Artykuły w czasopismach na temat „Realism”
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Araujo Neto, Gerson Albuquerque de. "A questão do realismo na filosofia de Karl Popper/The question of realism in Karl Popper's philosophy". Pensando - Revista de Filosofia 5, nr 10 (28.12.2014): 29. http://dx.doi.org/10.26694/pensando.v5i10.3041.
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O presente texto é um estudo do problema do realismo na filsofia da ciência de Karl Popper. O texto inicia com a definição de realismo e a sua importância na filosofia atual. Mostra, também, em que textos Popper trabalha a questão do realismo e onde, no seu texto autobiográfico, ele se assume como realista. Analisa, ainda, o realismo na teoria dos três mundos de Popper.Abstract: The present essay is an study about the problem of realism in Karl Popper's philosophy of science. The essay begins with the definition of realism and its importance in nowadays philosophy. It also shows in which texts Popper works the question of realism and where, in his autobiographical text, he assumes himself as a realist. The essay also analises the realism in Popper's Three Worlds Theory. Key words: Realism. Karl Popper. Philosophy of Science.
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Adams, Don. "The Creativity that Drives the World". Process Studies 48, nr 2 (2019): 219–38. http://dx.doi.org/10.5840/process201948216.
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This essay contends that reality is a creative evolutionary process by which the virtual is transformed into the actual and argues that our critical conception of realism in literature needs to be altered to reflect this purposive and progressive living reality in contrast to the static and dead actuality assumed by the conventional notion of realism as mimesis. Realist fiction writers who are profound creators have strategically employed metaphysically dipolar and ethically earnest literary genres in tandem with mimetic realism, resulting in complexly interactive alternative and prophetic realisms that function as catalytic agents for progressive change in our world.
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Adams, Don. "The Creativity that Drives the World: Prophetic Realism". Process Studies 48, nr 2 (1.10.2019): 219–38. http://dx.doi.org/10.5406/processstudies.48.2.0219.
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Abstract This essay contends that reality is a creative evolutionary process by which the virtual is transformed into the actual and argues that our critical conception of realism in literature needs to be altered to reflect this purposive and progressive living reality in contrast to the static and dead actuality assumed by the conventional notion of realism as mimesis. Realist fiction writers who are profound creators have strategically employed metaphysically dipolar and ethically earnest literary genres in tandem with mimetic realism, resulting in complexly interactive alternative and prophetic realisms that function as catalytic agents for progressive change in our world.
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Carr, Daniel D. "Natural Kind Realism and Dupré’s Promiscuous Realism". Southwest Philosophy Review 39, nr 1 (2023): 183–92. http://dx.doi.org/10.5840/swphilreview202339120.
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I contend that scientific realism and realism about natural kinds should be given separate treatment because a person could be a scientific realist in general without having key realist commitments about natural kinds. I utilize Chakravartty’s three dimensions of commitment for scientific realism to create three key conditions for realism regarding natural kinds in particular. I find that Dupré’s promiscuous realism fails at least one these conditions, and therefore, for the sake of terminological consistency and clarity, we should classify promiscuous realism as an antirealist view of natural kinds.
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Boardman, Frank. "Realism about Film and Realism in Films". Film and Philosophy 24 (2020): 43–62. http://dx.doi.org/10.5840/filmphil2020244.
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Realism has a significant place in the history of film theory. The claim that film is essentially a realistic art form has been employed to justify the art-status of films as well as the distinctness of film as a form. André Bazin and others once used realist ontologies of film to try to establish realist teleologies and universal critical standards. I briefly sketch this history before considering the prospects for various versions of realism: Bazin’s, as well as Kendall Walton’s and Gregory Currie’s less ambitious but more plausible accounts. I argue that these theories, though they are the best cases we have for realism, are not adequate ontologies of film. However, while prior realist philosophers and critics were wrong to think that realism can provide a critical standard for all films, realism is nonetheless a praiseworthy filmic achievement - one that the opponent of ontological realism should not dismiss.
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Abror, Robby Habiba. "Diskursus Estetika Realisme Sosialis: Kajian Filsafat Pendidikan Moral atas Sastrawan Kreatif di Bandung". Refleksi Jurnal Filsafat dan Pemikiran Islam 18, nr 1 (30.01.2018): 17–26. http://dx.doi.org/10.14421/ref.v18i1.1854.
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Culture and art attached to the city of Bandung. The dialectical process in the realm of aesthetics becomes an integral part of the discourse of literaryists and literary connoisseurs in the flower city. Although it is debatable whether Bandung poets purely ideological socialist, realist, or religious maybe even a combination of socialist socialist or socialist realism, did not reduce the passion of creativity of creative writers in Bandung to give birth to various forms of literary artwork needed by its citizens to build a city with a moral breath and heed the elements of nature in harmonizing modernity and local culture. The digital age makes the media a locus of creative literary education and praxis to build the aesthetic of socialist realism based on morality.[Kebudayaan dan kesenian melekat pada Kota Bandung. Proses dialektik dalam ranah estetika menjadi bagian integral dalam diskursus para sastrawan dan penikmat sastra di kota kembang itu. Kendati masih diperdebatkan apakah para sastrawan Bandung murni berideologikan sosialis, realis, ataukah religius bahkan mungkin juga kombinasi realisme sosialis atau sosialis religius, tak mengurangi gairah kreativitas para sastrawan kreatif di Bandung untuk melahirkan berbagai bentuk karya seni sastra yang dibutuhkan warganya untuk membangun kota dengan nafas moral dan mengindahkan unsur alam dalam mengharmoniskan modernitas dan budaya lokal. Era digital menjadikan media sebagai lokus pendidikan sastra kreatif dan praksis untuk membangun estetika realisme sosialis berdasarkan moralitas.]
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Malcovati, Silvia. "The utopia of reality: Realisms in architecture between ideology and phenomenology". SAJ - Serbian Architectural Journal 6, nr 3 (2014): 146–65. http://dx.doi.org/10.5937/saj1402146m.
