Artykuły w czasopismach na temat „Rosei, Franz”

El presente artículo busca mostrar la manera en que dos pensadores judíos del siglo XX, Franz Rosen-zweig y Jacques Derrida permiten pensar lo político, e incluso lo teológico político, más allá de la soberanía. Para ello leeré la noción de decisión pasiva de Derrida como alteridad y alteración de la razón a partir de la noción de Revelación que Franz Rosenzweig desarrolla en La estrella de la redención. En un segundo mo-mento, expondré la deconstrucción de la soberanía a partir de otro punto en común entre los dos pensado-res: la noción de una violencia intrínseca al derecho y la concepción de una política mesiánica.

Este artigo objetiva analisar como a Política Nacional de Alfabetização – PNA (2019) propõe o trabalho com a leitura na Educação Infantil. Utiliza, como metodologia, a pesquisa documental, ao analisar o caderno da PNA. Compreende a leitura a partir da perspectiva bakhtiniana de linguagem. Considera que, desde o primeiro ano de vida (Rossi, 2015), as crianças leem imagens, daí a premência do trabalho com a leitura de imagem da arte e da cultura visual para potencializar o debate sobre temáticas contemporâneas na Educação Infantil. Fundamenta-se em Franz (2008), Franz e Grallik (2006), Bakhtin (2011) e Barbosa (1998; 2005; 2022). Conclui que a concepção de leitura adotada na PNA reduz e invisibiliza o trabalho com a leitura de imagem na Educação Infantil.

The article is devoted to the biography of Justine Frank (1900-1943), a marginalized member of the surrealist movement, a painter and writer who combined Judaism with pornography, a critic of the Zionist project who tragically died in Palestine. Written by an Israeli artist and an expert on the interwar avant-garde, Roee Rosen, it is not only an artistic provocation – a part of a larger experiment in the field of the so-called parafiction also including editions of Frank’s novel Sweet Sweat and exhibitions of her paintings – but also an interesting statement in the discussion on the possibilities and limitations of feminist criticism, as it points out the problem of fabrication of the indispensable precursors.

The article analyses the workings of the Justine Frank phenomenon – a forgotten Jewish surrealist whose oeuvre was discovered in the early 2000s by the contemporary Israeli artist Roee Rosen. It discusses the question of the mutual creation of author functions of the critic and the artist, the researcher and the object of research, the predecessors and successors on the field of art. A reflection of Justine Frank’s ambivalent position in the history of (Israeli and European) art is concluded with a description of a proposed pragmatical approach to such art projects. Based on Massumi, Deleuze and Guattari, this approach does not focus on the creation, influences, formal procedures and produced meanings, but on the effects of artworks and events in the framework of social, political and cultural field into which they enter.

Background. In recent years musicologists revealed an increasing interest in the problem of historical typology of F. Schubert’s composer style. In fact, scholars question possibility to characterize it as romantic, in their turn suggesting another interpretations and characteristics. For instance, M. Brown avoids usage of the term “Romantic” referring to F. Schubert, insisting on him being a part of a Classical tradition. In order to substantiate his viewpoint, the scholar appeals to harmony of the composer, where novelties, according to M. Brown, are not in fact innovations but incredibly skilful incarnation of Classical ideas. More moderate opinion on the discussed problem is stated by Ch. Rosen (2003). While acknowledging “revolutionary” nature of F. Schubert’s harmony, the scholar simultaneously points out a “special status” of the composer in musical art, a status not allowing to apply neither Classical, nor Romantic standards to the works of master. Consequently, as Ch. Rosen says, F. Schubert ended up being “in-between” Classical tradition and Romantic innovations. In his earlier study (1997) abovementioned author uses term “Postclassicism” referring to F. Schubert and other artists of his generation. A collision “F. Schubert – L. van Beethoven” is regarded both by Е.Badura-Skoda (2004) and J. Daverio (2002). The latter one tries to solve it while regarding it through prism of R. Schumann’s observation on this problem. Thus, it is obvious that reception of F. Schubert’s style as typologically ambiguous has a long-lasting history dating back to Romantic era. This intrigue can be found in researches of XX century as well. For example, phenomenon of style of F. Schubert’s chamber works has become a topic of P. Wolfius’ rumination, who defined it as “intermediate” (1974). Mentioned above works of the last third of XX century and beginning of XXI century prove relevance of the problem of historical typology of F. Schubert’s composer style for modern musicology. This calls for its further development through analytical studying of musical material while using historically-typological method of research. In the given aspect, special attention should be drawn to early works by composer, including four Violin sonatas. Objectives. The goal of this paper is to comprehend stylistic phenomenon of these works as a result of mixture of Classical experience gained by F. Schubert and first signs of his oncoming individual view on the essence of music and sound. Methods. In order to achieve this goal, the author of current work uses a periodization of F. Schubert’s chamber legacy, created by H. Gleason and W. Becker (1988) as well as models of “biography scenario”, revealed by N. Savytska (2010). According to the former one, Violin sonatas, written in 1816–1817, don’t belong to the “mature” works; at the same time according to the latter ones, due to F. Schubert’s style evolution being smooth and gradual its starting and finishing points have no radical discrepancies, that would be caused by the change of orientation of composer’s creative method, and as a result, in the early works one can discern some key features of the mature ones. It is relevant, among others, for the sonata genre, where composers first achievements, incidentally, were made in its violin type, preceding highly individual accomplishments of piano sonatas. This situation in the given article is explained as a result of a composer becoming more and more mature as a musician through his life, undoubtedly influenced by special features of this process. Results and discussion. Given that F. Schubert’s Violin sonatas are named differently by performers, publishers and scholars (op. 137 consists of three Sonatas or Sonatinas, op. 162 is also known as “Duo”), it was necessary to conduct a research basing on various sources (Holl, 1973; Vetter, 1953; Deutsch, 1978), in order to ensure righteousness of definition of all the pieces regarded as “sonata”. On the foreground of observation on F. Schubert’s understanding of the cycle it was possible to reveal composer’s loyalty to rules of his time. Sonata ор. 137 № 1 is composed as a classical three-movement model; subsequent ones, including op. 162, embody four-movement model, and that can be a reason to draw parallels between F. Schubert and L. van Beethoven. Individual steps of the journey of author’s self-identification as a composer are traced. Sonata ор. 137 № 1 is marked by frequent employment of variative development in the principal theme of the first movement, that causes its turning into digressive episode; inclusion of contrasting episode in the middle sections of Andante in Sonatas ор. 137 № 2–3 (that is not prescribed by chosen musical form) foreshadows tonal device, favoured by F. Schubert in his mature works – preference to Subdominant sphere over Dominant in four-movement cycle with tonal and dramaturgical highlighting of pair “lyricism – game” in middle movements (slow ones and Minuets); binarity of tonal centres in expositions and even recapitulations of sonata form being substituted by ternarity, that causes a whole section to be a principal unit of structure etc. Sonata op. 162 acquires significance of climax in F. Schubert’s ascent to self-identity in sonata genre. Its expanded structure, including gigantic development of the Finale, Minuet being substituted by Scherzo, parts of performers being completely equal in every respect allow to regard this work as first “Grand Sonata” in F. Schubert’s legacy. Moreover – experience gained by composer while creating it will be applied in cyclic composition for piano in mature period of creativity. Conclusions. In Conclusions analytical observations are summarized and generalized as well as levels of artistic structure of Violin sonatas, incarnating specifics of F. Schubert’s understanding of music as a composer of his historical time, are revealed.

El arquitecto Rubén O. Pesci, reconocido principalmente por su larga trayectoria en el planeamiento urbano sustentableo “ecología urbana” diseñó, a lo largo de la década del 60, numerosas viviendas que aportaron a la transformación de la arquitectura doméstica local y pusieron en juego nuevas experimentaciones espaciales en función de los ideales orgánicos que habían tomado un impor-tante desarrollo en el seno de la Facultad de Arquitectura y Urbanismo de la Plata. Estas obras, concebidas bajo la premisa de la originalidad de cada propuesta de acuerdo al sitio particular y que tenían al arquitecto Frank Lloyd Wright como principal referente, fueron reinterpre-tadas y teorizadas por él mismo con posterioridad, bajo el tamiz de las distintas teorías que ingre-saron en la disciplina a lo largo de las siguientes décadas y que desplazaron sus intereses a otros ámbitos de la profesión. Este artículo se propone una revisión de las primeras viviendas desarrolladas por el estudio creado por R. O. Pesci con Héctor A. Rossi y Luis M. Rossi en función de entender los cambios propuestos a partir de dos premisas; la superación de la relación con la medianera para la conformación de es-pacios dinámicos en la necesidad de adaptar los modelos wrightianos a las condiciones limitantes de los terrenos urbanos, y la espacialidad interior potenciada por el hogar como principal elemento articulador de origen orgánico.

X-ray astronomy was born in June 1962 with a totally unexpected discovery of a bright X-ray source (presently known as Sco X-1) in a historic rocket flight conducted by Riccardo Giacconi, Herb Gursky, Frank Paolini and late Bruno Rossi. In the last 30 years, astronomy through the newly opened window has made a dramatic expansion.The universe contains enormously rich varieties which had been left unexplored until recent times. From 40’s through 60’s, new wavelength windows, radio, infrared and X-rays successively opened. As a result, the presence of objects and regions distributed over an extremely wide temperature range from a few Kelvin through hundreds of millions of Kelvin were discovered. A burst of surprising discoveries made in 60’s marked the opening of a whole new era of multi-wavelength astronomy.

<p style="text-align: justify;">Twenty rose and ten claret A.O.C. Bordeaux wines made from Cabernet Sauvignon, Cabernet franc and Merlot grapes were separately tasted by the same jury of ten professionals. They were asked to classify the wines according to the intensity of the fruity character. The fruitiest sample was given first rank. The wines’ bdamascenone, b-ionone, phenyl-2-ethanol, isoamyl acetate, phenyl-ethyl acetate (APE), 3-mercaptohexan-1-ol (3MH) and 3-mercaptohexyl acetate (A3MH) contents were also measured. The higher the latter three compounds' values, the higher the wines’ fruity character. Highly significant correlation were found between the sensorial analysis results and these compounds contents. In order to confirm the 3MH, A3MH and APE contribution to the fruity aroma of rose wines, a tasting has been carried out. For this, these three compounds were added to a rose wine up to the concentrations found in the wine judged the fruitiest by the tasters. 100 % of the tasters identified the supplemented glasses, and 90 % prefered the supplemented wine. This second experiment clearly demonstrate that 3MH, A3MH and APE can be considered key components of Bordeaux rose wines’ fruity aroma.</p><p style="text-align: justify;">The production of APE by yeast has been known for a long time. The 3MH is present in must under cysteinylated precursor form. The transformation of the precursor into aroma is made by the Saccharomyces cerevisiae yeasts during alcoholic fermentation. Thus the choice of yeast strains has a decisive impact on the fruity aroma of Bordeaux rose and claret wines.</p>

The aim of this study was to evaluate the phytochemical profile and antioxidant properties of the extracts from three Rosa species (R. canina, R. damascena, R. cairo), to develop and investigate topical formulations with lyophilized forms of extracts for the treatment of psoriasis. Phytochemical screening and in vitro total antioxidant capacity (DPPH, FRAP, CUPRAC, SOD) of studied samples were examined and compared. Lyophilized extracts of roses were dissolved in Transcutol HP and different formulations of creams were prepared. Franz diffusion method was used to evaluate the drug release and biocompatibility was tested on HaCaT cells. Rosa damascene had the best results regarding all the analyses that were conducted. After the evaluation of topical products, the formulation with Rosa damascena extract in a self-emulsifying drug delivery system was tested on a human clinical study that involved 20 patients. At the end of the clinical study an improvement in the quality of life of the patients was observed and erythema, induration and scaling were reduced. The present study indicates that our examined extracts exhibited great phenolic content, antioxidant capacity and safety profile of topical formulation and therefore can be used as a reliable source of natural antioxidants and may be used as a complementary treatment to improve the quality life of patients with psoriasis or may be tested on another diseases.

The article examines the specifics of the performance chronotope (time-space) of two masterpieces written by outstanding composers-contemporaries, whose lifetime is characterized by a gradual transition from the classical to the romantic style. Its essential characteristics and the significance of their awareness by the pianist-performer in the practice of working at a musical piece are highlighted. The “performance chronotope” is one of the parameters involved in the field of contemporary music-performance interpretation (Nikolaievska, 2020: 144). This publication is related to our previous work, where space-time characteristics of clavier sonatas by D. Scarlatti, С. Ph. E. Bach, J. Haydn, W. A. Mozart, and M. Clementi were revealed from the viewpoint of a piano performer (Tarabanov, 2021). Some parameters of the performance chronotope that have been outlined before – interaction and mutual balance of statics and dynamics, organizing function of performance time in sound musical form, metrorhythmic performance inertia, continuity of space-time and performance prediction (anticipation) – are supplemented by others, such as performance understanding of the form through working at details, and psychological space-time of the performer (as one of the components of the performance chronotope of the work). This is attributable to new interpretative tasks of the pianist in Beethoven’s and Schubert’s Sonatas under consideration. These works have not yet been the subject of analysis from the standpoint of performance chronotope characteristics, which, along with the use of an experimental research method (with the involvement of the author’s experience in concert performance of the considered works10), determined the scientific novelty of the presented study. The results of the study are supposed to be helpful for piano performers in their learning of these works and similar ones. It is especially relevant, because the greatest composer of piano sonatas, Ludwig van Beethoven, is in the spotlight all the time. His so-named “Moonlight” Sonata (op. 27 No. 2) continues to attract new generations of listeners, performers, and researchers (Rosen, 2002; Waltz, 2007; Gordon, 2017, and others). Beethoven’s direct successor, Franz P. Schubert created no less fascinating works in the genre of piano sonata. Among them is the Sonata D. 958 in C minor, where Beethoven’s influence is observed to a great extent. As in the case with concrete musical examples analyzed in the article, the piano performer can realize on practice their own interpretative searches connected with the use of timespace characteristics. In particular, a method of “expanding the performance chronotope” is recommended, which should significantly facilitate the mastering of complicated technical episodes.

