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Artykuły w czasopismach na temat "Red-Figure vases"
Saunders, David. "Warriors’ Injuries on Red-Figure Vases". Mouseion: Journal of the Classical Association of Canada 10, nr 1 (2010): 1–21. http://dx.doi.org/10.1353/mou.2010.0020.
Pełny tekst źródłaSutton, Robert F., i Martin F. Kilmer. "Greek Erotica on Attic Red-Figure Vases". American Journal of Archaeology 101, nr 2 (kwiecień 1997): 413. http://dx.doi.org/10.2307/506525.
Pełny tekst źródłaOakley, John H., i Martin F. Kilmer. "Greek Erotica on Attic Red-Figure Vases". Phoenix 49, nr 1 (1995): 90. http://dx.doi.org/10.2307/1088372.
Pełny tekst źródłaSanev, Goran. "Red-figure vases in the FYR Macedonia". Revue archéologique 55, nr 1 (2013): 3. http://dx.doi.org/10.3917/arch.131.0003.
Pełny tekst źródłaHERRING, EDWARD. "APULIAN VASE-PAINTING BY NUMBERS: SOME THOUGHTS ON THE PRODUCTION OF VASES DEPICTING INDIGENOUS MEN". Bulletin of the Institute of Classical Studies 57, nr 1 (1.06.2014): 79–95. http://dx.doi.org/10.1111/j.2041-5370.2014.00067.x.
Pełny tekst źródłaCarpenter, T. H. "The Native Market for Red-Figure Vases in Apulia". Memoirs of the American Academy in Rome 48 (2003): 1. http://dx.doi.org/10.2307/4238802.
Pełny tekst źródłaHerring, Edward. "More than just pretty pictures: red-figure pottery production beyond Athens". Antiquity 89, nr 348 (grudzień 2015): 1500–1502. http://dx.doi.org/10.15184/aqy.2015.137.
Pełny tekst źródłaMinollari, Katarzyna. "Red-figure vases from Durres – A reflection of a local culture?" Journal of Archaeological Science: Reports 21 (październik 2018): 1025–34. http://dx.doi.org/10.1016/j.jasrep.2016.12.007.
Pełny tekst źródłaPöhlmann, Egert. "Reading and Writing, Singing and Playing on Three Early Red-Figure Vases". Greek and Roman Musical Studies 7, nr 2 (20.08.2019): 270–83. http://dx.doi.org/10.1163/22129758-12341350.
Pełny tekst źródłaPeirce, Sarah. "Visual Language and Concepts of Cult on the "Lenaia Vases"". Classical Antiquity 17, nr 1 (1.04.1998): 59–95. http://dx.doi.org/10.2307/25011074.
Pełny tekst źródłaRozprawy doktorskie na temat "Red-Figure vases"
Xu, Jialin. "Techniques of red-figure vase-painting in late sixth- and early fifth-century Athens". Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670015.
Pełny tekst źródłaBowtell, Anne. "The group of Polygnotos". Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260712.
Pełny tekst źródłaScapin, Mathieu. "Les premiers ateliers à figures rouges en Italie du sud (440-375 av. J.-C.)". Thesis, Toulouse 2, 2016. http://www.theses.fr/2016TOU20126.
Pełny tekst źródłaBetween 1938 and 1989, Trendall ranked the work of the first red figure painters of Southern Italy. His research, together with those of historians and archaeologists, is a remarkable analysis tool for scientists : it allows us to understand, in a glance, the italiote corpus from private collections and museum. Like Beazley on Attic vases before him, Trendall endeavored to assign anonymous vases and without provenances to painters he appointed. However, since years now, the ranking he created is reviewed in the light of new discoveries and reallocations of researchers.This work attempts to reconsider the beginning and development of these early craftsmen in Southern Italy between the second half of the 5th century and the first quarter of the fourth century BC.First we try to reassign vases which it is an important component of our reflexion, allowing to enhance A.D. Trendall's work. We will be able to understant the artistic's contexts in which the first workshops were developed.Then, the studies of places and archaeological contexts allow to highlight the way they produced, comparing associations between painters and workshops' vases in graves
Moodie, Meg R. "Drawing the divide : the nature of Athenian identity as reflected in the depiction of the „other‟ in Attic red-figure vase painting in the fifth century BCE". Thesis, Stellenbosch : Stellenbosch University, 2013. http://hdl.handle.net/10019.1/80201.