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Proposed on the occasion of the First Congress of the Soviet writers in Moscow in 1934, the notion of realism coming about in the theoretical debate on architecture in the early thirties of the twentieth century appears to be an ambiguous notion, straddling between idealism and ideology, innovative research and historicist formalism. The failure of socialist realism and the crisis of its emphatic and monumentalist architectural imagery, clearly shows the utopian character of the realist "dream," but also, in some ways, its imaginative power of striving to build a better world. After the Second World War the question of realism comes into discussion again. Especially in Italy realism turn into an alternative to the modern paradigm, no less utopian, but open for the emerging postmodern American ideas as well as for the architecture of the "Tendenza." The paper proposes a survey on the twentieth century realisms as an instrument of reflecting the current state of architecture: after the excesses of the postmodern populism, the disillusionment of the "Architettura Razionale" and the dialectics of reconstruction-deconstruction, a new spectre of "Realism" as a way to react to the current architectural and urban condition seems to emerge in architecture again.
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Chakravartty, Anjan. "Last Chance Saloons for Natural Kind Realism". American Philosophical Quarterly 60, nr 1 (1.01.2023): 63–81. http://dx.doi.org/10.5406/21521123.60.1.06.
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Abstract Traditionally, accounts of natural kinds have run the gamut from strongly conventionalist to strongly realist views. Recently, however, there has been a significant shift toward more conventionalist-sounding positions, even (perhaps especially) among philosophers interested in scientific classification. The impetus for this is a trend toward making anthropocentric features of categories, namely, capacities to facilitate human epistemic (and other) interests via inductive inference, central to an account of kinds. I argue that taking these features seriously is both defensible and compatible with conventionalism, but not compatible with a traditional realism about kinds specifically. Moreover, hopes of achieving compatibility by revising and extending kind realism—into what I call “hyperrealism”—face an insuperable dilemma. The news for realists is not all bad, however: though kind realism proves untenable, closely associated realisms underlying the objectivity of kind discourse may be viable nonetheless.
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Braun, Leila. "Implicated Realism and the Environmentalism of the Rich in Ben Lerner’s 10:04". Studies in the Novel 56, nr 2 (czerwiec 2024): 187–205. http://dx.doi.org/10.1353/sdn.2024.a928656.
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Abstract: This essay argues that Ben Lerner’s novel 10:04 (2014) employs “implicated realism” to represent the environmentalism of the rich. Implicated realism is a self-reflexive aesthetic that reveals how the foundations of literary realism—narrative description, bourgeois settings, an emphasis on daily life—rely upon the forms of exploitation that have also produced the climate crisis. I demonstrate that implicated realism in 10:04 , paradoxically, consists of both hyperrealism and realist failure. Lerner’s novel applies hyperrealist description to seemingly innocuous scenes, uncovering their implication in the uneven distribution of environmental harm. Such hyperrealism exists alongside realist failure, which 10:04 both thematizes and performs. Through realist failure, then, implicated realism confronts the compromised history of realism and its association with possessive individualism and extractive capitalism. Consequently, although many ecocritics discount realism’s ability to represent climate change, this essay identifies implicated realism as a self-reflexive and adaptive mode.
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Cassini, Alejandro. "Realismo epistemológico, referencia y verosimilitud". Crítica (México D. F. En línea) 24, nr 71 (14.12.1992): 3–33. http://dx.doi.org/10.22201/iifs.18704905e.1992.844.
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This paper attempts to determine the commitements of the realist view of scientific theories. First, it distinguishes between ontological realism and epistemological realismo Then, it affirms that the latter is committed with the concepts of reference and truthlikeness. It rejects the so-called referential realism, and against this, it maintains that it is not possible to perform genuine acts of reference by means of false descriptions, Every act of reference needs a true description, It exemplifies this thesis with the problem of identifying elementary particles. Finally, it concludes by analysing the condítions which are necessary and sufficient for the conservation of the reference when a change of theory takes place.
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Sweet, William. "Introduction: Realism, Realisms, and Anti-realisms". Philosophy, Culture, and Traditions 11 (2015): 1–12. http://dx.doi.org/10.5840/pct2015112.
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Johannesson, Karin. "Non-Metaphysical Realism: A Dummett-Inspired Implementation of Putnam's Internal Realism". European Journal for Philosophy of Religion 6, nr 1 (21.03.2014): 3–18. http://dx.doi.org/10.24204/ejpr.v6i1.188.
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The amount of realist positions put forward by philosophers of religion and theologians is impressive. one can certainly doubt whether there is a need for yet another alternative. However, most realist positions employed in studies on religion fall prey to Hilary Putnam’s criticism against metaphysical realism. This gives rise to a dilemma that I aim at solving by introducing yet another realist position, namely non-metaphysical realism.
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Dutra, Luiz Henrique de A. "Réalisme et fictionalisme chez Claude Bernard". Dialogue 38, nr 4 (1999): 719–42. http://dx.doi.org/10.1017/s0012217300006685.
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ABSTRACTIan Hacking puts forward a distinction between two kinds of scientific realism. According to scientific realism about theories, scientific theories are accepted as approximately true; according to scientific realism about unobservable entities, the theoretical terms occurring in scientific theories refer to existing, real entities. This article seeks to show that Claude Bernard's philosophy of science is a realist one about scientific theories, but anti-realist about unobservable entities. The term “fictionalism” is used here to stand for this sort of anti-realism about unobservable entities.
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Andalas, Maharani Intan. "NARASI REALISME MAGIS DALAM PUISI “GONG” KARYA NIRWAN DEWANTO". GENTA BAHTERA: Jurnal Ilmiah Kebahasaan dan Kesastraan 3, nr 2 (1.12.2017): 147–59. http://dx.doi.org/10.47269/gb.v3i2.12.