Początki współczesnego Muzeum Górnośląskiego w Bytomiu sięgają 1910 r. Fundament zbiorów przyrodniczych obecnego Muzeum Górnośląskiego w Bytomiu tworzyły głównie kolekcje Oberschlesisches Landesmuseum Beuthen oraz zbiorów zburzonego w 1939 r. Muzeum Śląskiego w Katowicach, przewiezionych do Bytomia i włączonych jako zbiory wydzielone. Po ustaniu działań wojennych również siedziba Muzeum Śląskiego została przeniesiona do Bytomia. Tu też trafili ocalali z pożogi wojennej muzealnicy i współpracownicy katowickiego muzeum. Spośród wielu, na szczególną uwagę zasługują historyczne kolekcje Eberharda Dreschera, Hansa Nowotnego, Franza Kirscha i Sergiusza Tolla oraz zbiór chrząszczy Wojciecha Mączyńskiego. Z początkiem lat 90. rozpoczął się nowy etap w rozwoju kolekcji przyrodniczych Muzeum Górnośląskiego. Kolekcje zaczęto wzbogać o zbiory pochodzące z zagranicy, m.in. o kolekcje entomologiczne i ornitologiczne z Borneo, Madagaskaru, Tanzanii i Sumatry. W latach późniejszych rozpoczęto, przy współpracy z entomologami zrzeszonymi w Śląskim Towarzystwie Entomologicznym, planowe badania w rejonie Basenu Morza Śródziemnego. W latach 2000-2006 zebrano i zdeponowano w Muzeum Górnośląskim w Bytomiu ponad 60000 okazów entomofauny. Organizowane we współpracy z krajowymi i zagranicznymi podmiotami naukowymi ekspedycje naukowo badawcze na Nową Kaledonię, do Namibii, Rosji czy Gruzji również dostarczyły kolejnych materiałów. Rozwój współczesnych nauk biologicznych wpłynął również na formę gromadzenia części artefaktów przyrodniczych. W 2016 r. powołano do ży­cia Bank DNA zwierząt zagrożonych wyginięciem, czy szczególnie narażonych na negatywny wpływ działalności człowieka. Obecnie, biorąc pod uwagę również nowe typy kolekcji, Muzeum Górnośląskie w Bytomiu, podczas swej ponad 110 letniej historii, zgromadziło zbiory liczące ponad milion eksponatów przyrodniczych. Podejmując temat zbiorów Działu Przyrody nie sposób nie wspomnieć o bogatym księgozbiorze przyrodniczym, powstałym na bazie scalonych po wojnie księgozbiorów muzeów z Bytomia i Katowic. W 1962 r. powołano pierwszą serię wydawniczą: Rocznik Muzeum Górnośląskiego w Bytomiu, Przyroda, która pozwoliła na regularne pozyskiwanie tytułów w drodze wymiany międzybibliotecznej. Od 1990 r. uruchomiono drugą serię wydawniczą Annals of the Upper Silesian Museum in Bytom, Entomology i w 1994 r. kolejną: Monographs of the Upper Silesian Museum. W 2016 r. Muzeum zostało współwydawcą Acta Entomologica Silesiana, tytułu wydawanego wcześniej przez Śląskie Towarzystwo Entomologiczne oraz czasopisma Ptaki Śląska. Jednym z priorytetowych kierunków działalności Muzeum Górnośląskiego w Bytomiu jest również cyfryzacja i digitalizacja kolekcji. W ramach obecnie realizowanego projektu: Integracja i mobilizacja danych o różnorodności biotycznej Eukaryota w zasobach polskich instytucji naukowych (IMBIO), cyfryzacji i digitalizacji poddanych jest ponad 380000 obiektów.

A list of Curculionoidea (Nemonychidae, Anthribidae, Rhynchitidae, Attelabidae, Brentidae, Apionidae, Nanophyidae, Brachyceridae, Curculionidae, Erirhinidae, Raymondionymidae, Dryoph-thoridae, Scolytidae, Platypodidae) thus far known from Italy is drawn up, updating that by Abbazzi et al. published in 1995. Distributional data of each species are given for broad regions such as northern, central, southern Italy, Sicily and Sardinia. New synonymies are: Acentrotypus laevigatus (Kirby, 1808) (= A. brunnipes (Boheman, 1839), syn.nov.), Ceutorhynchus talickyi Korotyaev, 1980 (= C. strejceki Dieckmann, 1981, syn. nov.), Ceutorhynchus pallipes Crotch,1866 (= Curculio minutus Reich, 1797 not Drury, [1773], syn. nov.; = Curculio contractus Marsham, 1802 not Fourcroy, 1785, syn. nov.), Dodecastichus consentaneus (Boheman, 1843) (= D. c. latialis (Solari & Solari, 1915), syn. nov.; = D. c. dimorphus (Solari & Solari, 1915), syn. nov.; = D. c. pentricus Di Marco & Osella, 2001, syn. nov.), Dodecastichus dalmatinus (Gyllenhal, 1843) (= D. d. lauri (Stierlin, 1861), syn. nov.), Dodecastichus mastix (Olivier, 1807) (= D. m. perlongus (Solari & Solari, 1915), syn. nov.; = D. m. scabrior (Reitter, 1913), syn. nov.), Dorytomus Germar, 1817 (= D. subgen. Chaetodorytomus Iablokov-Khnzorian, 1970, syn. nov.; = D. subgen. Euolamus Reitter, 1916, syn. nov.; = D. subgen. Olamus Reitter, 1916, syn. nov.), Exapion Bedel, 1887 (= Ulapion Ehret, 1997, syn. nov.), Larinus ursus (Fabricius, 1792) (= L. carinirostris Gyllenhal, 1837, syn. nov.; = L. genei Boheman, 1843, syn. nov.), Lixini Schönherr, 1823 (= Rhinocyllini Lacordaire, 1863, syn. nov.), Metacinops rhinomacer Kraatz, 1862 (= M. calabrus Stierlin, 1892, syn. nov.), Microplontus nigrovittatus (Schultze,1901) (= Ceutorhynchus subfasciatus Chevrolat, 1860 not Schönherr, 1826, syn. nov.), Otiorhynchus amicalis cenomanus Colonnelli & Magnano, nom. nov. (= O. a. lessinicus (Osella, 1983) not O. lessinicus Franz, 1938, syn. nov.), Otiorhynchus anophthalmoides omeros nom. nov. (= O. a. istriensis (F. Solari, 1955) not Germar, 1824, syn. nov.), Otiorhynchus anthracinus (Scopoli, 1763) (= O. calabrus Stierlin, 1880, syn. nov.), Otiorhynchus armadillo (Rossi, 1792) (= O. halbherri Stierlin, 1890, syn. nov.), Otiorhynchus clibbianus Colonnelli & Magnano, nom. nov. (= O. judicariensis (Osella, 1983) not Reitter, 1913, syn. nov.), Otiorhynchus cornicinus Stierlin, 1861 (= Curculio laevigatus Fabricius, 1792 not Paykull, 1792, syn. nov.), Otiorhynchus fortis Rosenhauer, 1847 (= O. fortis valarsae Reitter, 1913, syn. nov.), Otiorhynchus nodosus (O. F. Müller, 1764) (= O. nodosus comosellus Boheman, 1843, syn. nov.; = O. nodosus gobanzi Gredler, 1868, syn. nov.), Otiorhynchus pupillatus Gyllenhal, 1834 (= O. p. angustipennis Stierlin, 1883, syn. nov.; = O. venetus F. Solari, 1947, syn. nov.), Otiorhynchus serradae Colonnelli & Magnano, nom. nov. (= O. carinatus (Osella 1983) not (Paykull, 1792), syn. nov.), Otiorhynchus strigirostris Boheman, 1843 (= O. aterrimus : Di Marco & Osella, 2002 not Boheman, 1843, syn. nov.; = O. calvus Fiori, 1899, syn. nov.), O. sulcatus (Fabricius, 1775) (= O. linearis Stierlin, 1861, syn. nov.), Otiorhynchus tenebricosus (Herbst, 1784) (= O. olivieri Abbazzi & Osella, 1992, syn. nov.), Phrydiuchus augusti Colonnelli, nom. nov. (= Ceuthorrhynchus speiseri Schultze, 1897 not C. speiseri Frivaldszkyi, 1894, syn. nov.), Phyllobius maculicornis Germar, 1824 (= P. m. lucanus Solari & Solari, 1903, syn. nov.), Phyllobius pyri (Linné, 1758) (= P. vespertinus (Fabricius, 1792), syn. nov.), Polydrusus subgen. Chaerodrys Jacquelin du Val, [1854] (= P. subgen. Metadrosus Schilsky, 1910, syn. nov.), Polydrusus subgen. Eudipnus C. G. Thomson, 1859 (= P. subgen. Chrysoyphis Gozis, 1882, syn. nov.; P. subgen. Thomsoneonymus Desbrochers, 1902, syn. nov.), Polydrusus subgen. Eurodrusus Korotyaev & Meleshko, 1997 (= P. subgen. Neoeustolus Alonso-Zarazaga & Lyal, 1999, syn. nov.), Polydrusus armipes Brullé, 1832 (= P. a. faillae Desbrochers, 1859, syn. nov.), Pseudomyllocerus invreae invreae (F. Solari, 1948) (= Curculio cinerascens Fabricius, 1792 not [Gmelin], 1790], syn. nov. ), Zacladus Reitter, 1916 (= Z. subgen. Amurocladus Korotyaev, 1997, syn. nov.; = Z. subgen. Angarocladus Korotyaev, 1997, syn. nov.; = Z. subgen. Gobicladus Korotyaev, 1997, syn. nov.; = Z. subgen. Scythocladus Korotyaev, 1997, syn. nov.). New placements are: Amalini Wagner, 1936 as a tribe from synonymy under Ceutorhynchini; Acentrotypus Alonso-Zarazaga, 1990, Aizobius Alonso-Zarazaga, 1990, Aspidapion Schilsky, 1901, Catapion Schilsky, 1906, Ceratapion Schilsky, 1901, Cistapion Wagner, 1924,Cyanapion Bokor, 1923, Diplapion Reitter, 1916, Eutrichapion Reitter, 1916, Exapion Bedel, 1887, Helianthemapion Wagner, 1930, Hemitrichapion Voss, 1959, Holotrichapion Györffy, 1956, Ischnopterapion Bokor, 1923, Ixapion Roudier & Tempère,1973, Kalcapion Schilsky, 1906, Lepidapion Schilsky, 1906, Melanapion Wagner, 1930, Mesotrichapion Györffy, 1956, Metapion Schilsky, 1906, Omphalapion Schilsky, 1901, Onychapion Schilsky, 1901, Oryxolaemus AlonsoZarazaga, 1990, Osellaeus Alonso-Zarazaga, 1990, Perapion Wagner, 1907, Phrissotrichum Schilsky, 1901, Pirapion Reitter, 1916, Protapion Schilsky, 1908, Pseudapion Schilsky, Pseudoperapion Wagner, 1930, Pseudoprotapion Ehret, 1990, Pseudostenapion Wagner, 1930, Rhodapion AlonsoZarazaga, 1990, Squamapion Bokor, 1923, Stenopterapion Bokor, 1923, Synapion Schilsky, 1902, Taeniapion Schilsky, 1906, Trichopterapion Wagner, 1930, all as genera from subgenera of Apion Herbst, 1797; Aspidapion subgen. Koestlinia Alonso-Zarazaga, 1990 and Phryssotrichum subgen. Schilskyapion Alonso-Zarazaga, 1990 from synonymy with Apion Herbst, 1797; Phyllobius italicus Solari & Solari, 1903 and Phyllobius reicheidius Desbrochers, 1873, both from subspecies of P. pyri (Linné, 1758); Mogulones aubei (Boheman, 1845) as a valid species from synonymy with M. talbum (Gyllenhal, 1837); Styphlidius italicus Osella, 1981 as species from subspecies of S. corcyreus (Reitter, 1884). Otiorhynchus subgen. Presolanus Pesarini, 2001 is here selected over O. subgen. Pesolanus Pesarini, 2001, alternative original spelling, here rejected. The incorrect original spelling Otiorhynchus nocturnus peetzi Franz, 1938 is emended in O. n. peezi. New combination are: Eremiarhinus (Depresseremiarhinus) dilatatus (Fabricius, 1801), comb. nov.; Eremiarinus (Pseudorhinus) impressicollis (Boheman, 1834) jarrigei (Roudier, 1959); E. (Pseudorhinus) impressicollis luciae (Ragusa, 1883), comb. nov.; E. (Pseudorhinus) impressicollis peninsularis (F. Solari, 1940), comb. nov.; E. (Pseudorhinus) laesirostris (Fairmaire, 1859), comb. nov., all resulting from the new placement of Depresseremiarhinus Pic, 1914 and of Pseudorhinus Melichar, 1923 as subgenera of Eremiarhinus Fairmaire, 1876. The subfamilial name Phytonominae Gistel, 1848 is used as valid over Hyperinae Marseul, 1863. Nomenclatural changes published from 1992 to date, and affecting Italian weevils are also listed.

