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Gotowa bibliografia na temat „Retribution – Fiction”

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Data publikacji: 25 lipca 2024

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Artykuły w czasopismach na temat "Retribution – Fiction"

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Bennett, Clinton. "Retribution in Islam (Qur’an 2:178): Fact and Fiction in Victorian Literature". Victorian Review 37, nr 2 (2011): 13–16. http://dx.doi.org/10.1353/vcr.2011.0044.

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Ngom, Ousmane. "Conjuring Trauma with (Self)Derision: The African and African-American Epistolary Fiction". European Scientific Journal, ESJ 14, nr 2 (31.01.2018): 1. http://dx.doi.org/10.19044/esj.2018.v14n2p1.

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All the female narrators of the three stories examined here – So Long a Letter, The Color Purple, and Letters from France – suffer serious traumas attributable to their male counterparts. Thus as a healing process, letter-writing is an exercise in trust that traverses the distances between the addresser and the addressee. Blurring the lines in such a way results in an intimate narration of trauma that reads as a stream of consciousness, devoid of fear of judgment or retribution. This paper studies the literary device of derision coupled with a psycho-feminist analysis to retrace the thorny, cathartic journey of trauma victims from self-hate to self-acceptance and self-agency.
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FREEMAN, THOMAS S. "FATE, FACTION, AND FICTION IN FOXE'S BOOK OF MARTYRS". Historical Journal 43, nr 3 (wrzesień 2000): 601–23. http://dx.doi.org/10.1017/s0018246x99001296.

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The tales of divine judgements on sinners which are found throughout John Foxe's famous martyrology, the Acts and monuments, and also collected in a concluding appendix to the work, have often been dismissed as the products of gossip, while Foxe's printing of them has been traditionally regarded as an idiosyncratic, but ultimately insignificant, aberration in his historical writing. After examining the sources for two of these stories of providential punishment, this article will argue that some of the anecdotes of divine retribution printed in Acts and monuments were sent to Foxe in pursuit of local feuds and private grievances, arising from personal hatreds and prospects of material gain as well as religious conflict. After examining the changes made to these stories in the different editions of Acts and monuments, this article will maintain that such providential stories were central, rather than marginal, features of Foxe's work and thought. It is hoped that this article will offer a fresh perspective on Foxe's editorial practices, on the accuracy of Acts and monuments and also on the conflicting objectives of Foxe and his informants.
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Wang, Aiqing. "Attitudes Towards Corruption and Women in Children’s Literature and Detective Fiction: A Parallel between Zheng Yuanjie and Zijin Chen". Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa 15, nr 2 (10.11.2021): 98. http://dx.doi.org/10.24036/ld.v15i2.112887.

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In this article, I explore male writers’ attitudes towards corruption and women in fairy tales and detective novels, by means of hermeneutically scrutinising works of Zheng Yuanjie, the illustrious ‘King of Fairy Tales’, as well as Zijin Chen, the ‘Chinese Keigo Higashino’. Anti-corruption is a prevalent and preponderant theme in both writers’ creation, yet their depictions of barbarous extrajudicial punishment for government officials’ misdeeds allude to karmic retribution and are prone to expatiation in graphic detail. Therefore, some of their fiction appertaining to anti-corruption can be regarded as ‘feel-good writing’ in essence. Furthermore, the writing of Zheng and Chen is sometimes featured by lack of feminist consciousness, in that a proportion of their works manifest gender stereotypes, which can also be attested in other male writers’ fairy tales and detective novels.
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Marguery, TP. "Towards the end of mutual trust? Prison conditions in the context of the European Arrest Warrant and the transfer of prisoners framework decisions". Maastricht Journal of European and Comparative Law 25, nr 6 (grudzień 2018): 704–17. http://dx.doi.org/10.1177/1023263x18818662.