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AbstrakPengaruh kesusastraan global berupa realisme magis ditemukan dalam sastra Indonesia, baik dalam prosa maupun puisi. Salah satu indikasi karya realisme magis adalah dihadirkannya mitos dalam konteks masa kini. Masalah yang dibahas dalam penelitian ini adalah bagaimana yang magis dan yang nyata dinarasikan berdasarkan elemen-elemen yang menjadi karakteristik realisme magis dalam puisi “Gong” serta hubungan antarelemen dan kadar realisme magis di dalamnya. Penelitian ini menggunakan teori naratif realisme magis Wendy B. Faris. Metode penelitian didasarkan pada teori berupa penentuan data dan pengumpulan data yang meliputi klasifikasi data menjadi dua kategori utama, yaitu data magis dan data riil. Dalam hasil dan pembahasan, dibuktikan bahwa puisi “Gong” mengandung narasi realisme magis atas mitos Calon Arang melalui lima karakteristik realisme magis yang terdapat di dalamnya. Selain itu, terdapat hubungan relasional di antara elemen yang menjadi karakteristik tersebut. Kadar realisme magis dilihat dari tokoh dan peristiwa dapat dikatakan cukup kuat. Puisi ini menggarisbawahi isu perempuan dan akhir patriaki. Isu tersebut berkait dengan konteks posmodernisme. Penggunaan mitos dalam puisi memperlihatkan cara pandang posmodernisme yang tidak terlepas dari Jakarta sebagai konteks sosial penyair. Kata kunci: mitos, narasi, realisme, magis, karakteristik AbstractThe impact of global literature of magical realism is found in Indonesia literature in both prose and poetry. One indication of the work of magical realism is the representation of myth in the contemporary context. The problem discussed in this research are the narration of the magic and the real in Gong poem and the connection between elements, also the level of magical realism in it. This research used narrative theory of magical realism by Wendy B Faris. This research method was based on magical realism theory in the form of data determination and data collection which included the classification into two categories namely magical data and real data. In result and discussion proved that Gong poem contained a narrative of magical realism upon Calon Arang myth through five characteristic of magical realism in it beside the relation among the elements. Magical realism level seen from character and events was strong enough. This poem underlines the issues of women and the end of patriarchy. The issues are related with postmodernism context. The myths in poem shows postmodernism point of view that can’t be separate from Jakarta as social context. Keywords: myth, narrative, magical, realism, characteristic
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Yudono, Kristophorus Divinanto Adi, Godang Lamtiur Sitanggang i Nugroho Widiyanto. "Realisme Magis dalam Naskah Drama Kejahatan Membalas Dendam Karya Idrus Tahun 1948". Indonesian Journal of Performing Arts Education 3, nr 1 (22.06.2023): 8–14. http://dx.doi.org/10.24821/ijopaed.v3i1.8602.
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AbstrakRealisme magis merupakan karya sastra yang mengaburkan batas antara nalar dan luar nalar. Aliran ini tidak terlepas dari masyarakat Indonesia dengan masing-masing kepercayaan berkaitan magis/mistis yang merupakan unsur kebudayaan. Kajian ini dilakukan untuk menganalisis dan mendeskripsikan unsur realisme magis yang terdapat pada naskah drama Kejahatan Membalas Dendam karya Idrus. Analisis realisme magis pada naskah drama dilakukan berdasarkan penanda realisme magis yang dipetakan oleh Wendy Bush Faris. Pendekatan kajian ini adalah kualitatif deskriptif. Teknik dokumentasi literatur dilakukan sebagai metode pengumpulan data. Analisis dilakukan dengan simak catat, dengan cara membaca naskah drama dan mengklasifikasi naskah berdasarkan ciri realisme magis. Naskah Kejahatan Membalas Dendam karya Idrus memuat lima penanda realisme magis, yakni irreducible element, phenomenal world, unsettling doubt, merging realms, dan disruption identity. Penanda realisme magis ini tampak melalui dialog dan petunjuk lakuan atau tindakan tokoh. Berdasarkan hal tersebut, naskah Kejahatan Membalas Dendam karya Idrus tergolong naskah drama dengan unsur realisme magis. AbstractMagical realism is a literary work that blurs the boundaries between reason and beyond reason. This flow is inseparable from Indonesian society with their respective beliefs related to magic/mystics, which are elements of culture. This study was conducted to analyze and describe the elements of magical realism found in Idrus's drama Crimes of Revenge. The analysis of magical realism in the drama script is based on the markers of magical realism mapped by Wendy Bush Faris. The approach of this study is descriptive qualitative. The literature documentation technique is used as a data collection method. The analysis was carried out by observing notes, by reading the drama scripts and classifying the scripts based on the characteristics of magical realism. Idrus's manuscript of Evil Membas Revenge contains five magical realism markers: irreducible element, phenomenal world, unsettling doubt, merging realms, and identity disruption. This marker of magical realism can be seen through the dialogue and instructions for the behavior or actions of the characters. Based on this, the script for Crimes of Revenge by Idrus is classified as a drama script with elements of magical realism.
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Beaumont, Matthew. "Aleatory Realism: Reflections on the Parable of the Pier-Glass". Synthesis: an Anglophone Journal of Comparative Literary Studies, nr 3 (1.05.2011): 9. http://dx.doi.org/10.12681/syn.16869.
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This article challenges the simplistic conception of realism sponsored by postmodernist thought, through a re-engagement with those moments in George Eliot's fiction in which she reflects self-consciously on realist representation. After re-examining the opening of Adam Bede, which is notable for its experimental attitude to realism, the article proceeds to a discussion of the famous metaphor of the pier-glass sketched in Middlemarch. This metaphor, the article contends, offers a glimpse of a realism beyond realism, in which the realist aesthetic collapses, and reality appears instead in the form of unmediated, unprocessed matter. The article identifies this inchoate, almost unthinkable form of representation, which it associates with the perspectival device called anamorphosis, as ‘aleatory realism.’
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Prasetyohadi, Dio Catur, Hat Pujiati i Irana Astutiningsih. "Magical Realism-Like in Shakespeare's A Midsummer Night's Dream (Serupa Realisme Magis dalam “A Midsummer Night's Dream” karya Shakespeare)". JENTERA: Jurnal Kajian Sastra 7, nr 1 (30.06.2018): 52. http://dx.doi.org/10.26499/jentera.v7i1.508.