Resumo: Autor de uma obra filosófica abrangente, Alasdair MacIntyre manifesta um interesse profundo pelo tema da educação, tendo refletido, em particular, seriamente sobre a universidade. Sua concepção de universidade é fortemente influenciada por aquela defendida por John Henry Newman no século XIX, e se relaciona intimamente, tanto quanto para Newman, com a sua compreensão sobre a filosofia. Partindo de tal concepção, é possível refletir sistematicamente sobre a questão do ensino de filosofia, tanto no interior da vida universitária quanto nas relações desta última com a sociedade e a cultura em geral, inclusive com um foco particular sobre a realidade brasileira. Palavras-chave: Alasdair MacIntyre (1929-). John Henry Newman (1801-1890). Universidade. Ensino de filosofia. Abstract: Authoring a comprehensive philosophical oeuvre, Alasdair MacIntyre manifests a profound interest on the subject of education, having produced in particular a serious reflection on the theme of the university. His conception of a university is strongly influenced by that of John Henry Newman in the 19th century, and is intimately related, as much as with Newman’s, to his understanding of philosophy. Beginning with such a conception, it is possible to systematically meditate on the matter of the teaching of philosophy, within the university walls as well as at its general cultural and social boundaries, including a particular focus on Brazilian reality. Keywords: Alasdair MacIntyre (1929-). John Henry Newman (1801-1890). University. Philosophy teaching. REFERÊNCIAS ARRIOLA, Claudia Ruiz. Tradición, Universidad y Virtud: Filosofia de la Educacion Superior en Alasdair MacIntyre. Pamplona: EUNSA, 2000. ARISTÓTELES. Ethica Nicomachea. In: MCKEON, Richard (Org.). The Basic Works of Aristotle. New York: The Modern Library, 2001. ARTIGAS, Mariano. Mind of the Universe: Understanding Science and Religion. Philadelphia: Templeton Foundation, 1999. BISHOP, Jeffrey P. Waiting for St. Benedict among the Ruins: MacIntyre and Medical Practice. Journal of Medicine and Philosophy, 36 (2011), p. 107-113. BRASIL. Lei de Diretrizes e Bases da Educação Nacional. Lei nº 9.394, 20 dez. 1996. Brasília: Diário Oficial da União, 1996. BRASIL. Lei nº 13.415, 16 fev. 2017. Brasília: Diário Oficial da União, 2017. BREWER, Kathryn Balstad. Management as a Practice: A Response to Alasdair MacIntyre. Journal of Business Ethics, 16 (1997), p. 825-833. CAVANAUGH, William T. The Myth of Religious Violence: Secular Ideology and the Roots of Modern Conflict. New York: Oxford University Press, 2009. CERLETTI, Alejandro. O ensino de filosofia como problema filosófico. Trad. Ingrid Müller Xavier. Belo Horizonte: Autêntica, 2009. CROSS, Bryan R. MacIntyre on the Practice of Philosophy and the University. American Catholic Philosophical Quaterly, 88, 4 (2014), p. 751-766. CUNHA, Luiz Antonio. A universidade temporã: o ensino superior, da Colônia à era Vargas. 3. ed. São Paulo: Ed. UNESP, 2007. DUNNE, Joseph. Arguing for Teaching as a Practice: A Reply to Alasdair MacIntyre. Journal of Philosophy of Education, 37, 2 (2003), p. 353-369. DUNNE, Joseph. Newman Now: Re-Examining the Concepts of ‘Philosophical’ and ‘Liberal’ in The Idea of a University. British Journal of Educational Studies, 54, 4 (2006), p. 412-428. DEINA, Wanderley José. Filosofia no ensino médio: considerações sobre a reforma educacional brasileira a partir do pensamento de Theodor Adorno. Sofia, 6, 3 (2017), pp. 5-25. FÓRUM NACIONAL PERMANENTE DO ENSINO RELIGIOSO. Parâmetros Curriculares Nacionais para o Ensino Religioso. 3. ed. São Paulo: Ave Maria, 1997. GALLO, Sílvio. A filosofia e seu ensino: conceito e transversalidade. Ethica, 13, 1 (2006), p. 17-35. 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Education and Values: The Richard Peters Lectures. London: University of London Press, 1987, p. 15-35. MACINTYRE, Alasdair. Three Rival Versions of Moral Enquiry: Encyclopaedia, Genealogy, and Tradition. Indiana: University of Notre Dame Press, 1990a. MACINTYRE, Alasdair. First Principles, Final Ends and Contemporary Philosophical Issues. Milwaukee: Marquette University, 1990b. MACINTYRE, Alasdair. Justiça de quem? Qual racionalidade? Trad. Marcelo Pimenta Marques. São Paulo: Loyola, 1991. MACINTYRE, Alasdair. Dependent Rational Animals: Why Human Beings Need the Virtues. Peru (Il): Open Court, 1999. MACINTYRE, Alasdair. Depois da virtude: um estudo em teoria moral. Trad. Jussara Simões. Bauru (SP): EDUSC, 2001. MACINTYRE, Alasdair. Moral Philosophy and Contemporary Social Practice: What Holds Them Apart? In: MACINTYRE, Alasdair. The Tasks of Philosophy: Selected Essays, Volume I. New York: Cambridge University Press, 2006, p. 104-122. MACINTYRE, Alasdair. God, Philosophy, Universities: A Selective History of the Catholic Philosophical Tradition. Lanham: Rowman & Littlefields, 2009a. MACINTYRE, Alasdair. The Very Idea of a University: Aristotle, Newman and Us. The New Blackfriars, 91, 1031 (2010), p. 4-19 (2010a) MACINTYRE, Alasdair. On Not Knowing Where You Are Going. Proceedings and Addresses of the American Philosophical Association, 84, 2 (2010), p. 61-74. (2010b) MACINTYRE, Alasdair; DUNNE, Joseph. Alasdair MacIntyre on Education: In Dialogue with Joseph Dunne. Journal of Philosophy of Education, 36, 1 (2002), p. 1-19. MADARIAGA CÉZAR, Manuel García de. La educación en Alasdair MacIntyre: contextos y proyectos. Tese de doutorado. 2009. Pamplona. Facultad Eclesiástica de Filosofía. Universidad de Navarra. MICHEL, Andrew A. Psychiatry After Virtue: A Modern Practice in the Ruins. Journal of Medicine and Philosophy, 36 (2011), p. 170-186. NEWMAN, John Henry. Prefácio. In: TURNER, Frank M. (Org.). Newman e a idéia de uma universidade. Trad. Gilson César Cardoso de Sousa. Bauru (SP): EDUSC, 2001a, p. 59-71. NEWMAN, John Henry. Introdutório. In: TURNER, Frank M. (Org.). Newman e a idéia de uma universidade. Trad. Gilson César Cardoso de Sousa. Bauru (SP): EDUSC, 2001b, p. 59-71. NEWMAN, John Henry. Teologia, ramo do conhecimento. In: TURNER, Frank M. (Org.). Newman e a idéia de uma universidade. Trad. Gilson César Cardoso de Sousa. Bauru (SP): EDUSC, 2001c, p. 73-89. NEWMAN, John Henry. Relação da teologia com outros ramos do conhecimento. In: TURNER, Frank M. (Org.). Newman e a idéia de uma universidade. Trad. Gilson César Cardoso de Sousa. Bauru (SP): EDUSC, 2001d, p. 91-110. NEWMAN, John Henry. Relação dos outros ramos do conhecimento com a teologia. In: TURNER, Frank M. (Org.). Newman e a idéia de uma universidade. Trad. Gilson César Cardoso de Sousa. Bauru (SP): EDUSC, 2001e, p. 111-130. NEWMAN, John Henry. Conhecimento, fim em si mesmo. In: TURNER, Frank M. (Org.). Newman e a idéia de uma universidade. Trad. 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Abstract Fanconi anemia (FA), a model syndrome of genome instability, is caused by a deficiency in DNA interstrand crosslink (ICL) repair resulting in chromosome breakage. The FA repair pathway comprises at least 22 FANC proteins including BRCA1 and BRCA2 and protects against carcinogenic endogenous and exogenous aldehydes. Individuals with FA are hundreds to thousands-fold more likely to develop head and neck (HNSCC), esophageal and anogenital squamous cell carcinomas (SCCs) with a median onset age of 31 years. The aggressive nature of these tumors and poor patient tolerance of platinum and radiation-based therapy have been associated with short survival in FA. Molecular studies of SCCs from individuals with FA (FA SCCs) have been limited, and it is unclear how they relate to sporadic HNSCCs primarily driven by tobacco and alcohol exposure or human papillomavirus (HPV) infection. Here, by sequencing FA SCCs, we demonstrate that the primary genomic signature of FA-deficiency is the presence of a high number of structural variants (SVs). SVs are enriched for small deletions, unbalanced translocations, and fold-back inversions that arise in the context of TP53 loss. The SV breakpoints preferentially localize to early replicating regions, common fragile sites, tandem repeats, and SINE elements. SVs are often connected forming complex rearrangements. Resultant genomic instability underlies elevated copy number alteration (CNA) rates of key HNSCC-associated genes, including PIK3CA, MYC, CSMD1, PTPRD, YAP1, MXD4, and EGFR. In contrast to sporadic HNSCC, we find no evidence of HPV infection in FA HNSCC, although positive cases were identified in gynecologic tumors. A murine allograft model of FA pathway-deficient SCC was enriched in SVs, exhibited dramatic tumor growth advantage, more rapid epithelial-to-mesenchymal transition, and enhanced autonomous inflammatory signaling when compared to an FA pathway-proficient model. In light of the protective role of the FA pathway against SV formation uncovered here, and recent findings of FA pathway insufficiency in the setting of increased formaldehyde load resulting in hematopoietic stem cell failure and carcinogenesis, we propose that high copy-number instability in sporadic HNSCC may result from functional overload of the FA pathway by endogenous and exogenous DNA crosslinking agents. Our work lays the foundation for improved FA patient treatment and demonstrates that FA SCC is a powerful model to study tumorigenesis resulting from DNA crosslinking damage. Citation Format: Andrew L. Webster, Mathijs A. Sanders, Krupa Patel, Ralf Dietrich, Raymond J. Noonan, Francis P. Lach, Ryan R. White, Audrey M. Goldfarb, Kevin Hadi, Matthew M. Edwards, Frank X. Donovan, Moonjung Jung, Sunandini Sridhar, Olivier Fedrigo, Huasong Tian, Joel Rosiene, Thomas Heineman, Jennifer Kennedy, Lorenzo Bean, Rasim O. Rosti, Rebecca Tryon, Ashlyn-Maree Gonzalez, Allana Rosenberg, Ji-Dung Luo, Thomas Carrol, Eunike Velleuer, Jeff C. Rastatter, Susanne I. Wells, Jordi Surrallés, Grover Bagby, Margaret L. MacMillan, John E. Wagner, Maria Cancio, Farid Boulad, Theresa Scognamiglio, Roger Vaughan, Amnon Koren, Marcin Imielinski, Settara Chandrasekharappa, Arleen D. Auerbach, Bhuvanesh Singh, David Kutler, Peter J. Campbell, Agata Smogorzewska. Fanconi anemia pathway deficiency drives copy number variation in squamous cell carcinoma [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2022; 2022 Apr 8-13. Philadelphia (PA): AACR; Cancer Res 2022;82(12_Suppl):Abstract nr 6196.

"La Beatissima Vergine del Carmine ‒ l’icona miracolosa della Chiesa cattolica di pelegrinaggio di Maria-Radna. Il presente articolo rappresenta un intervento scientifico di un’incontro tra la ricerca storico-documentaria, iconologica e iconografica del tema. Lo studio delle “Sacre icone miracolose” della Transilvania, delle regioni di Maramureș, Bihor e Banat hanno fatto, e fanno parte del programma di ricerca dell’autore da più di cinque decenni, aggiungendosi alla richissima bibliografia riguardante le icone miracolose che si trovano nelle chiese della Moldavia e Muntenia, menzionati dal ricercatore di Cluj. Nel preambolo il lettore conoscerà la storia docu¬mentaria ma anche quella legendaria della fondazione del monastero francescano Maria-Radna iniziando dall’anno 1327, nell’epoca del re Carlo Roberto d’Angiò, la vita, i compimenti e le metamorfosi di questo monastero, le costruzioni successive, l’edificazione della capella nell’anno 1520, le distruzioni del periodo ottomano (1551), le ricostruzioni della Chiesa dovuti a fedeli generosi e la sua dotazione con l’icona della Vergine col Bambino, più precisamente, in conformità all’epigrafo dalla parte inferiore, LA BEATISSIMA VERGINE DEL CARMINE, meraviglioso dono dell’ anziano bosniaco Georg Viriĉonosa (Virchonossa) dell’anno 1668. Il momento che segna e nota il miracolo è l’anno 1695, quando la piccola chiesa fu saccheggiata e messa a fuoco, l’unico pezzo salvato dalle rovine e dalla cenere essendo l’icona della Madre di Dio. Questo momento legendario fu seguito da un’altra vicenda miracolosa cioè quella della punizione del visir profanatore della Chiesa quando il suo cavallo fu bloccato mentre un suo zoccolo fu intrappolato in un frammento di pietra (La traccia dello zoccolo). Il terzo atto dello scenario legendario racconta di un nuovo incendio della capella francescana dai turchi e il giudizio divino, quello d’indirizzare le fiammi distruttivi verso l’esercito ottomano oltre il fiume Mureș a Lipova. La notizia di questi fatti miracolosi si è diffusa con rapidità, da allora in poi i fedeli venendo in pelegrrinaggio, non solo dalle vicinanze, ma proprio da lontano per inchino e preghiera di fronte alla icona della Madre di Dio, l’icona miracolosa, responsabile per le guarigioni miracolose di pelegrini malatti, guarigioni che furono inscritti nel registro della chiesa iniziando col 1707. Di seguito la cronaca della chiesa nota lavori di ricostruzione tra (1722-1727), l’inizio della costruzione della nuova chiesa (24 giugno 1734), l’innalzamento dell’ala nordica e di sud-ovest del monastero (1743-1747), la collocazione della prima pietra di una basilica monumentale, il 7 giugno dell’anno 1756 nel giorno di Pentecoste, in presenza del gran Preposto del Capitulo cattedral di Cenad, che aveva la residenza a Timișoara, Clemente Rossi, del Consigliere originario di Banat Iacob Salbek e del superiore del monastero Ieronim Bocsin. Le costruzioni condotte da Karol Vogel saranno concluse nel 1767, anno in cui fu santificata la Chiesa dal Vescovo di Cenad, Anton Engel, in quale occasione fu collocata sull’altare principale l’icona La Beatissima Vergine del Carmine, placcata con ornamenti di argento, oro, perle e pietre preziose grazie al maestro viennese Joseph Moser. La meta del XIX secolo segna la fine del montaggio del mobilio liturgico formato da otto altari dedicati a santi protettori [ Il sacro cuore di Gesù e Il sacro cuore di Maria (1824); San Francesco d’Assisi (1805) e Sant’Ana (1822); Il fidanzamento della Vergine (1781), lavoro del pittore dell’Accademia regale ed Imperiale, Franz Wagenschőn; Sant’ Antonio da Padova (1762), creazione del maestro Ferdinand Schiestl autore anche della fresca del santuario; il Battesimo del Redentore (fine del XVIII secolo) e San Giovanni Nepomuk (1723)]. L’icona miracolosa della chiesa di Radna fu lavorata nell’officina Remondini di Bassano del Grappa, dopo la meta del XVII secolo, facendo parte di un ampia produzione d’incisioni religiose popolari richiesti dal mercato artistico del tempo. Il lavoro su carta delle dimensioni di 477 x 705 mm rappresenta nel campo centrale La Vergine Maria con il Gesù bambino in braccia (Hodighitria), in un’originale riunione iconografica dei modelli Elousa e Glykophilousa. La silografia nota il evidente collegamento del messaggio iconografico e iconologico con la storia del culto dell’abito liturgico (lo scapolare) dei testi liturgici medievali e premoderni come anche con l’immagine con la scena del registro inferiore, una rappresentazione visuale di quello “privilegio Sabatino”, più precisamente la promessa per quelli che indosseranno quello “scapolare” di essere liberati dal Purgatorio nel primo sabato dopo la loro morte (uno dopo l’altro gli angeli salvatori tirano fuori dal luogo avvolto dalle fiamme, le anime e i corpi che indossano lo scapolare). Tra i lavori di riferimento sul tema, per capire, intendere e per la storia dell’immagine, per l’iconografia tradizionale della Madonna “del Carmelo” ( oppure nella lingua spagnola “del Carmine”), per l’origine / la storia della festa, per le commemorazioni solenni, per la festa dell’abito dello “scapolare”, per la festa fuori dell’Ordine carmelitano e la festa nella Chiesa Universale, l’autore presenta in traduzione dalla lingua italiana, un testo inedito nella letteratura rumena specializzata, il libro di P. Albino del Bambino Gesù (OCD), Lo Scapolare della Madonna del Carmine, Ed. Ancora, Milano 1957. Una dettagliata analisi relativa alla composizione, iconografica fu fissata sui 14 ex-voto quali incorniciano l’icona La Beatissima Vergine del Carmine. Grazie alla moderna tecnica fotografica, attraverso l’amplificazione, attraverso l’aumento della loro dimensione, fu “letta” la storia e il racconto di questi miracoli. Sopra la Madre di Dio: 1. Molti dormendo colti sotto alla /ruina della casa nescono viui (Mentre dormivano sono colti sotto la rovina della casa,ma essi rimangono vivi). 2. Sommergendosi la naue, fa voto/ vn pesce ottura e si saluano (Mentre la nave sommerge, fa voto/, un pesce riempie la rottura e la nave si salva). 3. Vn putto stato 3. giorni nel fiume, / fa voto Pad(re) e Mad(re), e la pesca viuo. (Un bambino è rimasto per tre giorni nel fiume, facendo voto il padre e la madre lo pescano vivo). 4. Vno ferito grauemente, getato in/mare fa voto e si libera (Un ferito grave viene gettato nel mare, fa voto e si libera). 5. Vn figliuolo gettato in pozzo, eco/-perto di sassi dopo 8. die caua vivo (Un figlio gettato nel pozzo e coperto di pietre è trovato vivo dopo otto giorni). 6. L’an(no). 1050 (=1500) portandosi quest imag(ine)/. À Roma v(n) strop Risanato la segue (Nell’anno1050 (=1500) portando quest’immagine a Roma uno storpio guarisce). Nella parte destra della Madre di Dio (alla sinistra di chi guarda): 7. Da altiss(ima). Finestra vn fu-/giendo dall incendio d’une casa fa voto alla (Madonna), e si sal(vano). (Dall’altezza della finestra di una casa un fuggente da incendio fa voto alla Madonna e si salva). 8. Cadendo vno da vn altissi-/ ma pianta inuoca la Ma-/donna del Carmine, e non/ riceue male alcuno. (Cadendo uno da un alto albero, invoca la Madonna del Carmine e viene salvato dal male). 9. Vn ferito con 30 ferite a que-/B(eata). V(ergine) del Carmine/ricore e si risana (Un ferito con 30 ferite chiede aiuto alla Santa Vergine del Carmine e si riprende). 10. Essendo sententiato vno al-/la forcha viene dalla Beata/Vergine liberato. (Uno essendo condannato ad essere innalzato sul patibolo viene liberato dalla Santa Vergine). Nella parte sinistra della Madre di Dio (alla destra di chi guarda). 11. Carlo Cassa di Verona/ da Barbare gente in prigiona-/te fa voto e si libera. (Carlo Cassa di Verona fatto prigioniero dai Barbari s’inchina e viene rilasciato). 12. Vn cieco fa voto alla Glo-/riosa Maria del Carmine, e impetra il ve-/dere). (Un cieco s’inchina alla gloriosa Vergine Maria del Carmine e riprende la vista). 13. Vn padre Troua viuo il figlio./ chegli era stato da un nemi(-)co vciso e sepolto. (Un padre trova il suo figlio vivo quale fu ucciso e sepolto da un nemico). 14. Giostrando a vn principe,/ viene passata la coscia fa voto e si sana. (Nella giostra un principe viene traffito alla coscia, fa voto e si riprende.) La nostra ricerca dimostra il fatto che la xilografia della chiesa di Radna è una delle realizzazioni più elaborate della La Stamperia Remondini che produce tra gli anni 1657-1861. L’ affermazione si appoggia sul paragone con altre stampe che hanno rappresentazioni a questo tema, tra i quali una incisione”a bulino” ( 233x167 mm) dove la Madonna del Carmine è inquadrata da dieci scene che illustrano i miracoli di Santa Maria e una seconda variante dovuta alla stamperia Remondini, dell’anno 1830, una xilografia colorata con l’epigrafe” B. V. DEL CARMINE CO’MIRACOLI”, dove in quelli dieci scene che inquadrano il lavoro furono ripresi una parte delle sequenze miracolose dell’icona della Chiesa di Radna. Parole chiave: il monastero Maria-Radna, l’icona miracolosa, La Madonna del Carmine, ex-voto, L’Ordine Francescano, L’Ordine Carmelitano, l’abito liturgico (lo scapolare), La stamperia Remondini, xilogravure religiose popolari. "

