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Boyé, Philippe. "René Girard et l'évolution". Bordeaux 2, 1990. http://www.theses.fr/1990BOR25101.
Pełny tekst źródłaCarbone, Silvia Maria. "Conversações com René Girard". Pontifícia Universidade Católica de São Paulo, 2014. http://tede2.pucsp.br/handle/handle/2471.
Pełny tekst źródłaConversations with René Girard proposes understanding of the work of Girard in all its complexity. The thesis focuses on analyzing the theory of mimetic desire, the relationship between violence and the sacred, and the need for a scapegoat. Three interwoven, united themes surround all the work of Girard, explained for the first time in the Violence and the Sacred essay considered as one of the pillars of Girardian thought. According to Girard, violence intrinsic to humanity, is the desire to control the violence that establishes the passage of the state of nature to the state of culture. The channeling of violence is vital to the existence of societies - archaic and modern. Girard shows us that the way to control violence is possible only by the institution of the sacred, that is through the atoning sacrifice of the victim. For the author, the desire is always mimetic desire : what is desired by the other subject, which raises the rivalry and consequently the violence that needs to be contained
Conversações com René Girard propõe o entendimento da obra de Girard em toda sua complexidade. A tese concentra a análise sobre a teoria do desejo mimético, a relação da violência com o sagrado e a necessidade do bode expiatório. Três temas entrelaçados, uníssonos que circundam toda a obra de Girard, explicitados pela primeira vez em A violência e o Sagrado, ensaio considerado como um dos pilares do pensamento girardiano. Para Girard, a violência é intrínseca à humanidade, é o controle do desejo de violência que estabelece a passagem do estado de natureza para o estado de cultura. A canalização da violência é vital para a existência das sociedades arcaicas e modernas. Girard nos mostra que a forma de controle da violência só é possível pela instituição do sagrado, que o faz por meio dos sacrifícios da vítima expiatória. Para o autor, o desejo é sempre mimético, desejamos aquilo que é desejado por outro sujeito, o que suscita a rivalidade e, consequentemente, a violência que precisa ser contida
Côté, Louise. "La violence selon René Girard". Master's thesis, Université Laval, 1987. http://hdl.handle.net/20.500.11794/29251.
Pełny tekst źródłaLin, Te-Yu. "Julien Green à la lumière de René Girard". Paris 7, 2008. http://www.theses.fr/2008PA070031.
Pełny tekst źródłaWhile Julian Green's novels had been the object of psychoanalytical interpretation, his writing contains an undecided dimension which resists to these approaches called extra-textual. Although its apparent contour is Freudian, the greenian desire can be compared with the girardian configuration of mimetic desire. Girard's anthropological and literary conception can interpret effectively Green's novels meanwhile this approach intra-textual serves a way to penetrate the core of Green's fictional world. We have tried to investigate the illusion of desire through the Green's characters in light of the Girard's theory and to illustrate the ambiguous relationship between the desiring subject and his mediators. Finally, by implying Girard's theory to study the question of homosexuality, we can realize the sex is rather an illusory and fragile construction, imposed by the society. The girardian lecture, therefore, allows us to reveal the mechanism of the actantial development in Green's fictional world by crossing the ideological mythologies which serve as the composing principle. The relevance of the girardian lecture also resides in our two authors' similar ideal of the function of the fictional writing, demystificator for the theorist, transcendental for the novelist. Ne's terrible loneliness, generates the belief, translates this need to believe in thé other, this other desired, always unknown and in principle unknowable
Grosdanis, Christos. "René Girard et Milan Kundera : connaissance du roman". Paris 7, 2014. http://www.theses.fr/2014PA070031.
Pełny tekst źródłaThis study is about René Girard's and Milan Kundera's essays on the art of the novel. According to these two authors the novel is pre-eminently a source of knowledge. At the first, we attempted to grasp the way in which Kundera and Girard perceive the novel's gnoseological function, as being distinguished, opposed or supplementing to the knowledge within social sciences and philosophy. Secondly, we tried to clarify the prospects that such an idea offers to literary criticism. The dead ends of structuralism and the emergence of the cultural studies force criticism to redefine its own function as well as the function of literature itself. By studying the relations that Girard and Kundera maintain with the literary criticism of the second half of the 20th century, we tried to show that their work can contribute actively to the current debates
Marcireau, Stéphane. "Le christianisme et l'émergence de l'individu chez René Girard". Poitiers, 2011. http://www.theses.fr/2011POIT5007.
Pełny tekst źródłaPeople are subjected to their mimetic desire and as long as they don't experience this dependance, they keep being chained to others who they borrow their desire from. René Girard's anthropology helps us to understand how mimetic desire, rivalry and violence are merged and points out the illusions concerning individual's autonomy. Religion and Politics are directly concerned by the increase of violence and its resorption through a scapegoat held as responsible. But as long as peace is brought back by a unanimous violence directed against a scapegoat, people can't be free. And yet, according to René Girard, the mimetic mechanism has been revealed by Christianity. Christian revelation not only allows us to understand the origin of violence but also gives keys to get rid of it thanks to the conversion and the imitation of Christ. The issue of the rising of the individual gets all the more essential as René Girard notices a growing violence in the world we live in
Meana, Marta. "The problem of modernity in René Girard's theory : a study in pathology and perspective". Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65400.
Pełny tekst źródłaFelipe, Rondinele Laurindo. "Cristianismo e Kénosis: René Girard e Gianni Vattimo em diálogo". Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6019.
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O tema desta pesquisa é a noção de cristianismo no diálogo entre René Girard e Gianni Vattimo. Para tanto, argumenta-se que a ideia central que vincula os dois autores é a compreensão de cristianismo como kénosis (enfraquecimento). Aborda-se essa noção levando em conta a teoria girardiana do sagrado natural. A ideia de sagrado é estruturante, pois, a partir dele, sabe-se que o religioso funda-se na violência humana. O homem é governado por um desejo de apropriação mimética, o que conduz a rivalidades. A violência quando se exasperava nas sociedades primitivas gerava conflitos de tal ordem que se fazia necessário o sacrifício para conter a crise que ameaçava extirpar todo grupo. Do sacrifício expiatório nascia o sagrado que se sustentava nas formas de ritos, interditos e rememoração do sacrifício. O cristianismo, interpretado por Girard e Vattimo, revela e denuncia esse mecanismo fazedor de vítimas, indicando que a vítima é inocente. Portanto, para falar de kénosis e secularização, Vattimo recorre a essa ideia de perda dos elementos do sagrado. Com a dissolução do sagrado, o cristianismo aparece em sua forma enfraquecida (kénosis), sendo a caritas um modo de rejeitar a violência humana.
