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Data publikacji: 21 lipca 2023

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1

Mahowald, Mark, i Stewart Priddy, red. Homotopy Theory via Algebraic Geometry and Group Representations. Providence, Rhode Island: American Mathematical Society, 1998. http://dx.doi.org/10.1090/conm/220.

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2

1931-, Mahowald M. E., i Priddy Stewart 1940-, red. Homotopy theory via algebraic geometry and group representations: Proceedings of a Conference on Homotopy Theory, March 23-27, 1997, Northwestern University. Providence, R.I: American Mathematical Society, 1998.

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3

International Conference on Algebraic Topology (2002 Northwestern University). Homotopy theory: Relations with algebraic geometry, group cohomology, and algebraic K-theory : an international Conference on Algebraic Topology, March 24-28, 2002, Northwestern University. Redaktorzy Goerss Paul Gregory i Priddy Stewart 1940-. Providence, R.I: American Mathematical Society, 2004.

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4

On maps from loop suspensions to loop spaces and the shuffle relations on the Cohen groups. Providence, R.I: American Mathematical Society, 2006.

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5

Complements of discriminants of smooth maps: Topology and applications. Providence, R.I: American Mathematical Society, 1992.

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6

A, Vasilʹev V. Complements of discriminants of smooth maps: Topology and applications. Providence, R.I: American Mathematical Society, 1994.

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7

Dubbers, Dirk. Quantum Physics: The Bottom-Up Approach: From the Simple Two-Level System to Irreducible Representations. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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8

Seychelles. Ten-year development plan: Report of the committee appointed to draw up a ten year development programme and to advise on various representations for reduction of taxation. Victoria, Mahe: Govt. Print. Office, 1986.

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9

Exceptional vector bundles, tilting sheaves, and tilting complexes for weighted projective lines. Providence, R.I: American Mathematical Society, 2004.

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10

Pellech, Christine. Zum Symbolgehalt der bildhaften Darstellungen der australischen Aborigines und der Weiterführung ihrer religiösen Motive bis zur Gegenwart: To the symbols content of the visual representations by the Australian Aborigines and to the continuation of their religious motives up to the present. Greiz: König, 2011.

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11

Chung, Simone Shu-Yeng, i Mike Douglass, red. The Hard State, Soft City of Singapore. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463729505.

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With Singapore serving as the subject of exploration, The Hard State, Soft City of Singapore explores the purview of imaginative representations of the city. Alongside the physical structures and associated practices that make up our lived environment, and conceptualized space engineered into material form by bureaucrats, experts and commercial interests, a perceptual layer of space is conjured out of people’s everyday life experiences. While such imaginative projections may not be as tangible as its functional designations, they are nonetheless equally vital and palpable. The richness of its inhabitants’ memories, aspirations and meaningful interpretations challenges the reduction of Singapore as a Generic City. Taking the imaginative field as the point of departure, the forms and modes of intellectual and creative articulations of Singapore’s urban condition probe the resilience of cities and the people who reside in them, through the images they convey or evoke as a means for collective expressions of human agency in placemaking.
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12

From Representation Theory to Homotopy Groups. American Mathematical Society, 2002.

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13

Chataur, David, Martintxo Saralegi-Aranguren, Mihaly Weiner i Roberto Longo. Intersection Cohomology, Simplicial Blow-Up and Rational Homotopy. American Mathematical Society, 2018.

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14

Goerss, Paul Gregory. Homotopy Theory: Relations With Algebraic Geometry, Group Cohomology, and Algebraic K-Theory : An International Conference on Algebraic Topology, March 24-28, 2002 Nor (Contemporary Mathematics). American Mathematical Society, 2004.

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15

Stöckmann, Hans-Jürgen, i Dirk Dubbers. Quantum Physics : The Bottom-Up Approach: From the Simple Two-Level System to Irreducible Representations. Springer, 2015.

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16

Stöckmann, Hans-Jürgen, i Dirk Dubbers. Quantum Physics : The Bottom-Up Approach: From the Simple Two-Level System to Irreducible Representations. Springer, 2013.