BackgroundToday, there are still no DMARDs licensed for primary Sjögren Syndrome (pSS) patients. Among the explanations, are the limitations of current outcome measures used as primary endpoints: e.g; high placebo response rate, evaluation of either symptoms or systemic activity, and important features not being assessed. The NECESSITY consortium (https://www.necessity-h2020.eu/), including pSS experts from academia, pharmaceutical industry and patient groups formed to develop a new composite responder index, the Sjögren’s Tool for Assessing Response (STAR) that solve the issues of current outcome measures in pSS and is intended for use in clinical trials as an efficacy endpoint.ObjectivesTo develop a composite responder index in primary Sjögren’s syndrome (pSS): the STAR.MethodsTo develop the STAR, the NECESSITY consortium used data-driven methods, based on 9 randomized controlled trials (RCTs), and consensus techniques, involving 78 experts and 20 patients. Based on reanalysis of rituximab trials (TRACTISS and TEARS) and literature review, the Delphi panel identified a core set of domains to include in the STAR, with their respective outcome measures. STAR options combining these domains were designed and proposed to the panel to select and improve them. For each STAR option, sensitivity to change was estimated by the C-index (derived from Effect size) in all 9 RCTs. Delphi rounds were run for selecting STAR among these options. The Delphi panel also voted to classify trials as positive, negative or “in between” in regards to primary but also key secondary endpoints. For the options remaining before the final vote, meta-analyses of the RCTs were performed separately for positive and “in between” trials together, and for negative trials.ResultsThe Delphi panel identified 5 core domains (systemic activity, patient symptoms, lachrymal gland function, salivary gland function and biological parameters), and 227 STAR options, combining these domains, were selected to be tested for sensitivity to change. After two Delphi rounds, meta-analyses of the 20 remaining options were performed. The candidate STAR was selected by a final vote based on metrological properties and clinical relevance. In positive/in between trials, candidate STAR detected a difference between arms (OR 3.29, 95%-CI [2.07;5.22], whereas it did not in negative trials (OR 1.53, 95%-CI [0.81;2.91]).ConclusionThe candidate STAR is a composite responder index, including in a single tool all main disease features, and is designed for use as a primary endpoint in pSS RCTs. Its rigorous and consensual development process ensures its face and content validity. The candidate STAR showed good sensitivity and specificity to change. The candidate STAR will be prospectively validated in a dedicated three arms RCT of the NECESSITY consortium that will evaluate combination of synthetic DMARDs (hydroxychloroquine + lefunomide or hydroxychloroquine + mycophenolate vs placebo). We encourage the use of STAR in any ongoing and future trials.Table 1.Candidate STARDomainPointDefinition of responseSystemic activity3Decrease of clinESSDAI ≥ 3Patient reported outcome3Decrease of ESSPRI ≥ 1 point or ≥ 15%Lachrymal gland function1Schirmer:If abnormal score at baseline: increase ≥ 5 mm from baselineIf normal score at baseline: no change to abnormalOrOcular Staining Score:If abnormal score at baseline: decrease ≥ 2 points from baselineIf normal score at baseline: no change to abnormalSalivary gland function1Unstimulated Whole Salivary Flow:If score > 0 at baseline: increase ≥ 25% from baselineIf score is 0 at baseline: any increase from baselineorUltrasound:Decrease ≥ 25% in total Hocevar score from baselineBiological1Serum IgG levels: decrease ≥ 10%orRheumatoid Factor levels: decrease ≥ 25%Candidate STAR responder≥ 5 pointsESSDAI: EULAR Sjögren syndrome disease activity index; ESSPRI: EULAR Sjögren syndrome patient reported index; IgG: Immunoglobulin G;AcknowledgementsNECESSITY WP5 STAR development participants: Suzanne Arends (University Medical Center Groningen, Department of Rheumatology and Clinical Immunology, Groningen 9700 RB, Netherlands), Francesca Barone (Centre for Translational Inflammation Research, Institute of Inflammation and Ageing, University of Birmingham, Birmingham, UK), Albin Björk (Division of Rheumatology, Department of Medicine, Karolinska Institutet, Stockholm, Sweden), Coralie Bouillot (Association Française du Gougerot Sjögren et des Syndromes Secs, France), Guillermo Carvajal Alegria (University of Brest, Inserm, CHU de Brest, LBAI, UMR1227, Brest, France; Service de Rhumatologie, Centre de Référence Maladies Autoimmunes Rares CERAINO, CHU Cavale Blanche, Brest, France), Wen-Hung Chen (GlaxoSmithKline, Research Triangle Park, North Carolina, USA), Kenneth Clark (GlaxoSmithKline Medicines Research Centre, Gunnels Wood Road, Stevenage, Hertfordshire SG1 2NY, United Kingdom), Konstantina Delli (Department of Oral and Maxillofacial Surgery, University Medical Center Groningen (UMCG), University of Groningen, The Netherlands), Salvatore de Vita (Rheumatology Clinic, University Hospital of Udine, Italy), Liseth de Wolff (University Medical Center Groningen, Department of Rheumatology and Clinical Immunology, Groningen 9700 RB, Netherlands), Jennifer Evans (Novartis Pharmaceuticals corporation USA), Stéphanie Galtier (Institut de Recherches Internationales Servier (IRIS), Suresnes Cedex, France), Saviana Gandolfo (Rheumatology Clinic, Department of Medical area, University of Udine, ASUFC, 33100 Udine, Italy), Mickael Guedj (Institut de Recherches Internationales Servier (IRIS), Suresnes Cedex, France), Dewi Guellec (CHU de Brest, Service de Rhumatologie, Inserm, CIC 1412, Brest, France), Safae Hamkour (Center of Translational Immunology, Department of Immunology, University Medical Center Utrecht, Utrecht 3584 GA, Netherlands), Dominik Hartl (Novartis Institutes for BioMedical Research, Basel, Switzerland), Malin Jonsson (Section for Oral and Maxillofacial Radiology, Department of Clinical Dentistry, Faculty of Medicine and Dentistry, University of Bergen, Norway), Roland Jonsson (Broegelmann Research Laboratory, Department of Clinical Science, University of Bergen, Department of Rheumatology, Haukeland University Hospital, Bergen, Norway), Frans Kroese (University Medical Center Groningen, Department of Rheumatology and Clinical Immunology, Groningen 9700 RB, Netherlands), Aike Albert Kruize (University Medical Center Utrecht, Department Rheumatology and Clinical Immunology, Utrecht, Netherlands), Laurence Laigle (Institut de Recherches Internationales Servier (IRIS), Suresnes Cedex, France), Véronique Le Guern (AP-HP, Hôpital Cochin, Centre de référence maladies auto-immunes et systémiques rares, service de médecine interne, Paris, France), Wen-Lin Luo (Department of Biometrics and Statistical Science, Novartis Pharmaceuticals, East Hanover, New Jersey), Esther Mossel (University Medical Center Groningen, Department of Rheumatology and Clinical Immunology, Groningen 9700 RB, Netherlands), Wan-Fai Ng (Institute of Cellular Medicine, Newcastle University, Newcastle upon Tyne NE2 4HH, UK), Gaëtane Nocturne (Department of Rheumatology, Université Paris-Saclay, INSERM U1184: Centre for Immunology of Viral Infections and Autoimmune Diseases, Assistance Publique-Hôpitaux de Paris, Hôpital Bicêtre, Le Kremlin Bicêtre, Paris, France), Marleen Nys (Global Biometric Sciences, Bristol Myers Squibb, Braine L’Alleud, Belgium), Roald Omdal (Clinical Immunology Unit, Department of Internal Medicine, Stavanger University Hospital, PO Box 8100, 4068, Stavanger, Norway), Jacques-Olivier Pers (LBAI, UMR1227, University of Brest, Inserm, Brest, France and CHU de Brest, Brest, France), Maggy Pincemin (Association Française du Gougerot Sjögren et des Syndromes Secs, France), Manel Ramos-Casals (Department of Autoimmune Diseases, Hospital Clinic de Barcelona Institut Clinic de Medicinai Dermatologia, Barcelona, Catalunya, Spain), Philippe Ravaud (Centre d’Epidémiologie Clinique, Hôpital Hôtel-Dieu, Assistance Publique-Hôpitaux de Paris, Paris, France), Neelanjana Ray (Global Drug Development - Immunology, Bristol Myers Squibb Company, Princeton, New Jersey, USA), Alain Saraux (HU de Brest, Service de Rhumatologie, Univ Brest, Inserm, UMR1227, Lymphocytes B et Autoimmunité, Univ Brest, Inserm, LabEx IGO, Brest, France), Athanasios Tzioufas (Rheumatology Clinic, Department of Medical area, University of Udine, ASUFC, 33100 Udine, Italy), Gwenny Verstappen (University Medical Center Groningen, Department of Rheumatology and Clinical Immunology, Groningen 9700 RB, Netherlands), Arjan Vissink, Marie Wahren-Herlenius (Division of Rheumatology, Department of Medicine, Karolinska Institutet, Stockholm, Sweden). We thank the following experts: Esen Karamursel Akpek, Alan Baer, Chiara Baldini, Elena Bartoloni, Marí-Alfonso Begona, Johan Brun, Vatinee Bunya, Laurent Chiche, Troy Daniels, Paul Emery, Robert Fox, Roberto Giacomelli, John Gonzales, John Greenspan, Robert Moots, Susumu Nishiyama, Elizabeth Price, Christophe Richez, Caroline Shiboski, Roser Solans Laque, Muthiah Srinivasan, Peter Olsson, Tsutomu Takeuchi, Frederick Vivino, Paraskevi Voulgari, Daniel Wallace, Ava Wu, Wen Zhang. We thank the anonymous patients from the NECESSITY Patient Advisory Group and the Sjögren Foundation for their valuable contribution to the Delphi process. We thank EW StClair and AN Baer who generated the baminercept data and made them publicly available.Disclosure of InterestsRaphaèle Seror Consultant of: GlaxoSmithKline, Boehringer, Janssen and Novartis, Grant/research support from: GlaxoSmithKline and Amgen, Gabriel Baron: None declared, Marine Camus: None declared, Divi Cornec Consultant of: GlaxoSmithKline, Bristol Myers Squibb, Janssen, Amgen, Pfizer and Roche, Elodie Perrodeau: None declared, Simon J. Bowman Consultant of: Abbvie, Astra Zeneca, Galapagos and Novartis Pharmaceuticals, Michele Bombardieri Consultant of: UCB, Amgen/Medimmune, Janssen, and GlaxoSmithKline, Grant/research support from: Amgen/Medimmune, Janssen, and GlaxoSmithKline, Hendrika Bootsma: None declared, Jacques-Eric Gottenberg Consultant of: AbbVie, Bristol Myers Squibb, Eli Lilly, Galapagos, Gilead, Pfizer, Roche, Sanofi, Novartis, MSD, CSL-Behring and Genzyme, Grant/research support from: Bristol Myers Squibb, Benjamin Fisher Speakers bureau: Bristol Myers Squibb and Novartis, Consultant of: Novartis, Bristol Myers Squibb, Janssen and Servier, Grant/research support from: Servier, Galapagos and Janssen, Wolfgang Hueber Shareholder of: Novartis Pharma, Employee of: Novartis Pharma, Joel van Roon: None declared, Valerie Devauchelle-Pensec: None declared, Peter Gergely Shareholder of: Novartis Pharma, Employee of: Novartis Pharma, Xavier Mariette Consultant of: Bristol Myers Squibb, Galapagos, GlaxoSmithKline, Janssen, Novartis, Pfizer and UCB, Grant/research support from: Ose Pharmaceuticals, Raphaël Porcher: None declared

