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Artykuły w czasopismach na temat "Regional art museums"
Satubaldin, Abay, i Kunikey Sakhiyeva. "The Museum System of Modern Kazakhstan: Classification and Typology of Museums". Muzeológia a kultúrne dedičstvo 9, nr 2 (2021): 79–89. http://dx.doi.org/10.46284/mkd.2021.9.2.5.
Pełny tekst źródłaMikule, Stanislav. "Galerijní výstavy a vlastivědná muzea". Muzeum Muzejní a vlastivedná práce 58, nr 1 (2021): 38–43. http://dx.doi.org/10.37520/mmvp.2020.005.
Pełny tekst źródłaШинковой, А. И. "Mongolian works of Buddhist art in the museums of Irkutsk: general characteristics of the collections". Iskusstvo Evrazii [The Art of Eurasia], nr 3(22) (30.09.2021): 126–37. http://dx.doi.org/10.46748/arteuras.2021.03.011.
Pełny tekst źródłaRentschler, Ruth, Kerrie Bridson i Jody Evans. "Exhibitions as sub-brands: an exploratory study". Arts Marketing: An International Journal 4, nr 1/2 (30.09.2014): 45–66. http://dx.doi.org/10.1108/am-07-2014-0023.
Pełny tekst źródłaAndžāne, Ieva. "MUSEUM AS AN OBJECT OF CHANGE". Culture Crossroads 11 (10.11.2022): 68–80. http://dx.doi.org/10.55877/cc.vol11.132.
Pełny tekst źródłaPushenkova, Sofia A., i Dmitriy E. Lavrov. "Avant-garde heritage of the regions: Use and development prospects in a museum context (on the example of the museums of Saratov and Smolensk)". Issues of Museology 13, nr 1 (2022): 110–20. http://dx.doi.org/10.21638/spbu27.2022.108.
Pełny tekst źródłaMeegama, Sujatha Arundathi. "Curating the Christian Arts of Asia". Archives of Asian Art 70, nr 2 (1.10.2020): 151–71. http://dx.doi.org/10.1215/00666637-8620357.
Pełny tekst źródłaBROWN, CHRISTOPHER. "The Renaissance of Museums in Britain". European Review 13, nr 4 (październik 2005): 617–36. http://dx.doi.org/10.1017/s1062798705000840.
Pełny tekst źródłaFoshay, Susan M. "Grist to the mill: folk art in the Atlantic Region". Art Libraries Journal 22, nr 4 (1997): 8–11. http://dx.doi.org/10.1017/s0307472200010609.
Pełny tekst źródłaZakharchyn, Nataliia. "Legislative regulation of museums activity in the Second Rzechpospolita Polska". Law Review of Kyiv University of Law, nr 1 (15.04.2020): 38–41. http://dx.doi.org/10.36695/2219-5521.1.2020.05.
Pełny tekst źródłaRozprawy doktorskie na temat "Regional art museums"
Ashmore, Nicola L. "Art and identity : interpretation and ethnographic collections in regional museums, Britain, 1997-2010". Thesis, University of Brighton, 2011. https://research.brighton.ac.uk/en/studentTheses/cd9be436-9f81-4f8b-a1ce-3c7125a3d21e.
Pełny tekst źródłaJankauskas, Jennifer Kathleen. "Acquiring contemporary art in today's global market : collecting strategies at small, mid-sized and regional American museums". Thesis, University of Leicester, 2015. http://hdl.handle.net/2381/32246.
Pełny tekst źródłaDouglas, Craig Cameron, i n/a. "Cultivating the [New] Country: Disclosing Through Curatorship the Cultural and Economic Development Potential of the Australian Regional Art Museum". Griffith University. Queensland College of Art, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060901.111309.