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17

Bjorkman, Bronwyn M., i Daniel Currie Hall, red. Contrast and Representations in Syntax. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198817925.001.0001.

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Syntactic contrasts, the systems of grammatical oppositions that exist within individual languages, are typically formally encoded in terms of features. The nature of syntactic contrast is tied to a fundamental question in generative syntactic theory: What is universal in syntax (and in language more generally), and what is variable? This volume explores the dual role of features, on the one hand defining a set of paradigmatic contrasts, and other the other hand acting as the building blocks of syntactic structures and the drivers of syntactic operations. In both roles, features are increasingly seen as the locus of parametric variation. The identification of parameters with features has opened up new possibilities for exploring connections between the morphological system of a language and its syntax, and suggests a new role for featural contrast in syntactic theory. The papers collected here represent a diversity of topics, perspectives, and concerns, but are united by an interest in morphosyntactic representations, and in the formal encoding of syntactic contrasts.
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18

Clasen, Mathias. Sizing Up the Beast. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0002.

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Horror fiction has been a legitimate object of academic study for several decades now. There are many competing theoretical approaches to horror and the Gothic, but the most prevalent approaches are seriously flawed. Constructivist approaches, which see horror as a product of historical circumstance, ignore the genre’s psychological and biological underpinnings and its deep history. Horror stretches back in time beyond the Gothic novel through folk tales to earlier oral narratives. Psychoanalytical approaches, which build on Freud’s theories of psychology, are scientifically obsolete and have a distorting effect on the subject matter, reducing horror to representations of psychosexual complexes. The chapter critically discusses existing approaches to horror, as well as horror as an affectively defined genre, and it argues for a consilient, biocultural approach which integrates other viable approaches within a framework based on biology and which builds on current social science.
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19

Magnus, I. B., i B. Kjellstron. Musical Motifs in Swedish Church Art: The Pictorial Representations of Music and Music-Making in Sweden's Medieval Churches Up to 1630 (In Both Swed). Coronet Books, 1993.

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20

Abbes, Ahmed, i Michel Gros. Representations of the fundamental group and the torsor of deformations. Global aspects. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691170282.003.0003.

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This chapter continues the construction and study of the p-adic Simpson correspondence and presents the global aspects of the theory of representations of the fundamental group and the torsor of deformations. After fixing the notation and general conventions, the chapter develops preliminaries and then introduces the results and complements on the notion of locally irreducible schemes. It also fixes the logarithmic geometry setting of the constructions and considers a number of results on the Koszul complex. Finally, it develops the formalism of additive categories up to isogeny and describes the inverse systems of a Faltings ringed topos, with a particular focus on the notion of adic modules and the finiteness conditions adapted to this setting. The chapter rounds up the discussion with sections on Higgs–Tate algebras and Dolbeault modules.
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21

Genequand, Denis. Two Possible Caliphal Representations from Qaṣr al-Ḥayr al-Sharqı̄ and Their Implication for the History of the Site. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190498931.003.0006.

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Qaṣr al-Ḥayr al-Sharqī was founded as a madīna by caliph Hishām ibn ʿAbd al-Malik. It is one of the largest Umayyad aristocratic settlements of the Syrian Steppe. Between 2002 and 2011, extensive fieldwork was conducted there by a Syrian-Swiss mission, with a strong focus on agricultural features and water systems, on structures with an economic role, and on vernacular architecture around the caliphal palace. Fieldwork also included the almost complete excavation of another aristocratic residence called Building E, which might have been a direct predecessor of the caliphal palace. This chapter aims at presenting up-to-date information about the plan of the latter structure, at discussing further some elements of its decoration, especially two carved stucco panels bearing caliphal representations, and at introducing new hypotheses for the history of the site in the early eighth century.
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22

McDuff, Dusa, i Dietmar Salamon. Constructing symplectic manifolds. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794899.003.0008.

