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Książki na temat „Regional art museums”

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Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 20 lutego 2023

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1

Brecknock Museum and Art Gallery i Brecknock Museum Art Trust, red. Building a significant regional art collection: The visual arts at Brecknock Museum & Art Gallery 1992-2005. Wyd. 2. [Powys?]: Brecknock Museum Art Trust, 2007.

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2

Vic.) National Regional Galleries Summit (2nd 2001 Mildura. Dissolving distance: Papers from the 2nd National Regional Galleries Summit 2001. Australia: Global Art Projects PTY LTD, 2001.

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3

Laura, Millard, O'Brien Paddy 1929- i London Regional Art and Historical Museums (Ont.), red. The single tree: July 22-September 17, 2000, London Regional Art and Historical Museums. London, Ont: London Regional Art and Historical Museums, 2000.

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4

Wen, yan: Zhongguo qu yu bo wu guan jiao liu zhan lan wen xian ji = Collection of documents on exchange exhibitions of regional museum in China. Beijing Shi: Wen wu chu ban she, 2010.

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5

Tom, Smart, red. The collection, London, Canada. [London, Ont.]: London Regional Art and Historical Museums, 1990.

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6

London Regional Art and Historical Museums (Ont.). Pandora's box: A collection of collections. London, Ont: LRAHM, 1999.

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7

Popović-Živančević, Mila. Condition of the cultural and natural heritage in the Balkan Region: Proceedings of the regional conference held in Kladovo, Serbia from 23th to 27th October 2006. Belgrade: National Museum in Belgrade, 2007.

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8

Le classicisme français: Masterpieces of seventeenth century painting : a loan exhibition from the Louvre and French regional museums at the National Gallery of Ireland, 30 April-9 June l985. Dublin: The Gallery, 1985.

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9

Massachusetts Historical Society. Portraits in the Massachusetts Historical Society: An illustrated catalog with descriptive matter. Boston: The Society, 1988.

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10

Khoroshilov, P. V., N. I. Nikandrov i Anatoliĭ Ivanovich Vilkov. The Orlov Regional Museum of Local Lore. Redaktor Russia (Federation). Departament po sokhranenii︠u︡ kulʹturnykh t︠s︡ennosteĭ. Moscow: Ministry of Culture of the Russian Federation, Dept. of Cultural Heritage, 2002.

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11

1940-, Bivins John, i Alexander Forsyth 1960-, red. The regional arts of the early South: A sampling from the collection of the Museum of Early Southern Decorative Arts. Winston-Salem, N.C: The Museum, 1991.

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12

Design per i beni culturali territoriali: Merchandising museale e artigianato = Design for regional cultural heritage : museum merchandising and craftsmanship. Torino: Celid, 2012.

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13

Darashkoŭ, M. R. Mahili︠o︡ŭski ablasny mastatski muzeĭ imi︠a︡ P.V. Maslenikava: Mogilëvskiĭ oblastnoĭ khudozhestvennyĭ muzeĭ im. P.V. Maslennikova = P.V. Maslenikov Regional Art Museum in Mogilyov. Minsk: Tėkhnaprynt, 2003.

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14

New York. Art of the classical world in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome. New York: the Metropolitan Museum of Art, 2007.

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15

Söke, Dinkla, Brockhaus Christoph fl 1975-, Kultur Ruhr i Duisburg (Germany), red. Connected cities: Kunstprozesse im urbanen Netz : Wilhelm Lehmbruck Museum Duisburg und ausgewählte Standorte der Industriekultur : 20. Juni bis 1. August '99 = processes of art in the urban network : Wilhelm Lehmbruck Museum Duisburg and selected sites of industrial culture. Ostfildern-Ruit: Hatje Cantz, 1999.

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16

Gallery, Newcastle Region Art. Watercolours in the Newcastle Region Art Gallery: S.H. Ervin Museum and Art Gallery, 12 March-12 April, 1987, Newcastle Region Art Gallery 22 May-21 June, 1987, and Albury Regional Art Centre 6 July-6 August, 1987. Newcastle: The Gallery, 1987.

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17

Dumbarton Oaks. Andean art at Dumbarton Oaks. Redaktor Boone Elizabeth Hill. Washington, D.C: Dumbarton Oaks Research Library and Collection, 1996.