Pełny tekst źródłaENGLISH ABSTRACT: During the fifth century BCE there were three defining periods in Athenian history that challenged its society: the Persian Wars (490 – 479 BCE); Periclean Athens (mid-fifth century); and the Peloponnesian War (431 – 404 BCE). As the development of identity is a reactionary process, these three periods had a profound effect on the Athenian identity and led to the redefinition of this self-image along the primordialist models. Two premises are combined in this study. Firstly that comparisons to contrary ethnicities are vital to the development of identity, and secondly that the visual articulation of an identity is essential to the reinforcement and maintenance of this self-image. This can be applied to the development of Athenian identity during the fifth century BCE as reflected in Attic vase painting. Through a study of the "other" imagery produced in this century, with special attention given to Amazons, it is possible to see the development and nature of the Athenian identity during each of the three periods.
AFRIKAANSE OPSOMMING: Tydens die vyfde eeu vC was daar drie omskrywende periodes in Atheense geskiedenis wat hul samelewing uitgedaag het: die Persiese Oorloë (490 – 479 vC); Perikleiese Athene (mid-vyfde eeu); en die Pelopponiese Oorlog (431 – 404 vC). Omdat die ontwikkeling van identiteit 'n reaksionêre proses is, het hierdie drie periodes 'n diepgaande indruk op die Atheense identiteit gehad en het bygedra tot die herdefiniesie van hierdie selfbeeld volgens die primordialis modelle. Twee stellings word gekombineer in hierdie studie. Eerstens dat vergelykings aan teenoorgestelde etnisiteite essensieel is vir die ontwikkeling van identiteit, en tweedens, dat die visuele artikulasie van 'n identiteit noodsaaklik is vir die versterking en onderhoud van die selfbeeld. Dit kan toegepas word by die ontwikkeling van Atheense identiteit gedurend die vyfde eeu vC soos in Attiese vaas versiering uitgebeeld is. Deur middel van 'n studie van die "ander" beelde geskep in die eeu, met spesiale aandag aan Amasone, is dit moontlik om die ontwikkeling en karakter van die Atheense identiteit gedurend elk van die drie periodes te verstaan.
Enríquez, de Salamanca Alcón Macarena. "Mégara Hyblaea au IVe siècle av. J.-C. : étude d'un corpus fragmentaire de vases à figures rouges sicéliotes provenant du secteur public de la cité". Electronic Thesis or Diss., Tours, 2022. http://www.theses.fr/2022TOUR2016.
Pełny tekst źródłaThis thesis studies and analyses a mostly unpublished corpus of Sicilian red-figured vase fragments, decorated with scenes related to the sphere of Aphrodite and the Dionysian universe. These fragments are dated to the second half of the 4th century B.C. and probably come from the agora area of Megara Hyblaea, an ancient Greek colony in eastern Sicily. This city was rediscovered thanks to the excavations carried out by G. Vallet and Fr. Villard between 1949 and 1978. Following its discovery, Megara Hyblaea has been the subject of numerous excavation campaigns, studies and publications that focused in particular on the questions of the foundations of the city and its archaic phase. During the last study programs of the Ecole française de Rome, research on the post-archaic material of the city was relaunched. This thesis is part of these programs as well as the scientific collaboration, established in 2019, between the EfR and the Centre Jean Bérard in Naples (collaboration that continues the study of the selection of material carried out by Fr. Villard). The aim of this thesis is firstly to measure the contribution of the corpus to the history of Megara during the second half of the 4th century B.C. Secondly, we try to contribute to the revision of the production of Sicilian red-figured vases, in particular the revision of the organization of the different groups proposed by A.D. Trendall as well as their chronology. We also seek to establish some lines of thought on the end of the production of red figures in Sicily. In order to carry out this project, the corpus is subjected to a complete analysis - form of the vase, type, iconography, style, preliminary observations on the clay, context of discovery and region of provenance - as well as to a comparative study with the other vases of the Sicilian and Italiote regions (notably Campania and Paestum). This work allows the development of at least three parts. The first part highlights the material data of the corpus (forms, types, iconographic elements, quantities of material, clays, etc.) and allows to build a basis for the other sections of the thesis. The second part focuses on the stylistic analysis of a part of the fragments of the corpus, which allows the development of stylistic comparisons between the corpus and the comparative material and thus to refine the dating of the corpus. In this section, the revision of two groups belonging to the Sicilian production (the production of the Painter of Biancavilla and the production of the Group of Lentini-Manfria) is set up. This part also develops the identification of a possibly unpublished group. Finally, the third part uses the information obtained in the first two parts to try to better understand the context of provenance of our corpus. The hypotheses of the material's provenance are made on different scales (regional, local and cultural) and seek to solidify the place of Megara Hyblaea in the distribution networks of red-figured vases in Sicily during the 4th century, as well as the other contexts that could explain the presence of our material (sanctuary, theatre culture)
Hoyt, Sue Allen. "Masters, pupils and multiple images in Greek red-figure vase painting". Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1150472109.