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This article uses concepts of magical realism by Wendy B. Faris to analyze Shakespeare's A Midsummer Night's Dream. We analyze elements of magical realism of the work in mapping discourses between the text and the real life. The chosen material object that published earlier than the theory we chose make this work contributes to describe the trace of the civilization development; event of in-betweeness of human consciousness. However, we have found that A Midsummer Night’s Dream is only a magical realism-like mode, since realism is dominant in the text as the trace of modernity. Meanwhile, the characteristics of Magical Realism that is postulated by Faris is in-between realism and fantasy as a trace of transition era; modern to postmodern. Abstrak: Artikel ini menggunakan konsep-konsep realism magis oleh Wendy B. Faris untuk menganalisis “A Midsummer Night’s Dream” karya Shakespeare. Kami menganalisis elemen-elemen realism magis yang ada dalam karya untuk memetakan wacana-wacana yang ada antara teks dan kenyataan. Pemilihan objek materi yang telah dipublikasi lebih awal dari kelahiran teori yangkami pilih ini berkontribusi untuk menjelaskan jejak perkembanan peradaban Kebudayaan; peristiwa keberantaraan pada kesadaran manusia. Namun demikian, kami menemukan bahwa “A Midsummer Night’s Dream” hanyalah moda tulisan Serupa Realisme Magis, karena dominan teks lebih pada realisme yang merupakan jejak dari modernitas. Sementara syarat realism magis yang ditawarkan Faris adalah keberantaraan realisme dan fantasi sebagai jejak era transisi modern menuju postmodern.
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Jackson, Patrick Thaddeus, i Daniel H. Nexon. "Constructivist Realism or Realist-Constructivism?" International Studies Review 6, nr 2 (czerwiec 2004): 337–41. http://dx.doi.org/10.1111/j.1521-9488.2004.419_2.x.
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De Souza, Denise E. "Critical Realism and Realist Review". American Journal of Evaluation 37, nr 2 (10.09.2015): 216–37. http://dx.doi.org/10.1177/1098214015605175.
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Trapara, Vladimir. "Neoclassical realism: Realism for the 21st century". Medjunarodni problemi 69, nr 2-3 (2017): 227–46. http://dx.doi.org/10.2298/medjp1703227t.
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The author deals with neoclassical realism, the approach which emerged within the realist school of thought about international relations during the nineties of the last century. The goal of the paper is to consider the establishment and development of the approach during this decade and later in the 21st century, in order to show that it improved the realist school of thought and thus responded to the challenge that the end of the Cold War posed to it. This improvement consists of an integration of systemic level of analysis, on which neorealism insists, with unit level, from which classical realism and other IR schools of thought start. The author illustrates the application of neoclassical realism on the research of the topics relevant for the 21st century through the examples of several significant titles within the approach, but also citing his own application of the approach.
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Magada-Ward, Mary. "From Realism to “Realicism”". Newsletter of the Society for the Advancement of American Philosophy 35, nr 106 (2007): 35–36. http://dx.doi.org/10.5840/saap20073510613.
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Arkhagha, Leen, i Yousef Awad. "Faith, Identity and Magical Realism in Leila Aboulela’s Bird Summons". Advances in Language and Literary Studies 12, nr 4 (31.08.2021): 115. http://dx.doi.org/10.7575/aiac.alls.v.12n.4.p.115.
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This article adopts a literary analytical approach to illuminate the use of magical realism in the contemporary Anglophone Arab narrative of Leila Aboulela’s Bird Summons (2019). The study follows a methodology which combines two critical approaches to magical realism: first, a textual approach, and then a contextual one. Accordingly, the study uses key magical realist elements in Bird Summons to delineate the poetics of magical realism within the narrative, before determining the context in which magical realism functions in the narrative. Simultaneously, the study benefits from Christopher Warnes’s two strands of magical realism, ‘faith-based magical realism’ and ‘irreverent magical realism’ in providing a coherent basis for the use of magical realism in the text. This study aims at examining the significance of the magical realist narrative in articulating Arab British identity in Bird Summons. The analysis will interpret the role of magical realism in conveying and undermining the dominant ethnic and racial discourses which shape Arab British identities in Britain. The study’s findings demonstrate how the use of magical realism in the examined Anglophone Arab novel reinforces the fictional purposes of Aboulela as a hyphenated Arab, as it allows her to undermine dominant discourses on hyphenated Arab identities. At the same time, the use of magical realism allows Aboulela to (re)construct Arab British identities within her novel, apart from essentialist views of identity.
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Susilawati, Elis, Ismah Rahayu, Akifah Humaira Salsabila i Ahmad Bahtiar. "Realisme Sosial dalam Potret Seorang Komunis Karya Sabar Anantaguna". Stilistika: Jurnal Pendidikan Bahasa dan Sastra 15, nr 1 (31.01.2022): 122. http://dx.doi.org/10.30651/st.v15i1.8706.
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Social Realism in Potret Seorang Komunis by Sabar Anantaguna ABSTRAKPuisi Potret Seorang Komunis karya Sabar Anantaguna telah mendapatkan bentuk dan pengucapan yang tepat sehingga menjadi prestasi yang bagus dalam sastra realisme sosialis karena tidak terlepas dari latar belakang dan ideologi pengarang yang merupakan bagian dari Lekra. Penelitian ini bertujuan untuk membahas prinsip realisme sosial yang menjadi pandangan para pengarang Lekra. Metode analisis yang digunakan dalam penelitian ini adalah metode penelitian deskriptif kualitatif dan teknik interpretatif. Dalam pengolahan data dilakukan tahap pendeskripsian dan penganalisisan. Penelitian ini menggunakan teori sosiologi sastra, teori realisme sosial dan teori struktural. Hasil dari penelitian Realisme Sosial dalam Potret Seorang Komunis Karya sabar Anantaguna terbukti bahwa prinsip realisme sosial yang menjadi pandangan para pengarang Lekra yaitu Lekra memiliki berbagai macam cara yang dilakukan dengan maksud mempertahankan kekuatan komunis, salah satunya melakukan berbagai teror kepada setiap golongan untuk bergabung dengan Lekra. Kata kunci: komunis, puisi, realisme sosial, lekra ABSTRACTThe poem portrait of a communist written by Sabar Anantaguna has obtained the right form and pronunciation. Therefore, it becomes a good achievement in social realism literature because it cannot be separated from the author background and ideology who is part of Lekra This study aims to discuss the social realism principles that becomes the views of the Lekra authors. The method used in this research is descriptif qualitative and note taking techniques. In processing data, the stages of description and data analysis are carried out. This study used sociology literature research, realism social teory and structural teory. The result of the research on social realism in the portrait of a communist by Sabar Anantaguna proves that realism social principle becomes the views of Lekra author, namely Lekra, had various ways that were carried out to maintain communist power, one of which carried out various terrors to every groups in order to join LekraKeyword: communist, poem, social realism, Lekra
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Lomia, Ekaterine. "Political Realism in International Relations: Classical Realism, Neo-realism, and Neo-Classical Realism". International Journal of Social, Political and Economic Research 7, nr 3 (3.09.2020): 591–600. http://dx.doi.org/10.46291/ijospervol7iss3pp591-600.
