Gotowa bibliografia na temat „Russian music”
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Artykuły w czasopismach na temat "Russian music"
Biasioli, Marco. "“We also can. We're not worse”: The Anglophone Wave in Russian indie music (Indi), 2008–2012". Popular Music 39, nr 2 (maj 2020): 294–311. http://dx.doi.org/10.1017/s0261143019000254.
Pełny tekst źródłaPiotrowska, Anna. "The place of ‘Russian music’ on the multicultural map of Europe". Muzikologija, nr 21 (2016): 109–22. http://dx.doi.org/10.2298/muz1621109p.
Pełny tekst źródłaSeaman, Gerald. "On Russian Music". European Legacy 18, nr 4 (lipiec 2013): 525–26. http://dx.doi.org/10.1080/10848770.2013.791459.
Pełny tekst źródłaFanning, David, i Stuart Campbell. "Russians on Russian Music, 1830-1880: An Anthology". Musical Times 136, nr 1828 (czerwiec 1995): 307. http://dx.doi.org/10.2307/1004106.
Pełny tekst źródłaChristensen, Peter G., i Stuart Campbell. "Russians on Russian Music, 1830-1880: An Anthology". Slavic and East European Journal 40, nr 3 (1996): 577. http://dx.doi.org/10.2307/310163.
Pełny tekst źródłaBlackford, Lena. "Musical education in Russian secondary schools". British Journal of Music Education 14, nr 1 (marzec 1997): 57–67. http://dx.doi.org/10.1017/s0265051700003442.
Pełny tekst źródłaDoroshenko, S. I. "MUSIC EDUCATION IN RUSSIA: RETROSPECTIVE AND FORECAST (ACCORDING TO THE MATERIAL OF THE SEVENTH SESSION OF THE SCIENTIFIC COUNCIL ON THE PROBLEMS OF THE HISTORY OF MUSIC EDUCATION)". Bulletin of Udmurt University. Series Philosophy. Psychology. Pedagogy 30, nr 1 (27.04.2020): 63–68. http://dx.doi.org/10.35634/2412-9550-2020-30-1-63-68.
Pełny tekst źródłaKazantseva, Liudmila P. "“Musical Rossica” as a Musicological Term". Music Scholarship / Problemy Muzykal'noj Nauki, nr 1 (2022): 22–34. http://dx.doi.org/10.33779/2782-3598.2022.1.022-034.
Pełny tekst źródłaPiotrowska, Anna G. "Tsyganshchina (цыганщина) and Romani Musicians in Tsarist, Soviet and Post-Soviet Russia: Change and Continuity". European History Quarterly 52, nr 4 (28.09.2022): 554–71. http://dx.doi.org/10.1177/02656914221097293.
Pełny tekst źródłaFerenc, Anna. "Reclaiming Roslavets: The Troubled Life of a Russian Modernist". Tempo, nr 182 (wrzesień 1992): 6–9. http://dx.doi.org/10.1017/s0040298200016661.
Pełny tekst źródłaRozprawy doktorskie na temat "Russian music"
Shank, Ashley C. "Composers as Storytellers: The Inextricable Link Between Literature and Music in 19th Century Russia". University of Akron / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=akron1290275047.
Pełny tekst źródłaLuo, Hung. "Selected late-Romantic Russian piano music". College Park, Md. : University of Maryland, 2007. http://hdl.handle.net/1903/9737.
Pełny tekst źródłaThesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Also available in paper. Audio available on compact disc;
Zikanov, Kirill. "Listening to Russian Orchestral Music, 1850-1870". Thesis, Yale University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10957348.
Pełny tekst źródłaThe following dissertation combines reception history and technical analysis in a revisionist account of Russian orchestral music from 1850 to 1870. Through close readings of a wide range of reception materials, I recover little-known historical perspectives on this repertory, focusing particularly on ways in which Russian musicians engaged with transnational musical trends. These historical perspectives inform my analyses of compositions by Mikhail Glinka, Mily Balakirev, Alexander Dargomyzhsky, and Anton Rubinstein. In these analyses, I elucidate formal, harmonic, and orchestrational features that nineteenth-century Russian listeners found notable, such as Balakirev's disintegrating recapitulations, Dargomyzhsky's ubiquitous augmented triads, and Glinka's timbrai crescendos. This analytical approach allows me to reimagine this repertory as a variegated network of musical works, where each new composition is a reaction to existing ones, to domestic reception, and to pan-European aesthetic currents.
