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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 31 lipca 2024

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1

Juknytė, Ernesta. "Modern religious consciousness in Lithuanian exodus poetry". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100426_163046-20195.

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Brand, Prudence. "Emily Pfeiffer and Victorian women's religious poetry". Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/6766393a-e1ab-a987-0223-0460c5622c28/8/.

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As a Christian, Emily Pfeiffer (1827-1890) saw women's fight for emancipation as a crusade that transcends the earthly state. Yet, although her poetry was well-received during her life-time, Pfeiffer remains obscure. In order to challenge values that may have helped to perpetuate Pfeiffer's non-canonical status, I examine Pfeiffer's poetry against a broader definition of religious practice and worship than was traditionally applied to Victorian women's poetry. Responding to a recent re-evaluation of the criteria for what constitutes nineteenth-century religious literature, I demonstrate that Pfeiffer's poetry occupies a unique position in the canon of Victorian women's religious poetry. To determine what made Pfeiffer such an original thinker, my research considers childhood experiences from which the psychological imprint nev~r faded. In order to compensate for losses and disappointments, Pfeiffer learned to channel her frustrations into her poetry early in life. A Central Anglican, Pfeiffer belonged to a declining strand of the Established Church during a period when other branches of Christianity were expanding.

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3

Mandal, Umesh Chandra. "Religious thoughts in T S Eliot`s poetry". Thesis, University of North Bengal, 1992. http://hdl.handle.net/123456789/1150.

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Updegraff, Derek Kramer Johanna Ingrid. ""Fore ðære mærðe mod astige" two new perspectives on the Old English Gifts of men /". Diss., Columbia, Mo. : University of Missouri--Columbia, 2008. http://hdl.handle.net/10355/5623.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on October 6, 2009). Thesis advisor: Dr. Johanna Kramer. Vita. Includes bibliographical references.

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5

Buuren, Martinus Johannes Joseph van. "Waiting : the religious poetry of Ronald Stuart Thomas, Welsh priest and poet /". [S.l. : s.n], 1993. http://catalogue.bnf.fr/ark:/12148/cb35619867z.

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6

Crouse, Jamie S. "To enlarge the sphere of religious poetry : the rise of Victorian women's religious verse". Thesis, University of Kent, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544026.

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7

Cooper, Ian David. "Poetry, idealism and religious thought from Hölderlin to Eliot". Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614248.

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8

McIlvanney, Liam. "The poetry of Robert Burns in its religious context". Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339044.

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9

Bateman, Vivienne Margaret. "The themes and images of classical Gaelic religious poetry". Thesis, University of Aberdeen, 1990. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU032963.

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The thesis is an examination of all the published religious Gaelic poetry composed in syllablic metres. An analysis of its themes and images reveals the theological concepts of the poets and the mechanisms by which these were forged into a distinct genre of poetry. A legal metaphor forms the basis of the sociology of the poets. They held that mankind will only be redeemed by the Passion if Christ's claim for His blood-price can be met at Doom. This can only be achieved if Christ deems that mankind's debt to Him is cancelled out by the debt He owes to our kinswoman, the Virgin Mary, for having raised Him and suffered on His account. Both the ambivalence of the consequences of the Passion and the all-importance of kinship in our hopes for redemption are extensions of orthodox Catholic thinking. The corpus of poetry is remarkably homogeneous. Exceptions are the occasional and anti-clerical poems and those growing out of personal circumstance. By and large, difference in tone is seen to accord with difference in subject-matter, rather than with the feelings of the individual poet or with changes in influence over the period. Most poems contain several themes and several changes in tone, held together by a unifying metaphor. New poems are made by the reworking and rearranging of a limited scope of themes and images. The thesis, in the main, is concerned with relationships within the corpus of Classical material. However, references are also made where possible to the Gaelic poetry preceding the Classical period and to medieval thought in general. It is hoped that the thesis may be useful in doing further research aimed at placing the Classical Gaelic religious poetry in its European context.

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10

Buckner, Elisabeth. "Superior Instants: Religious Concerns in the Poetry of Emily Dickinson". TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2195.