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Realism, also known as political realism, is one of the most dominant theories of international relations. The school of thought in realism was established in the post-World War II era; however, it is widely associated with the ancient Greek studies, particularly, in the works of Thucydides who allows a more sophisticated analysis of the conception of power and its place in the anarchic international system. Unlike idealism and liberalism, which underline the idea of cooperation in international relations, realism stresses a competitive and confrontational side of human nature and argues that in global politics there is no space for morality. Thus, states show constant readiness to obtain power and achieve their political ends. The article aims at studying the basic approach, the theory of realism is based on. The study has been prepared as a result of examining articles and books written by dominant realist scholars who have influential opinions in the field.
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Isnaeni, Ummu, Sinnta Usada i Selvi Fitriani. "REALISME MAGIS DALAM NOVEL STASIUN KARYA PUTU WIJAYA". AKSARABACA Jurnal Bahasa, Sastra, dan Budaya 1, nr 1 (1.05.2024): 36–43. http://dx.doi.org/10.47313/aksarabaca.v1i1.3141.
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ABSTRAKPenelitian ini berjudul “Realisme Magis Dalam Novel Stasiun Karya Putu Wijaya”. Peristiwa yang terjadi dalam novel ini di analisis menggunakan teori realisme magis Wendy B. Faris. Penelitian ini bertujuan untuk mendeskripsikan unsur-unsur atau wujud realisme magis dalam Novel Stasiun karya PutuWijaya.Metode dalam penelitian ini adalah metode deskriptif kualitatif, di mana peneliti hanya berfokus pada menjelaskan dan menempatkan makna, deskripsi, dan informasi yang berbeda dalam konteksnya. Secara teoritis peneliti menggunakan teori realisme magis Wendy B. Faris yang menyatakan bahwa terdapat adanyakelima unsur yang terdiri dalam realisme magis yaitu; The Irreducible Element, The Phenomenal World, Merging Realism, Unsettling Doubts, dan Disruption of Time, Space, and Identify. Hasil dalam penelitian yang diperoleh peneliti dalam penelitian ini adalah; (1) ditemukan empat peristiwa yang menggambarkanunsur the irreducible element; (2) empat peristiwa yang menggambarkan unsur the phenomenal world; (3) tiga peristiwa yang menggambarkan unsur merging realism; (4) lima peristiwa yang menggambarkan unsur unsettling doubts; (5) empat peristiwa yang menggambarkan unsur disruption of time, space, and identify. Kata kunci: realisme magis, novel, metode deskriptif kualitatif ABSTRACTThis study is entitled "Magical Realism in the Novel Station by Putu Wijaya". The events that occur in this novel are analyzed using Wendy B. Faris' magical realism theory. This study aims to describe the elements or forms of magical realism in Putu Wijaya's Novel Stasiun. The method in this study is a qualitativedescriptive method, in which the researcher only focuses on explaining and placing different meanings, descriptions, and information in context. Theoretically, the researcher uses Wendy B. Faris' magical realismtheory which states that there are five elements that comprise magical realism, namely; The Irreducible Element, The Phenomenal World, Merging Realism, Unsettling Doubts, and Disruptionof Time, Space, and Identify. The results of the research obtained by the researchers in this study were; (1) four events were found that described the irreducible element; (2) four events that describe the elements of the phenomenal world; (3) three events that illustrate the elements of merging realism; (4)five events that illustrate the elements of unsettling doubts; (5) four events that illustrate the elements of disruption oftime, space, and identify. Keywords: magical realism, novel, qualitative description methods
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SCOTT, MICHAEL, i ANDREW MOORE. "CAN THEOLOGICAL REALISM BE REFUTED?" Religious Studies 33, nr 4 (grudzień 1997): 401–18. http://dx.doi.org/10.1017/s0034412597004058.
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In a number of recent articles D. Z. Phillips has presented an exposition and defence of his views on theological realism, views which are based on his reading of Wittgenstein. Eschewing the label ‘anti-realist’ so often applied to his philosophy, Phillips claims that realists and anti-realists alike have ‘failed to appreciate how radical a challenge Wittgenstein makes to our philosophical assumptions’ (SL 22). Far from supporting non-realism above realism, Phillips – following Wittgenstein – wishes to upset the realist/non-realist debate by showing that the two theories offer equally confused accounts of belief and language, and specifically religious belief and language. If this claim could be substantiated it would, of course, be an extremely significant conclusion, and it is unfortunate that Phillips vacillates in his expression of it. Realism and non-realism are variously described as ‘empty’, ‘idle talk’ or like opposing ‘battle cries’ (RB 35), but despite being vacuous they are ‘not intelligible alternatives’ (RB 34) and ‘equally confused’ (RB 34). Furthermore, realism is ‘not coherently expressible’ (RB 45) and involves an ‘incoherent supposition’ (SL 23) and at least some forms of it can be ‘refuted’ (RR 194). In addition to their vacuity, unintelligibility and incoherence, both theories are also said to be guilty of a misguided reductionism (RB 47), and realists are charged with being ‘foundationalists’ who espouse a theory that ‘cannot take seriously the central religious conviction that God is at work in people's lives’ (RB 47).In this paper we will evaluate the arguments Phillips advances for rejecting realism and non-realism, and consider the sort of problems they might pose for realists. Phillips opposes the positions the realist and non-realist take on two crucial issues: first, whether religious practices and life are grounded in the belief that God is real, second, whether God may be considered to be an object. These are the two principal questions that occupy Phillips in his work on realism; it is in connection with the former that he puts forward his ‘refutation’ of realism. We aim to assess his arguments for their philosophical cogency and value.