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18

Rangeley Lakes Region Logging Museum. Logging in the Maine woods: The paintings of Alden Grant. Rangeley, Me: Rangeley Lakes Region Logging Museum, 1994.

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19

Carlo Scarpa: Palazzo Abatellis : la Galleria della Sicilia, Palermo 1953-54. Milano: Electa, 1989.

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20

P, Zoïtopoúlou Eléni, i Musée des beaux-arts de Montréal., red. Montreal Museum of Fine Arts, collection of Mediterranean antiquities. Boston: Brill, 2008.

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21

Mirrors of clay: Reflections of ancient Andean life in ceramics from the Sam Olden collection. Jackson: Jackson State University, Mississippi Museum of Art, 2012.

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22

Ciutat de les Arts i les Ciències (Project : Valencia (Spain : Region)). Ciutat de les Arts i les Ciències. València: Ciudad de las Artes y de las Ciencias, València, Generalitat Valenciana, 2000.

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23

Kunst, Haus Giersch-Museum Regionaler, i Anhaltische Gemäldegalerie Dessau, red. Sammlerin und Stifterin, Henriette Amalie von Anhalt-Dessau und ihr Frankfurter Exil: Haus Giersch--Museum Regionaler Kunst, 22. Oktober 2002 bis 23. Februar 2003, Frankfurt am Main : Anhaltische Gemäldegalerie Dessau, 8. März bis 4. Mai 2003, Dessau. Frankfurt a.M: Haus Giersch--Museum für Regionale Kunst, 2002.

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24

Bonora, Laura, Donatella Carboni i Matteo De Vincenzi, red. Eighth International Symposium “Monitoring of Mediterranean Coastal Areas. Problems and Measurement Techniques”. Florence: Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-147-1.

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The 8th International Symposium "Monitoring of Mediterranean Coastal Areas. Problems and Measurements Techniques" was organized by CNR-IBE in collaboration with FCS Foundation, and Natural History Museum of the Mediterranean and under the patronage of University of Florence, Accademia dei Geogofili, Tuscany Region and Livorno Province. It is the occasion in which scholars can illustrate and exchange their activities and innovative proposals, with common aims to promote actions to preserve coastal marine environment. Considering Symposium interdisciplinary nature, the Scientific Committee, underlining this holistic view of Nature, decided to celebrate Alexander von Humboldt; a nature scholar that proposed the organic and inorganic nature’s aspects as a single system. It represents a sign of continuity considering that in-presence Symposium could not be carried out due to the COVID-19 pandemic restrictions. Subjects are related to coastal topics: morphology; flora and fauna; energy production; management and integrated protection; geography and landscape, cultural heritage and environmental assets, legal and economic aspects.

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25

Andō, Hiroshige. Hiroshige: Nihon Ukiyoe Hakubutsukan shozō. Redaktorzy Sakai Gankō, Nihon Ukiyoe Hakubutsukan, Nihon Ukiyoe Gakkai, Gifu-shi Rekishi Hakubutsukan, Gifu Shinbunsha i Gifu Hōsō. [Gifu-shi: Gifu-shi Rekishi Hakubutsukan], 1995.

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26

Andō, Hiroshige. Hiroshige: Notturni : Edo (Tokyo) 1797-1858. Torino, Italy: Arte antica, 1992.

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27

Andō, Hiroshige. Hiroshige: The Sixty nine stations of the Kisokaido. New York: George Braziller, 2008.

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28

Andō, Hiroshige. Hiroshige: The Sixty nine stations of the Kisokaido. New York: George Braziller, 2008.

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29

Andō, Hiroshige. Hiroshige: Meisho Edo hyakkei = One hundred famous views of Edo = Hundert berühmte Ansichten von Edo = Cent vues celebres d'Edo. Hong Kong: Taschen, 2007.

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30

Andō, Hiroshige. Hiroshige: An exhibition of woodblock prints to mark the 200th anniversary of the artist's birth. Redaktorzy Martini Małgorzata, Alberowa Zofia, Czarnecka Zuzanna, Centrum Sztuki i Techniki Japońskiej "Manggha" (Kraków, Poland), Muzeum Narodowe w. Krakowie i Mie̦dzynarodowe Triennale Grafiki (1997). Kraków: National Museum in Cracow, Centre of Japanese Art and Technology Manggha, 1997.