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When I decided to write a thesis on Emily Dickinson's poetry, my intention was to show that she did, indeed, implement a concrete philosophy into her poetry. However, after several months of research, I realized that this poet's philosophy was ongoing and sometimes inconsistent. Emily Dickinson never discovered the answers to all of her religious and spiritual questions although she devoted her entire life to that pursuit. What Dickinson did discover was that orthodox religion had no place in her heart or mind and she must make her own choices where God was concerned. Immortality was an intense fascination to Emily, and many of her poems are related to that subject. In fact, the majority of Dickinson's poems deal, in some way, with spirituality. Emily Dickinson is a poet who deserves to be studied on the basis of her philosophical pursuits as well as her style. Dickinson scholarship has improved in the past several decades; however, Emily Dickinson has yet to receive the attention she deserves as a philosopher and thinker.

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11

Dunlop, John Sergius. "Reading Scripture and creation St. Ephrem's theological poetry /". Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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12

Dawkins, Thom. "Rejoice in Tribulations: The Afflictive Poetics of Early Modern Religious Poetry". Case Western Reserve University School of Graduate Studies / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=case1562630899327406.

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13

Dyer, Gregory A. "Playing Jonah's Hand: Poems". Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2472/.

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Playing Jonah's Hand: Poems is a collection of poems with a critical introduction. The introduction consists of two independent essays, both of which examine intersections between poetry and Christian theology. In the first essay I identify the imaginative faculty as the primary source of agency for the speaker in John Donne's "Holy Sonnets." Working upon Barbara Lewalski's assertion that these sonnets represent "the Protestant paradigm of salvation in its stark, dramatic, Pauline terms," I consider the role of the imagination in the spiritual transformation represented within the sequence. Donne foregrounds a Calvinistic theology that posits both humanity's total depravity and God's grace and mercy as the only avenue of transcendence. Whatever agency the speaker exhibits is generated by the exercise of his imagination, which leads him to a recognition of his sinfulness and the necessity of God's grace. In the second essay I investigate the presence of a negative theology within "Lachrimae, or Seven Tears Figured in Seven Passionate Pavans," a sonnet sequence by Geoffrey Hill. In this sequence, Hill demonstrates the possibilities that surface through an integration of negative theology with postmodern theories of language, both of which have been influenced by the philosophical writings of Martin Heidegger. The two inform and transform each other while producing a tension that is productive ground for poetry. The main body of the manuscript includes a collection of poems built upon thematic parallels with the Biblical account of Jonah, acknowledging the character's continued frustration with God in Chapter Four of Jonah, which is commonly forgotten in popular and religious representations of the story. The four sections in the manuscript include poems that struggle to negotiate the tensions between the will of a compelling God and the will of the individual.

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14

ROWE, Noel Michael. "THE WILL OF THE POEM: Religio-Imaginative Variations in the Poetry of James McAuley, Francis Webb, and Vincent Buckley". University of Sydney, English, 1988. http://hdl.handle.net/2123/404.

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While considering the work of James McAuley, Francis Webb and Vincent Buckley, this thesis concentrates on the religious character of their poetry. Since it assumes that religious language is primarily metaphorical (as distinct from dogmatic), the thesis describes the poetry by way of its religio-imaginative relationships and structures. James McAuley's poetry is religious, not so much because it is Catholic, as because it voyages between despair and hope, believing always in the reasoned will. Francis Webb's poetry, continually discovering glory in dereliction, dramatises the revelatory and redeeming power of the rejected ones - and so works within the 'Suffering Servant' model of 'Isaiah'. While Vincent Buckley's poetry gradually abandons Catholic language in favour of its own 'idiom of sensation', the religious quality of that sensation is discovered more in liminal than in paradisal possibilities - in the way 'holy spaces' are always in some sense expatriate ones. Since each of these poets belongs in the period of Vatican II Catholicism, the thesis next relates their work to that context. Here, however, it searches for imaginative connections and disconnections by setting up its comparison on the basis, not of dogmas, but of models. Finally, the thesis interprets Webb's 'Eyre All Alone' as a search for renewed religious language, returning to its opening assumption that religious language is primarily metaphorical.

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15

Brewster, Richard. "'Unhappily in love with God' : conceptions of the divine in the poetry of Geoffrey Hill, Les Murray and R.S. Thomas". Thesis, Durham University, 2002. http://etheses.dur.ac.uk/4120/.