The role of Teachers has been transformed in recent years due to the increasingly complex educational demands and responsibilities that come from the students’ families. The aim of the present study was to investigate how Elementary School Teachers in Brazil and Uruguay perceive and evaluate the demands they receive from families, and how prepared they think they are to face this reality. A qualitative, exploratory and transcultural method was used, based on the technique of Focal Groups, with one group being conducted in Brazil (10 participants) and anther one in Uruguay (9 participants). In both groups, participants were women, with experience in public and private schools. Data were treated using the Content Analysis technique and results pointed out two main themes: Academic Formation and Family Demands. The analysis showed several similarities in the relationship between family and school in daily practice - both in Brazil and Uruguay - especially regarding the Teacher’s role. It was observed that Teachers still face some challenges in set out their roles for themselves and the families. Teachers have also shown they have insufficient resources to work with the diversity of family demands and it is possible to think that they would benefit from spaces of reflection and sensitivity development, in order to better discriminate these demands. Thus, it may be said that it is necessary to inaugurate a deep discussion about what it means to form Teachers to work with families.ResumoO papel dos professores tem se transformado nos últimos anos devido às demandas e responsabilidades educacionais, cada vez mais complexas, que derivam das famílias de seus alunos. O objetivo deste estudo foi investigar como os professores de ensino fundamental do Brasil e Uruguai percebem e avaliam as demandas que recebem das famílias e o quão preparados se sentem para enfrentar essa realidade. Foi utilizado método qualitativo, exploratório e transcultural, a partir da técnica do Grupo Focal, sendo conduzido um grupo no Brasil (10 participantes) e um no Uruguai (9 participantes). Em ambos os grupos, os participantes foram mulheres, com experiência nas redes pública e privada. Os dados foram tratados a partir da técnica de Análise de Conteúdo e os resultados apontaram dois temas principais: Formação Acadêmica e Demandas das Famílias. A análise evidenciou inúmeras semelhanças na relação que a família e a escola estabelecem na prática diária - tanto no Brasil quanto no Uruguai - especialmente no que diz respeito ao papel docente. Observou-se a dificuldade dos professores em delimitar seu papel para si e para as famílias. Os professores também se mostraram com poucos recursos para trabalhar com a diversidade de demandas familiares e é possível pensar que eles se beneficiariam de espaços de reflexão e desenvolvimento de sensibilidade para poder discriminar essas demandas. Assim, pode-se dizer que é necessário inaugurar uma discussão profunda sobre o que significa formar os professores para o trabalho com as famílias.ResumenEl papel de los docentes se ha transformado en los últimos años debido a las exigencias y responsabilidades educativas cada vez más complejas que derivan de las familias de sus alumnos. El objetivo de este estudio consistió en investigar cómo docentes de educación primaria de Brasil y Uruguay perciben y evalúan las demandas que reciben de las familias y cuán preparados se sienten para enfrentar esa realidad. El diseño fue cualitativo, exploratorio y transcultural, utilizando la técnica de Grupo Focal, siendo uno brasileño (10 participantes) y uno uruguayo (9 participantes). En ambos grupos los participantes fueron mujeres, con experiencia tanto en la red pública como privada. Los datos fueron tratados con Análisis de Contenido y los resultados apuntaron a dos grandes temas: Formación Académica y Demandas de las Familias. El análisis permite comprobar innumerables semejanzas en la relación que familia y escuela establecen en la práctica cotidiana tanto en Brasil como en el Uruguay, sobre todo en lo que se refiere al rol docente. Se observa la dificultad que las docentes expresaron en cuanto a delimitar su papel frente a si mismas y frente a las familias. También las docentes se mostraron con pocos recursos para trabajar con la diversidad de las demandas familiares y es posible pensar que se beneficiarían de espacios de reflexión y desarrollo de la sensibilidad para poder discriminar tales demandas. Así, se puede decir que se necesita abrir una discusión profunda sobre lo que significa formar a los docentes para el trabajo con las familias. Keywords: Family school relationship, Preservice teachers, Cross Cultural Studies.Palavras-chave: Relação família-escola, Formação docente, Demandas familiares, Estudo transcultural.Palabras clave: Relación escuela-familia, Formación docente, Demandas familiares, Estudio transcultural.ReferencesANDRES, Sergio; GIRO, Joaquín. El papel y la representación del profesorado en la participación de las familias en la escuela. Revista Electrónica Interuniversitaria de Formación del Profesorado, Zaragoza, v.19, n.1, 61-71, 2016. URL: http://revistas.um.es/reifop/article/view/245461/189131AZPILLAGA, Verónica; INTXAUSTI, Nahia; JOARISTI, Luis Maria. Implicacion de las familias en los centros escolares de alta eficacia en la Comunidad Autónoma Vasca. Bordón: Revista de Pedagogía, Bordón, v.66, n.3, 27-38, 2014. URL: https://dialnet.unirioja.es/servlet/articulo?codigo=4748791BAEZA, Silvia. El imprescindible puente Familia-Escuela. Estrategias e intervenciones psicopedagógicas. 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A empresa inglesa DeepMind Technologies, fundada em 2010 e adquirida pelo Google em 2014, é uma referência no campo da Inteligência Artificial (IA); em 2016, seu programa AlphaGo não apenas venceu por quatro a um o campeão mundial do milenar jogo chinês Go, o sul-coreano Lee Sedol, como o fez com jogadas inéditas. O feito repercutiu na comunidade de IA, impulsionando o reconhecimento do papel estratégico da tecnologia pela China. No mesmo ano, não por coincidência, o Center for Mind, Brain, and Consciousness da NYU, sob a coordenação dos filósofos David Chalmers e Ned Block, reuniu cerca de trinta palestrantes, dentre pesquisadores de tecnologia e de ciências humanas, na conferência “AI Ethics”. No empenho de identificar como introduzir nos sistemas inteligentes princípios éticos e valores humanos, os painéis abordaram conceitos tais como moralidade e ética das máquinas, moralidade artificial e IA amigável. Ao longo da conferência, contudo, estabeleceu-se um consenso de que a ética pertence à esfera humana, ou seja, permeia as escolhas de desenvolvedores e usuários. Coube ao filósofo sueco Nick Bostrom, autor do livro “Superintelligence” (2014), abrir o evento alertando sobre os benefícios e riscos da concretização da “máquina inteligente” no século XXI. Além de Bostrom, a conferência contou com palestras de Peter Asaro, John Basl, Meia Chita-Tegmark, Kate Devlin, Vasant Dhar, Virginia Dignum, Mara Garza, Daniel Kahneman, Adam Kolber, Yann Le-Cun, Gary Marcus, Steve Petersen, Francesca Rossi, Stuart Russell, Ronald Sandler, Jürgen Schmidhuber, Susan Schneider, Eric Schwitzgebel, Frans Svensson, Jaan Tallinn, Max Tegmark, Wendell Wallach, Stephen Wolfram e Eliezer Yudkowsky.

Franziska Hammer: Räume erzählen – erzählende Räume. Raumdarstellung als Poetik. Mit einer exemplarischen Analyse des Nibelungenliedes, Heidelberg: Winter, 2018 (Gabriel Viehhauser) Nina Nowakowski: Sprechen und Erzählen beim Stricker. Kommunikative Formate in mittelhochdeutschen Kurzerzählungen [Trends in Medieval Philology 35], Berlin/Boston: De Gruyter, 2018 (Patrick del Duca) Jörn Bockmann, Julia Gold (Hgg.): Turpiloquium. Kommunikation mit Teufeln und Dämonen in Mittelalter und Früher Neuzeit [Würzburger Beiträge zur deutschen Philologie 41], Würzburg: Königshausen &amp; Neumann, 2017 (Daniela Fuhrmann) Olivia Kobiela, Lena Zschunke (Hgg.): Himmlisch, irdisch, höllisch. Religiöse und anthropologische Annäherungen an eine historische Ästhetik, Würzburg: Königshausen &amp; Neumann, 2019 (Maximilian Wick) Christian Schmidt: Drama und Betrachtung. Meditative Theaterästhetiken im 16. Jahrhundert [Quellen und Forschungen zur Literatur- und Kulturgeschichte 93], Berlin/Boston: De Gruyter, 2018 (Carla Dauven-van Knippenberg) Bastian Kuhl: Verhandlungen von Kindlichkeit. Die englischen Kinderschauspieltruppen der Shakespeare-Zeit, Heidelberg: Winter, 2018 (Anja Höing) Elisabeth Weiss, Oliver Jahraus, Hanni Geiger (Hgg.): Faust und die Wissenschaften. Aktuelle Zugänge und Perspektiven in wissenschaftlicher Vielfalt, Würzburg: Königshausen &amp; Neumann, 2019 (Dominik Wabersich) Wolfgang Drost: Der Dichter und die Kunst. Kunstkritik in Frankreich. Baudelaire, Gautier und ihre Vorläufer Diderot, Stendhal und Heine [Reihe Siegen – Beiträge zur Literatur-, Sprach- und Medienwissenschaft 180], Heidelberg: Universitätsverlag Winter, 2019 (Christoph Groß) Norbert Franz: »So, Sie meinen also, es gibt ihn nicht?« Der Teufel in der russischen Literatur, Potsdam: Universitätsverlag Potsdam, 2019 (Clemens Günther) Heather McAlpine: Emblematic Strategies in Pre-Raphaelite Literature [Costerus New Series 227], Leiden/Boston: Brill/Rodopi, 2019 (Cezara Bobeica) Jesko Reiling: Volkspoesie versus Kunstpoesie. Wirkungsgeschichte einer Denkfigur im literarischen 19. Jahrhundert [Beihefte zum Euphorion 107], Heidelberg: Winter, 2019 (Max Graff) Hebbel-Jahrbuch 73/2018, hg. im Auftrag der Hebbel-Gesellschaft von Martin Langner, Hargen Thomsen, Heide: Boyens, 2018 (Florian Eckes) Hebbel-Jahrbuch 74/2019, hg. im Auftrag der Hebbel-Gesellschaft von Martin Langner und Hargen Thomsen, Heide: Boyens, 2019 (Florian Eckes) Philipp Theison, Christian Demandt und Regina Fasold (Hgg.): Schriften der Theodor-Storm-Gesellschaft, Band 69/2019, Heide: Boysen, 2019 (Karin Tebben) Frank Trende (Hg.): »Die Geschichten sind ja schnell gelesen …«. Ein Müllenhoff-Lesebuch, Heide: Boyens, 2018 (Florian Eckes) Klaus Groth: Quickborn, hg. von Ulf Bichel, 4. Auflage, Heide: Boyens, 2019. 416 S. – Klaus-Groth-Lesebuch, hg. und eingeleitet von Robert Langhanke, Heide: Boyens, 2019. 183 S. – Jahrbuch der Klaus-Groth-Gesellschaft. Klaus Groth zum 200. Geburtstag. Bd. 61/2019, hg. im Auftrag der Klaus-Groth-Gesellschaft von Robert Langhanke, Heide: Boyens, 2019 (Friederike Mayer-Lindenberg) Robert Vogt: Theorie und Typologie narrativer Unzuverlässigkeit am Beispiel englischsprachiger Erzählliteratur, Berlin: de Gruyter, 2018 (Franziska Quabeck) Dominique Bauer and Michael J. Kelly: The Imagery of Interior Spaces, Earth, Milky Way: punctum books, 2019 (Olivia Jürjendal) Christoph Deupmann: Die verlorene Generation. Heimkehrer aus dem Ersten Weltkrieg in der deutschsprachigen Literatur, Heidelberg: Winter, 2019 (Max Graff) Julius Goldmann: Gaddas Mailand. Ein Beitrag zur Großstadtliteratur [Studia Romanica 210], Heidelberg: Universitätsverlag Winter, 2018 (Aina Sandrini) Annette Grötler: Pikturales Erzählen. Thomas Mann und die bildende Kunst, Heidelberg: Winter, 2019 (Aglaia Kister) Sarah Bonciarelli, Anne Reverseau, Carmen Van den Bergh (Hgg.): Literature as Document. Generic Boundaries in 1930s Western Literature, Leiden: Brill, 2019 (Isabelle Geising) Annika Bartsch: Romantik um 2000. Zur Reaktualisierung eines Modells in deutschsprachigen Romanen der Gegenwart, Heidelberg: Winter, 2019 (Friederike Mayer-Lindenberg) Aleida Assmann: Introduction to Cultural Studies. Topics, Concepts, Issues [Grundlagen der Anglistik und Amerikanistik 36], 2nd, revised edition, Berlin: Erich Schmidt Verlag, 2019 (Dorothea Flothow) Christina Rossi: Sinn und Struktur. Zugänge zu den Collagen Herta Müllers, Würzburg: Königshausen &amp; Neumann 2019 (Norbert Otto Eke) Anna Weigel-Heller: ›Fictions of the Internet‹. From Intermediality to Transmedia Storytelling in 21st-Century Novels [RABE: Reihe alternativer Beiträge zur Erzählforschung 5], Trier: WVT, 2018 (Heiko Zimmermann)

Abstract Background Acute bacterial skin and skin structure infections (ABSSSI) are a common type of bacterial infection, with the cost of hospitalization being the main contributing factor to overall treatment costs. Two pragmatic clinical trials (Table 1) demonstrated that a new treatment pathway in which patients are treated with the intravenous (IV) long-acting antibiotic, dalbavancin, reduced hospital admission rates and length of stay (LOS) in hospitalized patients. The objective of this study is to evaluate the cost-effectiveness of a single dose of dalbavancin administered in the emergency department (ED) compared with IV antibiotics for appropriate patients who would otherwise be admitted to hospital and receive usual care such as vancomycin or daptomycin. Table 1.References of the Two Pragmatic Clinical Trials Methods A decision-analytic cost-effectiveness model was developed from the perspective of the US healthcare system. The population was ABSSSI patients presenting at the ED, who would be eligible to receive IV antibiotic infusion. Patients can receive IV treatment in the ED, and then discharged or followed by hospital admission for continued management (Fig. 1). A 14-day time horizon was used, representing the typical duration of ABSSSI management. Hospital admission rates and LOS were from the two clinical trials. Cost included ED visits, drug cost, inpatient stay, and physician visits. Input parameter uncertainty was examined via one-way and probabilistic sensitivity analyses. Figure 1.Decision Analytic Model Structure Results Providing dalbavancin in the ED resulted in $4,848 savings per patient (2021 USD). The drug cost of dalbavancin treatment was offset by a mean reduction of 4.24 days LOS per patient, which translated as $1,144 savings per hospitalization day avoided. One-way sensitivity analyses demonstrated that the key drivers were the cost of inpatient hospital stay and the LOS with usual care; however, none of the sensitivity analyses resulted in the new pathway being more costly (Fig. 2). Dalbavancin was cost saving in 100% of simulated scenarios. Figure 2.One-way Sensitivity Analysis Conclusion These results could help guide the management of ABSSSI by shifting care for appropriate patients from the inpatient to the outpatient setting where patients can be managed successfully, thereby freeing up hospital resources and reducing the total costs of ABSSSI treatment. Disclosures FRANK LOVECCHIO, DO, MPH, ABBVIE: Speaker|NIH: Grant/Research Support Alasdair D. Henry, PhD, AbbVie: Grant/Research Support Quan V. Doan, PharmD, AbbVie: Advisor/Consultant|AbbVie: Grant/Research Support|Allergan: Advisor/Consultant|Allergan: Grant/Research Support John L. Lock, PharmD, Abbvie: Employee|Abbvie: Stocks/Bonds Rosie D. Lyles, MD, MHA, MSc, AbbVie: AbbVie Employee|AbbVie: Stocks/Bonds Xiaolan Ye, PhD, AbbVie Inc.: AbbVie Employee|AbbVie Inc.: Stocks/Bonds.