The theme of this dissertation is the notion of Christianity in the intersection of ideas between René Girard and Gianni Vattimo, focusing on the central idea connecting both authors, which is Christianity as kénosis (weakening). This notion is approached considering Girard's theory about the natural sacred. The idea of sacred is keypoint, because it is the way by which the religious experience is founded on the human violence. Men are guided by a desire for mimetic appropriation, which leads to rivalries. When violence became intense among the primitive societies, it triggered so much disturbance that sacrifice was required to keep the crisis under control in order to avoid the extinction of the whole group. The sacred was born from the expiatory sacrifice, expressing the rites, the interdicts and the remembrance of the sacrifice. Christianity, according to Girard's and Vattimo's perspective, reveals and condemns this process that breeds victims, pointing out that the victim is innocent. Therefore, in order to discuss kénosis and secularization, Vattimo uses this idea of a dicrease in the elements of sacred. With the sacred in dissolution, Christianity assumes its weakened form (kénosis), and caritas becomes a way of rejecting the human violence.
Garcia-Duran, Bayona Francisco Javier. "Mimesi i reciprocitat. René Girard i la nostàlgia comunitària de transcendència". Doctoral thesis, Universitat Ramon Llull, 2015. http://hdl.handle.net/10803/295843.
Pełny tekst źródłaEl núcleo de estudio de esta tesis es el pensamiento de René Girard, situado a lo largo de la segunda mitad del siglo XX: desde Mensonge romantique et vérité romanesque (1961) a Achever Clausewitz (2007). Este pensamiento se va definiendo, a lo largo de la tesis, en dos direcciones: el pensamiento sobre Girard y el pensamiento a partir de Girard. La primera dirección ordena el pensamiento de este autor en tres círculos, ordenados según un criterio cronológico y ––a la vez–– un criterio temático. El primer círculo es el del deseo mimético, que define una historia del deseo que va desde la mediación externa, de la sociedad jerárquica, a la mediación interna, de la sociedad igualitaria. El segundo círculo es el del sacrificio, que explica el origen y la pervivencia del grupo social. El sacrificio permite liberar el grupo de la violencia destructora, a cambio de la muerte de una víctima declarada culpable. El sacrificio pasa del mundo arcaico, mítico, al mundo cristiano, que proclama la inocencia de la víctima y, por lo tanto, la inanidad del sacrificio. El tercer círculo es el de la guerra, de la violencia llevada al conflicto de pueblos, hasta llegar a la conflagración más absoluta y radical, la que significa el final de la historia de los hombres. La segunda dirección propone una lectura de estos tres círculos desde la reciprocidad como categoría, de manera que la reciprocidad es la estructura del deseo mimético (primer círculo), el cristianismo define una nueva forma de reciprocidad, la reciprocidad positiva (segundo círculo) y esta nueva forma de reciprocidad es conclusiva, ya que significa la victoria final sobre la violencia (tercer círculo). Así pues, se cruzan por un lado la historia de los hombres, que tiende a la destrucción, y por otro lado el cristianismo, que tiende a la construcción. Esto es a lo que se llama cruce apocalíptico, que es el momento de la historia donde estamos.
This thesis is focused on René Girard’s thought, located along the second half of the 20th century: from Mensonge romantique et vérité romanesque (1961) to Achever Clausewitz (2007). This thought has been defined, throughout the thesis, in two directions: the thought about Girard and the thought from Girard. The first direction arranges this author’s thought in three circles, ordered according to chronologicals judgements, and – simultaneously – thematical judgements. The first circle is the one about mimetic desire, which defines a story about desire that goes from external mediation, of hierarchic society, to internal mediation, of equal society. The second circle is the one about sacrifice, which explains the origin and social group’s survival. Sacrifice allows the group to be released from destructive violence, in exchange of a victim found guilty. The sacrifice goes from the archaic mythical world to the Christian world, which announces the innocence of the victim and thus, the inanity of sacrifice. The third circle is the one about war, about violence among peoples, getting to the most radical and drastic confrontation, the one which means the end of mankind’s history. The second direction proposes to read the three circles from reciprocity as a category, so that the reciprocity is the stucture of mimetic desire (first circle); Christianity defines a new form of reciprocity, the positive reciprocity (second circle); this new form of reciprocity is conclusive, because it means the final victory over violence (third circle). Therefore, two lines intersect: mankind’s history, which tends to destruction, and Christianity, which tends to construction. This is what is called apocalyptic crossing, history moment we are living in.
Paulmier, Thierry. "Les fondements émotionnels du politique : Essai de théorie politique post-girardienne". Thesis, Paris Est, 2015. http://www.theses.fr/2015PESC0071.
Pełny tekst źródłaThis thesis suggests a double « overtaking » of the mimetic theory developed by René Girard. The first one consists of confronting mimetic theory with the help of the psychology of admiration and envy in order to show how mimetic behaviours proceed mainly from these two emotions. Consequently, mimetism cannot be considered as a primary cause of human behaviour but as a secondary cause, subject to admiration or envy. The second one is more radical. It consists of suggesting a theory of human behaviour more comprehensive than the mimetic theory based not only on admiration and envy but also on fear and filial piety. Based on this anthropology, it is possible to develop an emotional theory of politics, distinguishing four types of hierarchical relationships : the tyrannic power based on fear, governing by threat and punishment and aiming to ensure security to all ; the fascinating power based on envy, governing by seduction and rewards and aiming to ensure priviledges to all ; the virtuous authority based on admiration, governing by example and virtue and aiming to ensure excellence to all ; the pious authority, governing by responsability and self-giving and aiming to ensure communion to all
Björlin, Ola. "Ett problem för varje lösning : Corrymeela Community, René Girard och den mångtydiga mångfalden". Thesis, Mälardalen University, School of Education, Culture and Communication, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-658.
Pełny tekst źródłaAbstract
A Problem to Every Solution
The Corrymeela Community, René Girard and the ambiguous pluralism
The main purpose of this study is to examine how Girard´s ideas of society, culture and
religion have become part of the reflexion in the praxis of Corrymeela Community through the work of Roel Kaptein and how this praxis can shed light over the work with dissonances of faith and values in education in RE, Social Studies and other subjects.
In earlier publications I have studied how dissonances of faith and values can be
understood in educational settings and in connection with issues of interreligious dialogue.
The extensive discussion of how differences in culture, religion and value in a pluralistic
society are to be analysed and treated in pedagogical reflexion seems to increasingly occupy
actors in different parts of the educational system. It is obvious that these issues also are
brought into focus as an important field of research. My main interest in this paper is to study how a reconciliation group in the middle of the conflict in Northern Ireland has developed a view of conflict reason and conflict resolution under the influence of the French researcher René Girard and what aspects of this study that can improve the reflection over pluralism and dissonances of faith and values in everyday praxis in education.