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Davies, David. "Curbing the Realist's Flights of Fancy". Dialogue 31, nr 2 (1992): 243–54. http://dx.doi.org/10.1017/s0012217300038531.
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In his paper “Fanciful Arguments For Realism,” Alan H. Goldman offers what he terms a “local case” argument as part of a more general defence of “semantic realism” against the anti-realist manoeuvres of Michael Dummett and Hilary Putnam. Semantic realism, here, is the thesis that sentences in a natural language L may have content that transcends any verification or assertability conditions associated with these sentences by competent speakers of L: an adequate semantics, the realist maintains, must equate the content of an assertoric sentence with its realist truth-conditions. Goldman contends that his local case argument demonstrates both the need to accord a central role to a realist conception of truth in an account of linguistic meaning, and the manner in which we acquire such a conception. He further maintains that the argument cannot be countered by any of the strategies that anti-realists are wont to deploy against “global case” arguments for realism (“evil demon” and “brain in a vat” scenarios, for example), and that, given the local case argument, we can recognise the fallacy in such anti-realist strategies and thereby rehabilitate the global case arguments that a full-blown semantic realism requires. I argue that Goldman's local case cannot fulfil its intended function in the overall economy of his argument, and that his strategy for defending semantic realism is fundamentally flawed. In so doing, I attempt to curb the realist's flight of fancy before it leaves the ground.
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Eastwood, Jessica. "Don Cupitt and the Realism/Non-Realism Debate". Modern Believing 65, nr 3 (lipiec 2024): 278–87. http://dx.doi.org/10.3828/mb.2024.19.
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The structure of this paper is threefold. First, it will suggest that the religious realist and non-realist attitudes are representative of a spectrum of cognitive attitudes toward God rather than two polarising positions. Second, it will offer ‘thick’ and ‘thin’ forms of both attitudes, with ‘thickness’ representing the strength of metaphysical commitment. Finally, in answer to ‘what is at stake?’, the genuineness of religious non-realism and a ‘thin’ form of realism will be defended to a significant extent. Don Cupitt’s work will be commended for helping to open up the conversation and for introducing a range of authentic ways of talking and thinking about God.
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David, Marian. "Anti-Realism". Disputatio 8, nr 43 (1.11.2016): 173–85. http://dx.doi.org/10.2478/disp-2016-0010.
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Abstract According to metaphysical realism, we would have to compare our thought with mind-independent reality, if we want to gain knowledge about the world. Such a comparison is impossible. Yet we can gain knowledge about the world. So metaphysical realism is false. — I take this to be the historically most influential argumentative line opposing metaphysical realism. The paper develops this argument, the Main Anti-Realist Argument, in more detail and offers a brief critical discussion of its crucial assumptions.
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Mikkola, Mari. "Elizabeth Spelman, Gender Realism, and Women". Hypatia 21, nr 4 (2006): 77–96. http://dx.doi.org/10.1111/j.1527-2001.2006.tb01129.x.
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Elizabeth Spelman has famously argued against gender realism (the view that women have some feature in common that makes them women). By and large, feminist philosophers have embraced Spelman's arguments and deemed gender realist positions counterproductive. To the contrary, Mikkola shows that Spelman's arguments do not in actual fact give good reason to reject gender realism in general. She then suggests a way to understand gender realism that does not have the adverse consequences feminist philosophers commonly think gender realist positions have.
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Meier, Timo. "Against an Identity Criterion for Fictional Ersatz Realism". KRITERION – Journal of Philosophy 32, nr 3 (1.09.2018): 89–108. http://dx.doi.org/10.1515/krt-2018-320307.
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Abstract Fictional ersatz realism is the metaphysical stance that abstract fictional entities exist and are dependent on fiction and literary practices. Everett [4] tackled the position of ersatz realism by claiming that the ersatz realist cannot provide an identity criterion for fictional entities that does not imply a contradiction. Al- though Woodward [20] proposed a defense to Everett's argument, I will argue that ersatz realism is no tenable position, as it still cannot provide an adequate identity criterion. To establish this result, I will provide a base frame for identity criteria available to the ersatz realist. Afterwords, I will show that to any identity criterion the ersatz realist may propose there is a story such that a fictional entity corresponding to this story is not self-identical, imposing a contradiction to the metaphysical account of ersatz realism.
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Pawson, Ray. "Middle-range realism". European Journal of Sociology 41, nr 2 (listopad 2000): 283–325. http://dx.doi.org/10.1017/s0003975600007050.
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This paper proposes a liaison —‘middle-range realism’—between two long standing explanatory strategies in sociology— ‘middle-range theory’ and ‘realist social theory’. Each offers what the other lacks. Middle-range theory carries an acute sense of the function of theory within empirical inquiry but has left undeveloped any notion of its appropriate explanatory form. Realist social theory has propositional precision but has been unable, in the most part, to descend from a critical domain to the empirical plane. Middlerange realism thus offers a research strategy of the appropriate form and scope to lead and to federate empirical inquiry. Examples are provided of how middle-range realism can be applied to improve research using two different strategies (survey methods and evaluation research) in two contrasting substantive areas (voting behaviour and offender rehabilitation).
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Edyvane, Derek. "Who’s the realest?" European Journal of Political Theory 19, nr 2 (19.07.2019): 281–90. http://dx.doi.org/10.1177/1474885119864679.
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The revival of interest in realism in political theory is comprehensively explored in Politics Recovered, a major new volume of 14 original essays edited by Matt Sleat. Wide-ranging and engaging throughout, the book takes in both supporters and critics of the realist turn and addresses neglected questions of the political application of realism and of the connection between contemporary political realism and the classical IR tradition of realist thought. But I argue that the book also prompts some troubling questions about the ultimate coherence of the realist orientation and about the way in which realists interpret the limits of political theory and of political theorists.
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Edeh, Jude. "Characterizing Moral Realism". Symposion 7, nr 1 (2020): 29–40. http://dx.doi.org/10.5840/symposion2020713.