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31

Museum, Brooklyn, red. Hiroshige: One hundred famous views of Edo. New York: G. Braziller, 1986.

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32

Andō, Hiroshige. Hiroshige: Shaping the image of Japan. Leiden: Hotei Pub., 2008.

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33

Orlov, Igor', i Nikolay Solov'ev. South French Gothic. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1844169.

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The main purpose of the monograph is to reveal the deep and complex interrelation of the religious and mystical paradigm of the original "Occitan civilization" of the South of France and the Catholic Church, which won the bloody Albigensian wars, with the artistic practice of the builders of the cult Gothic structures of the South of France. In addition to the literary sources previously used in scientific circulation, materials of little-known foreign publications, archival documents (courtesy of the Augustin Museum, the University of Toulouse and the Catholic Institute of Toulouse, the Center for Qatari Studies in Carcassonne), as well as materials of the author's direct research of natural objects of the studied region were involved. The analysis of all these data made it possible to see and evaluate the cultural and historical background in a new way, which became fertile ground for the emergence and spread of Gothic art, the subsequent formation and spread of the peculiar Gothic architecture of the South of France. For the first time, a number of new hypotheses are introduced into scientific circulation, allowing a more objective look at the features of the cult Gothic of Southern France. Based on the above, for the first time in Russian medieval studies, it became possible to propose a reasonable, in the author's opinion, classification of cult Gothic structures in the South of France, which naturally correlates with the data of scientific publications. For a wide range of readers interested in Gothic art. It can be useful for students, postgraduates and teachers of art history universities and faculties.

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34

Andō, Hiroshige. Hiroshige. Munich: Prestel, 2005.

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35

Andō, Hiroshige. Hiroshige: Birds and flowers. New York: G. Braziller, 1988.

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36

Fund for Research of Ancient Civilizations i Ukrainian Institute of America, red. Ancient Trypillia: Seven thousand years of spiritual art : exhibition organized by the Fund for Research of Ancient Civilizations, in cooperation with the Ukrainian Institute of Archaeology of the Ukrainian Academy of Sciences, as well as the Regional Museum, Borshchiv in Ukraine, and the Ukrainian Institute of America. New York: Fund for Research of Ancient Civilizations, 2010.

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37

Michael A. Smith: A visual journey : photographs from twenty-five years. Revere, Pa: Lodima Press, 1992.

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38

1836-1910, Homer Winslow, Burns Sarah, Gerdts William H, California Palace of the Legion of Honor. i Amon Carter Museum of Western Art., red. Winslow Homer: Artist and angler. London: Thames & Hudson, 2002.

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39

Fonds regional d'acquisition des musees: 1981-1991. Conseil regional d'Alsace, 1992.

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40

FRAM Aquitaine: Fonds regional d'acquisition des musees. Centre regional des lettres d'Aquitaine, 1995.

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41

Locating American Art Finding Arts Meaning in Museums from the Colonial to the Contemporary. Taylor & Francis Group, 2016.

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42

Alessandro, Ferretti, i Istituto italo-latino americano, red. Lucha contra el tráfico ilícito de los bienes culturales: Seminario regional, Asunción, Paraguay, 03-07 de septiembre de 2007. Roma: Gangemi, 2008.

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43

Alessandro, Ferretti, i Istituto italo-latino americano, red. Lucha contra el tráfico ilícito de los bienes culturales: Seminario regional, Asunción, Paraguay, 03-07 de septiembre de 2007. Roma: Gangemi, 2008.

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44

Rey, Virginie, red. The Art of Minorities. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474443760.001.0001.

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The idea of the museum as a space committed to dialogue and inclusive representation which is paramount to museology in the Global North has had trouble finding ground in the Middle East and North Africa where museums remain—and have mostly been depicted as—the carriers of homogenous national identities, at the expense of cultural and social difference. Research recently undertaken by anthropologists, museum specialists and historians reveal that this monolithic museographic conception of culture is in the process of being challenged. Whilst some public museums in the region have engaged in the reconsideration of the narratives underpinning their collections, the past two decades have also seen a boom in private museum initiatives led by social and cultural minority groups whose experiences have until now been marginalised within, or absent from, state-led exhibitionary practices. This volume discusses the contradictions and opportunities museums have created for minority groups across the Mediterranean basin, from the early twentieth century to the contemporary period. It explores whether museums can provide a suitable canvas for minorities to express their voice, what kind of narratives is articulated, and whether these can challenge cultural and social stereotypes and deploy new kinds of identities.

