Gotowa bibliografia na temat „Recording and reproducing”
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Artykuły w czasopismach na temat "Recording and reproducing"
Koyata, Tomohiro. "Reproducing and recording apparatus, decoding apparatus, recording apparatus, reproducing and recording method, decoding method and recording method". Journal of the Acoustical Society of America 112, nr 4 (2002): 1235. http://dx.doi.org/10.1121/1.1520923.
Pełny tekst źródłaKawamura, Ichiro, Yoshitaka Fojioka i Makoto Fujita. "Recording disc reproducing device". Journal of the Acoustical Society of America 81, nr 5 (maj 1987): 1663. http://dx.doi.org/10.1121/1.395056.
Pełny tekst źródłaFukuda, Shinichi. "Recording and reproducing apparatus, recording and reproducing method, and data processing apparatus". Journal of the Acoustical Society of America 114, nr 5 (2003): 2536. http://dx.doi.org/10.1121/1.1634063.
Pełny tekst źródłaArioka, Hiroyuki, Masaharu Nishimatsu i Suguru Takayama. "Magnetic recording medium and recording/reproducing method therefor". Journal of the Acoustical Society of America 87, nr 2 (luty 1990): 932. http://dx.doi.org/10.1121/1.398822.
Pełny tekst źródłaArioka, Hiroyuki, Masaharu Nishimatsu i Suguru Takayama. "Magnetic recording medium and recording/reproducing method thereof". Journal of the Acoustical Society of America 87, nr 2 (luty 1990): 932. http://dx.doi.org/10.1121/1.398823.
Pełny tekst źródłaUehara, Tsukasa, Masaya Maeda i Akimasa Nishimura. "Recording and/or reproducing apparatus". Journal of the Acoustical Society of America 86, nr 6 (grudzień 1989): 2481. http://dx.doi.org/10.1121/1.398373.
Pełny tekst źródłaKawamura, Ichiro, Izumi Hino i Makoto Fujita. "Disk recording and reproducing device". Journal of the Acoustical Society of America 81, nr 5 (maj 1987): 1663. http://dx.doi.org/10.1121/1.395055.
Pełny tekst źródłaAtarashi, E., i K. Shiiki. "Recording process and reproducing feasibility of transverse magnetic recording". Journal of Applied Physics 86, nr 10 (15.11.1999): 5780–87. http://dx.doi.org/10.1063/1.371593.
Pełny tekst źródłaIto, Shigeyuki. "Audio signal recording and reproducing apparatus". Journal of the Acoustical Society of America 100, nr 1 (1996): 24. http://dx.doi.org/10.1121/1.415932.
Pełny tekst źródłaKojima, Noboru, Yoshizumi Watatani, Takao Arai, Takashi Hoshino i Toshifumi Shibuya. "Magnetic recording and/or reproducing apparatus". Journal of the Acoustical Society of America 78, nr 2 (sierpień 1985): 826. http://dx.doi.org/10.1121/1.393059.
Pełny tekst źródłaRozprawy doktorskie na temat "Recording and reproducing"
Martin, Bryan. "Two projects in sound recording involving underground rock music". Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61248.
Pełny tekst źródłaLeonard, Theresa Ann. "Time delay compensation of distributed multiple microphones in recording : an experimental evaluation". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61154.
Pełny tekst źródłaMultiple microphone set-ups are used to record both large orchestral works and smaller-scale classical compositions where auxiliary microphones may be needed to ensure an optimum balance in the final mix. Small time delays are derived from calculations involving the distances between microphones, the speed of sound, and humidity and temperature readings from the hall. Proper synchronization of these delays is desirable to preserve phase coherence and combat comb-filter effects. Precise delay units are used to compile musical exerpts for listening tests.
The results reveal any change in sound quality and provide a basis for investigating both the positive and negative effects through objective study of the value of time delay compensation in the live recording reproduction of classical music performances.
Cook, Peter. "Toward a microphone technique for Dolby Surround encoding". Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60463.
Pełny tekst źródłaThe purpose of the thesis is to investigate this potential, particularly as it applies to acoustic music recording. Dolby Surround encode and decode technology and its relevance to acoustic music reproduction is reviewed. The classic stereo microphone techniques are discussed with particular attention paid to each one's theoretical ability to "encode" information for the Dolby Surround decoder. Practical limitations and benefits of these well-known methods are considered.
Recently proposed microphone techniques are reviewed in theory and in practice and are found to provide many solutions. Methods for optimizing the decoder technology for music reproduction are suggested. The paper is relevant to any acoustic recording application for a number of surround systems as well as for conventional stereo and mono.
Findlay, David A. "Three multi-track recording projects : an analysis of aesthetic and technical engineering considerations". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63956.