Pełny tekst źródłaDouglas, Craig Cameron. "Cultivating the [New] Country: Disclosing Through Curatorship the Cultural and Economic Development Potential of the Australian Regional Art Museum". Thesis, Griffith University, 2005. http://hdl.handle.net/10072/365856.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Full Text
Jones, Stacey Elizabeth. "Why women's clothing? a critical history of clothing collections : a regional case study /". Connect to PDF file Connect to PDF file, 2005. http://purl.fcla.edu/fcla/etd/UFE0009404.
Pełny tekst źródłaHansen, Paul. "The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand". Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/249.
Pełny tekst źródłaDIRKS, STEFANIE. "An Appalachian Arts Project: A New Model to Promote Communal Art Interaction". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981.
Pełny tekst źródłaHarrington, Kaysie Marie. "The American Studio Glass Movement: A Regional Study of its Birth in Northwest Ohio". Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1542125173303787.
Pełny tekst źródłaChecchia, Viviana. "Beyond the exhibition : a vessel for self-reflexive curating in the Mediterranean". Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/25048.
Pełny tekst źródłaBatista, Sandro Tôrres. "Do começo ao fim: história da implantação, desdobramentos e encerramento do Salão Nacional de Arte de Goiás - Prêmio Flamboyant (Goiânia, 2001 – 2006) Bastidores e memórias de um caso no sistema artístico regional". Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6703.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This research had as object the National Art Salon Goiás - Flamboyant Award held in Goiânia between 2001 and 2006; analyze the relevant facts gathered from documentary sources and depositions. The Salon was designed, built and managed throughout its realization by a group of professionals who combined the project scope in the commercial sphere and professionals in the arts, in the defense of cultural character, and coined a form and regimentation never before seen in this State and aimed to select and reward through public tender (via notice) Brazilian artists with recent production in contemporary art. In the period of the Salon, the city was featured in the Brazilian scene of the visual arts and, therefore, attracted the attention of renowned artists, curators and art critics. It was left to the researcher in his text to highlight some aspects from the data collected in the survey, particularly with regard to the analysis of competition-salon format, the impact on the local landscape and the historical and cultural legacy for the city and the state. Interviews were conducted with some of the main characters involved in the project and analyzed documents and printed primary sources of research. During the master of the period, some versions of the text results of the survey were presented in the form of communications, lectures and discussions on the topic in the history of events, arts and within the Research Group Interartes- Interartistics Processes and Systems and Performance Studies (CNPq), which the researcher was part of effective and active form since joining the PPGH UFG.
Esta pesquisa teve como objeto o Salão Nacional de Arte de Goiás – Prêmio Flamboyant que aconteceu em Goiânia entre 2001 e 2006; com o objetivo de analisar os fatos relevantes levantados a partir de fontes documentais e depoimentais. O Salão foi concebido, erigido e gerido, ao longo de sua realização, por um grupo de profissionais que mesclavam o escopo do projeto na esfera mercantil e profissionais do campo das artes, na defesa do caráter cultural, e cunhou uma forma e arregimentação nunca dantes vista neste estado e tinha como finalidade selecionar e premiar, por meio de concurso público (via edital), artistas brasileiros com produção recente em arte contemporânea. No período de realização do Salão, a cidade recebeu destaque no cenário brasileiro das artes visuais e, com isso, atraiu a atenção de reputados artistas, curadores e críticos de arte. Coube ao pesquisador em seu texto destacar alguns aspectos dentre os dados levantados em pesquisa, principalmente no tocante à análise do formato de concurso-salão, o impacto no cenário local e o legado histórico e cultural para a cidade e o estado. Foram realizadas entrevistas com alguns dos principais personagens envolvidos no projeto e analisados documentos e materiais impressos, fontes primárias de pesquisa. Durante o período do mestrado, algumas versões do texto resultado da pesquisa foram apresentadas na forma de comunicações, palestras e discussões sobre o tema em eventos de história, de artes e dentro do Grupo de Pesquisa Interartes- Processos e Sistemas Interartísticos e Estudos de Performance (CNPq), do qual o pesquisador fez parte de forma efetiva e atuante desde seu ingresso no PPGH-UFG.