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This article contends that the presumption of mutual trust between the European Union Member States is a legal fiction. In the context of transfer of a custodial sentence from one country to another based on mutual recognition and mutual trust, a failure of the latter can have detrimental effects on judicial cooperation and, especially, on the functions of punishment. In particular, mutual recognition and mutual trust create a bridge between the external limits of punishment (fundamental rights) and the internal limits to the functions of punishment (retribution, deterrence and rehabilitation). The non-compliance with individuals’ fundamental rights undermines the very social functions of punishment. Such a failure can only be prevented if the Member States and the European Union endeavour to establish and maintain a truly integrated penal policy with concerns for individuals at its very core.
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Zedalis, Jennifer. "The Time-traveling Lawyer: Using Time Travel Stories and Science Fiction in Legal Education". British Journal of American Legal Studies 11, nr 2 (1.11.2022): 355–78. http://dx.doi.org/10.2478/bjals-2022-0008.

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Abstract Science fiction and time travel can be used to inform and enhance the education of law students in profound ways. Within the broader field of law and literature, the relationship between law and science fiction, especially time travel stories, is rich and useful. Themes and concepts in time travel can be applied in the exploration of existing legal philosophies as well as a more expansive and engaging study of power, authority, freedom, and a number of global issues. As governments and people worldwide wrestle with climate change, armed conflict, pandemics, and the increasing significance of artificial intelligence and other advances in technology, time travel stories give students unique contexts in which to consider what law is and the degree to which it defines human experience. For generations, brilliant science fiction writers have offered thought-provoking stories and worlds that law professors and their students can use to reimagine legal thought and practice. Like its close relatives, mythology and fantasy, the science fiction genre is untethered to current social or political experience or projections necessarily corrupted by narrowly conceived historical perspectives. Science fiction writers are interested in illuminating possibilities by considering identifiable problems in unidentifiable environments. It is no accident that gender identity, racism, reproductive rights, extremist ideologies, global health crises, and various recognizable forms of labor exploitation are addressed in provocative and insightful ways by a number of the best science fiction writers. Law has a strong presence in their work. Judges, law givers, ruling groups, and other less familiar forms of power and control appear in these stories and help to move and shape the experience of the time traveler. Law students can draw on the work of these writers to consider old questions in new and refreshingly broad ways. The importance of communication and access to information are also strong themes common to law and science fiction. How are concepts of truth and propaganda significant to power? Is truth necessary for legitimacy? Information technologies introduced in the science fiction world now exist in real time in forms and with speed and volume unimagined even a few decades ago. As artificial intelligence becomes dominant in many aspects of our daily lives, law students must consider how it may change law making, court procedures, entire legal systems, and perhaps even concepts of justice. As a project, law students might develop a case and conduct a trial using an AI judge or try a case to an AI jury. How human is the law? The role of emotional intelligence and concepts like mercy, restorative justice, forgiveness, or retribution are also things they might explore in seminars or other classes using science fiction literature and other time travel media as a framework.
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Wang, Aiqing. "Cliché-ridden Online Danmei Fiction? A Case Study of Tianguan ci fu". Acta Asiatica Varsoviensia 35 (2022): 281–314. http://dx.doi.org/10.60018/acasva.iray5065.

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Popular literature online is often misconstrued as being cliché-ridden and formulaic, and has thus not attained as much critical attention as ‘serious’ literature. I propound that popular literature published in China’s cyberspace deserves more attention and hermeneutic scrutiny, and I place an emphasis on danmei (耽美) fiction that features male-male romantic and/or erotic relationships and is predominantly published on a female-oriented website called Jinjiang Literature City. In this research, I investigate an online danmei novel entitled Tianguan ci fu (天官赐福) that concerns a homosexual romance against a background of ‘immortality cultivation’ (xiuxian 修仙 or xiuzhen 修真), which had been maintaining the highest ranking on readers’ voting list since its release on Jinjiang Literature City in 2017. I postulate that Tianguan ci fu does not deploy clichéd plots pertaining to quasi-heterosexual relationships, which frequently occur in danmei fiction. Apart from conveying the theme of love, the narrative concerns the complexity of human nature via an array of characters possessing multifaceted personality traits. More significantly, with a setting of mortal and immortal realms, the narrative entails religious ideologies, especially the indigenous Daoist ascension, mortality-immorality polarity and yin-yang integration. Furthermore, ethic-religious Confucian precepts such as benevolence and filial piety are also demonstrated, along with the Sinicised Buddhist creeds of reincarnation and retribution, which embodies the amalgamation of (sub)religions as a preponderant ideal of ‘the unity of Confucianism, Buddhism and Daoism’ (san jiao he yi 三教合一). Therefore, analysing this exemplary online novel can shed light on (a)theistic attitudes adopted by creators and consumers of Internet danmei literature.
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Starchman, Bryan. "His Neighbor's Wife". After Dinner Conversation 2, nr 1 (2021): 15–22. http://dx.doi.org/10.5840/adc2021213.