Pełny tekst źródłaBeaumont, Lesley Anne. "Studies on the iconography of divine and heroic children in Attic red-figure vase-painting of the fifth century". Thesis, Online version, 1993. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.366348.
Pełny tekst źródłaNeer, Richard Theodore. "Pampoikilos representation, style, and ideology in Attic red-figure /". 1998. http://books.google.com/books?id=XIzWAAAAMAAJ.
Pełny tekst źródła"Spring 1998." "UMI Number: 9902178"--Prelim. p. "Printed in 2005 by digital xerographic process on acid free paper"--P. after T.p. Includes bibliographical references (p. 273-295).
Chaput, Samuel. "Les représentations sexuelles sur les vases attiques à figure rouge : entre sexualité et «pornographie»". Thèse, 2015. http://hdl.handle.net/1866/18335.
Pełny tekst źródłaLa présente étude sert à rassembler tous les vases attiques à figure rouge présentant des scènes sexuellement explicites connues à ce jour. Un examen attentif de ces sources permit de les décrire ainsi que de les comparer afin d'en faire ressortir les similitudes et les différences. Ces vases, étrangement, proviennent majoritairement d'Étrurie, ce qui surprend lorsqu'on sait qu'ils ont été fabriqués en Grèce. Grâce à l'étude du commerce à cette époque, on constate que ces vases n'occupaient pas une grande place dans les relations commerciales entre Grecs et Étrusques. De plus, ces derniers les utilisaient dans un contexte funéraire, ce qui diffère grandement des Grecs. En effet, ces derniers semblent avoir utilisé ces vases dans un contexte où le vin était central, le symposion. Bien que ce genre de banquet était une activité généralement domestique, on se rend compte, à la lumière de découvertes archéologiques, que les vases sexuellement explicites auraient pu être utilisés dans un contexte lié à la prostitution, les bordels. Ceci nous amène donc à nous questionner quant au statut des femmes qui y sont représentées. Finalement, l'étude des sources littéraires, de peu contemporaines aux vases à l'étude, nous renseigne, en partie, sur les opinions quant aux différentes pratiques sexuelles de l'époque. Au final, bien que des pistes théoriques intéressantes se dégagent de l'étude de ces vases, il reste que des conclusions sûres et hors de tout doute sont impossibles étant donné le manque de source. Ces vases présentent donc un portrait à mi-chemin entre la réalité et le symbolisme de la sexualité en Grèce antique.
This study serves to collect all the red-figure Attic vases with sexually explicit scenes known to date. A close examination of these sources made it possible to describe and compare them to bring out the similarities and differences. These vases, strangely, come mainly from Etruria, which is surprising when we know that they were made in Greece. Through the study of trade at that time, we see that these vases did not occupy an important place in the trade relations between Greeks and Etruscans. In addition, they used them in a funerary context, which differs greatly from the Greeks. Indeed, they appear to have used the vases in a context where the wine was central, the symposion. Although this kind of banquet was generally a domestic activity, we realize, in light of archaeological discoveries, that sexually explicit vases could have been used in a context related to prostitution, brothels. This leads us to question the status of the women that are represented. Finally, literary sources that are contemporary of the studied vases, tells us, in part, on different views on the sexual practices of the time. Finally, although interesting theoretical tracks emerge from the study of these vases, it remains that firm conclusions are impossible given the lack of source. These vases therefore gives us a portrait halfway between reality and symbolism of sexuality in ancient Greece.