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This chapter examines various ways to construct symplectic manifolds and submanifolds. It begins by studying blowing up and down in both the complex and the symplectic contexts. The next section is devoted to a discussion of fibre connected sums and describes Gompf’s construction of symplectic four-manifolds with arbitrary fundamental group. The chapter also contains an exposition of Gromov’s telescope construction, which shows that for open manifolds the h-principle rules and the inclusion of the space of symplectic forms into the space of nondegenerate 2-forms is a homotopy equivalence. The final section outlines Donaldson’s construction of codimension two symplectic submanifolds and explains the associated decompositions of the ambient manifold.
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23

Smith, Stephen D. Subgroup Complexes. Amer Mathematical Society, 1997.

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24

Nishime, Leilani. Multiracial Asian Americans and the Myth of the Mulatto Millennium. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038075.003.0001.

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This chapter first sets out the book's purpose, which is to trace the history and continued significance of multiracial representations, in order to challenge a dominant U.S. cultural narrative that imagines multiracial people as symbols of the declining significance of race. It then turns to a discussion of contemporary multiracial Asian American representations. Multiracial Asian American representations form an especially productive ground to explore the contradictions of racial narratives in the United States. Understanding why Asians, particularly multiracial Asians, have so frequently been held up as examples of the eventual triumph of a colorblind United States can help us see what interlocking racial narratives make this such an alluring story. If we contextualize that story within politics, social hierarchies, and a longer historical trajectory, it becomes clear that leaving Asians out of discussions of color blindness and multiracial meaning in the United States serves only to naturalize and render invisible racial inequalities and power hierarchies.
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25

Thomassen, Lasse. (Not) Just a Piece of Cloth: Recognition and Representation. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474422659.003.0004.

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This chapter looks at the concept and practice of recognition so often associated with identity politics and multiculturalism. The chapter shows how recognition and representation are mutually implied. Representations must be recognised and taken up in order to have force; and recognition is always recognition of particular representations. I develop this through a detailed discussion of Begum, a legal case from the mid-2000s. The case is particularly useful because, while it concerns recognition and the limits of multiculturalism, the parties to the case all subscribe to the importance of recognition and multiculturalism. The chapter combines a close reading of the case and the debate about it with theoretical reflections on the literature on recognition, including the works of Charles Taylor, Elisabetta Galeotti and Patchen Markell.
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26

Wing, Ian Sue, i Edward J. Balistreri. Computable General Equilibrium Models for Policy Evaluation and Economic Consequence Analysis. Redaktorzy Shu-Heng Chen, Mak Kaboudan i Ye-Rong Du. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199844371.013.7.

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This chapter reviews recent applications of computable general equilibrium (CGE) modeling in the analysis and evaluation of policies that affect interactions among multiple markets. At the core of this research is a particular approach to the data and structural representations of the economy, elaborated through the device of a canonical static multiregional model. This template is adapted and extended to shed light on the structural and methodological foundations of simulating dynamic economies, incorporating “bottom-up” representations of discrete production activities, and modeling contemporary theories of international trade with monopolistic competition and heterogeneous firms. These techniques are motivated by policy applications including trade liberalization, development, energy policy and greenhouse gas mitigation, the impacts of climate change and natural disasters, and economic integration and liberalization of trade in services.
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27

Beiner, Guy. The Generation of Forgetting. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749356.003.0004.

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Social forgetting is generated through discreet processing of traumatic historical experiences that cannot be expressed in official representations of public memory. Following the defeat of the 1798 rebellion, former rebels could not be openly memorialised. Epitaphs on graves of United Irishmen were deliberately obscured. Both Catholics and Protestants were unwilling to put their recollections of the rebellion on record. Local memories were noted in travel literature and vernacular poetry offered a medium of remembrance that was less noticeable to outsiders. However, cultural memory can be misleading. Literary representations in historical fiction contributed to social forgetting by covering up less savoury aspects of the rebellion. Towards the end of their lives, elderly members of the generation that had witnessed the events experienced ‘post-memory angst’ and shared with dedicated collectors of historical traditions their memories, which had been shaped through practices of concealment and were full of hesitations.
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Lane, Jeremy F. Republican Citizens, Precarious Subjects. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622140.001.0001.