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This thesis looks at the poetry of three markedly different contemporary poets, Geoffrey Hill, Les Murray and R. S. Thomas. They are linked by at least tacit belief in Christianity and the Christian world-view, and this belief shapes everything they write, whether explicitly 'religious' or otherwise. My focus throughout the thesis is on Hill, Murray and Thomas's differing conceptions of God, and my explorations of their poetic and religious stances take God as both their starting point and destination. The opening chapter is a general introduction to the possibilities of religious poetry in the modern world, before turning, in chapter two, to Hill, Murray and Thomas themselves and an identification of their religious concerns and sensibilities. The remaining thematic chapters concern themselves with Hill and Murray's explorations of suffering and evil, post-1945; the place of humour and laughter in the religious visions of Murray and Hill; Murray's remarkable sequence of animal poems, 'Presence'; and the figure of Christ in the poetry of Thomas. I conclude with a discussion of T. S. Eliot's misgivings concerning religious poetry, and how Hill, Murray and Thomas avoid writing the limited poetry he identifies. My method throughout is to base my discussion of these three poets on close readings of their individual poems.

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16

Robidoux, Ken. "Sufficient grace poems /". Morgantown, W. Va. : [West Virginia University Libraries], 2005. https://etd.wvu.edu/etd/controller.jsp?moduleName=documentdata&jsp%5FetdId=3926.

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17

Welch, Mary T. "Early English religious literature : the development of the genres of poetry, narrative, and homily /". Read thesis online, 2009. http://library.uco.edu/UCOthesis/WelchMT2009.pdf.

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18

Pryce, Robin Mark. "The poetry of priesthood : a study of the contribution of poetry to the continuing ministerial education of clergy in the Church of England". Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5772/.

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This thesis represents a qualitative empirical investigation into “What is the contribution of poetry in clergy continuing ministerial education (CME) in the Church of England?” offering a sustained theological reflection on my professional practice as Bishop’s Clergy CME Adviser. Taking an ethnographic approach within a practical theological framework, I studied four facilitated clergy groups reading pre-selected poems and reflecting on personal experience of ministry in response. Research reflexivity was ensured through multiple methods, including auto-ethnographic poetry. The research shows that the affective character of poetic form and language stimulates emotional response in the critical appreciation of practice, sustaining diverse interpretations simultaneously, benefiting collegial clergy reflective practice through corporate construction of meaning. The effectiveness of appropriate ground-rules for small groups is recognised. The impact of historical-critical approaches in clergy hermeneutical strategies for reading privileged texts is acknowledged. I conclude that in facilitated group settings selected poetry offers clergy a generative space for reflection on ministry, suggesting poetry as a trans-disciplinary resource in reflective practice requiring refinement of pedagogy to take account of literary characteristics and participant hermeneutical approaches, developing a more critical approach to the use of poetry in clergy CME and Continuing Professional Development (CPD) more generally.

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19

Longfellow, Erica Denise. "A misterie perhaps too deepe : mystical marriage in women's religious poetry, 1610-1681". Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365572.

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20

Goodson, Paul Richard. "The significance of music in the life and religious poetry of Christopher Smart". Thesis, University of Edinburgh, 1985. http://hdl.handle.net/1842/19805.

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21

Petrosky, David. "Studies in the politico-religious ideology of French poetry Middle Ages and Renaissance /". [Gainesville, Fla.] : University of Florida, 2009. http://purl.fcla.edu/fcla/etd/UFE0024731.

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22

Clark, Heather Joy. "Bright wonder an investigation of the spirituality of poetry and an exploration of seasons /". Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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23

Mott, Shelagh Jennifer Clare. "William Wordsworth's combined aesthetic religious and imaginative development in the successive texts of The Prelude between 1798 and 1805". Thesis, University of Reading, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363458.

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24

Smith, Gregory Brian, i res cand@acu edu au. "Images of Salvation: A study in theology, poetry and rhetoric". Australian Catholic University. School of Theology, 2007. http://dlibrary.acu.edu.au/digitaltheses/public/adt-acuvp144.17052007.