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What is fair and equitable justice? Is the point of justice to deter crime, to punish those that commit crime, or to educate criminals so they can integrate successfully back into society? In this work of philosophical short story fiction, the country has chosen to adopt the “Law Of Vindication.” If a drunk driver hits and kills someone with their car, their punishment is to be hit and killed with a car. The same reciprocal punishments exist for all serious crimes. Furthermore, it is a crime to not assist the government, when necessary, in providing the reciprocal punishment. The parents of a murdered child MUST murder the child of their killer. In this story, the narrator is in an unhappy marriage and decides his best chance of getting away with killing his wife is to kill his neighbor’s wife and wait for the law of retribution to require that his wife be killed as punishment. Of course, things don’t go quite as planned, and the law is interpreted differently than he expects.
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Fischer, Agustín Díez. "El Apocalipsis según León Ferrari". Latin American and Latinx Visual Culture 4, nr 4 (1.10.2022): 40–56. http://dx.doi.org/10.1525/lavc.2022.4.4.40.

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Starting in the 1960s, the Argentine artist León Ferrari referred repeatedly in his visual and written works to God’s punishments in the Bible. Plagues, famines, floods, and sinners burning in eternal fire were constants. Additionally, the artist focused on animals, descriptions of nature, and continual references to biblical ecological orders. Beginning with El árbol embarazador (1964) and the literary collage Palabras ajenas (1967), this combination of biblical stories and animals or natural disasters was present in Ferrari’s oeuvre until the end of his life. The aim of this article is to analyze the frequent appearance of nature and the way in which it intermingles with wars and historical massacres, with plagues and divine retribution, taking as a starting point Ferrari’s stance against the Vietnam War to investigate the trajectory of a radicalism that was conceived in the sixties but that extended to his more recent works. Through the study of his writings, this article argues that the apocalyptic themes and a consistent ecological interest contribute to a “biblical fiction” that permeates Ferrari’s denunciation of the complicity between political and religious violence.
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Starchman, Bryan. "His Neighbor’s Wife". After Dinner Conversation 4, nr 5 (2023): 70–79. http://dx.doi.org/10.5840/adc20234547.

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What is fair and equitable justice? Is the point of justice to deter crime, to punish those that commit a crime, or to educate criminals so they can integrate successfully back into society? In this work of philosophical short story fiction, the country has chosen to adopt the “Law Of Vindication.” If a drunk driver hits and kills someone with their car, their punishment is to be hit and killed with a car. The same reciprocal punishments exist for all serious crimes. Furthermore, it is a crime to not assist the government, when necessary, in providing reciprocal punishment. The parents of a murdered child MUST murder the child of their killer. In this story, the narrator is in an unhappy marriage and decides his best chance of getting away with killing his wife is to kill his neighbor’s wife and wait for the law of retribution to require that his wife be killed as punishment. Of course, things don’t go quite as planned, and the law is interpreted differently than he expects.
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Rozprawy doktorskie na temat "Retribution – Fiction"

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Chang, Rei-Fen, i 張瑞芬. "The Literature of Buddhist Retribution and Classical Chinese Fiction". Thesis, 1995. http://ndltd.ncl.edu.tw/handle/48756523917823571945.

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Książki na temat "Retribution – Fiction"

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Copyright Paperback Collection (Library of Congress), red. Retribution. New York: Ace Books, 2009.

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Kenyon, Sherrilyn. Retribution. London: Piatkus, 2012.