Chapter 1, entitled "Glinka's Three Models of Instrumental Music," traces the organicist discourse surrounding Glinka's orchestral fantasias, links the origins of this discourse to the writings of Adolf Bernhard Marx, and articulates the musical features that distinguish the three fantasias. Chapter 2, "Formal Disintegration in Balakirev's Overtures," portrays Balakirev's attempts to distinguish himself from Glinka as well as from established formal conventions of the time, primarily through creative reinterpretations of formal strategies employed by Robert Schumann, Hector Berlioz, and Franz Liszt. Chapter 3, "Satire,
Petersen, Katherine. "Russian Repertoire: Developmental Perspectives". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1439481939.
Pełny tekst źródłaEaly, Gregory. "Medieval Russian chant and the contemporary church". Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p015-0469.
Pełny tekst źródłaKaminski, Jason. "Kolokol : spectres of the Russian bell". University of Technology, Sydney. Faculty of Humanities and Social Sciences, 2006. http://hdl.handle.net/2100/421.
Pełny tekst źródłaRitchie, Carolyn Cairns. "The Russian Court Chapel Choir : 1796-1917". Thesis, University of Glasgow, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263564.
Pełny tekst źródłaThomas, Gareth James. "The impact of Russian music in England 1893-1929". Thesis, University of Birmingham, 2005. http://etheses.bham.ac.uk//id/eprint/260/.
Pełny tekst źródłaRoberts, Peter Deane. "Aspects of modernism in Russian piano music, 1910-1929". Thesis, Kingston University, 1988. http://eprints.kingston.ac.uk/20519/.
Pełny tekst źródłaMILLER, KATHLEEN A. "Valery Gavrilin: A Theoretical and Historical Analysis of Select Works for Voice and Piano". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1201116646.
Pełny tekst źródłaKsiążki na temat "Russian music"
On Russian music. Berkeley: University of California Press, 2009.
Znajdź pełny tekst źródłaEighteenth-century Russian music. Aldershot, Hants, England: Ashgate Pub. Company, 2006.
Znajdź pełny tekst źródłaMusic in Russian poetry. New York: Peter Lang, 1998.
Znajdź pełny tekst źródłaPerforming Russia: Folk revival and Russian identity. New York, NY: RoutledgeCurzon, 2004.
Znajdź pełny tekst źródłaHistorical dictionary of Russian music. Lanham: Scarecrow Press, 2012.
Znajdź pełny tekst źródłaCareva, Ekaterina. Iogannes Brams [in Russian]. Moscow, USSR: Muzyka (Moscow), 1986.
Znajdź pełny tekst źródłaRoberts, Peter Deane. Modernism in Russian piano music: Skriabin, Prokofiev, and their Russian contemporaries. Bloomington, Ind: Indiana University Press, 1992.
Znajdź pełny tekst źródłaRoberts, Peter Deane. Modernism in Russian piano music: Skriabin, Prokofiev, and their Russian contemporaries. Bloomington, Ind: Indiana University Press, 1992.
Znajdź pełny tekst źródłaRoberts, Peter Deane. Modernism in Russian piano music: Skriabin, Prokofiev, and their Russian contemporaries. Bloomington, Ind: Indiana University Press, 1993.
Znajdź pełny tekst źródłaRoberts, Peter Deane. Modernism in Russian piano music: Skriabin, Prokofiev, and their Russian contemporaries. Bloomington, Ind: Indiana University Press, 1993.
Znajdź pełny tekst źródłaCzęści książek na temat "Russian music"
Assay, Michelle. "Shakespeare and Russian Music". W The Palgrave Encyclopedia of Global Shakespeare, 1–9. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-319-99378-2_169-1.