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Humankind yearns for reconciliation, fulfilment and salvation, and the human heart has always sought deliverance from negative forces. In particular, this yearning for salvation is most apparent when poets envisage such yearning in living situations and in recognisable life circumstances. Reading them shows how the quest for salvation is being achieved in daily steps that incarnate movements of hope and a contesting of despair. This dissertation captures some significant images of salvation expressed in selected Australian poetry. It argues that what is classically called final salvation is imaged in the trope of transcendence in poetry. Because the concept of salvation both indicates the right path and promises a way of liberation and fulfilment, gaining salvation is not an escape from the world, but rather an engagement with it, through just and humane actions. The study’s poetic selections image salvation as redressing wrongs, regenerating the land, seeking new life, and envisaging better states of affairs. This dissertation functions at the interface of theology and poetry. It shows how a reader in the Christian community may identify some key images in public poetry as foreshadowing religious salvation. This is possible because, like the poet engaging in an aesthetic experience, the believer brings a remarkable openness to reality in the exercise of the religious imagination. This analogical imagination identifies images in poetry that do touch the human spirit in deeply spiritual ways. The study employs the competence of methodical hermeneutic interpretation. It proceeds as an aesthetic-theological reading employing critical-analytical scholarship. Rather than attempt a formal explication of authorial intent, the hermeneutic reads in a careful excavation of the poems for those significant “scraps of experience” that coax the imagination towards hope in the mystery of salvation. The dissertation approaches the poetic texts using “Christian literary theory” as its hermeneutical framework. The dissertation presents readings of selected poetry and prose of three celebrated Australian voices, Judith Wright, Les A. Murray and David Malouf. The study’s primary data are their poetic images recognising and affirming the dream of transcendence embodied in human happiness, moments of rescue and relief, events of forgiveness and transformation, and insights for a better life for humans and the planet. The study shows how poetical insights image partial fulfilments in transcendent perceptions, transformed personal destinies and envisaged social reforms. This exercise in contextual theology searches for depth and perennial resonances that sustain Australians in their culture. The discussion is especially concerned with the poetic use of the trope of hope and its effects, and especially with the power of metaphor for accessing the sublime. The study distils ten virtues for salvation from the readings of the selected poems as pathways for implementing salvation in the world. The study presents poetic images of promise, rescue and transformation that refresh discourses regarding salvation.

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Tocheva, Polya. "The Language of Man and the Language of God in George Herbert's Religious Poetry". Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/TochevaP2003.pdf.

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Treherne, Matthew James. "Liturgical imaginations : narrative, ritual and time in the religious poetry of Dante and Tasso". Thesis, University of Cambridge, 2007. https://www.repository.cam.ac.uk/handle/1810/284075.

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Sibson, Carol Anne. "‘Þys tale rymeth hou men in senne beþ’ : a study of vernacular verse pastoralia for the English laity c.1240 - c.1330". Thesis, Queen Mary, University of London, 2013. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8631.

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The Fourth Lateran Council of 1215 promoted regular and effective religious instruction for the parish laity. This was facilitated by the development of preaching and instructional texts – works known as pastoralia – which proliferated throughout Europe. This dissertation explores the phenomenon of vernacular pastoralia written in rhymed verse, works intended for oral performance to a lay audience. My focus is on the work of four writers of sacramental instruction in Anglo-Norman and Middle English. The earliest text considered is the Anglo-Norman Corset, written circa 1240-50 by Robert the Chaplain. The other three authors were more or less contemporary, all writing in the late-thirteenth or early-fourteenth centuries. I examine three penitential poems by the Franciscan friar, Nicholas Bozon: Pus ke homme deit morir, Tretys de la Passion and Le char d’Orgueil, and then Handlyng Synne by the Gilbertine, Robert Mannyng. I finally consider the religious poems of William of Shoreham, a vicar in rural Kent, concentrating on De septem sacramentis and On the Trinity, Creation, the Existence of Evil, Devils, Adam and Eve. While all these writers confronted the challenges of providing religious instruction for the laity, their efforts also reflected a concern with social issues and an awareness of the literary nature of their verse enterprises. The texts frequently employed poetic or fictive devices found in popular literary genres and, whilst these illuminated and entertained listeners, they sometimes rendered the teaching obscure. The meeting of sacramental exposition, social discourse and literary invention resulted in complex textual interplay and tension, as well as in memorable formulations of faith. This dissertation considers the content of verse pastoralia in their historical context and aims to assess how the texts may have been received and understood by parishioners in thirteenth- and fourteenth-century England.