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Alan, Ray. Retribution. London: Robert Hale, 2011.

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Copeland, John. Retribution. Mt. Pleasant, S.C: Corinthian Books, 2000.

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Hoffman, Jilliane. Retribution. New York: G.P. Putnam's Sons, 2004.

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Hoffman, Jilliane. Retribution. London: Penguin, 2005.

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Hoffman, Jilliane. Retribution. London: BCA, 2004.

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Hoffman, Jilliane. Retribution. Camberwell, Vic: Michael Joseph, 2004.

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Hoffman, Jilliane. Retribution. Waterville, Me: Thorndike Press, 2004.

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Brown, Dale. Retribution. New York: HarperCollins, 2007.

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Części książek na temat "Retribution – Fiction"

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Cook, Michael. "Out of the Past: Retribution and Conan Doyle’s Double Narratives". W Detective Fiction and the Ghost Story, 52–69. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137294890_4.

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Edmundson, Melissa. "Gothic Romance and Retribution in the Short Fiction of Isabella Valancy Crawford". W Women’s Colonial Gothic Writing, 1850-1930, 45–72. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76917-2_3.

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Rochford, Francine. "Moral Ambivalence and the Executioner’s Hood: Averting the Retributive Gaze in Dystopian Fiction". W The Palgrave Handbook of Incarceration in Popular Culture, 527–38. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-36059-7_32.

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Evans, Richard J. "The Peoples Executioners". W Rituals of Retribution, 351–95. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198219682.003.0009.

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Abstract Bismarck might have secured the inclusion of capital punishment in the Criminal Code for the North German Confederation by his intervention in the Reichstag debate of May 1870, but he had in fact achieved less than a total victory. The constitution of the new German Reich, which was effectively the same as that of its predecessor the North German Confederation, simply extended to include the south German states and Alsace-Lorraine, did not contain any statement of human rights-the only modern German constitution not to do so-and so failed to provide any opportunity for the debating of such issues of principle as capital punishment. However, neither did it contain any explicit affirmation of the death penalty or indeed have any bearing on such issues as the sovereign power of clemency. Part of the price that he had paid to the old order for securing its acquiescence in the creation of the German nation-state was a constitution that preserved the fiction that the new German Empire was a federation of sovereign powers.
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King, Emily L. "Fantasizing about Revenge". W Civil Vengeance, 77–108. Cornell University Press, 2019. http://dx.doi.org/10.7591/cornell/9781501739651.003.0004.

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Chapter three examines the relation between fantasy and civil vengeance through the figure of the vagrant. Insofar as vagrants are presumed responsible for major social problems, civil society justifies its poor treatment as retribution. Reading Jack Cade’s rebellion in Shakespeare’s 2 Henry VI, the chapter proposes that normative society’s fantasy of its own victimhood produces vagrant bodies that are constructed to withstand extreme forms of labor and punishment, and the resulting bodies then sustain an expanding nation-state. Thomas Nashe’s The Unfortunate Traveller, or the Life of Jack Wilton reveals the dynamic at work on the international stage in its attempts to define early modern Englishness against not only the Continent but also cosmopolitanism. While the impoverished vagrant offers social cohesion to normative subjects within the domestic project of nationalism, the affluent cosmopolitan vagrant and his eventual recoil from other cultures offers the fiction of a secure English identity.
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Nackenoff, Carol. "Money, Price, and Value: Alger s Interventions in the Market". W The Fictional Republic, 133–61. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195079234.003.0008.

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Abstract An Alger hero at the theatre for the first time has the satisfaction of a happy denouement: “[He] saw all the bad characters visited with retribution, while oppressed innocence and virtue through much tribulation attained happiness and peace.” The hero is not alone. Each story is witness to the same pattern of vindication of innocence and virtue. Alger denouements feature arranged justice on earth and deliver payments due.
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"Desire and Karmic Retribution in Xingshi yinyuan zhuan". W Desire and Fictional Narrative in Late Imperial China, 137–75. BRILL, 2001. http://dx.doi.org/10.1163/9781684173570_008.