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Over recent decades concerns at the increased scarcity and precarity of salaried employment have dominated political struggles, theoretical debates and cultural representations in France. This study argues that such concerns are evidence of a profound shift in the French economy and labour market. In its first, theoretical part, the study engages with work in political economy and sociology, sketching a new interpretative framework, the better to understand the nature and implications of this profound shift. This shift has challenged certain fundamental French republican values, opening up a rift between the precarious forms of subjectivity characteristic of post-Fordist labour and older notions of republican citizenship. In its second part, the study finds symptoms of this rift in a range of cinematic and literary representations of the contemporary workplace, as these depict the dilemmas faced, the trajectories followed, and the geographical regions inhabited by French workers of different ages, sexes, classes, and ethnicities.
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29

Seeman, Sonia Tamar. Sounding Roman. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199949243.001.0001.

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Sounding Roman traces the role of music performance in maintaining, shaping, and challenging ascribed social identities of Roman (“Gypsy”) groups, who constitute one of the most socially reviled and yet culturally romanticized minorities in Turkey. Roman communities have been a ubiquitous presence, contributing to social, cultural, and economic life since the Byzantine period in Anatolia up to the present. Alternately exoticized and reviled, Roman communities were valued for their occupational skills and entertainment services. Based on detailed historiographic study and twenty years of ethnographic work, this book examines the issue of cultural and musical representations for creating, maintaining, and contesting social identity practices through philosophical reflections on meaningful symbolic configurations in metaphoricity, iconicity, and mimesis paired with a sociological interrogation of unequal power relationships. Through these lenses, the book investigates the potential of musical performance to configure new social identities and open pathways for political action, while exploring the limits of cultural representation to effect meaningful social change. The book begins with historical representations of çingene as a marked ethnic and social group during the Byzantine to late Ottoman Empire. It then traces how such constructions were revised during the period of the modern Turkish Republic through the creation of a commercial musical genre, the Roman dance tune (Roman oyun havası). The book includes a companion website with illustrative texts, images, and audio examples.
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Rutter, Emily Ruth. Invisible Ball of Dreams. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817129.001.0001.

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Although many Americans think of Jackie Robinson when they consider the story of race and racism in baseball, a long history of tragedies and triumphs precede Robinson’s momentous debut with the Brooklyn Dodgers on April 15, 1947. From the pioneering Cuban Giants (1885-1915) to the Negro Leagues (1920-1960), black baseball was a long-standing, if underdocumented, staple of African American communities. This book examines creative portraits of this history by William Brashler, Jerome Charyn, August Wilson, Gloria Naylor, Harmony Holiday, Kadir Nelson, and Denzel Washington, among others. Divided into three literary waves, the book is especially attentive to the archival contributions (and at times drawbacks) of imaginative representations of black baseball. Specifically, the book argues that African American and Euro-American novelists, playwrights, poets, and filmmakers fill in gaps and silences in recorded baseball history; democratize access to archives by sharing their research with readers; and advance countermythologies to whitewashed baseball lore. Reading representations across the literary color line also opens up a propitious space for exploring black cultural pride and residual frustrations with racial hypocrisies on the one hand and the benefits and limitations of white empathy on the other. Thus, while this book’s particular focus is black baseball, the comparative, archival mode of analysis utilized herein provides a model for analyzing literary interventions in other marginalized cultural histories as well.
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Blackwood, Sarah. The Portrait's Subject. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469652597.001.0001.

