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1

Kang, Minsoo. Sublime dreams of living machines: The automaton in the European imagination. Cambridge, Mass: Harvard University Press, 2011.

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2

Heudin, Jean-Claude. Robots & avatars: Le rêve de Pygmalion. Paris: O. Jacob, 2009.

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3

1959-, Nakayama Akihiko, i Yoshida Morio 1957-, red. Kikai=shintai no poritīku. Tōkyō: Seikyūsha, 2006.

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4

Cook, James W. The arts of deception: Playing with fraud in the age of Barnum. Cambridge, Mass: Harvard University Press, 2001.

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5

Pickering, Michael. Popular Culture. 1 Oliver's Yard, 55 City Road, London EC1Y 1SP United Kingdom: SAGE Publications Ltd, 2010. http://dx.doi.org/10.4135/9781446262900.

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Szeman, Imre, i Susie O'Brien. Popular Culture. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2017. http://dx.doi.org/10.1002/9781119140399.

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7

Bardswich, Miriam. Popular culture. [Oakville, Ont.]: Rubicon, 2003.

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8

Goldbarth, Albert. Popular culture. Columbus: Ohio State University Press, 1990.

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9

Frith, Simon. Popular culture. London: National Arts and Media Strategy Unit, Arts Council, 1991.

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10

Berlatsky, Noah. Popular culture. Detroit: Greenhaven Press, 2011.

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11

Berlatsky, Noah. Popular culture. Detroit: Greenhaven Press, 2010.

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12

Stewart, Ross. Popular culture. London: Wayland, 2008.

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13

Haugen, David M. Popular culture. Detroit, MI: Greenhaven Press, 2010.

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14

1950-, STOREY JOHN. Inventing Popular Culture. New York: John Wiley & Sons, Ltd., 2009.

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15

Peele, Thomas, red. Queer Popular Culture. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384.

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Peele, Thomas, red. Queer Popular Culture. Basingstoke: Palgrave Macmillan, 2011. http://dx.doi.org/10.1057/9780230118287.

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Peele, Thomas, red. Queer Popular Culture. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6.

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18

Bowman, Paul. Deconstructing Popular Culture. London: Macmillan Education UK, 2008. http://dx.doi.org/10.1007/978-0-230-22924-2.

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19

Ashley, Leonard R. N. Elizabethan popular culture. Bowling Green, Ohio: Bowling Green State University Popular Press, 1988.

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20

Weaver, John A. Popular culture primer. New York: P. Lang, 2005.

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21

Fiske, John. Understanding popular culture. London: Routledge, 1991.

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22

A, Lent John, red. Caribbean popular culture. Bowling Green, Ohio: Bowling Green State University Popular Press, 1990.

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23

Weaver, John A. Popular culture primer. New York: P. Lang, 2009.

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24

Petracca, Michael. Reading popular culture. Boston: Prentice Hall, 2011.

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25

Ian, Craven, Gray Martin 1945-, Stoneham Geraldine i British Australian Studies Association, red. Australian popular culture. Cambridge, UK: Cambridge University Press, 1994.

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26

S, Reyes Soledad, red. Reading popular culture. Quezon City, Philippines: Office of Research and Publications, Ateneo de Manila University, 1991.

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27

Fiske, John. Understanding popular culture. Boston: Unwin Hyman, 1989.

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28

Fiske, John. Understanding popular culture. Wyd. 2. London: Routledge, 2010.

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29

Hall, Richard A. Robots in Popular Culture. Greenwood, 2021. http://dx.doi.org/10.5040/9798216009559.

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Robots in Popular Culture: Androids and Cyborgs in the American Imagination seeks to provide one go-to reference for the study of the most popular and iconic robots in American popular culture. In the last 10 years, technology and artificial intelligence (AI) have become not only a daily but a minute-by-minute part of American life—more integrated into our lives than anyone would have believed even a generation before. Americans have long known the adorable and helpful R2-D2 and the terrible possibilities of Skynet and its army of Terminators. Throughout, we have seen machines as valuable allies and horrifying enemies. Today, Americans cling to their mobile phones with the same affection that Luke Skywalker felt for the squat R2-D2. Meanwhile, our phones, personal computers, and cars have attained the ability to know and learn everything about us. This volume opens with essays about robots in popular culture, followed by 100 A–Z entries on the most famous AIs in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various robots. The volume closes with a glossary of key terms and a bibliography providing students with resources to continue their study of what robots tell us about ourselves.
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30

Carper, Steve. Robots in American Popular Culture. McFarland & Company, Incorporated Publishers, 2019.

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31

Hall, Richard A. Robots in Popular Culture: Androids and Cyborgs in the American Imagination. ABC-CLIO, LLC, 2021.

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32

Hall, Richard A. Robots in Popular Culture: Androids and Cyborgs in the American Imagination. ABC-CLIO, LLC, 2021.

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33

Markowitz, Judith A. Robots That Kill: Deadly Machines and Their Precursors in Myth, Folklore, Literature, Popular Culture and Reality. McFarland & Company, Incorporated Publishers, 2019.