For a period of more than a decade I have been in contact with actors in the peace process in
Northern Ireland in connection to different educational projects. The attempts to analyse the different aspects of ”The Troubles” and the efforts to find ways out of conflicts and civil war are many and the literature on subjects related to these tragic history of social, cultural and religious conflicts is difficult to survey. An interesting and continuing reflexion on conflicts in relation to dissonances of faith and value has been carried out by the ecumenical group “Corrymeela Community”. It has its main centre in Belfast and the members are mainly lay people in different professions. The community is dispersed but meet regularly in the centre of Belfast or in a centre in Ballycastle up at the northern coast.
René Girard is a member of the French Academy. In his books that touch upon Anthropology,
Literature Theory, Philosophy and Theology he defends a hypotheses about “ Things Hidden
Since the Foundation of the World”, as the title reads of one of his books. The conflicts
among men must be understood in the light of a elaborated mimesis-theory, where the desire
to acquire what the Other desires leads to rivalry and scapegoating. Cultures arise through
rules and rituals as a way of structuring social life and thereby avoid the otherwise inevitable
crises that lead to repeated scapegoating of individuals or groups. From analysing myths,
literature of fiction and biblical texts he has developed the hypotheses to illuminate how
conflicts are related to culture and religion.
Lopes, Leandro de Proença. "ESPIRITUALIDADE E PEDAGOGIA DO DESEJO: UM DIÁLOGO ENTRE PAULO FREIRE E RENÉ GIRARD". Universidade Metodista de São Paulo, 2008. http://tede.metodista.br/jspui/handle/tede/489.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
The exploration and the manipulation of desire are some of the main brand of consumption culture. In the societies where predominate this culture, the consumption appears as a humanization criterion, and the meaning of life the ethical-mythical core, around in which society organize itself its the wealth accumulation seek to consume more. Some researches have been demonstrating the holy aspects of this culture, which became a real religion of the everyday life, with its devotions, spiritualities, myths, and rituals. At this same aspect, some studies have been demonstrating how this culture determines the pedagogic projects. Theses arent accidentals studies, because religion and education are essential elements in the origin and upkeep of any culture and human society. However it could also be transformation elements. Paulo Freire emphasize with interest in a Desire Pedagogy creation, and comprehend that the desire theme is extremely important in the improvement fight of social exclusion. But unfortunately he hadnt time to couch such pedagogy. The René Girard work reinforces the thesis that religion is an essential process for the human societies, considering the real function in the culture origin. According to Girard, religion is the humanity educationalist in the humanization and socialization process. And his most notable characteristic is exactly to educate the desire, because, due its mimetic nature, is constantly the violence generator. In the research of relations between Religion/ Theology and Education, recently has been accomplished the presupposed theologies and spiritual studies of the educational offers. Even thought that Paulo Freire and René Girard are at different areas, with different projects, there is lots of convergences aspects between them, some even complementary. The dialog between these two authors shows it very profitable in the theme of desire discussion in relation with the spirituality and education. This work is a try to search elements that promote the elaboration of a Desire Pedagogy starting with the contribution of the Religion Science.(AU)
A exploração e a manipulação do desejo são algumas das principais marcas da cultura de consumo. Nas sociedades em que predomina essa cultura, o consumo aparece como critério de humanização, e o sentido da vida o núcleo ético-mítico em torno do qual a sociedade se organiza é a busca de acumulação de riqueza para se consumir cada vez mais. Alguns estudos têm demonstrado os aspectos sagrados dessa cultura, que se tornou uma verdadeira religião da vida cotidiana, com suas devoções, espiritualidades, mitos e ritos. Da mesma forma, alguns estudos vêm demonstrando como essa cultura determina os projetos pedagógicos. Esses estudos não são acidentais, pois religião e educação são elementos fundamentais na origem e na manutenção de qualquer cultura e sociedade humanas. Todavia, podem ser também elementos de transformação. Paulo Freire acena com o interesse pela criação de uma Pedagogia do Desejo, compreendendo que este tema é de fundamental importância na luta pela superação da exclusão social, o que infelizmente não teve tempo de formulá-la. A obra de René Girard reforça a tese de que a religião é um processo fundamental para as sociedades humanas, considerando sua real função na origem da cultura. Segundo Girard, a religião é a educadora da humanidade no processo de humanização e socialização. E sua característica mais notável é justamente a de educar o desejo, pois, devido a sua natureza mimética, constantemente é gerador de violência. Nas pesquisas sobre as relações entre Religião/Teologia e Educação, recentemente tem sido realizado o estudo dos pressupostos teológicos e espirituais das propostas educacionais. Há muitos pontos de convergência entre Paulo Freire e René Girard, alguns até complementares. O diálogo entre esses dois autores se mostra muito profícuo na discussão do tema do desejo em relação com a espiritualidade e a educação. Este trabalho é uma tentativa de buscar elementos que favoreçam a elaboração de uma Pedagogia do Desejo a partir das contribuições das Ciências da Religião.(AU)
Stork, Peter Robert, i res cand@acu edu au. "Human Rights in Crisis: Is There No Answer to Human Violence? A Cultural Critique in Conversation with René Girard and Raymund Schwager". Australian Catholic University. School of Theology, 2006. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp127.25102006.
Pełny tekst źródłaPitts, Teresa Ann. "Politics as Violence: A Girardian Analysis of Pre-Genocide Rwandan Politics". Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32533.
Pełny tekst źródłaMaster of Arts
Schnuer, Gregor. "Just suffering : a theoretical engagement with the demands of justice". Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/4033.
Pełny tekst źródłaAgne, Alassane Elfecky. "Désir mimétique et immigration : la psychologie interdividuelle de René Girard et les sciences de l'éducation". Paris 10, 1987. http://www.theses.fr/1987PA100164.
Pełny tekst źródłaThis thesis is a study in different terms regarding the classical perception of immigration. Far from having exclusive economic origin, the migratory process is characterized by subtle mechanisms within the desire of movement in the acceptation that René Girard gives through his conception of the psychology between people. Economically speaking, psychoanalytical and historical approaches, allow for a new understanding of this phenomena based on Girard’s model, due to the multidisciplinary methodology which envelops the author's model, contributes to emphasize the complexity which characterizes this topic. Because this immigration, if you risk that analogy, presents a seeming endless search of this topic: there are often new forming difficulties in the study of this migratory phenomenon
Meruje, Márcio Miguel Alexandre. "A violência como Phármakon: entre o (des)velar do segredo cristão e a possibilidade de um novo homem, em R. Girard". Master's thesis, Universidade da Beira Interior, 2009. http://hdl.handle.net/10400.6/1253.
Pełny tekst źródłaBeaumont, Catherine. "A theological engagement with current theories of dissociative identity disorder using the mimetic theory of René Girard". Thesis, Durham University, 2014. http://etheses.dur.ac.uk/10609/.