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Ortuno, Casanova Rocío. "Mitos cristianos en la poesía no religiosa del grupo del veintisiete". Thesis, University of Manchester, 2010. https://www.research.manchester.ac.uk/portal/en/theses/mitos-cristianos-en-la-poesia-no-religiosa-del-grupo-del-veintisiete(48dbdff6-5516-4d01-9bb1-1e8224e69f94).html.

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The exploration of Christian myths as literary resources in the work of Spanish poets writing between 1920 and 1944 has to date been attempted by scholars focusing on the works of individual poets, notably Luis Cernuda and Lorca. In this doctoral thesis, I aim to cover one of the few gaps in the criticism of this period by pointing to the use of Christian myths by a range of poets working with a similar intention, and within a common heritage. The Christian myths that I shall examine here, are approached in two different ways: firstly structurally, analysing them as Biblical references and fragments of myths –using Strauss’ nomenclature ‘Gross Constituent Units’—which appear decontextualised in many of the works, with a non-religious intention, that is, as a metaphor for something else. Secondly, thematically, by suggesting that there are four mythic topics common to many of the poets writing at those times, which are: creation by means of the word; the loss of Paradise; suffering; and the announcement of a new world to come. Through these myths, the poets reflect an evolution in their lives and Poetics. A phenomenological perspective is adopted in order to explain the role of the myths in the poems and to trace common grounds through the myth among the poets and as continuators of a Western poetic tradition since Romanticism (Prieto de Paula, 2002:59).The story line that these four topics constitute is very similar to the Romantic plot that M. H. Abrams had defined for the British Romantics and that Philip Silver and Derek Harris had already applied to the poetry of Luis Cernuda. This mirroring of the myth in the British and German Romantics has led the thesis towards a contextualisation of the work of the poets of 1927 in the modern Western literary tradition. They are seen in this specific context of practice as inheritors of a line which goes from European Romanticism, through the Modernism, Symbolism, Pure Poetry, and Avant-garde to the group of 1927, and therefore they are expressing typically modern topics by means of religious images and myths. As well as those conventionally studied as belonging to the “Generación del veintisiete”, the thesis discusses Ernestina de Champourcin, Elisabeth Mulder, Lucía Sánchez Saornil, Ana María Martínez Sagi and Rosa Chacel, and proposes a new way of seeing the group of poets writing between the 20s and the Civil war and after this in the exile as a new expression of the same Modernity.

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Barker, Simon John. "Probing the god-space : R.S. Thomas's poetry of religious experience, with special reference to Kierkegaard". Thesis, University of Wales Trinity Saint David, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683109.

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30

Ross, Sarah C. E. "Women and religious verse in English manuscript culture c1600-1688 : Lady Anne Southwell, Lady Hester Pulter and Katherine Austen". Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365585.

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Featherston, Daniel Rex. "Radical Law: Anarchism & Myth in the Poetry of Robert Duncan". Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/195774.

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Radical Law: Anarchism & Myth in the Poetry of Robert Duncan investigates the relationship between religious and political radicalism in the poetry and poetics of San Francisco Renaissance poet Robert Duncan (1919-1988). I argue that Duncan draws on a nexus of religious and political "heresies" (e.g., Gnosticism, anarchism) to create a complex ethical vision of individual freedom and communal interdependence, what the poet called a "symposium of the whole." As my argument demonstrates, Robert Duncan's mytho-anarchism serves as a critique of twentieth-century political ideology, as well as the cultural politics of such precursors and contemporaries as Walt Whitman, Ezra Pound, Charles Olson, and Denise Levertov.

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McReynolds, Susan. "The weave of myth and history : Irish women's poetry as an arbiter of feminist critical differences". Thesis, University of Ulster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287131.

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Seal, Jill. "Psalms, sonnets and spiritual songs : some traditions and innovations in English religious poetry, c. 1560-1611". Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363689.

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34

McCullough, Eleanor G. ""Except you ravish me" [microform] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric "In a valey of this restles mynde" /". Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p048-0326.

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35

Sayuti, Najmah. "The concept of Allāh as the highest God in pre-Islamic Arabia : a study of pre-Islamic Arabic religious poetry". Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30215.