Książki na temat "Regional art museums"
Brecknock Museum and Art Gallery i Brecknock Museum Art Trust, red. Building a significant regional art collection: The visual arts at Brecknock Museum & Art Gallery 1992-2005. Wyd. 2. [Powys?]: Brecknock Museum Art Trust, 2007.
Znajdź pełny tekst źródłaVic.) National Regional Galleries Summit (2nd 2001 Mildura. Dissolving distance: Papers from the 2nd National Regional Galleries Summit 2001. Australia: Global Art Projects PTY LTD, 2001.
Znajdź pełny tekst źródłaLaura, Millard, O'Brien Paddy 1929- i London Regional Art and Historical Museums (Ont.), red. The single tree: July 22-September 17, 2000, London Regional Art and Historical Museums. London, Ont: London Regional Art and Historical Museums, 2000.
Znajdź pełny tekst źródłaWen, yan: Zhongguo qu yu bo wu guan jiao liu zhan lan wen xian ji = Collection of documents on exchange exhibitions of regional museum in China. Beijing Shi: Wen wu chu ban she, 2010.
Znajdź pełny tekst źródłaTom, Smart, red. The collection, London, Canada. [London, Ont.]: London Regional Art and Historical Museums, 1990.
Znajdź pełny tekst źródłaLondon Regional Art and Historical Museums (Ont.). Pandora's box: A collection of collections. London, Ont: LRAHM, 1999.
Znajdź pełny tekst źródłaPopović-Živančević, Mila. Condition of the cultural and natural heritage in the Balkan Region: Proceedings of the regional conference held in Kladovo, Serbia from 23th to 27th October 2006. Belgrade: National Museum in Belgrade, 2007.
Znajdź pełny tekst źródłaLe classicisme français: Masterpieces of seventeenth century painting : a loan exhibition from the Louvre and French regional museums at the National Gallery of Ireland, 30 April-9 June l985. Dublin: The Gallery, 1985.
Znajdź pełny tekst źródłaMassachusetts Historical Society. Portraits in the Massachusetts Historical Society: An illustrated catalog with descriptive matter. Boston: The Society, 1988.
Znajdź pełny tekst źródłaKhoroshilov, P. V., N. I. Nikandrov i Anatoliĭ Ivanovich Vilkov. The Orlov Regional Museum of Local Lore. Redaktor Russia (Federation). Departament po sokhranenii︠u︡ kulʹturnykh t︠s︡ennosteĭ. Moscow: Ministry of Culture of the Russian Federation, Dept. of Cultural Heritage, 2002.
Znajdź pełny tekst źródłaCzęści książek na temat "Regional art museums"
Gelfand, Laura D. "Regional Styles and Political Ambitions: Margaret of Austria’s Monastic Foundation at Brou". W Museums at the Crossroads, 193–202. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.mac-eb.3.785.
Pełny tekst źródłaSadykova, Dilyara. "31 Art Works from the First Russian Art Exhibition in the Krasnodar Regional Art Museum F.A. Kovalenko". W 100 Years On: Revisiting the First Russian Art Exhibition of 1922, 204–11. Köln: Böhlau Verlag, 2022. http://dx.doi.org/10.7788/9783412525668.204.
Pełny tekst źródłaKüver, Jan. "The Politics of Shared Heritage: Contested Histories and Participatory Memory Work in the Post-Colonial Urban Landscape". W 50 Years World Heritage Convention: Shared Responsibility – Conflict & Reconciliation, 139–50. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-05660-4_11.
Pełny tekst źródłaChristou, Prokopis A. "Tourism during the Late Modern Period (1750-1945)." W The history and evolution of tourism, 56–75. Wallingford: CABI, 2022. http://dx.doi.org/10.1079/9781800621282.0005.
