online. Theological Research Exchange Network (TREN) Access this title online, 2005. http://www.tren.com.
Pełny tekst źródłaSurrency, Donald. "The proliferating sacred : secularization and postmodernity". [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002283.
Pełny tekst źródłaWood, Jacqueline Elizabeth. "D.H. Lawrence : sex and the sacred". Thesis, University College London (University of London), 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283660.
Pełny tekst źródłaLastennet, Pierre. "Saint-John Perse and the sacred". Thesis, University College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249741.
Pełny tekst źródła