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The challenge faced with the proliferation of various kinds of cognitivism is the difficulty of providing a straightforward characterization of moral realism and antirealism. In light of this tension, I identified a problem in Sayre-McCord's way of specifying the criteria of moral realism. Furthermore, I provided a framework that characterized the moral realism beyond the features of cognitivism. Finally, I argue that any successful characterization of moral realism must capture its ontology robustly in order to separate it from other realist-like positions that espouse the idea of truth-value and objectivity.
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Frápolli, María José. "You and Me Baby Ain't Nothing but Mammals. Subject Naturalism and Default Positions". Análisis. Revista de investigación filosófica 1, nr 1 (28.11.2014): 41. http://dx.doi.org/10.26754/ojs_arif/a.rif.20141970.
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Resumen Este artículo discute el problema de la localización, tal como Price lo ha definido. En el se distinguen diferentes versiones de naturalismo y se defiende el naturalismo del sujeto. Se asume que el sistema de conceptos humano se ha desarrollado en interacción con el medio natural y social. Por esta razón no podemos evitar ser realistas y representacionalistas por defecto. Las afirmaciones básicas del realismo, el representatcionalismo y la teoría de la verdad como correspondencia son difícilmente rechazables, y esto explica el aire de artificiosidad que acompaña a las posiciones anti-realistas. Sin embargo las posiciones por defecto no apoyan en absoluto a sus versiones filosóficamente desarrolladas. Estas son incompatibles con una visión naturalista sobre la realidad, el significado y la verdad. Palabras clave: Correspondentismo por defecto, naturalismo, naturalismo del sujeto, realismo por defecto, representacionalismo por defecto, teoría de la verdad como correspondencia, teoría prooracional de la verdad, verdad aristotélica Abstract This paper deals with Price’s placement problem. In it, different versions of naturalism are distinguished and subject naturalism is defended. It is assumed that human conceptual system has evolved as a result of humans relations with the natural and social surroundings. For this reason, we cannot but be realist and representationalist by default. The basis claims of realism, representationalism, and correspondence are hardly deniable, and this explains the artificiality scent that usually accompanies anti-realist positions. Nevertheless, the natural default positions do not lend any support to their philosophically implemented versions, metaphysical realism, semantic representationalism and full-blood correspondence. These approaches to reality, meaning and truth are incompatible with a sound naturalist stand on these issues. Keywords: Aristotelian truth, correspondence theory of truth, default realism, default representationalism, default correspondentism, naturalism, prosentential theory of truth, subject naturalism.
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Allen, Sophie R. "What's the point in Scientific Realism if we don't know what's really there?" Royal Institute of Philosophy Supplement 61 (wrzesień 2007): 97–123. http://dx.doi.org/10.1017/s1358246100009760.
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The aim of this paper will be to show that certain strongly realist forms of scientific realism are either misguided or misnamed. I will argue that, in the case of a range of robustly realist formulations of scientific realism, the ‘scientific’ and the ‘realism’ are in significant philosophical and methodological conflict with each other; in particular, that there is a tension between the actual subject matter and methods of science on the one hand, and the realists' metaphysical claims about which categories of entities the world contains on the other.
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Allen, Sophie R. "What's the point in Scientific Realism if we don't know what's really there?" Royal Institute of Philosophy Supplement 61 (październik 2007): 97–123. http://dx.doi.org/10.1017/s1358246107000161.
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The aim of this paper will be to show that certain strongly realist forms of scientific realism are either misguided or misnamed. I will argue that, in the case of a range of robustly realist formulations of scientific realism, the ‘scientific’ and the ‘realism’ are in significant philosophical and methodological conflict with each other; in particular, that there is a tension between the actual subject matter and methods of science on the one hand, and the realists' metaphysical claims about which categories of entities the world contains on the other.
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Martin, C. B. "The Need for Ontology: Some Choices". Philosophy 68, nr 266 (październik 1993): 505–22. http://dx.doi.org/10.1017/s0031819100041863.
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The aim of this paper is to set out some of the ontologies amongst which some forms of anti-realism must select. This provides the appropriate setting for presenting an alternative realist ontology. The argument is that the choice between the varieties of anti-realism and realism is inevitably a choice between ontologies.
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Natanael, I. Nyoman, i Dewi Isma Aryani. "KAJIAN USER EXPERIENCE TERHADAP ASPEK REALISME DALAM GAME DIGITAL 3D". Jurnal Dimensi DKV Seni Rupa dan Desain 6, nr 1 (12.10.2021): 93–104. http://dx.doi.org/10.25105/jdd.v6i1.9246.
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AbstractUser Experience Analysis for Realism Aspect in 3D Digital Game. The reality(realism) that is presented in digital games through a first or third-person perspectiveis usually owned by games with the role-playing type, where the player seems to play a role as a character according to the storyline contained in the game. This will further strengthen the realism aspect that is felt by the player. The realism aspect is one of the aspects that supports the immersive nature of a game, the player will feel very deeply involved in the role of the game being played so that it seems as if they are in the game world. The experience of playing at an immersive level will bring joy to the players so that the realism aspect is one aspect that plays a role in the success of a game. This study examines the player’s experience according to its realism aspect in 3D games and the results can be used in the development process of a game. AbstrakKajian User Experience Terhadap Aspek Realisme dalam Game Digital 3D.Kenyataan (realisme) yang dihadirkan dalam game digital melalui sudut pandang orang pertama atau ketiga biasanya dimiliki oleh game dengan jenis role-play, dengan situasi pemain seolah-olah bermain peran sebagai tokoh atau karakter sesuai dengan alur cerita yang terdapat dalam game tersebut. Hal ini akan semakin memperkuat aspek realisme yang dirasakan oleh pemain. Aspek realisme merupakan salah satu aspekyang menunjang sifat imersif dari suatu game, pemain akan merasa sangat menghayati peran dalam game yang sedang dimainkan sehingga seolah berada dan menyatu di dalam dunia game. Pengalaman bermain pada tingkat imersif akan membawa perasaan senang bagi pemainnya, sehingga aspek realisme merupakan salah satu aspek yang berperan dalam kesuksesan sebuah game. Penelitian ini mengkaji pengalaman pemain menurut aspek realismenya dalam game 3D dan hasilnya dapat dipergunakan dalam tahap proses pengembangan suatu game.