Książki na temat "Red-Figure vases"
John, Boardman. Athenian red figure vases: The Archaic period : a handbook. London: Thames and Hudson, 1991.
Znajdź pełny tekst źródłaJohn, Boardman. Athenian red figure vases: The classical period : a handbook. New York: Thames and Hudson, 1988.
Znajdź pełny tekst źródłaAthenian red figure vases: The Archaic period : a handbook. New York: Thames and Hudson, 1988.
Znajdź pełny tekst źródłaJohn, Boardman. Athenian red figure vases: The Archaic period : a handbook. Wyd. 2. New York: Thames and Hudson, 2000.
Znajdź pełny tekst źródłaGreek erotica on Attic red-figure vases. London: Duckworth, 1991.
Znajdź pełny tekst źródłaRed figure vases of South Italy and Sicily: A handbook. New York, N.Y: Thames and Hudson, 1989.
Znajdź pełny tekst źródłaAthenian red figure vases, the classical period: A handbook. New York, N.Y: Thames and Hudson, 1989.
Znajdź pełny tekst źródłaBuitron-Oliver, Diana. Douris: A master-painter of Athenian red-figure vases. Mainz am Rhein: Philipp von Zabern, 1995.
Znajdź pełny tekst źródłaA history of the study of South Italian black- and red-figure pottery. Oxford: Archaeopress, 2011.
Znajdź pełny tekst źródłainternationale, Union académique, red. Corpus vasorum antiquorum: Greece : Athens--National Archaeological Museum : Attic black- and red-figure hydriai. Athens: Academy of Athens, 2018.
Znajdź pełny tekst źródłaCzęści książek na temat "Red-Figure vases"
SABETAI, VICTORIA. "Boeotian Red-figured Vases:". W Red-figure Pottery in its Ancient Setting, 81–98. Aarhus University Pres, 2012. http://dx.doi.org/10.2307/jj.608266.11.
Pełny tekst źródłaOakley, John H. "Inscriptions on Apulian Red-Figure Vases:". W Epigraphy of Art, 121–34. Archaeopress Publishing Ltd, 2016. http://dx.doi.org/10.2307/j.ctvxw3njw.12.
Pełny tekst źródłaImmerwahr, Henry R. "Red-Figure and Black-Figure Vases, 530–500 BC". W Attic Script, 57–80. Oxford University PressOxford, 1990. http://dx.doi.org/10.1093/oso/9780198132233.003.0008.
Pełny tekst źródłaGUALTIERI, MAURIZIO. "Late ‘Apulian’ Red-figure Vases in Context:". W Red-figure Pottery in its Ancient Setting, 59–68. Aarhus University Pres, 2012. http://dx.doi.org/10.2307/jj.608266.9.
Pełny tekst źródłaPOYZADIYX, CLAUDE, i PIERRE ROUILLARD. "From Imported Attic Vases to the First Regional Productions in Sicily:". W The Regional Production of Red Figure Pottery, 269–78. Aarhus University Press, 2014. http://dx.doi.org/10.2307/jj.608200.18.
Pełny tekst źródła"Chapter Five. Attic Red-Figure And White-Ground". W Corinthian and Attic Vases in the Detroit Institute of Arts, 45–65. BRILL, 2008. http://dx.doi.org/10.1163/ej.9789004164086.i-152.12.
Pełny tekst źródłaAnderson, Michael J. "Ilioupersis Combinations in Attic Vase-Painting". W The Fall of Troy in Early Greek: Poetry and Art, 208–45. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198150640.003.0018.
Pełny tekst źródłaStelow, Anna R. "Menelaus in Archaic Art". W Menelaus in the Archaic Period, 204–57. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199685929.003.0005.
Pełny tekst źródłaBARRESI, SEBASTIANO. "Sicilian Red-figure Vase-painting:". W The Regional Production of Red Figure Pottery, 235–46. Aarhus University Press, 2014. http://dx.doi.org/10.2307/jj.608200.16.
Pełny tekst źródłaHEDREEN, GUY. "Vase-painting and Narrative Logic:". W Red-figure Pottery in its Ancient Setting, 133–46. Aarhus University Pres, 2012. http://dx.doi.org/10.2307/jj.608266.15.
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