Pełny tekst źródłaBrito, Melissa Barros 1983. "O bode expiatório de José Saramago : leitura dos dois ensaios à luz da teoria de René Girard". [s.n.], 2014. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270101.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O presente trabalho tem como objetivo analisar a construção do bode expiatório de José Saramago à luz das teorias de René Girard. Para analisar a construção de Saramago, foram eleitos dois de seus romances: Ensaio sobre a cegueira (1995) e Ensaio sobre a lucidez (2004), livros que mantêm entre si uma continuação. O foco desta dissertação está voltado para a personagem mulher do médico, que divide o espaço da narrativa com outros que serão de fundamental importância para o desenvolvimento da trama. É essa personagem quem faz o papel de bode expiatório nas tramas de Saramago. A leitura dos romances de Saramago sob esse viés é possível em razão das teorias e estudos elaborados por René Girard, que procura compreender e teorizar o desejo mimético, a violência fundadora e a escolha (construção) do bode expiatório. As teorias defendidas por René Girard acerca da escolha do bode expiatório ¿ desde o seu surgimento até o seu sacrifício para o surgimento de uma nova sociedade ¿ nos ajuda a compreender os movimentos criados por José Saramago no decorrer dos dois romances e a importância que a personagem mulher do médico tem para ajudar a discutir as relações de poder e, principalmente, para revelar a crítica de José Saramago aos estados tidos como democráticos. Neste trabalho me interessa, sobretudo, observar o percurso desta personagem desde o primeiro romance em que aparece como uma espécie de heroína abnegada até o segundo romance, quando se torna vítima do sistema ¿ portanto o bode expiatório ¿, até a sua execução, e quais são as questões que estão envolvidas na construção criada por Saramago para melhor compreender a crítica aos estados democráticos em suas obras
Abstract: This work aims to analyse the construction of José Saramago¿s scapegoat with the help of René Girard¿s theoretical writings. In order to do it, two novels writen by Saramago were selected: Ensaio sobre a Cegueira (Blindness, 1995) and Ensaio sobre a Lucidez (Seeing, 2004), whose themes derive one from another. The focus is put on the main character, named simply as doctor¿s wife, who shares the narrative space with other characteres responsible for the developing of the plot. It¿s doctor¿s wife who plays the role of the scapegoat in Saramago¿s novels. The reading of both books from the point of view of Girard¿s works is possible because there are a sort of resemblances between the novels and the theory: the mimetic desire, the founding violence e the choosing of the scapegoat are all themes and subjects that belong both to Saramago¿s literature and Girard¿s thought. Finally, the work also wants to understand the trajectory of doctor¿s wife from the first novel, where she shows herself as some sort of unselfish heroine, to the second novel, when she becomes a victim of the political system ¿ therefore, the scapegoat ¿ until her execution. The goal is to reveal what is behind the construction of the character in order to be able to comprehend the critics that Saramago draws to the democratic system in his literary works
Mestrado
Teoria e Critica Literaria
Mestra em Teoria e História Literária
Andersson, Elena. "”En måste dö för folket för att icke hela folket skulle förgås” : Syndabocksmotivet i Birgitta Trotzigs verk En berättelse från kusten". Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-41206.
Pełny tekst źródłaDenna uppsats syfte är att studera syndabocksmotivet i Birgitta Trotzigs roman En berättelse från kusten (1961). Huvudsakligen studeras hur motivet gestaltas i romanen, hur berättelsen leder till förföljelser och det slutliga offrandet samt hur syndabocksmotivet kan relateras till romanhelheten. Jag diskuterar begreppet syndabock utifrån den franska teoretikern René Girard kriterier och stadier. Resultatet visar att kriterierna har uppfyllts och att Girards tre stadier också förekommer i romanens samhälle. Till en början drabbas barn från nästan varje familj av en dödlig sjukdom och det får samhället att långsamt kollapsa. Frustrationen hos folket övergår i ett sökande efter orsaken till sjukdomen, dock inte den verkliga orsaken, snarare ett brott och någon att anklaga. Någon, är inte vem som helst, utan personen har tydliga offermarkörer. Syndabocken Merete är både socialt och fysiskt avvikande och det gör henne till den perfekta syndabocken. Resultatet visar att hennes död blir en rituell försoning som avslutar det rådande kaoset och friar folket får deras skuldkänslor. Motivet är också en del av en större försoningstematik, nämligen ett mönster som kräver lidande och stora uppoffringar för att nå försoning. Både staden och klostrets återupprättelse kräver offrande och både Merete och Apelone lider och dör för att inte hela samhället ska förintas.
SOUZA, GIDEANE MORAES DE. "SILAS MALAFAIA: SEUS DESEJOS E MODELOS Um estudo a partir da teoria do desejo mimético de René Girard". Universidade Metodista de Sao Paulo, 2016. http://tede.metodista.br/jspui/handle/tede/1609.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPq
This dissertation presents the results of research on Silas Malafaia - a well-known lecturer between evangelicals and among non- evangelicals in Brazil that uses the TV feature for about 33 years , where it holds programs with different formats over the years ; and an incisive speech relevant influence on many followers . His preaching condemns abortion , drug use and what sees as increasing the privileges of homosexuals , while he took the theology of prosperity. Using the theory of Mimetic Mechanism René Girard , and studying the context in which it was created and who was related from its beginnings , this research studies the evolution and positioning changes Silas Malafaia and the influence of his desire models. We will analyze in particular the transition to a more conservative theology Assembly of God to join the Positive Confession and Prosperity Theology, and the use of media not only toward Christians, but as a trade tool , which once fought . It started from the hypothesis that Silas Malafaia change his speech and preaching in that it takes as models of desire televangelists American pastors , as Morris Cerullo and Mike Murdock , who work in television media and are considered successful pastors. That the analysis , we differentiate two types of desire models - according to the mimetic desire theory of René Girard - in the life of Silas Malafaia : internal mediation models and external mediation. It is hoped that this work can contribute to the reflections on René Girard 's theory and for studies concerning the Assembleiano Pentecostalism and its various possibilities.
Esta dissertação de mestrado apresenta os resultados da pesquisa sobre Silas Malafaia – um conferencista conhecido entre evangélicos e entre não-evangélicos no Brasil que se utiliza do recurso televisivo há cerca de 33 anos, onde detém programas com formatos diversificados ao longo dos anos; e um discurso incisivo de relevante influência sobre muitos seguidores. Sua pregação condena o aborto, o uso de drogas e o que enxerga como aumento dos privilégios dos homossexuais, ao mesmo tempo em que assumiu a teologia da prosperidade. Usando da teoria do Mecanismo Mimético de René Girard, e estudando o contexto no qual foi criado e com quem se relacionou desde os seus primórdios, esta pesquisa estuda a evolução e mudanças de posicionamento de Silas Malafaia e a influência dos seus modelos de desejo. Analisaremos em particular a sua transição de uma teologia mais conservadora da Assembleia de Deus para adesão à Confissão Positiva e Teologia da Prosperidade, e a utilização da Mídia não apenas voltada para cristãos, mas como ferramenta de comercio, que antes combatia. Parte-se da hipótese de que Silas Malafaia muda seu discurso e pregação na medida em que assume como modelos de desejo pastores norte-americanos teleevangelistas, como Morris Cerullo e Mike Murdock, que atuam na mídia televisiva e são considerados pastores bem-sucedidos. Nessa na análise, diferenciamos dois tipos de modelos de desejo, -- de acordo com a teoria de desejo mimético de René Girard -- na vida de Silas Malafaia: modelos de mediação interna e os de mediação externa. Espera-se que este trabalho possa contribuir para as reflexões sobre a teoria de René Girard e também para estudos concernentes ao Pentecostalismo Assembleiano e suas diversas possibilidades.
