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1

In God's Presence: Worship in the Bible; The Nature of Music; Music's Role in Worship. Greenville, SC: BJU Press, 2000.

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2

Garba, Daniel. The role of music in evangelism and worship: A hand book for Christian musicians and pastoral workers. Jos: Ade Printing Press, 2000.

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3

Türk, Daniel Gottlob. Daniel Gottlob Türk on the role of the organist in worship: (1787). Lanham, Md: Scarecrow Press, 2000.

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4

Samama, Leo. The Meaning of Music. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089649799.

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For virtually all of our lives, we are surrounded by music. From lullabies to radio to the praises sung in houses of worship, we encounter music at home and in the street, during work and in our leisure time, and not infrequently at birth and death. But what is music, and what does it mean to humans? How do we process it, and how do we create it? Musician Leo Samama discusses these and many other questions while shaping a vibrant picture of music's importance in human lives both past and present. What is remarkable is that music is recognised almost universally as a type of language that we can use to wordlessly communicate. We can hardly shut ourselves off from music, and considering its primal role in our lives, it comes as no surprise that few would ever want to. Able to transverse borders and appeal to the most disparate of individuals, music is both a tool and a gift, and as Samama shows, a unifying thread running throughout the cultural history of mankind.
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5

Bush, Margo. Foundations in worship & music. Tulsa, Okla: Daystar Resources, 2003.

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6

Holmes, Norman. Anointed music and worship. Cainta, Rizal, Philippines: Zion Ministerial Institute, 1996.

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7

What is worship music? Phillipsburg, N.J: P&R Pub., 2010.

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8

Spinks, Bryan D. Colloquium: Music, worship, arts. New Haven, CT: Yale Institute of Sacred Music, 2005.

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9

Aniol, Scott. Worship in song: A biblical approach to music and worship. Winona Lake, Ind: BMH Books, 2009.

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10

Aniol, Scott. Worship in song: A biblical approach to music and worship. Winona Lake, Ind: BMH Books, 2009.

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Aniol, Scott. Worship in song: A biblical approach to music and worship. Winona Lake, Ind: BMH Books, 2009.

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12

The art of curating worship: Reshaping the role of worship leader. Minneapolis: Sparkhouse Press, 2010.

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13

Jividen, Jimmy. Worship in song. Fort Worth, Tex: Star Bible Publications, 1987.

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14

Hooper, William L. Worship leadership for worship leaders. Petersburg, VA: Follow Me! Book, 2007.

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15

Hooper, William L. Worship leadership for worship leaders. Petersburg, VA: Follow Me! Book, 2007.

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16

Michael, Coleman. Come and worship. Old Tappan, N.J: Chosen Books, 1989.

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17

Lane, Tom. The worship band book: Training and empowering your worship band. Milwaukee, WI: Hal Leonard Books, 2012.

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18

Music, Integrity. Come & worship: A collection of 200 popular songs for praise & worship. Mobile, AL: Integrity Music, 1994.

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19

Bone, David L. Music and worship planner, 1994-1995. Nashville: Abingdon Press, 1994.

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20

Contemporary worship music: A biblical defense. Phillipsburg, N.J: P&R Pub., 1997.

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21

Music and worship: Principles to practice. Bramcote, Nottingham: Grove Books, 1994.

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22

The worship answer book: More than a music experience. Nashville, Tenn: J. Countryman, a division of Thomas Nelson, Inc., 2006.

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23

Hoffman, Sandy. Essential worship guitar. Santa Fe, NM (P.O. Box 28026, Santa Fe 87592-8086): Worship Works Music, 1997.

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24

Worship where you're planted: A primer for the local church worship leader. Kansas City, Mo: Beacon Hill Press of Kansas City, 2010.

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25

Wyrtzen, Don. Piano worship: Meditations for sunday. Nashville: Singspiration, 1991.

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26

The book of worship. Minneapolis, Minn: Bethany House Publishers, 2007.

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27

Gilreath, James Barry. Arguments for instrumental music in worship refuted. Southaven, Miss: Power Tracts, Southaven Church of Christ, 1995.