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The ancient Arabs used poetry not only to entertain themselves in the midst of their harsh life in the Arabian desert, but also to proclaim their cultural values, which were the moral-spiritual and material basis of their nomad society. Composing poetry therefore was almost a sacred rite for them. Its recitation in particular, was a main feature of certain ritual customs held annually during the aswaq (sg. suq , festival) season. The most common themes touched upon were the attributes of which a tribe may have been particularly proud, such as its victories and generosity to the vanquished, the bravery of its heroes in battle and on hard journeys, the beauty of its women and of nature, the genealogy of the tribe, and prayers to the Almighty.
Through verse the ancient Arabs expressed how they conceived of their deities, whether, idols representing various gods and goddesses, or Allah. These verses make it clear that Allah alone was not represented by any idol, allowing us to infer that He was regarded as superior to other deities. This thesis, therefore, attempts to show how the ancient Arabs expressed through poetry their belief in Allah as the Lord of Gods, which was the true nature of their ancestral belief, the h&dotbelow;anifiyya, the religion of their forefathers Abraham and Ishmael.

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36

Sadedin, Ann. "The uncentred self : image and awareness in the Middle English religious lyrics /". Connect to thesis, 1995. http://eprints.unimelb.edu.au/archive/00000220.

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AlFitouri, Suaad Ahmad Eltayef. "Aspects of the religious and mythological dimensions of pre-Islamic poetry with special reference to the mu'callaqat". Thesis, SOAS, University of London, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430804.

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38

Mickey, Samuel Robert. "Sounding sacred: Interpreting musical and poetic trances". Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5261/.

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This essay investigates the relationship between trance and various musical and poetic expressions that accompany trance when it is interpreted as sacred. In other words, the aim of this investigation is to interpret how experiences of the entrancing power of the sacred come to expression with the sounds of music and poetry. I articulate such an interpretation through the following four sections: I) a discussion of the basic phenomenological and hermeneutic problems of interpreting what other people experience as sacred phenomena, II) an account of the hermeneutic context within which modern Western discourse interprets trance as madness that perverts the rational limits of the self, III) an interpretation of the expressions of trance that appear in the poetry of William Blake, and IV) an interpretation of expressions of trance that appear in the music of Afro-Atlantic religions (including Vodu in West Africa, Santería in Cuba, and Candomblé in Brazil).

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Young, Gwynith. "Poets, belief and calamitous times /". Connect to thesis, 2006. http://eprints.unimelb.edu.au/archive/00002513.

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Cruickshank, Frances. ""The highest matter in the noblest forme" : religious poetics in George Herbert and John Donne /". [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19372.pdf.

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Christensen, Laird Evan. "Spirit astir in the world : sacred poetry in the age of ecology /". view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9947971.

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Thesis (Ph. D.)--University of Oregon, 1999.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 356-371). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9947971.

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Sayuti, Najmah. "The concept of Allah as the highest God in pre-Islamic Arabia, a study of pre-Islamic Arabic religious poetry". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64191.pdf.

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McCullough, Eleanor G. "Except you ravish me [electronic resource] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric In a valey of this restles mynde /". Theological Research Exchange Network (TREN) Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com.

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Cowell, Emma Mildred. "Dialogues with the Past: Musical Settings of John Donne's Poetry". Youngstown State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1339692006.

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Hanson, Jeffrey Allan. "SAVING APPEARANCES". Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1172593287.

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Berg, Jaime. ""And the trees of the field shall clap their hands" ecologies of nature and spirituality in the poems of Spenser, Marvell, Lanyer, and Jonson /". Click here for download, 2009. http://proquest.umi.com.ps2.villanova.edu/pqdweb?did=1950563961&sid=1&Fmt=2&clientId=3260&RQT=309&VName=PQD.

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Engelbrecht, Gertruida Cornelia. "Bybelse intertekste in resente Afrikaanse gedigte en lirieke, met spesifieke verwysing na identiteitsformasies in die (post)-postmoderniteit". Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71667.