Pełny tekst źródłaPaschinger, Elena. "Creative travellers in Austria." W Creative tourism: activating cultural resources and engaging creative travellers, 26–29. Wallingford: CABI, 2021. http://dx.doi.org/10.1079/9781789243536.0003.
Pełny tekst źródłaFinizio, Davide. "Dalla storia all’inclusione. Il racconto della comunità cinese di Prato". W Raccontare la Resistenza a scuola, 199–202. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-650-6.26.
Pełny tekst źródłaGervasi, Osvaldo, Damiano Perri, Marco Simonetti i Sergio Tasso. "Strategies for the Digitalization of Cultural Heritage". W Computational Science and Its Applications – ICCSA 2022 Workshops, 486–502. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-10592-0_35.
Pełny tekst źródłaLent, John A. "The Glimmering Glow of Comic Art amidst the Blinding Glitter of the United Arab Emirates". W Comic Art in Museums, 192–201. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0021.
Pełny tekst źródłaZhdanova, N. S. "REGIONAL WORKS DECORATIVE APPLIED ART OF THE URALS AS OBJECTS OF MASTER RESEARCH". W Filosofskie, sociologičeskie i psihologo-pedagogičeskie problemy sovremennogo obrazovaniâ., 116–19. Altai State Pedagogical University, 2021. http://dx.doi.org/10.37386/2687-0576-2021-3-116-119.
Pełny tekst źródłaMaria P., Mironenko. "The fate of the Russian archaeologist at the era-breaking time". W Traditional and innovative ways to explore social history of Russia 12th–20th centuries: Collection of articles in honor of Elena Nikolaevna Shveikovskaya, 185–93. Novyj hronograf, 2021. http://dx.doi.org/10.31168/94881-516-9.15.
Pełny tekst źródłaStreszczenia konferencji na temat "Regional art museums"
Samsoniuk, T. M. "Regional museums of Ukraine in the conditions of the war with Russia (on the example of the Rivne Regional Museum of Local Lore)". W THE INFLUENCE OF CULTURE AND ART ON THE VALUE ORIENTATIONS OF CIVILIZATION IN WAR AND POST-WAR TIMES. Baltija Publishing, 2022. http://dx.doi.org/10.30525/978-9934-26-237-1-17.
Pełny tekst źródłaKirana, Ayu Dipta, i Fajar Aji Jiwandono. "Indonesian Museum after New Order Regime: The Representation that Never Disappears | Museum Indonesia Selepas Orde Baru: Representasi Rezim yang Tak Pernah Hilang". W The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-33.
Pełny tekst źródłaDarulová, Jolana, i Katarína Koštialová. "Múzeá kultúr národnostných menšín ako súčasť špecifických foriem turizmu". W XXIII. mezinárodní kolokvium o regionálních vědách / 23rd International Colloquium on Regional Sciences. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9610-2020-47.
Pełny tekst źródłaKrivosheev, Vladimir A., i Marina G. Minyakova. "MUSEUM OF NATURAL HISTORY OF THE REGIONAL STATE BUDGET NON-TYPICAL EDUCATIONAL ORGANIZATION “THE PALACE OF CREATIVITY OF CHILDREN AND YOUTH” AND ITS ROLE IN THE CONTINUOUS ENVIRONMENTAL EDUCATIONAL PROCESS". W Treshnikov readings – 2022 Modern geographical global picture and technology of geographic education. Ulyanovsk State Pedagogical University named after I. N. Ulyanov, 2022. http://dx.doi.org/10.33065/978-5-907216-88-4-2022-119-120.
Pełny tekst źródłaСтародубцева, М. Н. "Participatory practices in the activities of the regional museum". W Scientific trends: Philology, Culturology, Art history. ЦНК МОАН, 2020. http://dx.doi.org/10.18411/spc-26-06-2020-10.