CONTENTS: FOREWORD PAUL LAURENCE DUNBAR • Ere Sleep Comes Down to Soothe the Weary Eyes • Death Song • Life • After the Quarrel • Ships that Pass in the Night • We Wear the Mask • Sympathy • The Debt JOSEPH S. COTTER, SR • The Tragedy of Pete • The Way-side Well JAMES WELDON JOHNSON • From the German of Uhland • The Glory of the Day Was in Her Face • The Creation • The White Witch • My City WILLIAM EDWARD BURGHARDT Du BOIS • A Litany of Atlanta WILLIAM STANLEY BRAITHWAITE • Scintilla • Rye Bread • October XXIX, 1795 • Del Cascar JAMES EDWARD MCCALL • The New Negro ANGELINA WELD GRIMKE • Hushed by the Hands of Sleep • Greenness • • The Eyes of My Regret • Grass Fingers • Surrender • The Ways o' Men • Tenebris • When the Green Lies Over the Earth • A Mona Lisa • Paradox • Your Hands • I Weep • For the Candle Light • Dusk. • The Puppet Player • A Winter Twilight ANNE SPENCER • Neighbors • I Have a Friend • Substitution • Questing • Life-long, Poor Browning • Dunbar • Innocence • Creed • Lines to a Nasturtium • At the Carnival MARY EFFIE LEE NEWSOME • Morning Light • Pansy • Sassafras Tea • Sky Pictures • The Quilt • The Baker's Boy • Wild Roses • Quoits JOHN FREDERICK MATHEUS • Requiem FENTON JOHNSON • When I Die • Puck Goes to Court • The Marathon Runner • JESSIE FAUSET • Words! Words! • Touche • Noblesse Oblige • La Vie C'est la Vie • The Return • Rencontre • Fragment ALICE DUNBAR NELSON • Snow in October • Sonnet • I Sit and Sew GEORGIA DOUGLAS JOHNSON • Service • Hope • The Suppliant • Little Son • Old Black Men • Lethe • Proving • I Want to Die While You Love Me • Recessional • My Little Dreams • What Need Have I for Memory? • When I Am Dead • The Dreams of the Dreamer • The Heart of a Woman CLAUDE McKAy • America • Exhortation: Summer, 1919 • Flame-heart • The Wild Goat • Russian Cathedral • Desolate • Absence • My House JEAN TOOMER • Reapers • Evening Song • Georgia Dusk • Song of the Son • Cotton Song • Face • November Cotton Flower JOSEPH S. COTTER, JR • Rain Music • Supplication • An April Day • The Deserter • And What Shall You Say? • The Band of Gideon BLANCHE TAYLOR DICKINSON • The Walls of Jericho • Poem • Revelation • That Hill • To an Icicle • Four Walls FRANK HORNE • On Seeing Two Brown Boys in a Catholic Church • To a Persistent Phantom • Letters Found Near a Suicide • Nigger LEWIS ALEXANDER • Negro Woman • Africa • Transformation • The Dark Brother • Tanka I-VIII • Japanese Hokku • Day and Night STERLING A. BROWN • Odyssey of Big Boy • Maumee Ruth • Long Gone • To a Certain Lady, in Her Garden • Salutamus • Challenge • Return CLARISSA SCOTT DELANY • Joy • Solace • Interim • The Mask LANGSTON HUGHES • I, Too • Prayer • Song for a Dark Girl • Homesick Blues • Fantasy in Purple • Dream Variation • The Negro Speaks of Rivers • Poem • Suicide's Note • Mother to Son • A House in Taos GWENDOLYN B. BENNETT • Quatrains • Secret • Advice • To a Dark Girl • Your Songs • Fantasy • Lines Written at the Grave of Alexander Dumas • Hatred • Sonnet—l • Sonnet—2 AnNA BONTEMPS • The Return • A Black Man Talks of Reaping • To a Young Girl Leaving the Hill Country • Nocturne at Bethesda • Length of Moon • Lancelot • Gethsemane • A Tree Design • Blight • The Day-breakers • Close Your Eyes! • God Give to Men • Homing • Golgotha Is a Mountain ALBERT RICE • The Black Madonna • To a Certain Woman COUNTEE CULLEN • I Have a Rendezvous with Life • Protest • Yet Do I Marvel • To Lovers of Earth: Fair Warning • From the Dark Tower • To John Keats, Poet, at Springtime • Four Epitaphs • Incident DONALD JEFFREY HAYES • Inscription • Auf Wiedersehen • Night • Confession • Nocturne • After All • JONATHAN HENDERSON BROOKS • The Resurrection • The Last Quarter Moon of the Dying Year • Paean GLADYS MAY CASELY HAYFORD • Nativity • Rainy Season Love Song • The Serving Girl • Baby Cobina LuCY ARIEL WILLIAMS • Northboun' GEORGE LEONARD ALLEN • To Melody • Portrait RICHARD BRUCE • Shadow • Cavalier WARING CUNEY • The Death Bed • A Triviality • I Think I See Him There • Dust • No Images • The Radical • True Love EDWARD S. SILVERA • South Street • Jungle Taste HELENE JOHNSON • What Do I Care for Morning • Sonnet to a Negro in Harlem • Summer Matures • Poem • Fulfillment • The Road • Bottled • Magalu WESLEY CURTWRIGHT • The Close of Day LULA LOWE WEEDEN • Me Alone • Have You Seen It • Robin Red Breast 228 • The Stream • The Little Dandelion • Dance

We present a new initialisation of an adaptive batch strategy to compute the ε-approximate minimum volume covering ellipsoid (MVCE) for a set of n points. We focus on moderately sized datasets (up to dimension d = 100 and n = 1 000 000). The adaptive batch strategy works in an optimisation-deletion-adaptation cycle: we solve the MVCE problem using a smaller number of points, we delete points from consideration that are guaranteed to not lie on the boundary of the MVCE, and then carefully select a new batch of points. We propose a new initialisation, which involves selecting the points corresponding to some highest leverage scores. We show using numerical examples that this new initialisation tends to improve computation time as well as reduce the total number of cycles, as compared with initialising with a random selection of points. References C. L. Atwood. Sequences converging to D-optimal designs of experiments. Ann. Statist. 1.2 (1973), pp. 342–352. doi: 10.1214/aos/1176342371 Y.-J. Chen, M.-Y. Ju, and K.-S. Hwang. A virtual torque-based approach to kinematic control of redundant manipulators. IEEE Trans. Indust. Elec. 64.2 (2017), pp. 1728–1736. doi: 10.1109/TIE.2016.2548439 F. L. Chernousko. Ellipsoidal state estimation for dynamical systems. Nonlin. Anal. 63.5-7 (2005), pp. 872–879. doi: 10.1016/j.na.2005.01.009 D. Eberly. 3D game engine design: A practical approach to real-time computer graphics. CRC Press, 2007. doi: 10.1201/b18212 M. Frank and P. Wolfe. An algorithm for quadratic programming. Naval Res. Log. Quart. 3.1-2 (1956), pp. 95–110. doi: 10.1002/nav.3800030109 R. Harman, L. Filová, and P. Richtárik. A randomized exchange algorithm for computing optimal approximate designs of experiments. J. Am. Stat. Ass. 115.529 (2020), pp. 348–361. doi: 10.1080/01621459.2018.1546588 R. Harman and L. Pronzato. Improvements on removing nonoptimal support points in D-optimum design algorithms. Stat. Prob. Lett. 77.1 (2007), pp. 90–94. doi: 10.1016/j.spl.2006.05.014 F. John. Extremum problems with inequalities as subsidiary conditions. Traces and emergence of nonlinear programming. Springer Basel, 2014, pp. 197–215. doi: 10.1007/978-3-0348-0439-4_9 L. Källberg and D. Andrén. Active set strategies for the computation of minimum-volume enclosing ellipsoids. Tech. rep. Mälardalen University, 2019. url: http://www.es.mdu.se/publications/5680- L. G. Khachiyan. Rounding of polytopes in the real number model of computation. Math. Op. Res. 21.2 (1996), pp. 307–320. doi: 10.1287/moor.21.2.307 J. Kudela. Minimum-volume covering ellipsoids: Improving the efficiency of the Wolfe–Atwood algorithm for large-scale instances by pooling and batching. MENDEL 25.2 (2019), pp. 19–26. doi: 10.13164/mendel.2019.2.019 P. Kumar and E. A. Yildirim. Minimum-volume enclosing ellipsoids and core sets. J. Op. Theor. Appl. 126.1 (2005), pp. 1–21. doi: 10.1007/s10957-005-2653-6 S. Rosa and R. Harman. Computing minimum-volume enclosing ellipsoids for large datasets. Comput. Stat. Data Anal. 171, 107452 (2022). doi: 10.1016/j.csda.2022.107452 J. B. Rosen. Pattern separation by convex programming. J. Math. Anal. Appl. 10.1 (1965), pp. 123–134. doi: 10.1016/0022-247X(65)90150-2 P. J. Rousseeuw and M. Hubert. Robust statistics for outlier detection. WIREs: Data mining and knowledge discovery 1.1 (2011), pp. 73–79. doi: 10.1002/widm.2 F. Schweppe. Recursive state estimation: Unknown but bounded errors and system inputs. IEEE Trans. Auto. Control 13.1 (1968), pp. 22–28. doi: 10.1109/TAC.1968.1098790 R. Sibson. Discussion of Dr Wynn’s and of Dr Laycock’s papers. J. Roy. Stat. Soc. B 34.2 (1972), pp. 181–183. doi: 10.1111/j.2517-6161.1972.tb00898.x S. D. Silvey. Optimal design: An introduction to the theory for parameter estimation. Ettore Majorana International Science Series. London, Chapman and Hall, 1980. doi: 10.1007/978-94-009-5912-5 P. Sun and R. M. Freund. Computation of minimum-volume covering ellipsoids. Op. Res. 52.5 (2004), pp. 690–706. doi: 10.1287/opre.1040.0115 D. M. Titterington. Estimation of correlation coefficients by ellipsoidal trimming. J. Roy. Stat. Soc.: C 27.3 (1978), pp. 227–234. doi: 10.2307/2347157 D. M. Titterington. Optimal design: Some geometrical aspects of D-optimality. Biometrika 62.2 (1975), pp. 313–320. doi: 10.2307/2335366 M. J. Todd. Minimum-volume ellipsoids: Theory and algorithms. MOS-SIAM Series on Optimization. SIAM, 2016. doi: 10.1137/1.9781611974386 P. Wolfe. Convergence theory in nonlinear programming. ed. by J. Abadie. Integer and Nonlinear Programming. North Holland, Amsterdam, 1970, pp. 1–36. doi: 10.1007/BF00932858