Pełny tekst źródłaRapley, Robert. "The transfer and restoration of old recordings /". Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69590.
Pełny tekst źródłaThis thesis is intended as a reference for those recording engineers who occasionally undertake remastering projects, but who are not thoroughly acquainted with the many different situations and problems which can be involved. Emphasis is given to those areas which are likely to be least familiar to most engineers.
In order to enable the engineer to properly assess a given source, the evolution and characteristics of each type of source--cylinder, disc and tape--is surveyed. This is followed in each case by an examination of the preparation, equipment and method used in transferring the source. Finally, the various types of processing which can be applied to the transferred material are presented, focusing on the techniques and forms of signal processing which are specific to audio restoration.
Wendt, Christopher Lee. "Culture mediation and sound preservation : methodologies in ethnomusicology". Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1285584.
Pełny tekst źródłaDepartment of Anthropology
Klepko, John. "5-channel microphone array with binaural-head for multichannel reproduction". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0016/NQ55349.pdf.
Pełny tekst źródłaHans, Mathieu Claude. "Optimization of digital audio for Internet transmission". Diss., Georgia Institute of Technology, 1998. http://hdl.handle.net/1853/14894.
Pełny tekst źródłaCraig, Shelley. "Stereo audio for television : practical problems in audio post-production techniques". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=63957.
Pełny tekst źródłaRoux, Gerhard Wachtendonck. "Mikrofoontegnieke toegepas in populêre musiekopnames". Thesis, Stellenbosch : University of Stellenbosch, 2011. http://hdl.handle.net/10019.1/6734.
Pełny tekst źródłaENGLISH ABSTRACT: This thesis investigates the role of natural or realistic audio recordings in popular music in the context of the different nature of popular music where the goal is not necessarily the recreation of the original acoustic space. Traditional microphone techniques are investigated from the perspective of the identifiable characteristics of popular music to establish the role of microphone techniques to obtain a desired outcome.
AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die rol van natuurlike of realistiese klankopnames in populêre musiek in die lig daarvan dat die aard van populêre opnames verskil van reproduksie wat poog om die opnameruimte akoesties te herskep. Tradisionele mikrofoontegnieke word bestudeer vanuit die hoek van die identifiseerbare eienskappe van populêre musiek om te bepaal watter rol mikrofoontegniek kan speel om ’n verlangde uitkoms te bewerkstellig.
Książki na temat "Recording and reproducing"
Puffert, Douglas J. Audio and video recording and reproducing equipment. Washington, DC: Office of Industries, U.S. International Trade Commission, 1994.
Znajdź pełny tekst źródłaEargle, John. Handbook of recording engineering. Wyd. 3. New York: Van Nostrand Reinhold, 1996.
Znajdź pełny tekst źródłaEargle, John. Handbook of recording engineering. Wyd. 4. Boston: Kluwer Academic Publishers, 2003.
Znajdź pełny tekst źródłaEargle, John. Handbook of recording engineering. Wyd. 2. New York: Van Nostrand Reinhold, 1991.
Znajdź pełny tekst źródłaEargle, John. Handbook of recording engineering. Wyd. 3. New York: Chapman and Hall, 1996.
Znajdź pełny tekst źródłaAlkin, E. G. M. Sound recording and reproduction. Wyd. 2. Oxford: Focal Press, 1991.
Znajdź pełny tekst źródłaAlkin, E. G. M. Sound recording and reproduction. London: Focal Press, 1987.
Znajdź pełny tekst źródłaRumsey, Francis. Tapeless sound recording. London: Focal Press, 1990.
Znajdź pełny tekst źródłaMiles, Liz. Making a recording. Chicago, Ill: Raintree, 2009.
Znajdź pełny tekst źródłaGibson, Bill. Instrument and vocal recording. Wyd. 2. Milwaukee, WI: Hal Land Corp., 2011.
Znajdź pełny tekst źródłaCzęści książek na temat "Recording and reproducing"
Camras, Marvin. "Magnetic Recording Reproducing Systems". W Encyclopedia of Acoustics, 1963–66. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2007. http://dx.doi.org/10.1002/9780470172544.ch164.
Pełny tekst źródłaŠimonytė, V., i V. Slivinskas. "Computer-Aided Quality Control of the Tape Recorder Recording-Reproducing Channel". W Proceedings of the Fifth European Conference on Mathematics in Industry, 371–74. Wiesbaden: Vieweg+Teubner Verlag, 1991. http://dx.doi.org/10.1007/978-3-663-01312-9_66.
