Rozprawy doktorskie na temat „Richard Johnson”
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Anderson, Christopher James. "The peripeteia, an analysis of reversal speeches by Barbara Bush, Richard Nixon, and Lyndon B. Johnson". [Ames, Iowa : Iowa State University], 2008.
Znajdź pełny tekst źródłaDewald, Margaret M. "Slavery and the unknown world America's cultural amnesia and the literary response /". Click here for download, 2006. http://wwwlib.umi.com/cr/villanova/fullcit?p1433459.
Pełny tekst źródłaBayre, Aurélie. "Interprétation du texte symbolique : politique et esthétique dans l'oeuvre romanesque de Charles R. Johnson". Thesis, Reims, 2011. http://www.theses.fr/2011REIML008/document.
Pełny tekst źródłaThose who have commented on Charles Johnson’s fiction often find a distance between his work and Black Aesthetic or the Black Arts Movement, and indeed his fiction is not committed to any racial politics. Nevertheless, it does reflect on the bases of politics and bring them into question. Since Oxherding Tale and Middle Passage have political catastrophes as backgrounds (i.e. Flo Hatfield’s Leviathan or Falcon’s Republic) on which the heroes explore different aesthetic systems, it can be argued that political failure stems from aesthetic impairment. Conversely, as the metaphysical journeys of Charles Johnson’s characters end in new ways of perceiving the world, the relationship between self and other is re-evaluated in aesthetic intersubjectivity. Moreover, an examination of Schiller’s and Adorno’s ideas regarding the link between art and politics serves as a comparison with the novelist’s Buddhist understanding of art and its effect upon the world. Consequently, an analysis of the subtext highlights Johnson's aesthetic quest and its relation to a philosophical inquiry into politics. Thus, political action is defined as a co-creative work. In conclusion, while for Charles Johnson fiction is the space for aesthetic and spiritual liberation, it also starts an ethical rebuilding of what Hannah Arendt called the world, and Johnson's definition of art is an answer to what Simone Weil termed as the need for root
Garey, Julie Marie. "Presidential Decision-Making During the Vietnam War". Ohio University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1219374275.
Pełny tekst źródłaBristow, Alexander. "The 1969 Summit within the Japan-US security treaty system : a two-level approach". Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:2e25b695-def3-4854-a04a-033566034384.
Pełny tekst źródłaKoscheva-Scissons, Chloe. "Crossing Oceans with Words: Diplomatic Communication during the Vietnam War, 1945-1969". Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1426004411.
Pełny tekst źródłaLake, Meredith Elayne. "'Such Spiritual Acres': Protestantism, the land and the colonisation of Australia 1788 - 1850". Thesis, The University of Sydney, 2008. http://hdl.handle.net/2123/3983.
Pełny tekst źródłaLake, Meredith Elayne. "'Such Spiritual Acres': Protestantism, the land and the colonisation of Australia 1788 - 1850". University of Sydney, 2008. http://hdl.handle.net/2123/3983.
Pełny tekst źródłaThis thesis examines the transmission of Protestantism to Australia by the early British colonists and its consequences for their engagement with the land between 1788 and 1850. It explores the ways in which colonists gave religious meaning to their surrounds, particularly their use of exile and exodus narratives to describe journeying to the colony and their sense of their destination as a site of banishment, a wilderness or a Promised Land. The potency of these scriptural images for colonising Europeans has been recognised in North America and elsewhere: this study establishes and details their significance in early colonial Australia. This thesis also considers the ways in which colonists’ Protestant values mediated their engagement with their surrounds and informed their behaviour towards the land and its indigenous inhabitants. It demonstrates that leading Protestants asserted and acted upon their particular values for industry, order, mission and biblicism in ways that contributed to the transformation of Aboriginal land. From the physical changes wrought by industrious agricultural labour through to the spiritual transformations achieved by rites of consecration, their specifically Protestant values enabled Britons to inhabit the land on familiar material and cultural terms. The structural basis for this study is provided by thematic biographies of five prominent colonial Protestants: Richard Johnson, Samuel Marsden, William Grant Broughton, John Wollaston and John Dunmore Lang. The private and public writings of these men are examined in light of the wider literature on religion and colonialism and environmental history. By delineating the significance of Protestantism to individual colonists’ responses to the land, this thesis confirms the trend of much recent British and Australian historiography towards a more religious understanding of the eighteenth and early nineteenth centuries. Its overarching argument is that Protestantism helped lay the foundation for colonial society by encouraging the transformation of the environment according to the colonists’ values and needs, and by providing ideological support for the British use and occupation of the territory. Prominent Protestants applied their religious ideas to Australia in ways that tended to assist, legitimate or even necessitate the colonisation of the land.
Vives, Rofes Gema. "Polémicas Teatrales del siglo XVIII en España y en Inglaterra". Doctoral thesis, Universitat Pompeu Fabra, 2001. http://hdl.handle.net/10803/666498.