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45

Wilmerding, John, Andrew Oliver, Ann Millspaugh Huff, Malcolm Freiberg i Edward W. Hanson. Portraits In The Massachusetts Historical Society: An Illustrated Catalogue with Descriptive Matter. Massachusetts Historical Society, 1988.

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46

Schorch, Philipp, i Conal McCarthy, red. Curatopia. Manchester University Press, 2019. http://dx.doi.org/10.7228/manchester/9781526118196.001.0001.

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What is the future of curatorial practice? How can the relationships between Indigenous people in the Pacific, collections in Euro-American institutions, and curatorial knowledge in museums globally be (re)conceptualised in reciprocal and symmetrical ways? Is there an ideal model, a ‘curatopia,’ whether in the form of a utopia or dystopia, which can enable the reinvention of ethnographic museums and address their difficult colonial legacies? This volume addresses these questions by considering the current state of the play in curatorial practice, reviewing the different models and approaches operating in different museums, galleries and cultural organisations around the world, and debating the emerging concerns, challenges, and opportunities. The subject areas range over native and tribal cultures, anthropology, art, history, migration and settler culture, among others. Topics covered include: contemporary curatorial theory, new museum trends, models and paradigms, the state of research and scholarship, the impact of new media, and current issues such as curatorial leadership, collecting and collection access and use, exhibition development, and community engagement. The volume is international in scope and covers three broad regions—Europe, North America and the Pacific. The contributors are leading and emerging scholars and practitioners in their respective fields, all of whom have worked in and with universities and museums, and are therefore perfectly placed to reshape the dialogue between academia and the professional museum world.

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47

Stallabrass, Julian. Contemporary Art: A Very Short Introduction. Oxford University Press, 2020. http://dx.doi.org/10.1093/actrade/9780198826620.001.0001.

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Contemporary Art: A Very Short Introduction presents a radical analysis of the global art scene. Contemporary art has never been so popular—but the art world is changing. Today, there is growing interest in questions over the nature and use of contemporary art, and over who controls its future. This VSI studies how new regions and nations, such as China, have leapt into astonishing prominence, overturning the old Euro-American dominance. It also examines the powerful influence of big business and the super-rich on the art world, and the reinvention of artists and museums as brands.

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48

Kapuni-Reynolds, Halena. Voyaging Through the Oceanic Collection at the Denver Museum of Nature & Science. Denver Museum of Nature & Science, 2018. http://dx.doi.org/10.55485/seuu7045.

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The Oceanic Collection at the Denver Museum of Nature & Science is one of the smallest collections contained within the museum’s World Ethnology Collection, yet it is perhaps one of the largest regional collections of Oceanic materials in the Rocky Mountains—second only to the Denver Art Museum. This article provides the first in-depth look at this collection through an accession-based approach of describing the objects, peoples, and histories found within it. In using the concepts of (re)discovery and wayfinding as material culture research methods, this paper presents a “voyage” through the Oceanic Collection facilitated by collections-based and archival research. The essay ends by reflecting on the Department of Anthropology’s mission statement to curate “the best understood and most ethically held anthropology collection in North America,” and on how this statement can be promulgated through further research on the Oceanic Collection, as well as future partnerships with diasporic Pacific Islander communities living in Colorado.

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49

Bivins, John, i Forsyth Alexander. The Regional Arts of the Early South: A Sampling from the Collection of the Museum of Early Southern Decorative Arts. Museum for Early Southern Decorative Arts, 1991.

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50

Experiment Heimatmuseum: Zur Theorie und Praxis regionaler Museumsarbeit : Dokumentation einer Tagung im Emil-Fischer-Heimatmuseum Neukölln, Museum für Stadtkultur und Regionalgeschichte, veranstaltet vom Bezirksamt Neukölln von Berlin, Abt. Volksbildung, Kunstamt, von der Hochschule der Künste Berlin und vom Museumspädagogischen Dienst Berlin, Berlin (West), 27. bis 29. Mai 1987. Marburg: Jonas, 1988.

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