Pełny tekst źródłaTkachev, V. V. "FROM THE HISTORY OF THE CREATION OF HOME MUSEUMS OF COLLECTORS OF BAIKAL SIBERIA IN THE SECOND HALF OF THE XIX - EARLY XX CENTURIES". W Культура, наука, образование: проблемы и перспективы. Нижневартовский государственный университет, 2021. http://dx.doi.org/10.36906/ksp-2021/28.
Pełny tekst źródłaZaytseva, A. M. "NATURAL MONUMENTS IN THE CONSERVATION OF BIOLOGICAL AND LANDSCAPE DIVERSITY (HISTORICAL AND MEMORIAL DEPARTMENT «THE HOMESTY V.P. SUKACHEVA» IRKUTSK REGIONAL ART MUSEUM)". W Prirodopol'zovanie i ohrana prirody: Ohrana pamjatnikov prirody, biologicheskogo i landshaftnogo raznoobrazija Tomskogo Priob'ja i drugih regionov Rossii. Izdatel'stvo Tomskogo gosudarstvennogo universiteta, 2020. http://dx.doi.org/10.17223/978-5-94621-954-9-2020-96.
Pełny tekst źródłapereira, isac dos santos. "TUDO EM 45 MINUTOS: FOTOGRAFIA COMO MEMÓRIA E PRÁXIS AUTOAVALIATIVA DO ARTE/EDUCADOR". W Arte e Transmidiações - Anais do 3º Congresso Intersaberes em Arte, Museus e Inclusão; III Encontro Regional da ANPAP Nordeste e 8ª Bienal Internacional de Arte Postal. Recife, Brasil: Even3, 2020. http://dx.doi.org/10.29327/125233.1-1.
Pełny tekst źródłaMiranda, Atena Pontes de, i Robson Xavier da Costa. "CULTURA VISUAL NAS CAPAS DA REVISTA MARIE CLAIRE FRANCESA DE 1939". W Arte e Transmidiações - Anais do 3º Congresso Intersaberes em Arte, Museus e Inclusão; III Encontro Regional da ANPAP Nordeste e 8ª Bienal Internacional de Arte Postal. Recife, Brasil: Even3, 2020. http://dx.doi.org/10.29327/125233.1-2.
Pełny tekst źródłaSalvador, Francisca Emanuella, Myrella Barbosa Dantas Gico i Rodrigo dos Santos Souza. "EXPOSIÇÃO FIO TINTO: DESIGN NA COMPANHIA DE TECIDOS RIO TINTO". W Arte e Transmidiações - Anais do 3º Congresso Intersaberes em Arte, Museus e Inclusão; III Encontro Regional da ANPAP Nordeste e 8ª Bienal Internacional de Arte Postal. Recife, Brasil: Even3, 2020. http://dx.doi.org/10.29327/125233.1-3.
Pełny tekst źródłaRaporty organizacyjne na temat "Regional art museums"
Kerrigan, Susan, Phillip McIntyre i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Ballarat. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206963.
Pełny tekst źródłaMcIntyre, Phillip, Susan Kerrigan i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.
Pełny tekst źródłaHodnett, John, Ralph Eshelman, Nicholas Gardner i Vincent Santucci. Geology, Pleistocene paleontology, and research history of the Cumberland Bone Cave: Potomac Heritage National Scenic Trail. National Park Service, styczeń 2023. http://dx.doi.org/10.36967/2296839.
Pełny tekst źródłaKerrigan, Susan, Phillip McIntyre i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.
Pełny tekst źródłaKerrigan, Susan, Phillip McIntyre i Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.
Pełny tekst źródłaHall, Mark, i Neil Price. Medieval Scotland: A Future for its Past. Society of Antiquaries of Scotland, wrzesień 2012. http://dx.doi.org/10.9750/scarf.09.2012.165.
Pełny tekst źródłaBrophy, Kenny, i Alison Sheridan, red. Neolithic Scotland: ScARF Panel Report. Society of Antiquaries of Scotland, czerwiec 2012. http://dx.doi.org/10.9750/scarf.06.2012.196.
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