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Thesis (PhD)--Stellenbosch University, 2012.
ENGLISH ABSTRACT: The 11 September 2001 terror attacks on America are regarded by many as the end of the postmodern era and as a landmark event that irrevocably changed the world. Similarly, the 1994 South African political revolution and transition to democracy was a milestone that had far-reaching effects on all population groups in the country. This study examines evolving identity formation among Afrikaans-speaking South Africans in a new political dispensation and (post-) postmodern era – and specifically the ways in which religion still finds expression in Afrikaans-speakers‟ identity. With theoretical grounding from, among others, Stuart Hall and Zygmunt Bauman, a variety of recent poems and lyrics – representative of various generations and backgrounds – are studied. The conclusion drawn is that religion still forms part of Afrikaans-speakers‟ identity in various ways, but this does not necessarily equate to affiliation with any church. In some instances church and religion are seen as part of the rejected apartheid establishment, but in many cases Afrikaans-speakers‟ religious affiliations are in line with Jacques Derrida‟s “religion without Religion” school of thought, and panentheism is increasingly gaining ground.
AFRIKAANSE OPSOMMING: Die terreuraanval op Amerika op 11 September 2001 word uit verskeie oorde bestempel as die einde van die postmodernisme en as ‟n mylpaalgebeurtenis wat die wêreld onherroeplik verander het. In Suid-Afrika was die politieke om-wenteling met die oorgang na ‟n demokrasie in 1994 eweneens ‟n mylpaal wat alle bevolkingsgroepe in die land ingrypend geraak het. In hierdie studie word ondersoek ingestel na Afrikaanssprekendes se identiteitsformasies in ‟n nuwe politieke bestel en in die (post)-postmoderniteit, en spesifiek na die wyse waarop die religie steeds beslag kry in die Afrikaanssprekende se identi-teit. Met bydraes deur onder andere Stuart Hall en Zygmunt Bauman as teo-retiese begronding, word ‟n verskeidenheid resente gedigte en lirieke van 1994-2012, wat verteenwoordigend is van verskeie generasies en agter-gronde, ondersoek. Die gevolgtrekking is dat religie steeds op verskillende wyses deel van Afrikaanssprekendes se identiteitsformasies is, maar dat dit nie noodwendig met kerkverbondenheid gepaard gaan nie. In sommige gevalle word die kerk en die religie beskou as deel van die establishment wat ná apartheid verwerp word, maar in baie gevalle hou Afrikaanssprekendes se religieuse betrokkenheid nou verband met Jacques Derrida se sogenaamde religie sonder Religie, en wen die panenteïsme toenemend veld.

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Suades, Juncadella Laia. ""M'agenollo en el fons de la meva paraula". La religiositat de Màrius Torres: del llegat espiritista a l'elaboració d'una poesia i un pensament propi". Doctoral thesis, Universitat Pompeu Fabra, 2019. http://hdl.handle.net/10803/668775.

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L’objectiu general d’aquesta tesi és contribuir a omplir el buit bibliogràfic que existeix al voltant de la religiositat de Màrius Torres (1910-1942). La primera part està dedicada als seus antecedents religiosos. Es reconstrueix la història de l’espiritisme modern, s’analitzen les publicacions dels primers espiritistes lleidatans i s’estudia la trajectòria i l’obra escrita de Marià Torres i Humbert Torres; l’avi patern i el pare del poeta. La segona part de la tesi se centra en Màrius Torres. D’una banda, s’explora la finalitat de la poesia en la seva vida, i es proposa un itinerari per la seva obra poètica amb el propòsit de posar en relleu la seva dimensió estètica i religiosa. Per altra banda, s’aprofundeix en les principals actituds vitals de l’autor, especialment reveladores de la seva sensibilitat religiosa. Finalment, s’estudien les seves idees entorn diferents temes vinculats amb la religió, i es confronten amb les dels seus familiars.
The main goal of this thesis is to contribute to filling the bibliographical gap regarding the religiousness of Màrius Torres (1910-1942). The first part focuses on his religious antecedents. It features a reconstruction of the history of Modern Spiritism, analyses the published works of the first spiritists from Lleida, and examines the written work of Marià Torres and Humbert Torres, the poet's father, and grandfather. The second part of this thesis focuses on Màrius Torres himself. On the one hand, it looks into the purpose of poetry in his life, and it sets out an itinerary through his work to highlight its esthetic and religious dimension. On the other hand, it delves into the author's main vital attitudes, especially those that reveal his religious sensitivity. Lastly, there is an analysis of his ideas regarding different religious topics in opposition to those of his relatives.

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Pepperney, Justin R. "Religious Toleration in English Literature from Thomas More to John Milton". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1245245934.

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Latiff, Osman. "The place of Fasda'il Al-Quds (merits of Jerusalem) : literature and religious poetry in the Muslim effort to recapture Jerusalem during The Crusades". Thesis, Royal Holloway, University of London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540105.

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