Introdução: O restabelecimento de um sorriso harmônico constitui um grande desafio para a odontologia restauradora. A sincronia entre diversas especialidades se faz necessária para diagnosticar e tratar alterações estéticas, buscando a excelência do resultado e a satisfação do paciente. Um método bastante citado na literatura e aplicado por muitos clínicos é baseado na teoria da regra de proporção áurea. Quando adotada para situações complexas a proporção áurea pode ser um ponto de referência para a reabilitação. Deste modo, o trabalho tem como objetivo demonstrar uma reabilitação estética de diastemas múltiplos após tratamento ortodôntico, por meio de laminados vitrocerâmicos reforçados com dissilicato de lítio, onde o conceito de proporção áurea é aplicado. Descrição do caso clínico: Primeiramente, o plano de tratamento consistiu na distribuição uniforme dos diastemas, sendo posicionados da maneira mais harmônica e favorável para a oclusão na reabilitação com laminados vitrocerâmicos. A segunda fase consistiu na cimentação dos laminados, a fim de obter um resultado estético agradável. Discussão: A associação de ortodontia prévia a instalação dos laminados, permite uma melhor harmonia estética e oclusal, garantindo uma longevidade do tratamento. Opções restauradoras como laminados vitrocerâmicos reforçados com dissilicato de lítio permitem reabilitações extensas minimamente invasivas. Para casos complexos a proporção áurea, quando alinhada com os conceitos de macro e microestética, pode levar ao sucesso estético.Descritores: Estética Dentária; Facetas Dentárias; Diastema.ReferênciasSoares GP, Silva FAP, Lima DANL, Paulillo LAMS, Lovadino JR. Prevalência da proporção áurea em indivíduos adultos-jovens. 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São Paulo: Artes Médicas; 2009. p. 91-132.Griggs JA. Recent advances in materials for all-ceramic restorations. Dent Clin North Am. 2007;51:713-27.Gurel G, Sesma N, Calamita MA, Coachman C, Morimoto S. Influence of enamel preservation on failure rates of porcelain laminate veneers. Int J Periodontics Restorative Dent 2013;33:31-9.Vargas MA, Bergeron C, Diaz-Arnold A. Cementing all-ceramic restorations: recommendations for success. J Am Dent Assoc. 2011;142:20-24.Runnacles P, Correr GM, Baratto Filho F, Gonzaga CC, Furuse AY. Degree of conversion of a resin cement light-cured through ceramic veneers of different thicknesses and types. Braz Dent J. 2014; 25:38-42.Almeida JR, Schmitt GU, Kaizer MR, Boscato N, Moraes RR. Resin-based luting agents and color stability of bonded ceramic veneers. J Prosthet Dent. 2015;114:272-77.Marubayashi AMW, Shinike, AY, Terada, HH, Kurihara, E, Terada RSS. Avaliação da proporção áurea em pacientes submetidos ou não a tratamento ortodôntico. 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The elaborate cross-media spectacle, ‘Australian Idol,’ ostensibly lays bare the process of creating a pop star. Yet with so much made visible, much is rendered opaque. Specifically, ‘Idol’ is defined by the use of carefully-tuned strategies of publicity and promotion that create, shape and reshape a series of ‘authentic celebrities’ – pop stars whose emergence is sanctified through a seemingly open process of public ratification. Yet, Idol’s main actor is the music industry itself which uses contestants as vehicles for crafting intimate, long-term relationships with consumers. Through an analysis of the process through which various contestants in ‘Australian Idol’ are promoted and sold, it becomes clear that these populist icons are emblematic of an industry reinventing itself in a media environment that presents remarkable challenges and surprising opportunities. Curiously, the debates, strategies and motivations of the public relations industry have received little sustained attention in popular music studies. While much has been written about the contradictions between the rhetoric of rebellion and the complicated realities of corporate success (Frank; Negus), less has been written about the evolution of specific kinds of publicity and the strategies that shape their use in the music industry. This is surprising given the foundational role of public relations strategies within the culture industries generally and the music industry in particular. Specifically, what Turner et. al. define as ‘the promotional culture’ is central to the production and marketing of mainstream popular music. The ‘Idol’ phenomenon offers a rich opportunity to examine how the mainstream of the popular music industry uses distinct and novel marketing strategies in the face of declining sales of compact discs, an advertising environment that is extraordinarily crowded with all manner of competing messages, a steady rate of trade in digital song files and ever more effective competition from video games and DVDs. The ‘Idol’ phenomenon has proved to be a bundle of highly successful strategies for making money from popular music. Selling CDs seems to be almost ancillary to the phenomenon, acting as only one profit centre among many. Indeed, we can track the progress and deployment of specific strategies for shaping the creation of what has become a series of musical celebrities from the start of the first series of ‘Australian Idol’ through a continuous process of strategic publicity. The Attention Economy It has been somewhat hysterically estimated that the average resident of Sydney might be presented with around 3000 commercial messages a day (Lee). It is this kind of communication environment that makes account planners go weak in the knees in both paralysing anxiety and genuine excitement. Many have taken to paying people to go to bars, cafes and clubs to talk up the relative merits of a product to complete strangers in the guise of casual conversation. Similarly, commercial buskers have recently appeared on City Trains to proclaim the virtues of the wares they’ve been contracted to hawk. One can imagine ‘Cockles and Mussels’ has been updated as ‘MP3 Players and Really Cool Footwear.’ These phenomena are variously referred to as ‘viral,’ ‘tipping point,’ ‘word of mouth’ or ‘whisper’ marketing. (Gladwell; Godin; Henry; Lee; Rosen) Regardless of what you call it, the problem inspiring these promotional chats and arias is the same: advertisers can no longer count on getting and holding our attention. As Davenport and Beck, Brody and even Nobel Prize winning economist Herbert Simon have noted, the more taxed public attention gets, the more valuable it becomes. By most industry accounts, the attention economy is an established reality. It represents a significant shift of emphasis away from traditional methods of reaching consumers, instead inspiring new thinking about how to create lasting, flexible and evolving relationships with target audiences. The attention economy is a complicated and often contradictory response to a media environment that appears less and less reliable and to consumers who behaviour is often poorly understood, even mysterious (Elliott and Jankel-Elliott). This challenging backdrop, however, is only the beginning for a seemingly beleaguered music industry. Wherever one looks, from the rise of the very real threat of global piracy to the expansion of the video game industry to mobile phones and hand held players to increasing amounts of money spent on DVDs and ring tones, selling CDs has become almost a sideline. The main event is the profitable use and reuse of the industry’s vast stores of intellectual property through all manner of media, most which didn’t exist ten years ago. Indeed, the ‘Idol’ phenomenon shows us how the music industry has been incorporating its jealously-guarded intellectual property and familiar modes of industrial self-presentation into existing media environments to build long-term relationships with consumers through television, radio, DVDs, CDs, the internet and mobile phones. Further, ‘Idol’s’ producers have supplemented more traditional models of communication by taking direct and explicit account of how and where audiences use a wide variety of media. The broad range of opportunities to participate in ‘Idol’ is central to its success. It demonstrates a willingness on the part of producers to accept the necessity of bending somewhat to the audience’s existing and evolving uses of the media. In short, they are simply not all that fussy about how participation actually happens so long as it does. Producers allow for many kinds of participation in order to constantly offer more specific and more active levels of involvement. ‘Idol’ has transformed consumer relationships within the music industry by coaxing into being ever more intimate, active and reciprocal relationships over the course of the contest by encouraging increasingly specific acts by consumers to complete a continual series of transactions. The Use and Reuse of Celebrity In many quarters, ‘Australian Idol’ has become a byword for bullshit. The competition seems rigged and the contestants are not seen as ‘real’ musicians in large part because their experience appears to be so transparent and so transparently commercial. As the mythology of the music industry has traditionally had it, deserving pop stars are established as celebrities through what is a more or less a linear progression. Early success is based on a carefully constructed sense of authentic cultural production. Credibility is established through a series of contestable affiliations to ostensibly organic music cultures, earned through artistic development and the hard slog of touring and practice (see Maxwell 118). The fraught possibilities of mainstream success continually beckon to ‘real’ musicians as they either ‘crossover’ or remain independent all the while trying to preserve some elusive measure of public honesty. As this mythology was implicitly unavailable to the producers of ‘Idol,’ a different kind of authenticity had to be constructed. Instead of a ‘battles of the bands’ (read: brands) contest, ‘Idol’ producers chose to present ‘unbranded’ aspirants (“Sydney Audition”). These hopefuls are presented as appealingly ambitious or merely optimistic individuals with varying degrees of talent. Those truly blessed, not only with talent but the drive to work it into saleable shape, would be carefully chosen from the multitude and offered an opportunity to make the most of their inherent yet unformed ability. Thus, their authenticity was assumed to be an implicit, inchoate presence, requiring the guiding hand of insiders to reach full flower. Through the facilitation of competition and direction provided in the form of knowledgeable music industry veterans who never tire of giving stern admonitions to indifferent performers who do not take full advantage of the opportunity presented to them, contestants are asked to prove themselves through an extended period of intense self-presentation and recreation. The lengthy televised, but tightly-edited auditions, complete with extensive commentary and the occasional gnashing of teeth on the part of the panel of experts and rejected contestants, demonstrate to us the earnest intent of those involved. Importantly, the authenticity of those proceeding through the contest is never firmly established, but has to be continually and strategically re-established. Each weighty choice of repertoire, wardrobe and performance style can only break them; each successful performance only raises the stakes. This tense maintenance of status as a deserving celebrity runs in tandem with the increasingly attentive and reciprocal relationship between the producers and the audience. The relationship begins with what has proved to be a compelling first act. Thousands of ‘ordinary’ Australians line up outside venues throughout the country, many sleeping in car parks and on footpaths, practising, singing and performing for the mobile camera crews. We are presented with their youthful vigour in all its varied guises. We cannot help but be convinced of the worth of those who survive such a process. The chosen few who are told with a flourish ‘You’re going to Sydney’ are then faced with what appears to be a daunting challenge, to establish themselves in short order as a performer with ‘the X factor’ (“Australian Idol” 14 July 2004). A fine voice and interesting look must be supplemented with those intangible qualities that result in wide public appeal. Yet these qualities are only made available to the public and the performer because of the contest itself. When the public is eventually asked to participate directly, it is to both produce and ratify exactly these ambiguous attributes. More than this, contestants need our help just to survive. Their celebrity is almost shockingly unstable, more fleeting than its surrounding rhetoric and context might suggest and under constant, expected threat. From round to round, favourites can easily become also rans–wild cards who limp out of one round, but storm through the next. The drama can only be heightened, securing our interest by requiring our input. As any advertiser can tell you, an effective campaign must end in action on our part. Through text message and phone voting as well as extensive ‘fan management’ through internet chat rooms and bulletin boards (see Stahl 228; http://au.messages.yahoo.com/australianidol/), our channelled ‘viral’ participation both shapes and completes the meanings of the contest. These active and often inventive relationships (http://au.australianidol.yahoo.com/fancentral/) allow the eventual ‘Idol’ to claim the credibility the means of their success otherwise renders suspect and these activities appear to consummate the relationship. However, the relationship continues well beyond the gala final. In a fascinating re-narration of the first series of ‘Australian Idol,’ Australian Idol: The Winner’s Story aired on the Friday following the final night of the contest. The story of the newly crowned Idol, Guy Sebastian, was presented in an hour long program that showed his home life, his life as a voice teacher in the Adelaide suburbs and his subsequent journey to stardom. The clips depicting his life prior to ‘Idol’ were of ambiguous vintage, cleverly silent on the exact date of production; somehow they were not quite in the past or the future, but floated in some eternal in-between. When his ‘Australian Idol’ experience was chronicled, after the second commercial break, we were allowed to see an intimate portrait of an anxious contestant transformed into ‘Your Australian Idol.’ There could be no doubt of the virtue of Sebastian’s struggles, nor of his well-earned victory. ‘New’ footage began with the sudden sensation reluctantly commenting on other contestants at the original Adelaide cattle call at the prompting of the mobile camera crew and ended with his teary-eyed mother exultant at the final decision as she stood in the front row at the Opera House. Further, not only is the entire run of the first series dramatically recounted in documentary format on the Australian Idol: Greatest Moments DVD, framed by Sebastian’s humble triumph, so are the stories of each member of the Final 12 and the paths they took through the contest. These reiterations serve to reinforce not only Sebastian’s status, but the status of the program itself. They confirm the benevolent success of the industry it so dutifully profiles. We are taken behind the curtain, allowed to see the machinery of stardom grind inevitably to a conclusion, knowing we will be allowed back again when the time is right. Whereas ‘Idol’ is routinely pilloried for its crass commercialism, it remains an unavoidable success. Viewers keep tuning in, advertisers still clamour to sponsor all aspects of the production and the CDs keep selling. Most importantly, the music industry has a showcase for its own operations. The structures of feeling it exists to produce take on a kind of subtle explicitness that ensures their perpetuation. Within an industry faced with threats perceived to be foundational, the creators of ‘Idol’ have produced an audacious and arrogant spectacle. They have made a profitable virtue out of an economic necessity. The expensive and unpredictable process of finding and nurturing new talent has not only been made more reliable, but ‘Idol’ has shown that it can actually turn a profit. The brand of celebrity produced by Idol possesses no mere sheen of populist approval, but embodies that more valuable commodity: popular attention, however reluctant or enthusiastic it may be. References “Australian Idol.” Ten Network, Sydney, 14 July 2004. “Australian Idol: The Winner’s Story.” Ten Network, Sydney, 21 November 2003. Australian Idol: Greatest Moments. Fremantle Media Operations, 2004. Brody, E.W. “The ‘Attention’ Economy.” Public Relations Quarterly 46.3 (2001): 18-21. Davenport, T., and J. Beck. “The Strategy and Structure of Firms in the Attention Economy.” Ivey Business Journal 66.4 (2002): 49–55. Elliott, R., and N. Jankel-Elliott. “Using Ethnography in Strategic Consumer Research.” Qualitative Market Research 6.4 (2003): 215-23. Frank, Thomas. The Conquest of Cool: Business Culture, Counterculture, and the Rise of Hip Consumerism. Chicago: U of Chicago P, 1997. Gladwell, Malcolm. The Tipping Point: How Little Things Can Make a Big Difference. Boston: Back Bay Books, 2002. Godin, Seth. Unleashing the Ideavirus. New York: Hyperion, 2001. Henry, Amy. “How Buzz Marketing Works for Teens.” Advertising and Marketing to Children April-June (2003): 3-10. Lee, Julian. “Stealth Marketers Ready to Railroad the Unsuspecting.” Sydney Morning Herald 24-5 July 2004: 3. Maxwell, Ian. “True to the Music: Authenticity, Articulation and Authorship in Sydney Hip-Hop Culture.” Social Semiotics 4.1-2 (1994): 117–37. Negus, Keith. Music Genres and Corporate Cultures. London: Routledge, 1999. Negus, Keith. Producing Pop: Culture and Conflict in the Popular Music Industry. London: Edward Arnold, 1992. Rosen, Emanuel. The Anatomy of Buzz: How to Create Word of Mouth Marketing. London: Harper Collins, 2000. Stahl, Matthew. “A Moment like This: American Idol and Narratives of Meritocracy.” Bad Music: Music We Love to Hate. Eds. C. Washburne and M. Derno. New York: Routledge, 2004. 212–32. “Sydney Auditions: Conditions of Participation in the Australian Idol Audition.” Australian Idol Website 10 June 2004. http://au.australianidol.com.au>. Turner, G., F. Bonner, and P.D. Marshall. Fame Games: The Production of Celebrity in Australia. Cambridge: Cambridge UP, 2000. Citation reference for this article MLA Style Fairchild, Charles. "'Australian Idol' and the Attention Economy." M/C Journal 7.5 (2004). echo date('d M. Y'); ?> <http://journal.media-culture.org.au/0411/09-fairchild.php>. APA Style Fairchild, C. (Nov. 2004) "'Australian Idol' and the Attention Economy," M/C Journal, 7(5). Retrieved echo date('d M. Y'); ?> from <http://journal.media-culture.org.au/0411/09-fairchild.php>.