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Between the invention of photography in 1839 and the end of the nineteenth century, portraiture became one of the most popular and common art forms in the United States. In The Portrait's Subject, Sarah Blackwood tells a wide-ranging story about how images of human surfaces came to signal expressions of human depth during this era in paintings, photographs, and illustrations, as well as in literary and cultural representations of portrait making and viewing. Combining visual theory, literary close reading, and archival research, Blackwood examines portraiture's changing symbolic and aesthetic practices, from daguerreotype to X-ray. Portraiture, the book argues, was a provocative art form used by writers, artists, and early psychologists to imagine selfhood as hidden, deep, and in need of revelation, ideas that were then taken up by the developing discipline of psychology. The Portrait’s Subject reveals the underappreciated connections between portraiture's representations of the material human body and developing modern ideas about the human mind. It encouraged figures like Frederick Douglass, Nathaniel Hawthorne, Thomas Eakins, Harriet Jacobs, and Henry James to reimagine how we might see inner life, offering a rich array of metaphors and aesthetic approaches that helped reconfigure the relationship between body and mind, exterior and interior. In the end, Blackwood shows how nineteenth-century psychological discourse developed as much through aesthetic fabulation as through scientific experimentation.
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32

Bourdeau, Loïc, red. ReFocus: The Films of François Ozon. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474479912.001.0001.

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A queer auteur who plays with generic conventions, François Ozon is one of France’s most prolific and best-known international directors, who has built a filmography that not only engages in the representation of non-normative sexualities, kinship and violence, but also makes room for social outcasts and marginalised communities. This edited collection brings together renowned and emergent scholars to investigate further questions of minority, queerness, (queer) intertextuality and gender representations, as well as secrecy, transgression and intimacy in his films, offering the most up-to-date study of François Ozon’s cinema.
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Fowler, Víctor. Some Dance Scenes From Cuban Cinema, 1959–2012. Redaktor Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.023.

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This chapter traces dance in Cuban cinema from the onset of the Revolution to contemporary films. In so doing, the author attempts to set up a Cuban structure of feeling and how a corporeal form ofCubanidadmanifests through various filmic representations, whether narrative or documentary film. Might dance be an inherent aspect ofCubanidad? How does the Cuban filmic apparatus incorporate dance and all of its complexities into a narrative about Cuban fortitude? The films discussed include:Un día en el solar, Los del baile, Memorias del subdesarrollo, Son o no son,andHabana solo.
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Kemp, Sandra, i Jenny Andersson, red. Futures. Oxford University Press, 2021. http://dx.doi.org/10.1093/oxfordhb/9780198806820.001.0001.

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This co-edited collection of essays examines the increasing centrality of futures and futures-thinking in all disciplines. It provides theoretical perspectives on constructions of futurity, across the arts, humanities, and social sciences, opening up multidisciplinary conversations between them. Bringing together emerging perspectives on the future from diverse disciplinary perspectives including critical theory, design, anthropology, sociology, politics, and history, the book examines the ways in which the future can be an object of empirical study, a subject for theorization, and an orientation for practice in the real world. The book examines historical and contemporary forms of futures knowledge, the methodologies and technologies of futures expertise, and the role played by different institutions in legitimizing, deploying, and controlling anticipatory practices. Contributors challenge and debate the varied ways in which futures are conjured and constructed, as objects of art and imagination as well as of science and geopolitics. Chapters explore issues as diverse as the utopian imagination, history and philosophy, literary and political manifestos, artefacts and design fictions, and forms of technological and financial forecasting, big data, climate-modelling, and scenarios. The book positions the future as a question of power, of representations and counter-representations, and forms of struggle over future imaginaries. Forms of futures-making depend on complex processes of envisioning and embodiment. Each chapter investigates the critical vocabularies, genres, and representational methods—narrative, quantitative, visual, and material—of futures-making as deeply contested fields in cultural and social life.
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35

McLarney, Ellen Anne. The Islamic Public Sphere and the Subject of Gender: The Politics of the Personal. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691158488.003.0001.

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This introductory chapter provides an overview of the book's main themes. This book is about the soft force of Islamic cultural production in the decades leading up to the 2011 revolution in Egypt. It is about the role women play in articulating that revolution, in their writings, activism, and discursive transformation of Egypt's social, cultural, and political institutions. It is intended as an antidote to dominant representations of women as oppressed by Islamic politics, movements, and groups. The book details women's contribution to the emergence of an Islamic public sphere—one that has trenchantly critiqued successive dictatorships in Egypt, partly through a liberal ideology of rights, democracy, freedom, equality, and family values.
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Goodrich, Peter. The Emblem Book and Common Law. Redaktor Lorna Hutson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199660889.013.8.