Newall, LeVasseur Alison 1959. "René Girard's theory of mimetic desire and Books III and IV of The Faerie Queene". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66259.
Pełny tekst źródłaViard, Bruno. "Mimesis et Agapè : etude sur le lien social à partir de René Girard, Paul Diel et Pierre Leroux". Aix-Marseille 1, 1990. http://www.theses.fr/1990AIX10018.
Pełny tekst źródłaDijoux, Mathieu. "Le chant de la violence collective : l'imaginaire persécuteur dans les versions françaises de la "Chanson de Roland"". Thesis, Université Grenoble Alpes (ComUE), 2015. http://www.theses.fr/2015GREAL012/document.
Pełny tekst źródłaThis doctoral thesis intends to propose a commentary of the Chanson de Roland, based on a meticulous analysis of all the variants which have reached posterity. By paying close attention to the whole of French versions and by refusing to comment the sole manuscript of Oxford, as most of scholars do, we comply with the unsettled nature of medieval poetry and furthermore support the idea that the Chanson de Roland should be considered as a myth. The comparative mythology thus constitutes a main thrust of this work : in the tradition on Indo-european studies as founded by Georges Dumézil, we compare the myth of Roland to the myth of Balder, on a morphological level. The essay of comparative mythology is the first part of our commentary and could be regarded as self-reliant. However, it forms a single entity with the essay of typological comparison which follows. The thesis actually intends to interpret the poem in the light of the theory developed by René Girard, which allows to analyze the aesthetics and the ideology of the chanson de geste in a new light. The poetic of repetition and the art of symmetry are closely linked to the hypothesis of mimetic desire, just like the epic crisis is closely linked to the model of the sacrificial crisis. By studying the anthropological question of violence and the ambiguous figure of mythical warrior, this work combines two approaches, deemed to be irreconcilable and nevertheless complementary, in the sense that they interpret in the same way the ambivalence of epic heroes
Disco, Bernard William. "God's Gracious and Scandalous Gift of Desire: The Liturgy of the Eucharist in Louis-Marie Chauvet's 'Symbolic Exchange' with Jean-Luc Marion's Phenomenology of Givenness and René Girard's Mimetic Theory". Thesis, Boston College, 2019. http://hdl.handle.net/2345/bc-ir:108628.
Pełny tekst źródłaTraditionally, Church teaching has examined the Eucharist in metaphysical terms (‘what is it?’: substance, presence, and causality) and its liturgical celebration as a sacrifice (a re-presentation of Christ’s self-sacrifice on the cross). Prompted by Vatican II’s exhortation to the faithful for ‘full, conscious, active participation’ in the liturgy (cf. Sacrosanctum Concilium 14, 27, 30), this dissertation re-interprets the Eucharistic liturgy and participants’ role in it through the root metaphor of gift: a gift of desire, which impacts participants’ desires, relationships, and selfhood. It proposes a ‘relational approach’ to the Eucharist by asking: What is going on ‘relationally’ in the Eucharistic celebration? How might the Eucharist impact our desire, relations, identity? How does or ought the liturgy of the Eucharist concern relationships between the participants and others? What specifically does the Church celebrate in its liturgy of the Eucharist? Louis-Marie Chauvet’s ‘symbolic exchange’ model of the Eucharistic Prayer, when put in conversation with both Jean-Luc Marion’s phenomenology of gift and René Girard’s mimetic theory, yields an understanding of the Eucharist as God’s gracious and scandalous gift of divine desire. The gift is gracious as an embodied expression of divine love, and also scandalous as it challenges recipients’ autonomy with a radical call to charity demanding an existential response. This dissertation upholds Christ’s self-gift as the ultimate decision to love in a perfect reversal of sacrificial violence, which Christians are called to imitate. It emphasizes the liturgy’s structure as a dynamic event of being encountered by God’s gift of himself and reception of this gift through particular responses. This understanding aims to re-appropriate traditional Catholic teaching on the Eucharist in more contemporary terms. It aims to explain how ‘fully conscious and active participation’ in the sacred mysteries occurs, that liturgy and life may be more richly interrelated
Thesis (STD) — Boston College, 2019
Submitted to: Boston College. School of Theology and Ministry
Discipline: Sacred Theology
Wilmes, Andréas. "Epistémologie du meurtre en série". Thesis, Paris 5, 2014. http://www.theses.fr/2014PA05H013.
Pełny tekst źródłaFrom the late Nineteenth Century, in particular through Richard von Krafft-Ebing’s studies, new concepts have shaped the representations of sexual perversion. The study of the sexual dynamics in homicide cases changes the common methods of crime scene classification. In the Twentieth Century, these historical approaches lead to the study of a rare and particular phenomenon: serial sexual homicide. During the 1980s, the F.B.I dominates the field of practices and knowledge concerning the serial murder issue. Today, that domination is challenged. The F.B.I’s profiling methods are qualified as pseudo-scientific practice. Serial murder is nowadays more perceived as a simple social construction initiated by the Conservative politics of the Reagan years. According to some psychiatrists, the motivational model of the F.B.I has given a misleading picture of serial murder. The aim of the present work is to show that the main issue may not be to deconstruct the F.B.I’s studies, but to compare these first studies with current scientific research. Criminal profiling might be a method whose basic elements are likely to be corrected and completed. In this perspective, competing theoretical models, especially those held by psychoanalysis, also raise a number of difficulties. Of course, the intensity of sadistic fantasies can’t be the only dimension of criminal behavior. But fantasies probably interact with the desires and beliefs of the murderers. If serial sexual homicide appears to be, as most commentators agree, as a series of ritualistic acts, an anthropological approach may be legitimate. From this point of view, concepts such as “psychopathy”, “death drive” or “narcissism” do probably conceal the existence of a scapegoat mechanism by which killers are creating their own religion or mythology
Im, SeongMo. "In search of a nonviolent atonement theory : a comparison of the views of René Girard and Karl Barth on the death of Jesus". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.600633.