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Dayan, Colin. "Who Gets to Be Wanton?" W The Law Is a White Dog. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691070919.003.0006.

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This chapter explains that in the trade-off between dignity and degradation, the rights of humans are pitted against the treatment of animals. Recall earlier discussions of retribution for unnatural deaths in biblical and classical texts—the ox that gores must be stoned—and the medieval trials and executions of animals: the pigs who ate children, the dogs who bit, or the cats who spooked. In the distant past, animals were taken as seriously as humans, given the dignity of trial, even the recognition that comes with sudden agony. Highly unnatural religious fictions gave rise to issues of legality. Punishments ritually communicated to animals the horror of their deed. Treated as if rational beings, they were expected to take responsibility for their crime. However, these legal rituals were granted only to domesticated animals, not to the untamed, such as tigers.
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Fucecchi, Marco. "Campania and the Punica". W Campania in the Flavian Poetic Imagination, 183–200. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807742.003.0013.

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This chapter defines the geographical limits of Roman Campania before engaging with the poetic blend, symbolism, and prolepsis with which Silius constructs his fictional and mythological digressions and his conjunctions of people and places. The confrontation of his protagonists, Scipio and Hannibal, is anticipated first in Hannibal’s visit to the temple in Liternum, prominently adorned with images of Roman victory in the First Punic War, and secondly by Scipio’s charismatic leadership of Italian contingents from remote parts of Campania. The contrast of the epic’s protagonists continues against the backdrop of Campania to which Hannibal returns as the triumphant victor of Cannae in Book 11. The geography of Campania is again interwoven into Silius’ epic narrative, for Capua’s treacherous defection will receive stern retribution at the end of the Campanian sequence in Book 13.
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Newman, Ira. "Shakespeare and philosophy". W Routledge Encyclopedia of Philosophy. London: Routledge, 2021. http://dx.doi.org/10.4324/9780415249126-m070-1.

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Known for their attention to literary logic in general, philosophers have not usually focused on the works of specific literary writers. Yet unanticipated benefits often come from grounding abstract theory in concrete examples, much like the analytical opportunities accruing to moral philosophy when attention is turned to applied issues, such as the morality of the death penalty or physician-assisted suicide. It is not surprising, then, to wonder whether Shakespeare’s works, along with the critical and scholarly studies focused on them, might offer a promising resource for clarifying and testing philosophical theories about literature. And from a reverse perspective, whether Shakespearean writings might benefit from philosophical analyses of their various formulations. This entry will suggest some mutually beneficial possibilities by sampling several philosophical problems that result from exploring this rich body of Shakespearean literature. Three topics, as expressed through three of the great tragedies, will be considered. Shakespearean plays frequently have more than one text that have come down from the seventeenth century. Does this suggest there should be more than one work as well? In §1 the logic of how text diversity might impact the numerical identity of the work is considered, with a focus on King Lear as a case in point. The well-known problem of Borges’s Pierre Menard is discussed, as a related paradigm. A major part of Shakespearean criticism zeros in on character analysis. Yet there are deep logical questions in determining what exactly a fictional character is. Are we referring to a human whose psychological structure is presumed to extend beyond the limits of the play, so that in analysing a fictional Lady Macbeth we may use analytical resources analogous to our analysis of any human? Or should Shakespearean characters be viewed as no more than roles in plays, designed to develop the formal and symbolic meanings of an artifact called a drama? Section 2 will consider this question, with a focus on Macbeth. Along the way general questions about fictional characters will be broached, including the applicability of possible world analysis to fictional worlds, and the indeterminability of truth values for many fictional states, such as the notorious number of children Lady Macbeth may have had. Themes are a central part of literary construction. They lend unity to a work by organizing the disparate elements under a motif (such as retribution) or a propositional generalization (such as sinners will receive their just deserts). To what extent can these themes become transferable to the world at large, beyond the limits of the artwork’s circumscribed world? And if they can be transferred, can we speak of either the truthfulness or cognitive utility of Shakespearean themes as related to the real world? Section 3 will consider this range of questions, with attention to Hamlet as the primary example.
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