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The most obvious and yet often unrecognized quality of law is that it is spectacular. Common law is not distinct in its classical architectural heritage, its costumes and wigs, its portraiture and libraries, its theatrical and visual forms. There is, as Selden puts it, a face and frame of government which is a borrowed continental form, a mode of reception of Roman law that is ironically hidden in plain sight. This chapter picks up that theme and uses the reception and influence of the legal emblem book to argue that the most expansive importation and jurisdiction of Roman law within the Anglican tradition takes the form of the emblematic representations of law, norm, and justice.
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García, Cindy. Displace and be Queen. Redaktor Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.011.

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Cinematic representations such asDirty Dancing: Havana Nightsoften produce scenarios in which Anglo leading ladies displace Latina featured extras or supporting actresses on the dance floor as the leading lady learns to connect with her sexuality by becoming “Latina” on the dance floor. This chapter examines how the blond (United States of) American teen, protagonist Katey Miller, makes a transition to life in Havana, and how she pursues her emergent fascination with dance practices of Cuba. Exploring issues of gender and interculturalism, the chapter argues that Katey displaces her nameless Cubana foils as she moves up the salsa social hierarchy to become Queen of Night at La Rosa Negra,Dirty Dancing’sHavana hot spot.
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38

Schotter, Jesse. The Hieroglyphics of Character. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424776.003.0003.

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This chapter examines how hybrid conceptions of language and media come to challenge representations of literary character and narrative in the modernist period. Understanding Virginia Woolf as a film theorist situated within the ferment of avant-garde film culture in London in the mid-1920s—a period which saw the formation of the journal Close-Up and the London Film Society—the chapter argues that Woolf’s engagement with film and its ‘hieroglyphs’ in her essay ‘The Cinema’ transforms her understanding of language and character in To the Lighthouse. Throughout the late 1920s, Woolf imagines writing as emulating the material and visual form of hieroglyphs, revealing the inscriptions graven upon the ‘sacred tablets’ of the minds and hearts of her characters.
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39

Withers, Jeremy. Futuristic Cars and Space Bicycles. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621754.001.0001.

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Futuristic Cars and Space Bicycles is the first book to examine the history of representations of the automobile and of marginalized transportation technologies such as the bicycle throughout the history of American science fiction. With chapters ranging from ones on the early science fiction of the pulp magazine era of the 1920s and 1930s, on up to chapters on the postcyberpunk of the 1990s and more recent science fiction media of the 2000s such as web television, zines, and comics, this book argues that science fiction by and large perceives the car as anything but a marvelous invention of modernity. Rather, the genre often scorns and ridicules the automobile and instead frequently promotes more sustainable, more benign, more restrained technologies of movement such as the bicycle.
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40

Heshmat, Dina. Egypt 1919. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458351.001.0001.

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The 1919 anti-colonial revolution is a key moment in modern Egyptian history and a historical reference point in Egyptian culture through the century. Dina Heshmat argues that literature and film have played a central role in the making of its memory. She highlights the processes of remembering and forgetting that have contributed to shaping a dominant imaginary about 1919 in Egypt, coined by successive political and cultural elites. As she seeks to understand how and why so many voices have been relegated to the margins, she reinserts elements of the different representations into the dominant narrative. This opens up a new perspective on the legacy of 1919 in Egypt, inviting readers to meet the marginalised voices of the revolution and to reconnect with its layered emotional fabric.
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Gordon, Matthew S. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190622183.003.0001.