Pełny tekst źródłaSoares, Adriana. "ESPIRITUALIDADE E EDUCAÇÃO PARA A LIBERDADE: o opressor hospedado no oprimido de Paulo Freire e a teoria do desejo mimético de René Girard". Universidade Metodista de São Paulo, 2008. http://tede.metodista.br/jspui/handle/tede/485.
Pełny tekst źródłaCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This study discusses the relationship between spirituality and education for freedom from the anthropological perspective of human mimetic desire as key to the understanding of human relations, and spirituality as a fundamental dimension in the engagement in the battle for transformation of society. Through literature search, it is the analysis of the problem identified by Paulo Freire, that the oppressive "hosted" the oppressed represents an obstacle to the liberation, from the perspective of the theory of mimetic desire of René Girard. Works with the hypothesis that this essential element in anthropological thinking of Paulo Freire, forgotten as his pedagogical proposal assumed a character purely on conscience, refers to the dimension of spirituality. Because the distance between utopia of the liberation and the reality, establishes itself the scene of a crisis that falls not only on formal educators, but also on many of those who, at some point in their lives, whether in the battle for the engagement in social transformation. Since the method is well known, and it is acquire consciousness, the fact that the dreamed transformation has not occurred leads the conclusion that something failed in the process.(AU)
Este estudo discute a relação entre espiritualidade e educação para a liberdade, a partir da perspectiva antropológica da natureza mimeticamente desejante do ser humano como elemento chave para a compreensão das relações humanas, e da espiritualidade como dimensão fundamental para o engajamento na luta pela transformação da sociedade. Por meio de pesquisa bibliográfica, procede-se à análise do problema identificado por Paulo Freire, de que o opressor hospedado no oprimido representa um obstáculo para a libertação, sob a ótica da teoria do desejo mimético de René Girard. Trabalha-se com a hipótese de que o elemento antropológico fundamental presente no pensamento de Paulo Freire, esquecido à medida que sua proposta pedagógica assumiu um caráter meramente conscientizador, referese à dimensão da espiritualidade. Diante do abismo que se coloca entre a utopia da libertação e a realidade instaura-se o cenário de crise que recai, não apenas sobre educadores formais, como também sobre muitos daqueles que, em algum momento de suas vidas, se engajaram na luta pela transformação social. Uma vez que o método é sabido, e é conscientizar, o fato de que a transformação sonhada não tenha ocorrido leva a conclusão de que alguma coisa falhou no processo.(AU)
Bourdin, Jean-Marc. "La rivalité des égaux. La théorie mimétique, un paradigme pour l'anthropologie politique ?" Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080047/document.
Pełny tekst źródłaConceived by René Girard, mimetic theory suggests that the equality of conditions, established as a right, exacerbates the rivalry between similar individuals or groups. When the withering away of state sovereignty and the competitive logic of the market economy overlap with the multiplication of conflicts, this rivalry of equals becomes a relevant paradigm.Mimetic anthropology’s ambition – to address contemporary issues better than either idealistic political philosophy or realistic political science –, demands nevertheless to be revisited. The hope to overcome a lack of being, mimetic desire, or one’s desire to become someone else ends up giving way to a contradictory outcome: the disappointment of remaining oneself, the other thereby being perceived as both one’s model and one’s obstacle. For political actors, this desire turns into the claim of the equal power to be, which the promise of citizenship, the right of peoples to self-determination and the state sovereignty over its people and its territory each exemplify. As a modality of the containment of violence, politics could then be analyzed by a non-disciplinary "science of human relationships", implementing a methodological interdividualism. Against the backdrop of unprecedented threats to the survival of humanity, the reciprocity of human relationships casts doubt on the compatibility between the egalitarian project, the quest for identity, and social harmony. These relationships also question the current predominance of competition in the institutions, including political institutions, which has become the paradoxical binding agent between representative governments and the market economy
Chou, Shin-Yi. "Les personnages féminins dans "À la recherche du temps perdu" de Marcel Proust : Étude menée à partir de René Girard et de Marcel Mauss". Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3059.
Pełny tekst źródłaMy research focuses on the female characters in In Search of Lost Time by Marcel Proust from the perspective of the "desire" of René Girard, the "gift" of Marcel Mauss and the "focus" of Gérard Genette. The variable focus in the narrative facilitates the comprehension of all relationships, connections and in particular the passion and the varied emotional projections of the hero for these women. He believes that his dreams will come true through these women. It will be the narrator, another "me" of the hero, who will demystify this feeling. In fact, his satisfaction is not in regard to the women themselves, but to the peripheral qualities that he can find from these women. Girard defends the desire of bad processes, he talks about the mimicry, rivalry and violence in desire which is also from the imagination. Girard's theory of mimetic desire composed of envy, jealousy and helpless hatred corresponds exactly to the unhealthy desire of the young hero for these women. The theory of Mauss regarding mutual recognition as being composed of "three obligations" which constitute a good social relationship. He defends not only the good processes like friendship, love and gift exchange, but also the topic of rivalry. It might seem that these two theories are contradictory, but Desire and the Gift coexist in fact in this novel, we can find them in our new interpretation. The hero's pursuit of friendship and social glory is defeated, however all pages on art shows us the philosophy of Proust, which is not possible by love is possible through literature. In Search of Lost Time is a gift of the author, it's a comprehension all about life
Belajouza, Ramla. "Deceit, desire and the compsons : a girardian reading of William Faulkner's The sound and the fury". Master's thesis, Université Laval, 2012. http://hdl.handle.net/20.500.11794/23433.