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34

Hampton, Gregory Jerome. Imagining Slaves and Robots in Literature, Film, and Popular Culture: Reinventing Yesterday's Slave with Tomorrow's Robot. Lexington Books/Fortress Academic, 2017.

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Hampton, Gregory Jerome. Imagining Slaves and Robots in Literature, Film, and Popular Culture: Reinventing Yesterday's Slave with Tomorrow's Robot. Lexington Books/Fortress Academic, 2015.

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36

Robot world: Education, popular culture, and science. New York: P. Lang, 1998.

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37

Giddens, Thomas, Kieran Tranter i Ashley Pearson. Law and Justice in Japanese Popular Culture: From Crime Fighting Robots to Duelling Pocket Monsters. Taylor & Francis Group, 2018.

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38

Giddens, Thomas, Kieran Tranter i Ashley Pearson. Law and Justice in Japanese Popular Culture: From Crime Fighting Robots to Duelling Pocket Monsters. Taylor & Francis Group, 2018.

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39

Markowitz, Judith A. Robots That Love: Artificial Amours in Myth, Folklore, Literature, Popular Culture and the Real World. McFarland & Company, Incorporated Publishers, 2024.

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40

Husbands, Phil. Robots. Oxford University Press, 2021. http://dx.doi.org/10.1093/wentk/9780198845386.001.0001.

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This book presents a balanced and broad introduction to robotics and the current state of the field, analyzing where it has come from and where it might go in the future. Beginning with the history of robotics and its complex relationship with popular culture, it then moves on to discuss the technology underlying robots, exploring the limits of what robots can actually do now and what they might be able to do in the future. Naturally, these machines, which often seem to display life-like properties, are attracting great attention. Do they pose a threat or an unprecedented opportunity? Will they replace traditionally human workforces—as indeed they have in some sectors already? And although the “singularity” may not be something to worry about, there are certainly ethical issues needing consideration as robots with some intelligence are increasingly used. The book considers both these ethical problems and also the wider socio-political challenges that robots are already creating, and the larger ones they might bring in the future.
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41

Telotte, J. P. Of Robots and Artificial Beings. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190695262.003.0003.

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This chapter examines animation’s fascination with the robot, a figure that has obvious reflexive links to animation’s typical anthropomorphic characters—the various mice, cats, dogs, and ducks that were the usual stars of early cartoons. The robot is also a figure that had an especially popular resonance throughout the pre-war period, as is evidenced by its appearance in a variety of popular culture venues, including vaudeville acts, World’s Fairs, and feature films. What makes this figure particularly significant in its ability to embody the culture’s conflicted attitudes toward science and technology—attitudes that were also being worked out within literary SF. The animated films, the chapter suggests, typically juxtapose the culture’s faith in a technological utopia, within which robots play a key role, with contemporary concerns about the relationship between technology and labor, thereby qualifying the modernist embrace of the technology.
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42

Banga, Fabian. Representation of Artificial Intelligence in the Arts, Vol. 1: Androids, Golems, and Prometheus. Lang AG International Academic Publishers, Peter, 2019.

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Banga, Fabian. Representation of Artificial Intelligence in the Arts, Vol. 1: Androids, Golems, and Prometheus. Lang AG International Academic Publishers, Peter, 2019.

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44

Banga, Fabian. Representation of Artificial Intelligence in the Arts, Vol. 1: Androids, Golems, and Prometheus. Lang AG International Academic Publishers, Peter, 2019.

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45

Springer, Paul J. Outsourcing War to Machines. ABC-CLIO, LLC, 2018. http://dx.doi.org/10.5040/9798400694707.

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Military robots are affecting both the decision to go to war and the means by which wars are conducted. This book covers the history of military robotics, analyzes their current employment, and examines the ramifications of their future utilization. Robotic systems are the future of military conflicts: their development is already revolutionizing the nature of human conflict—and eroding the standards of acceptable behavior in wartime. Written by a professor who teaches strategy and leadership for the U.S. Air Force, one of the global leaders in the development and utilization of military robots, this book both addresses the history of military robotics and discusses the troubling future ramifications of this game-changing technology. Organized both chronologically and thematically, the book’s chapters describe the development and evolution of unmanned warfare; clarify the past, current, and future capabilities of military robotics; and offer a detailed and convincing argument that limits should be placed upon their development before it is too late. This standout work presents an eye-opening analysis that military personnel, civil servants, and academic instructors who teach military history, social policy, and ethics can ill afford to ignore, and will also provide the general public with information that will correct misconceptions about military robotics derived through popular culture and the news media.
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46

Jordan, John M. Robots. 2016.

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Jordan, John M. Robots. MIT Press, 2016.

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Jordan, John M. Robots. MIT Press, 2016.

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Jordan, John M. Robots. MIT Press, 2016.

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50

Who Needs the Fed?: What Taylor Swift, Uber, and Robots Tell Us About Money, Credit, and Why We Should Abolish America's Central Bank. USA: Encounter Books, 2016.

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