Pełny tekst źródłaWallerstedt, Cecilia. "Managing the Tension Between the Known and the Unknown in Knowledge-Building: The Example of the Play-Responsive Early Childhood Education and Care (PRECEC) Project". W Methodology for Research with Early Childhood Education and Care Professionals, 45–55. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14583-4_4.
Pełny tekst źródłaMallinson, John C. "Reading, or Reproducing, Processes". W The Foundations of Magnetic Recording, 85–105. Elsevier, 1993. http://dx.doi.org/10.1016/b978-0-12-466626-9.50012-5.
Pełny tekst źródła"Reproducing the Sound of the Living World". W Video Recording Technology, 20–47. Routledge, 2012. http://dx.doi.org/10.4324/9780203052297-7.
Pełny tekst źródłaMoreda Rodríguez, Eva. "Traveling phonographs, 1888–1900". W Inventing the Recording, 38–63. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197552063.003.0003.
Pełny tekst źródłaSafran, Gabriella. "Crossing". W Recording Russia, 103–25. Cornell University Press, 2022. http://dx.doi.org/10.7591/cornell/9781501766329.003.0005.
Pełny tekst źródłaBorwick, John. "Microphones". W Sound Recording Practice, 127–42. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198163817.003.0006.
Pełny tekst źródła"Staging Sterile Sound: Producing and Reproducing Natural Field Recordings". W Listening in the Field. The MIT Press, 2018. http://dx.doi.org/10.7551/mitpress/10307.003.0004.
Pełny tekst źródłaStreszczenia konferencji na temat "Recording and reproducing"
Wang, Nan, Jizhong Han, Haiping Fu, Xubin He i Jinyun Fang. "Reproducing non-deterministic bugs with lightweight recording in production environments". W 2010 29th IEEE International Performance Computing and Communications Conference (IPCCC). IEEE, 2010. http://dx.doi.org/10.1109/pccc.2010.5682332.
Pełny tekst źródłaSuzuki, Toshimasa, Hirofumi Nakajima, Hideo Tsuru, Takayuki Arai i Kazuhiro Nakadai. "3D sound field recording and reproducing system including sound source orientation". W 2010 4th International Universal Communication Symposium (IUCS). IEEE, 2010. http://dx.doi.org/10.1109/iucs.2010.5666221.
Pełny tekst źródłaOhno, Eiji, Kenichi Nishiuchi, Noboru Yamada i Nobuo Akahira. "Erasable Compact Disc Using Phase Change Optical Media". W Optical Data Storage. Washington, D.C.: Optica Publishing Group, 1991. http://dx.doi.org/10.1364/ods.1991.tua3.
Pełny tekst źródłaKurotsuka, Akira, Shinichi Maeda, Kohzoh Ezawa i Eiichi Hanakawa. "Loading mechanism of DVD-RAM drive". W Optical Data Storage. Washington, D.C.: Optica Publishing Group, 1998. http://dx.doi.org/10.1364/ods.1998.tud.9.
Pełny tekst źródłaGomez, J., Yu B. Boiko i S. Calixto. "Computer generation and fabrication of diffractive element amplitude masks with nonlinear corrections". W OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1992. http://dx.doi.org/10.1364/oam.1992.fx1.
Pełny tekst źródłaRouillard, José, Hakim Si Mohammed i François Cabestaing. "A pilot study for a more Immersive Virtual Reality Brain-Computer Interface". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002055.
Pełny tekst źródłaVenson, Giuliano Gardolinski, i Jose´ Eduardo Mautone Barros. "Turbocharger Performance Maps Building Using a Hot Gas Test Stand". W ASME Turbo Expo 2008: Power for Land, Sea, and Air. ASMEDC, 2008. http://dx.doi.org/10.1115/gt2008-50994.
Pełny tekst źródłaMcCormack, Leo, i Archontis Politis. "Estimating and Reproducing Ambience in Ambisonic Recordings". W 2022 30th European Signal Processing Conference (EUSIPCO). IEEE, 2022. http://dx.doi.org/10.23919/eusipco55093.2022.9909850.
Pełny tekst źródłaChernenko, Anna D., Maria Sergeevna Ashapkina, Victoria Alexandrovna Sablina i Alexey Viktorovich Alpatov. "Physical Activity Set Selection for Emotional State Harmonization Based on Facial Micro-Expression Analysis". W 32nd International Conference on Computer Graphics and Vision. Keldysh Institute of Applied Mathematics, 2022. http://dx.doi.org/10.20948/graphicon-2022-678-687.
Pełny tekst źródłaPolyanskii, P. V. "Reproducial properties of referenceless recording of near-field diffraction pattern". W 17th Congress of the International Commission for Optics: Optics for Science and New Technology. SPIE, 1996. http://dx.doi.org/10.1117/12.2298921.
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