Pełny tekst źródłaIn the first part of the thesis a comparison is drawn between two metatheatrical plays from the end of the 18th century, Leandro Fernández de Moratín’s La comedia nueva and Sheridan’s The Critic. These plays are examined in the context of the theatrical controversies that took place during the 18th century in England and Spain. In the second part of the thesis the reasons for a disparity are explored; for even though the theatrical situation in both countries is very similar, in Spain the answer to a theatrical scene considered deplorable by the neoclassicists is presented in terms of a “reform”, which is moreover backed by the government. Nothing of the kind happens in England. In this part of the thesis, and starting from some capital critical works and the topics discussed by their authors, I look into the different value, weight or meaning of a few “backdrops” in Spanish and English criticism of the time: patriotism, religion, politics… This brings us to the differences in the historical circumstances of both countries that help to explain the absence of a “theatrical war” in England. Religion, for instance, is one factor that substantially modifies the symmetry of the parallelism that could initially be established between the theatrical polemics that take place in both countries. Owing to the role the Puritans had played in the history of England, virulent attacks on the theatre are slightly suspect there, and neither the Whig administration nor the Hanoverian monarchy considered actively intervening in a theatrical reform. But the Puritans and the middle classes, more prudish in their tastes than the audience of the Restoration, had enough weight to affect the course of the drama by creating an atmosphere out of which the sentimental comedy was born.
Adam, Karen. "“The Nonmusical Message Will Endure With It:” The Changing Reputation and Legacy of John Powell (1882-1963)". VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/2692.
Pełny tekst źródłaOltmann, Christina. "Dynamics of domination and dialogic narrative strategies in Charles Johnson's «Middle Passage», Richard Power's «The Time of Our Singing», and Lesie Marmon Silko's «Almanac of the Dead»". Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86546.
Pełny tekst źródłaLa thèse examine les stratégies narratives employées par le roman américain contemporain en vue de critiquer et de contrecarrer la dynamique de la domination. L'étude se concentre principalement sur Middle Passage de Charles Johnson (1990), The Time of Our Singing (2003) de Richard Powers et Almanac of the Dead (1991) de Leslie Marmon Silko. Ces trois romans abordent les problèmes socio-politiques de répression et de discrimination raciale découlant des conditions préalables et de l'héritage de la domination coloniale et l'asservissement des Amérindiens et des Afro-Américains. Tandis que Johnson, Powers et Silko se rapportent à des moments historiques concrets, la critique implicite que l'on retrouve dans leurs oeuvres n'est pas principalement issue des faits historiques narrés ou des expériences fictives proposées, mais des configurations narratives qu'ils construisent, et dans lesquels ils intègrent ces faits et ces expériences. Ils juxtaposent des hypothèses établies touchant les significations convenues de la temporalité et de l'espace qui mènent des notions d'autonomie en vigueur dans le passé historique rapporté jusqu'à l'évolution constante des combinaisons de facteurs ethniques, culturels et sociaux appartenant au transfert des paramètres temporels et spatiaux, et ce, jusqu'à ce que ces hypothèses deviennent insoutenables. Leur méthode d'exposition est donc essentiellement dialogique et les propositions offertes par ces romans constituent une forme de connaissance qui devient disponible notamment à travers la combinaison de la dialogique et de la narration littéraire. Dans la mesure où les hypothèses antérieures continuent de prévaloir, les trois romans fournissent une critique des fondements sur lesquels les membres de la culture occidentale à travers les frontières raciales et ethniques construisent leur sens de l'autorité au sein de la dynamique du pouvoir exercé aujourd'hui. Johnson, Powers, et Silko sont associ
Aynard, Emmanuelle. "Aldo Crommelynck (1931 - 2008) : un imprimeur de gravures entre Paris et New-York". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H029/document.
Pełny tekst źródłaAldo Crommelynck (1931-2008) run the Crommelynck studio, in Paris from 1956 to 1986, with his brother Piero, and then worked alone between Paris and New York in partnership with Pace Editions until 1998. His collaboration with modem painters, including Picasso in Mougins, preceded his international career with forty or so contemporary artists. His mastery of etching well integrated into the artistic world of Paris, London and New York, in a context profitable to the art market. His name is associated with the revival of printmaking in the United States that coincided with the taste of the artists coming from Pop Art for handmade creation and for the representation of daily life. Others, who came afterwards, impregnated with Minimalism or Neo-expressionism, saw him as the repository of a certain etching craft identified with Paris. This thesis intends to determine what was the « Crommerlynck style » in all its dimensions
Wright, Alexander Robert. "William Cave (1637-1713) and the fortunes of Historia Literaria in England". Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/278574.
Pełny tekst źródła"El ser racializado: el concepto de raza en las experiencias autobiográficas de Richard Rodriguez y Kevin R. Johnson". Master's thesis, 2014. http://hdl.handle.net/2286/R.I.24951.
Pełny tekst źródłaDissertation/Thesis
M.A. Spanish 2014
Hardy, Molly O'Hagan 1977. "Imperial authorship and eighteenth-century transatlantic literary production". Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-08-3808.
Pełny tekst źródłatext
Woodberry, Joan. "The two apostles of Botany Bay : some aspects of evangelical Anglicanism in the early colony of New South Wales". Thesis, 1994. https://eprints.utas.edu.au/21943/1/whole_WoodberryJoan1995_thesis.pdf.
Pełny tekst źródłaŽeníšek, Jakub. "Panoptikální tropologie a svár mezi uměním a politikou v povídkách Charlese Johnsona". Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-358047.
Pełny tekst źródłaDouglas, Robert. "Being successfully nasty: the United States, Cuba and state-sponsored terrorism, 1959-1976". Thesis, 2008. http://hdl.handle.net/1828/1058.
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