I have only ever owned one pig. It didn’t have a name, due as it was for the table. Just pu‘aka. But I liked feeding it; nothing from the household was wasted. I planned not to become attached. We were having a feast and a pig was the one essential requirement. The piglet came to us as a small creature with a curly tail. It would not even live an adult life, as the fully-grown local pig is a fatty beast with little meat. Pigs are mostly killed when partly grown, when the meat/fat ratio is at its optimum. The pig was one of the few animals to accompany Polynesians as they made the slow journey across the islands and oceans from Asia: pigs and chickens and dogs. The DNA of island pigs reveals details about the route taken that were previously hidden (Larsen et al.). Of these three animals, pigs assumed the most ceremonial importance. In Tonga, pigs often live an exalted life. They roam freely, finding food where they can. They wallow. Wherever there is a pool of mud, often alongside a road, there is a pig wallowing. Huge beasts emerge from their pools with dark mud lining their bellies as they waddle off, teats swinging, to another pleasure. Pig snouts are extraordinarily strong; with the strength of a pig behind them, they can dig holes, uproot crops, and generally wreak havoc. How many times have I chased them from my garden, despairing at the loss of precious vegetables I could get no other way? But they must forage. They are fed scraps, and coconut for protein, but often must fend for themselves. Despite the fact that many meet an early death, their lives seem so much more interesting than those lived by the anonymous residents of intensive piggeries in Australia, my homeland. When the time came for the pig to be sacrificed to the demands of the feast, two young Tongan men did the honours. They also cooked the pig on an open fire after skewering it on a pole. Their reward was the roasted sweetmeats. The ‘umu was filled with taro and cassava, yam and sweet potato, along with lū pulu and lū ika: tinned beef and fish cooked in taro leaves and coconut cream. In the first sitting, all those of high status—church ministers, college teachers, important villagers and pālangi like me—had the first pick of the food. Students from the college and lowly locals had the second. The few young men who remained knew it was their task to finish off all of the food. They set about this activity with intense dedication, paying particular attention to the carcass of the pig. By the end of the night, what was left of our little pig was a pile of bones, the skeleton taken apart at every joint. Not a scrap of anything edible remained. In the early 1980s, I went to live on a small island in the Kingdom of Tonga, where my partner was the Principal of an agricultural college, in the main training young men for working small hereditary mixed farms. Memories of that time and a recent visit inform this reflection on the contemporary Tongan diet and problems associated with it. The role of food in a culture is never a neutral issue. Neither is body size, and Tongans have traditionally favoured the large body as an indication of status (Pollock 58). Similarly the capacity to eat has been seen as positive. Many Tongans are larger than is healthy, with 84% of men and 93% of women “considered overweight or obese” (Kirk et al. 36). The rate of diabetes, 80% of it undiagnosed, has doubled since the 1970s to 15% of the adult population (Colagiuri et al. 1378). In the Tongan diaspora there are also high rates of so-called “metabolic syndrome,” leading to this tendency to diabetes and cardiovascular disease. In Auckland, for instance, Pacific Islanders are 2.5 times more likely to suffer from this condition (Gentles et al.). Its chief cause is not, however, genetic, but comes from “differences in obesity,” leading to a much higher incidence of cardiovascular disease and diabetes (Gentles et al.). Deaths from diabetes in Tonga are common. When a minister’s wife in the neighbouring village to mine died, everyone of status on the island attended the putu. Though her gangrenous foot could have been amputated, the family decided against this, and she soon died from the complications of her diabetes. On arrival at the putu, as well as offering gifts such as mats and tapa, participants lined up to pay very personal respects to the dead woman. This took the form of a kiss on her face. I had never touched a dead person before, let alone someone who had died of gangrene, but life in another culture requires many firsts. I bent down and kissed the dry, cold face of a woman who had suffered much before dying. Young men of the family pushed sand over the grave with their own hands as the rest of us stood around, waiting for the funeral food: pigs, yes, but also sweets made from flour and refined sugar. Diet and eating practices are informed by culture, but so are understandings of illness and its management. In a study conducted in New Zealand, sharp differences were seen between the Tongan diaspora and European patients with diabetes. Tongans were more likely “to perceive their diabetes as acute and cyclical in nature, uncontrollable, and caused by factors such as God’s will, pollution in the environment, and poor medical care in the past”, and this was associated “with poorer adherence to diet and medication taking” (Barnes et al. 1). This suggests that as well as being more likely to suffer from illnesses associated with diet and body size, Tongans may also be less likely to manage them, causing these diseases to be even more debilitating. When James Cook visited the Tongan group and naively named them the Friendly Islands, he was given the customary hospitality shown to one of obviously high status. He and his officers were fed regularly by their hosts, even though this must have put enormous pressure on the local food systems, in which later supply was often guaranteed by the imposition of tapu in order to preserve crops and animals. Further pressure was added by exchanges of hogs for nails (Beaglehole). Of course, while they were feeding him royally and entertaining his crew with wrestling matches and dances, the local chiefs of Ha‘apai were arguing about exactly when they were going to kill him. If it were by night, it would be hard to take the two ships. By day, it might be too obvious. They never could agree, and so he sailed off to meet his fate elsewhere (Martin 279-80). As a visitor of status, he was regularly fed pork, unlike most of the locals. Even now, in contemporary Tonga, pigs are killed to mark a special event, and are not eaten as everyday food by most people. That is one of the few things about the Tongan diet that has not changed since the Cook visits. Pigs are usually eaten on formal feasting occasions, such as after church on the Sabbath (which is rigorously kept by law), at weddings, funerals, state occasions or church conferences. During such conferences, village congregations compete with each other to provide the most lavish spreads, with feasting occurring three times a day for a week or more. Though each pola is spread with a range of local root crops, fish and seafood, and possibly beef or even horse, the pola is not complete unless there is at least one pig on it. Pigs are not commercially farmed in Tonga, so these pigs have been hand- and self-raised in and around villages, and are in short supply after these events. And, although feasts are a visible sign of tradition, they are the exception. Tongans are not suffering from metabolic syndrome because they consume too much pork; they are suffering because in everyday life traditional foods have been supplanted by imports. While a range of traditional foods is still eaten, they are not always the first choice. Some imported foods have become delicacies. Mutton flap is a case in point. Known as sipi (sheep), it is mostly fat and bone, and even when barbequed it retains most of its fat. It is even found on outer islands without refrigeration, because it can be transported frozen and eaten when it arrives, thawed. I remember once the local shopkeeper said she had something I might like. A leg of lamb was produced from under the counter, mistakenly packed in the flap box. The cut was so unfamiliar that nobody else had much use for it. The question of why it is possible to get sipi in Tonga and very difficult to get any other kind of fresh meat other than one’s own pigs or chickens raises the question of how Tonga’s big neighbours think of Pacific islands. Such islands are the recipients of Australian and New Zealand aid; they are also the recipients of their waste. It’s not uncommon to find out of date medications, banned agricultural chemicals, and food that is really unsuitable for human consumption. Often the only fresh and affordable meat is turkey tails, chicken backs, and mutton flap. From July 2006 to July 2007, New Zealand exported $73 million worth of sheep off-cuts to the Pacific (Edwardes & Frizelle). Australia and the US account for the supply of turkey tails. Not only are these products some of the few fresh meat sources available, they are also relatively inexpensive (Rosen et al.). These foods are so detrimental to the health of locals that importing them has been banned in Fiji and independent Samoa (Edwardes & Frizelle). The big nations around the Pacific have found a market for the meat by-products their own citizens will not eat. Local food sources have also been supplanted as a result of the high value placed on other foods, like rice, flour and sugar, which from the nineteenth century became associated with “civilisation and progress” (Pollock 233). To counter this, education programs have been undertaken in Tonga and elsewhere in the Pacific in order to promote traditional local foods. These have also sought to address the impact of high food imports on the trade balance (Pollock 232). Food choices are not just determined by preference, but also by cost and availability. Similarly, the Tonga Healthy Weight Loss Program ran during the late 1990s, but it was found that a lack of “availability of healthy low-cost food was a problem” to its success (Englberger et al. 147). In a recent study of Tongan food preferences, it was found that “in general, Tongans prefer healthier traditional, indigenously produced, foods”, but that they are not always available (Evans et al. 170). In the absence of a consistent supply of local protein sources, the often inferior but available imported sources become the default ingredient. Fish in particular are in short supply. Though many Tongans can still be seen harvesting the reef for seafood at low tide, there is no extensive fishing industry capable of providing for the population at large. Intensive farming of pigs has been considered—there was a model piggery on the college where I lived, complete with facilities for methane collection—but it has not been undertaken. Given the strongly ceremonial function of the pig, it would take a large shift in thinking for it to be considered an everyday food. The first cooked pig I encountered arrived at my house in a woven coconut leaf basket, surrounded by baked taro and yam. It was a small pig, given by a family too poor to hold the feast usually provided after church when it was their turn. Instead, they gave the food portion owed directly to the preacher. There’s a faded photo of me squatting on a cracked linoleum floor, examining the contents of the basket, and wondering what on earth I’m going to do with them. I soon learnt the first lesson of island life: food must be shared. With no refrigeration, no family of strapping youths, and no plans to eat the pig myself, it had to be given away to neighbours. It was that simple. Even watermelon went off within the day. In terms of eating, that small pig would have been better kept until a later day, when it reached optimum size, but each family’s obligation came around regularly, and had to be fulfilled. Feasting, and providing for feasting, was a duty, even a fatongia mamafa: a “heavy duty” among many duties, in which the pig was an object deeply “entangled” in all social relations (Thomas). A small pig was big enough to carry the weight of such obligations, even if it could not feed a crowd. Growing numbers of tourists to Tonga, often ignored benignly by their hosts, are keen to snap photos of grazing pigs. It is unusual enough for westerners to see pigs freely wandering, but what is more striking about some pigs on Tongatapu and ‘Eua is that they venture onto the reefs and mudflats at low tide, going after the rich marine pickings, just as their human counterparts do. The silhouette of a pig in the water as the tropical sun sinks behind, caught in a digital frame, it is a striking memory of a holiday in a place that remains largely uninterested in its tourist potential. While an influx of guests is seen by development consultants as the path to the nation’s economic future, Tongans bemusedly refuse to take this possibility seriously (Menzies). Despite a negative trade balance, partly caused by the importation of foreign food, Tonga survives on a combination of subsistence farming and remittances from Tongans living overseas; the tourist potential is largely unrealised. Dirk Spennemann’s work took a strange turn when, as an archaeologist working in Tonga, it became necessary for him to investigate whether these reef-grazing pigs were disturbing midden contents on Tongatapu. In order to establish this, he collected bags of both wet and dry “pig excreta” (107). Spenemann’s methodology involved soaking the contents of these bags for 48 hours, stirring them frequently; “they dissolved, producing considerable smell” (107). Spennemann concluded that pigs do appear to have been eating fish and shellfish, along with grass and “the occasional bit of paper” (107). They also feed on “seaweed and seagrass” (108). I wonder if these food groups have any noticeable impact on the taste of their flesh? Creatures fed particular diets in order to create a certain distinct taste are part of the culinary traditions of the world. The deli around the corner from where I live sells such gourmet items as part of its lunch fare: Saltbush lamb baguettes are one of their favourites. In the Orkneys, the rare and ancient North Ronaldsay Sheep are kept from inland foraging for most of the year by a high stone fence in order to conserve the grass for lambing time. This forces them to eat seaweed on the beach, producing a distinct marine taste, one that is highly valued in certain Parisian restaurants. As an economy largely cut out of the world economic loop, Tonga is unlikely to find select menus on which its reef pigs might appear. While living on ‘Eua, I regularly took a three hour ferry trip to Tongatapu in order to buy food I could not get on my home island. One of these items was wholemeal flour, from which I baked bread in a mud oven we had built outside. Bread was available on ‘Eua, but it was white, light and transported loose in the back of truck. I chose to make my own. The ferry trip usually involved a very rough crossing, though on calmer days, roof passengers would cook sipi on the diesel chimney, added flavour guaranteed. It usually only took about thirty minutes on the way out from Nafanua Harbour before the big waves struck. I could endure them for a while, but soon the waves, combined with a heavy smell of diesel, would have me heading for the rail. On one journey, I tried to hold off seasickness by focussing on an island off shore from Tongatapu. I went onto the front deck of the ferry and faced the full blast of the wind. With waves and wind, it was difficult to stand. I diligently stared at the island, which only occasionally disappeared beneath the swell, but I soon knew that this trip would be like the others; I’d be leaning over the rail as the ocean came up to meet me, not really caring if I went over. I could not bear to share the experience, so in many ways being alone on the foredeck was ideal for me, if I had to be on the boat at all. At least I thought I was alone, but I soon heard a grunt, and looked across to see an enormous sow, trotters tied front and back, lying across the opposite side of the boat. And like me, she too was succumbing to her nausea. Despite the almost complete self-absorption seasickness brings, we looked at each other. I may have imagined an acknowledgement, but I think not. While the status of pigs in Tongan life remains important, in many respects the imposition of European institutions and the availability of imported foods have had an enormous impact on the rest of the Tongan diet, with devastating effects on the health of Tongans. Instead of the customary two slow-cooked meals, one before noon and one in the evening (Pollock 56), consisting mostly of roots crops, plantains and breadfruit, with a relish of meat or fish, most Tongans eat three meals a day in order to fit in with school and work schedules. In current Tongan life, there is no time for an ‘umu every day; instead, quick and often cheaper imported foods are consumed, though local foods can also be cooked relatively quickly. While some still start the day by grabbing a piece of left over cassava, many more would sit down to the ubiquitous Pacific breakfast food: crackers, topped with a slab of butter. Food is a neo-colonial issue. If larger nations stopped dumping unwanted and nutritionally poor food products, health outcomes might improve. Similarly, the Tongan government could tip the food choice balance by actively supporting a local and traditional food supply in order to make it as cheap and accessible as the imported foods that are doing such harm to the health of Tongans References Barnes, Lucy, Rona Moss-Morris, and Mele Kaufusi. “Illness Beliefs and Adherence in Diabetes Mellitus: A Comparison between Tongan and European Patients.” The New Zealand Medical Journal 117.1188 (2004): 1-9. Beaglehole, J.C. Ed. The Journals of Captain James Cook on his Voyages of Discovery: The Voyage of the Resolution and Discovery 1776-1780. Parts I & II. Cambridge: Hakluyt Society, 1967. ­­­____. Ed. The Journals of Captain James Cook on his Voyages of Discovery: The Voyage of the Resolution and Adventure 1772-1775. Cambridge: Hakluyt Society, 1969. Colagiuri, Stephen, Ruth Colgaiuri, Siva Na‘ati, Soana Muimuiheata, Zafirul Hussein, and Taniela Palu. “The Prevalence of Diabetes in the Kingdom of Tonga.” Diabetes Care 28.2 (2002): 1378-83. Edwardes, Brennan, and Frank Frizelle. “Globalisation and its Impact on the South Pacific.” The New Zealand Medical Journal 122.1291 (2009). 4 Aug. 2010 Englberger, L., V. Halavatau, Y. Yasuda, & R, Yamazaki. “The Tonga Healthy Weight Loss Program.” Asia Pacific Journal of Clinical Nutrition 8.2 (1999): 142-48. Gentles, Dudley, et al. “Metabolic Syndrome Prevalence in a Multicultural Population in Auckland, New Zealand.” Journal of the New Zealand Medical Association 120.1248 (2007). 4 Aug. 2010 Kirk, Sara F.L., Andrew J. Cockbain, and James Beasley. “Obesity in Tonga: A cross-sectional comparative study of perceptions of body size and beliefs about obesity in lay people and nurses.” Obesity Research & Clinical Practice 2.1 (2008): 35-41. Larsen, Gregor, et al. “Phylogeny and Ancient DNA of Sus Provides New Insights into Neolithic Expansion in Island Southeast Asia and Oceania.” Proceedings of the National Academy of Sciences of the United States of America 104.12 (2007): 4834-39. Martin, John. Tonga Islands: William Mariner’s Account, 1817. Neiafu, Tonga: Vava‘u, 1981. Menzies, Isa. “Cultural Tourism and International Development in Tonga: Notes from the Field”. Unpublished paper. Oceanic Passages Conference. Hobart, June 2010. Pollock, Nancy J. These Roots Remain: Food Habits in Islands of the Central and Eastern Pacific since Western Contact. Honolulu: Institute for Polynesian Studies, 1992. Rosen, Rochelle K., Judith DePue, and Stephen T. McGarvey. “Overweight and Diabetes in American Samoa: The Cultural Translation of Research into Health Care Practice.” Medicine and Health/ Rhode Island 91.12 (2008): 372-78. Spennemann, Dirk H.R. “On the Diet of Pigs Foraging on the Mud Flats of Tongatapu: An Investigation in Taphonomy.” Archaeology in New Zealand 37.2 (1994): 104-10. Thomas, Nicholas. Entangled Objects: Exchange, Material Objects and Colonialism in the Pacific. Cambridge, Massachusetts: Harvard UP, 1991.