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28

Ramey, Coart. In God's Presence: Worship in the Bible, the Nature of Music, Music's Role in Worship. BJU Press, 2000.

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29

Gottlob, Tyrk Daniel. Daniel Gottlob T¿rk on the Role of the Organist in Worship (1787). The Scarecrow Press, Inc., 2000.

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30

Enter His Courts with Praise: A Study of the Role of Music and the Arts in Worship. Hendrickson Publishers, 1997.

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31

Lucifer Rising: Sin, Devil Worship and Rock 'n' Roll. Plexus Publishing, Limited, 2017.

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32

Lucifer Rising : A Book of Sin, Devil Worship and Rock 'n' Roll. Plexus Publishing, 1999.

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33

Nelson, Louis P. Church Building and Architecture. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199644636.003.0018.

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Contrary to popular perceptions, the long eighteenth century was a period of significant church building and the architecture of the Church of England in this era played a critical role in religious vitality and theological formation. While certainly not to the expansive scale of Victorian church construction, the period was an era of significant building, in London, but also across the whole of the British Empire. Anglican churches in this era were marked not so much by stylistic questions as by programmatic concerns. The era produced the auditory church, designed to accommodate better the hearing of the sermon and the increasing importance of music in worship. There were also changes to communion practice that implicated the design of architecture. Finally, some few Anglicans considered the theological implications of historical inspiration but many more considered the role of sensibility and emotion in worship and in architecture as one of worship’s agents.
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34

Nelson, Edward W. Music and Worship. Casa Bautista de Publicaciones, 1985.

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35

Davies, Henry. Music and Worship. Ams Pr Inc, 1987.

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36

Stephen, Darlington, i Kreider Alan 1941-, red. Composing music for worship. Norwich: Canterbury Press, 2003.

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37

Music for Common Worship. Royal School of Church Music, 2001.

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38

Air, Chapel O. Worship Leaders Music Package. Star Song Communications Group, 1994.

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39

al, et, John Bell, James Macmillan, Roxanna Panufnik, John Harper, Graham Kendrick i Howard Goodall. Composing Music for Worship. Canterbury Press Norwich, 2003.

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40

Floyd, James Michael. Church and Worship Music. Routledge, 2013. http://dx.doi.org/10.4324/9780203957523.

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41

Curwen, John Spencer. Studies in Worship Music. Wyd. 3. Library Reprints, 2001.

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42

Bay, William. Music for Catholic Worship. Cathedral Music Press, 1988.

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43

Edwards, Mark. Simple Music for Worship. Lulu.com, 2006.

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44

Music for Common Worship. Royal School of Church Music, 2001.

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45

group), Children of Bodom (Musical. I worship chaos. 2015.

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46

Wow Worship Songbook. Warner Bros Pubns, 2001.

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47

Music, Hosanna. Hosanna! Music Songbook 12; Praise & Worship Music. Hermann Luchterhand Verlag GmbH, 1998.

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48

The Hillsong Worship Collection. Hal Leonard Publishing Corporation, 2011.

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49

Marovich, Robert M. Got On My Traveling Shoes. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039102.003.0001.

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This chapter examines the role played by the Great Migration in the development of black sacred music in Chicago. Starting around 1916, thousands of black men, women, and children landed on Chicago's shores as part of the Great Migration, also known as the Great Northern Drive. Regardless of the way migrants traveled, Chicago was the destination of choice, the Promised Land. This chapter first discusses the sources of the new African American migrants' disillusionments in Chicago, including unemployment and substandard housing, before turning to early congregational singing in sanctified services and in storefront churches. It then considers the rise of African American Protestant churches as well as the migrants' creation of their own “islands of southern culture.” It also compares northern and southern worship practices among African American churches and concludes with an overview of the proliferation of storefront and sanctified churches in Chicago, along with sanctified worship in Spiritual churches and their influence on gospel music.
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50

various. Hosanna! Music Songbook (Hosanna! Music). Hosanna Music, 2002.

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