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Concubines and Courtesans examines the intersection of slavery, gender, social networking, cultural production (music, poetry, and dance), sexuality, Islamic family law, and religion. The essays that make up the volume range over nearly a thousand years of Islamic history—from the early, formative period (7th–10th century CE) to the late Ottoman, Safavid, and Mughal eras (16th–18th century CE)—and regions from al-Andalus (Islamic Spain) to Central Asia (Timurid Iran). The close, common thread is an effort to account for the lives, careers, and representations of female slaves participating in and contributing to elite, mostly urban, Islamicate society. The classical Arabic sources evince a trajectory from enslavement and early training of these women to a status as mature and dynamic social actors. Sources in other Near Eastern languages, notably Ottoman Turkish and Persian, provide much the same kind of evidence.
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42

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman i Stephanie Sandler. Poetics and subjectivities between classicism and Romanticism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0018.

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In the context of Sentimentalism in the 1770s, literary culture opened up to representations of human subjectivity. The chapter considers genres of poetry devoted to the themes of pleasure, death, and posterity. It also considers the spaces of poetry and modes of exchange, whether through the album, the salon, and the verse epistle. Two case studies explore the use of different literary forms in the further development of identity, individual and also authorial. The first looks at Radishchev’s experiment in writing a fictional diary as a psychological exercise. The second examines the tradition of imitation of Horace’s Monument poem in Russian poetry in the eighteenth century as well as by later poets, such as Pushkin and Brodsky. The case study shows how these Russian versions express changing ideas about imitation and originality as well as poets’ concern with posterity.
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43

Lurie, Peter. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199797318.003.0001.

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This introduction orients this book’s argument surrounding history’s visibility. It points to a tradition of visualizing history initiated by D. W. Griffith’s infamous Birth of a Nation and suggests links between it and a later critical tradition of falsely presuming history’s accessibility. It takes up recent challenges to politicized cultural scholarship and identifies the book’s investment in examining the terms on which so-called American art and culture have been defined. Edgar Allan Poe’s Pym and Herman Melville’s “Benito Cereno” offer templates for the later discussions of writers’ and filmmakers’ choice to eschew direct representations of history. It links these moves to New Formalist methodology and places the study’s approach within this field, describing the book’s moves from treating modernist writers to discussing the postmodern cinema of Stanley Kubrick and the Coen brothers. It takes up a tenet of modernist scholarship that questions notions of a putatively transcendent, disembodied subject.
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Bader, Ralf M. Inner Sense and Time. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198724957.003.0007.

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This chapter explains how outer appearances end up in time, despite the fact that time is only the form of inner sense, on the basis that they are objects of representations of which we become aware in a temporal manner by means of an act of reflexive awareness. This temporalising function of inner sense is to be distinguished from the subjective temporal ordering that results from the reappropriation of mental states by means of inner intuition. Both these functions pertain to sensibility and are, in turn, to be distinguished from time determination, which is performed by the understanding. There is thus a three-fold progression: 1. the temporalising of appearances as a result of reflexive awareness (subjective simultaneity), 2. the subjective ordering of representings that occurs as part of the reappropriation of mental states (subjective succession), and 3. the objective ordering identified by means of time determination (objective simultaneity and succession).
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Fernandes, Sujatha. Sticking to the Script. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190618049.003.0005.

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This chapter looks at how storytelling was used by mainstream immigrant rights groups to produce an aspiring class of upwardly mobile and self-reliant undocumented youth while defusing broader migrant rights activism. In the campaign for legalization through a DREAM Act, the undocumented students known as Dreamers told their stories to the legislature and the media. The students were given scripts to follow that emphasized their achievements, assimilation into American society, and rejection of their home countries. In the lead-up to the 2008 national election and the subsequent push for Comprehensive Immigration Reform (CIR), groups of young people were mobilized in mass storytelling trainings across the country to support the electoral and legislative agenda of mainstream organizations. Eventually, many young people rebelled against this orchestration and sought to take control over their own representations. Some even began to move away from storytelling as a mode of political engagement altogether.
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de Almeida, Roberto G., i Ernie Lepore. Semantics for a Module. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190464783.003.0006.