Pełny tekst źródłaClosel, Régis Augustus Bars 1985. "Diálogos Miméticos entre Sêneca e Shakespeare = As Troianas e Ricardo III". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270174.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: A presente dissertação tem por objetivo propor um diálogo entre duas obras dramáticas de grande significância, Ricardo III e As Troianas, no cânone de seus autores, respectivamente, William Shakespeare (1564 - 1616) e Lucius Annaeus Sêneca (4 a.C - 65 d.C). A premissa inicial é a relação tradicional entre ambos, que atribui ao tragediógrafo elisabetano uma influência textual, temática e estilística originária do filósofo e tragediógrafo latino. Para o estudo dessas relações, limitadas ao escopo de duas obras, o trabalho foi dividido em três partes. No primeiro capítulo é realizado um percurso sobre toda a historiografia da crítica da influência que Sêneca teria exercido sobre os dramaturgos que escreveram durante a segunda metade do século XVI, na Inglaterra. Observa-se, principalmente, como a visão e a metodologia de se tratar o tema da influência se altera, ao longo dos anos, chegando, por exemplo, a ser negada por alguns críticos durante certo tempo, além da observação do delineamento do próprio objeto. Toma-se o cuidado, durante todo o trabalho de não fazer opção a favor ou negar a presença de Sêneca para não incorrer em extremismos. No segundo capítulo, busca-se, com base nos resultados do primeiro capítulo, a leitura histórica dos elementos temáticos e estilísticos lidos como derivados de ou influenciados por Sêneca. Neste ponto o foco distancia-se do campo de discussão crítica do fenômeno para o campo de crítica histórico-literária e os objetos focados, agora, são exatamente aqueles que anteriormente foram levantados como ?"senequianos". No terceiro capítulo, conhecida a história da influência e tendo sido feita uma gama de opções e leituras sobre a época de Shakespeare, inicia-se a leitura das duas obras. Tal abordagem preambular se fez necessária para que houvesse um embasamento tanto da crítica da discussão da influência, como da leitura histórica da cultura que produziu Ricardo III. Foi feita a opção de seguir com a leitura de René Girard sobre os conceitos de Teoria Mimética e Crise de Diferenças, pois tocam em noções basilares do mundo Elisabetano, apresentando, portanto, uma atmosfera na qual os diálogos poderiam situar relações de aproximação e afastamento entre a dupla de obras escolhida. Observa-se uma leitura mítica, muito rica politicamente, ao trabalhar com a história/mito conhecidos por ambas as obras
Abstract: This dissertation aims to propose a dialogue between two dramatic works of great importance, Richard III and Trojan Women, both canonic for their authors, respectively, William Shakespeare (1564 - 1616) and Lucius Annaeus Seneca (4 BC - 65 AD). The initial premise is the traditional relationship between them, which presupposes that the Elizabethan tragedies have textual, thematic and stylistic influence of the Latin philosopher and tragedian. In order to study these relationships, restricted to the scope of the two referred plays, the dissertation was divided into three parts. The first chapter is about Seneca's influence on playwrights who wrote along the second half of the sixteenth century in England. It focuses mainly the vision and methodology used to study the issue of influence and changes of views over the years, reaching, for example, the fact that the influence was denied by some critics for some time. It also observes the outline of the object - the relation between plays - itself. Along these considerations, I was aware that I should not propose or deny the influence of Seneca in order not to incur in extremism. The second chapter, based on the results of the first chapter, seeks to read the historical interpretation of stylistic and thematic elements as derived from or influenced by Seneca. At this point, the analysis moves away from the critical discussion to approach the field of historical and literary criticism. The focused objects are exactly those that have previously been raised as "senequians", like the blank verse, the tyrant and the presence of ghosts. In the third chapter begins the interpretation of both tragedies. This preliminary approach was necessary in order to have a critical foundation for the discussion of influence, as that one produced by historical reading of Richard III. The mimetic theory of René Girard and the Crisis of Differences offered fundamental notions for the Elizabethan world, which presented interlocution between both tragedies, so that it was possible to examine approaches and distances between the two chosen plays. It was observed a very rich mythical and political relation among the plays using the known versions of history/myth
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Lagacé, Jovanie Christine. "Désir, honte et dégoût : émotions et relations humaines". Thesis, Université d'Ottawa / University of Ottawa, 2012. http://hdl.handle.net/10393/20631.
Pełny tekst źródłaBarber, Benjamin. "Byron's Shakespearean Imitations". Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/35328.
Pełny tekst źródłaDesautels, Claudine. "L'utilisation des oeuvres d'art dans la publicité". Master's thesis, Université Laval, 1995. http://hdl.handle.net/20.500.11794/22978.
Pełny tekst źródłaFERRARIO, STEFANO. "ORGOGLIO. MIMESI. INFANZIA. RENE' GIRARD". Doctoral thesis, Università Cattolica del Sacro Cuore, 2021. http://hdl.handle.net/10280/98186.
Pełny tekst źródłaAnalysis of the intellectual path of René Girard, with particular attention to ethical themes (pride, mìmesis, childhood) of his production
Berg, Daniel. "The Sins of Boromir : Representations of Sin in J.R.R. Tolkien's Lord of the Rings". Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-38817.
Pełny tekst źródłaLee, Poong-In. "Redeeming sacrifice : reading Hebrews with Rene Girard". Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.543653.
Pełny tekst źródłaVirguetti, Villarroel Pablo. "Le rapport mimétique dans l’œuvre de Roberto Bolaño". Thesis, Bordeaux 3, 2017. http://www.theses.fr/2017BOR30035/document.
Pełny tekst źródłaIn this work we analyze the link between the subject and mimetic desire in the works of Chilean writer Roberto Bolaño (1953-2003). The concept of mimetic is closely related to the notion of desire. In fact, for French thinker René Girard, the individual doesn’t desire by himself, but he imitates a “model”. Desire is thus determined by the mediator. This type of desire operates in an unconscious way, because the subject is confident about the autonomy of his choice. French psychanalyst Jacques Lacan enhances this theory in a typically Hegelian way: the desire of recognition. For Lacan, the individual projects himself in a fixed image (called by Lacan the Imaginary); this fixation assails him in the form of a drive. Here mimetic desire is doubled: it doesn’t only imitate models to try to match with this fixed image, but also aims its effort to be recognized by others. Our work uses this methodological approach to study the works of Roberto Bolaño. Bolaño, one of the most important Hispanic American writers of the last years, puts the issue of the autonomy of the subject in the heart of his writings. This topic is mainly noticeable at the two main themes of his work: art and Evil. As a matter of fact, Bolaño’s writings always highlight the struggle of the artist who wants his autonomy recognized by the Other (for this reason, Bolaño’s artists are often members of the avant-garde, thus opposed to tradition). Correspondingly, violence can be caused in one hand by mimetic desire (rivalries provoked by an erroneous interpretation of desire’s nature: the Other is saw more as an obstacle for desire’s satisfaction than its mediator) or, on the other hand, by acts that meet the obsession of a lack: one that generally consist in a drive (originated in the Imaginary) that can’t be satisfied
Taylor, Simon J. "Sacrifice, revelation and salvation in the thought of Rene Girard". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312665.
Pełny tekst źródłaAvery, Vanessa Jane. "Jewish vaccines against mimetic desire : Rene Girard and Jewish ritual". Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14604.
Pełny tekst źródłaSilva, Pedro Sette Câmara e. "Ler e usar a literatura: alguns artifícios para o envolvimento do leitor". Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=9309.
Pełny tekst źródłaIn this dissertation we investigate how fiction involves the reader. Starting Callimachuss rejection of Homer, we note that the supposed diference between the literature favoured by the public at large and the literature preferred by critics is actually twofold. First, critics read for business and the public reads for pleasure. Second, as proposed by C.S. Lewis, there is a distinction between the reception and use of literature. In reception, a work tends to be admired in itself, whereas in use it becomes a mere support for a sort of daydreaming in which the readers own desires are vicariously satisfied. We discuss this daydreaming called egotistic castle-building by Lewis, highlighting its morbid variant, which finds a parallel in the Girardian notion of the angelic double, developed from a reading of Proust. Now, as egotistic castle-building in its turn depends on sympathy as defined by Adam Smith, a concept which includes moral approval, we investigate the types of characters who obtain the moral approval of readers, contrasting the warriors from Homers poems with Christian knights in order to show that Christianity directs moral approval towards the victims. In a Christian society, fictional heroes must be people who are persecuted or at least marginalised.