Pełny tekst źródła"RUSSIAN MUSIC". W Nicolas Slonimsky: Writings on Music, 16–28. Routledge, 2003. http://dx.doi.org/10.4324/9780203970294-8.
Pełny tekst źródła"RUSSIAN FOLK MUSIC". W Nicolas Slonimsky: Writings on Music, 29–31. Routledge, 2003. http://dx.doi.org/10.4324/9780203970294-9.
Pełny tekst źródłaTaruskin, Richard. "Is there a ‘Russia Abroad’ in Music?" W Russian Music since 1917. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266151.003.0014.
Pełny tekst źródłaZavlunov, Daniil. "Glinka in Soviet and Post-Soviet Historiography: Myths, Realities and Ideologies". W Russian Music since 1917. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266151.003.0011.
Pełny tekst źródła"THE RUSSIAN SCHOOL". W History Of Music, 247–64. Routledge, 2013. http://dx.doi.org/10.4324/9780203040027-21.
Pełny tekst źródłaFrolova-Walker, Marina. "Soviet Music in Post-Soviet Musicology: The First Twenty Years and Beyond". W Russian Music since 1917. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266151.003.0005.
Pełny tekst źródłaRakhmanova, Marina. "Russian Musicological Scholarship of the Last Two Decades: Achievements and Lacunae". W Russian Music since 1917. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266151.003.0002.
Pełny tekst źródłaTaruskin, Richard. "When Serious Music Mattered". W On Russian Music, 299–321. University of California Press, 2008. http://dx.doi.org/10.1525/california/9780520249790.003.0028.
Pełny tekst źródłaIssiyeva, Adalyat. "Aryanism and Asianism in the Quest for Russian Identity". W Representing Russia's Orient, 91–126. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190051365.003.0004.
Pełny tekst źródłaStreszczenia konferencji na temat "Russian music"
Korepanova, V. V., N. V. Pokoev i A. A. Danilova. "Labelling music. The influence of music on human behavior". W 2022 33th All-Russian Youth Exhibition of Innovations. Publishing House of Kalashnikov ISTU, 2022. http://dx.doi.org/10.22213/ie022127.
Pełny tekst źródłaDzhumanova, Lola. "The melodic dictation in the traditions of Russian music education". W HEAd'16 - International Conference on Higher Education Advances. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/head16.2016.2576.
Pełny tekst źródła"THE MUSIC OF THE RUSSIAN PROSE". W Advanced studies in science: Theory and practice. Global Partnership on Development of Scientific Cooperation LLC., 2015. http://dx.doi.org/10.17809/10(2015)-06.
Pełny tekst źródła"The Influence of Russian Music Culture on Harbin Piano Music Culture". W 2019 International Conference on Arts, Management, Education and Innovation. Clausius Scientific Press, 2019. http://dx.doi.org/10.23977/icamei.2019.120.
Pełny tekst źródłaSamoylova, Nailya. "Instrumental Ensemble in Russian Music - Timbre Innovations". W 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.27.
Pełny tekst źródłaKazantseva, Liudmila, i Polina Volkova. "The Connotations of “Russian” in Music of Foreign Composers on “a Russian Theme”". W 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.108.
Pełny tekst źródłaWang, Qi. "The Promotion of Russian Music Culture on Harbin Music Education in the 20th Century". W Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.185.
Pełny tekst źródłaWang, Fei. "Comparative Study of Sino-Russian Modern Wind Music Teaching". W 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.62.
Pełny tekst źródłaBashirovna, Abdullaeva Elmira. "MODERN PRODUCTION PRACTICES TRADITIONAL MUSIC INSTRUMENTS IN DAGESTAN". W Folk arts and crafts of the Russian Federation. ALEF, 2019. http://dx.doi.org/10.33580/978-5-00128-340-9-2019-77-83.
Pełny tekst źródłaGelichak, S. M., i I. I. Nikolaeva. "Music therapy as a way to correct negative emotional states school children at music lessons". W All-Russian scientific-practical conference of young scientists, graduate students and students. Технического института (ф) СВФУ, 2018. http://dx.doi.org/10.18411/a-2018-139.
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