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Fodor’s The Modularity of Mind (1983) and subsequent work propose a principled distinction between perceptual computations and background knowledge. The chapter argues that language input analyzers produce a minimally—and highly constrained—context-sensitive propositional representation of the sentence, built up from sentence constituents. Compatible with the original Modularity story, it thus takes the output of sentence perception to be a “shallow” representation—though a semantic one. The empirical data discussed bear on alleged cases of sentence indeterminacy and how such cases might be assigned (shallow) semantic representations, interact with context in highly regulated ways, and whether and how they can be enriched. The chapter proposes a semantic level of representation that serves as output of the module and as input to other systems of interpretation, arguing for a form of modularity or encapsulation that is minimally context-sensitive provided that the information from context is itself determined by linguistic principles.
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47

Pribram, E. Deidre. Circulating Emotion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0003.

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Crash (Paul Haggis, 2005) follows a range of diverse but intersecting characters who, in their entirety, are meant to represent a social landscape: modern American urban existence. Through an ensemble cast and a multi-story structure, the film depicts a circuitous society in which one part affects other parts that, in turn, affect all parts. This chapter takes up the complex, multi-discursive world depicted in Crash in order to explore the place—or absence—of emotion in genre studies. Looking specifically at the moments of collision between characters in which the issues of race and gender are inseparable, it considers how anger specifically, and perhaps emotion in general, can be understood to ignite and fuel complex social relations. Such an analysis tells us about the ways in which emotions as cultural phenomena are understood or, equally, overlooked in media and other social representations.
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Fulcher, Jane F. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190681500.003.0008.

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Musicians such as Désormière, Schaeffer, Poulenc, and Messiaen explored new ways to destabilize or challenge the meanings Vichy sought to inscribe in culture, or to open up the message of iconic works in order to disrupt the regime’s increasingly compromised national cultural representations. To perceive this, it has been necessary to examine the evolving associations of musical styles as well as the material dimensions of performance, for they were both central components of the manner in which meaning was produced, particularly in the midst of politicized attempts to control it. For the Resistance, music thus magnified the regime’s evolving collaborationist goals and cultural tactics—its eventual quest to court the Germans by promoting cooperation in all areas. According to Resistance intellectuals, music could and did contribute both to a growing awareness of political realities and to the development of new cultural tactics within its ever-growing repertoire of symbolic contestation.
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Lowndes, Ruth, i Susan Braedley. Snap-Happy? The Promise and Problems of Photovoice. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190862268.003.0009.

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Although photovoice is often hailed as a method that includes and gives voice to those whose perspectives are left out of research, this chapter details limits of photovoice within the context of rapid ethnography and institutional research. Although photovoice proved its worth in offering a fun, interactive way to engage residents in research, and in generating rich data on their perspectives of care home life, we experienced challenges incorporating this method into the project. We were unable to obtain ethical approval for its use with our original target group of those living with dementia, a limitation that changed our use of the method considerably. We also faced time constraints: our ethnographies were not long enough to recruit, teach camera usage, take and develop pictures, and conduct a follow-up interview. Ethical restrictions were placed on publishing photographs, limiting the ability to connect visual representations to narratives, which impacted presentation of findings.
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Lorino, Philippe. Postface: A few lines of temporary, exploratory, and practical conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198753216.003.0011.

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The potential to process more abundant data through more sophisticated algorithms reinforces the expectation that situations can be controlled. However, what slips through the net of massive data processing and sophisticated algorithms is a distilled concentrate of radical novelty, puzzling uncertainty, and tangled complexity, for which we might be little prepared since ordinary riddles are increasingly systematically solved by systems and not by us. More than ever, we need to consider situated action as a central object of study, taking seriously its disruptive power and complexity. Pragmatism teaches us how to use sophisticated models without ever forgetting that they are not ontological representations but semiotic mediations, that novelty always pops up when least expected, that there is no susbtitute for life experience, and that others are always the challenging expression of otherness. Governing (rather than controlling) collective action is therefore an endless and often challenging collective meaning-making effort.
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