Aubin, Ludovic. "PARADOXES, APORIES ET CONTRADICTIONS AU COEUR DU PARADIGME DU DEVELOPPEMENT DURABLE ETUDE D'UN CHAMP INSTITUTIONNEL DE LA REGION METROPOLITAINE DE RECIFE ET DE LA ZONE DE LA FORET ATLANTIQUE DU PERNAMBOUC, BRESIL". Phd thesis, Université Panthéon-Sorbonne - Paris I, 2012. http://tel.archives-ouvertes.fr/tel-00983881.
Pełny tekst źródłaStork, Peter Robert. "Human rights in crisis: is there no answer to human violence? A cultural critique in conversation with Rene Girard and Raymund Schwager". Thesis, Australian Catholic University, 2006. https://acuresearchbank.acu.edu.au/download/441cb0e432b7618b6781ec8393b5edd6bf72c1ba7f9d70f6851ef816ed43bd4c/2145141/65100_downloaded_stream_325.pdf.
Pełny tekst źródłaLeon, Vegas Carolina. "Ausencia, prohibición y carencia : Estudio de los personajes y el deseo frustrado en tres obras de García Lorca". Doctoral thesis, Högskolan Dalarna, Spanska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-6466.
Pełny tekst źródłaCorreia, Paulo Petronilio. "Agö, orixá! gestão de uma jornada afro-estética-trágica : o relato de um aprendizado e de uma formação pedagógica vivida no candomblé". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/56435.
Pełny tekst źródłaThe Thesis discusses about the esthetical, ethical and pedagogical aspect of Ilê axé Oyá Gbembale in Goiânia. It purposes to comprehend the "Yard of Ritual" of Candomblé as a space for learning, where the tragic gets an outline by its plasticity, movement and complexity which fills up the Holy People everyday and life. Thus, education according to Axé gets a political and epistemological dimension while the voices of the "Yard of ritual" reveal themselves forming ethics and esthetics of being - together, building the pedagogy that is constituted through the living and sharing experience with the tribe of Candomblé. It intensifies like this, the links among the several aspects of the pedagogical initiation, of mimetiza, giving appearance to this tragedy that turns Candomblé a vital space, happy and festive, establishing then a viscosity in the human relationship as a product of the pedagogical, ontological and existential relationship between "Parents and Children from Saints". However, the Thesis studies about a description which testifies a gestion of a life and of the dionysical relationship that I established with the Holy People, it starts from the journey that I went through since my pedagogical-process-of-initiation, handing me over this sensibility before the signs of Candomblé. Thus, I try to decipher the mythological and sacred space of the Orixás. I purpose, in other words, to show the voice of the "Yard of ritual", into a magic as a result of the human conjunction that is formed inside the "Yard of ritual" and that turns this religion a true art work. I establish a mixing up among the Philosophical Anthropology and the Education, going into the theorical cross-roads of Michel Maffesoli, Martin Heidegger, Edgar Morin, Georges Balandier, Nietzsche, Deleuze, Gilbert Durand e René Girard.
Kirwan, Michael Joseph. "Friday's children : an examination of theologies of martyrdom in the light of the mimetic theory of Rene Girard". Thesis, Heythrop College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287926.
Pełny tekst źródłaGanjedanesh, Farhang. "The sacred law: the philosophical origin of René Girard's scapegoat mechanism and Giorgio Agamben's «Homo sacer»". Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121457.
Pełny tekst źródłaEn dépit de la croissance de la laïcité après Le siècle des Lumières dans les sociétés occidentales et son impact sur la structure juridique de ces sociétés, si le système juridique a été dépouillé de la pensée religieuse est une question qui n'est pas encore résolu. L'idée du sacré comme l'un des éléments de la pensée religieuse est un sujet que de nombreux juristes et sociologues prennent en considération dans leurs études sur la relation entre la religion et la loi. Depuis dix-neuvième siècles, de nombreux penseurs tels que William Robertson Smith, Emile Durkheim et Marcel Mauss ont étudié l'impact du sacré sur la vie sociale et l'a placé au centre de l'ordre social. Pourtant, ces théories contribuent à la complexité de la question mentionnée ci-dessus. Au XXe siècle, deux auteurs, René Girard et Giorgio Agamben a abordé le sujet de la corrélation entre la loi et le sacré. Alors que René Girard, similaire à Émile Durkheim, perçoit le sacré comme une idée religieuse qui constitue l'origine de la vie sociale, Giorgio Agamben s'oppose à toute narration religieuse du sacré et le définit comme un phénomène juridico-politique, qui est exclu de deux lois divines et humaines. Cependant, ces deux penseurs partent des théories d'autres savants tels que Durkheim, car ils croient que le sacré comme l'origine de la loi appartient à une zone originaire dans lequel les relations humaines sont régies par la violence. L'usage de la violence permet à la structure juridique de s'imposer sur la vie des êtres humains. Ainsi, étant donné que Girard, contrairement à la formulation d'Agamben, identifie le sacré avec la religion, la question principale de la présente étude est de savoir s'il est possible de concilier leurs théories du sacré, et de déterminer si l'idée Girardien de la religion a une affinité avec l' nature juridique du sacré qu'Agamben propose. Afin de répondre à ces questions, les premiers écrits de Girard et Agamben qui appartiennent à la critique littéraire et esthétique moderne sont pris en considération parce que ces études littéraires et esthétiques présentent des thèmes tels que la fondation négatif de l'humanité qui qui jouent des rôles fondamentaux dans leurs théories du sacré. En plus de leurs études littéraires et esthétiques ont des racines philosophiques qui créent un lien entre ces théories. Compte tenu de la proximité de leurs premiers écrits, on peut soutenir que, en dépit de leurs différentes méthodes, leurs théories du sacré se réfèrent à la même origine violente de la loi, qui appartient à une zone d'indistinction entre le droit et la religion.
Skarström, Hinojosa Kamilla. "A synchronic approach to the Serek ha-Yahad (1QS) : from text to social and cultural context". Doctoral thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-119801.
Pełny tekst źródłaConnelly, Susan Clare. "Seeing through violence: a theological understanding of the relationship between East Timor and Australia 1941-1999, in the light of René Girard’s mimetic theory". Thesis, Australian Catholic University, 2017. https://acuresearchbank.acu.edu.au/download/4170c964ced81f73566566638e6bb0df586ec97059a0c85b2f2fc6aee0679ffe/2314849/Seeing_through_violence__a_theological_understanding_of_the_relat.pdf.
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