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Brinn, Gearóid. "Smashing the state gently: Radical realism and realist anarchism". European Journal of Political Theory 19, nr 2 (7.08.2019): 206–27. http://dx.doi.org/10.1177/1474885119865975.
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The revival of realism in political theory has included efforts to challenge realism’s conservative reputation and argue that radical forms are possible. Nonetheless these efforts have been criticised as insufficient to overcome realism’s inherent conservatism. This article argues that radical forms of realism can be better appreciated by considering the application of the realist perspective within an existing radical ideology: anarchism. This may seem an unusual choice, considering anarchism’s standard representation as naïvely idealistic and paradigmatically non-realist. However, attention to the breadth of diversity in anarchist theory reveals a collection of positions that together represent a ‘realist anarchism’ which not only challenges anarchism’s reputation as uniformly committed to unrealistic and idealistic utopianism but also demonstrates the existence of genuinely radical forms of realism.
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Zavedeeva, Irina, Albina Ozieva i Jeremy Howard. "Socialist Realism and Socialist Realist Romanticism". Art in Translation 8, nr 2 (2.04.2016): 259–77. http://dx.doi.org/10.1080/17561310.2016.1216058.
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Porter, Sam. "The uncritical realism of realist evaluation". Evaluation 21, nr 1 (styczeń 2015): 65–82. http://dx.doi.org/10.1177/1356389014566134.
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McQueen, Alison. "Political realism and the realist ‘Tradition’". Critical Review of International Social and Political Philosophy 20, nr 3 (7.03.2017): 296–313. http://dx.doi.org/10.1080/13698230.2017.1293914.
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Arroyo, Raoni Wohnrath, i Gilson Olegario da Silva. "Taking models seriously and being a linguistic realist". Principia: an international journal of epistemology 26, nr 1 (7.06.2022): 73–94. http://dx.doi.org/10.5007/1808-1711.2022.e84309.
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Carnap’s conception of linguistic frameworks is widespread; however, it is not entirely clear nor consensual to pinpoint what is the influence in his stance within the traditional realist/anti-realist debate. In this paper, we place Carnap as a proponent of a scientific realist stance, by presenting what he called “linguistic realism”. Some possible criticisms are considered, and a case study is offered with wave function realism, a popular position in the philosophy of quantum mechanics.
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Prytoliuk, Svitlana. "Conceptual Dimensions of German Magical Realism". Pitannâ lìteraturoznavstva, nr 108 (29.12.2023): 112–28. http://dx.doi.org/10.31861/pytlit2023.108.112.
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The article outlines the vectors of methodological research of magical realism and identifies the differential features of this literary phenomenon in the theoretical discourse of German literary criticism. The author of the article focuses on the ambivalence of German magical realism, caused by the combination in magical realist texts of two inherently opposite ways of depicting reality – realistic and irreal. In magical realist texts, the magical appeal of reality is emphasized, when the objects of reality only hint at the existence of another world beyond it, acquiring a numinous aureole in the aesthetic focus of realism. The specificity of magical realism lies in its heterogeneity, and therefore requires the appropriate selection of methodological tools that would open the way to the world of magical realist texts, which in many cases has a multi-level structure with polysemantic content. Special attention within the context of the conceptualization of magical realism is paid to the semiotic model of “double conditioning” by A. Koschorke and the concept of “ruderal space” by B. Schaefer. In conclusion, the author emphasizes that magical realism demonstrates the synergistic effect of the emergence of a certain new artistic space with hidden deep meanings and elliptical structures that form the semantic polyphony of the text with a variable multiplicity of meanings. Through liminality and transgression, the semantic potential of the magical is activated, aimed at overcoming the boundary between the immanent and transcendent worlds.
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Botes, N., i N. Cochrane. "’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme". Literator 27, nr 3 (30.07.2006): 27–50. http://dx.doi.org/10.4102/lit.v27i3.200.
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An investigation into the nature of the artist in The long silence of Mario Salviati within the context of magic realism This article investigates the nature of the artist in “The long silence of Mario Salviati” (2000) within the context of magic realism. This novel by Etienne van Heerden is particularly interesting as the theme of art is directly intertwined with magic realism. The specific relationship between artistry and magic realism in “The long silence of Mario Salviati” has not been the focus of any particular study yet. Several artists in the novel will be analysed within the context of magic realism and according to magic realist characteristics to give an integrated perspective on style and theme. This investigation largely conjoins with the viewpoints of Faris (1995), although perspectives from other theorists are also taken as a point of departure. Some important characteristics of magic realist texts which are discussed within the context of artistry in “The long silence of Mario Salviati” are inter alia the co-existence of two worlds, doubts from the reader concerning the interpretation of events as realist or magical, the questioning of conventional ideas about time, space and identity, the anti-bureaucratic viewpoint and the focus on collective rather than individual memory.
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Kucherenko, Sergey A. "The Concept of War in Political Realism". Russian Journal of Philosophical Sciences 63, nr 11 (15.03.2021): 104–27. http://dx.doi.org/10.30727/0235-1188-2020-63-11-104-127.
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The article deals with the concept of war in modern political realism. Realism claims to have an original notion of war, which distinguishes it from empirical war studies and from other schools in international relations theory. Realism does not have a strict formal definition of war like empirical studies do, it focuses on understanding the causes and nature of war instead. The distinction between realism and other international relations theories like idealism, Marxism or constructivism consists in the realist notion of politics. Realism understands politics as an eternal struggle for power that underlies all social life, while war is the most intense manifestation of this struggle. Thus, the possibility of war cannot be eradicated. The article shows the normative aspects of such understanding of war. Realism, unlike pacifism or just war theory, is less enthusiastic about ethical or legal regulation of war; furthermore, it shows the dangers that may be caused by political moralism and “criminalization” of war. On the other hand, realism fails to provide a set of norms or principles that would surpass the just war principles. The realist principles of national interest and prudence are as vague, unclear and prone to misuse as classic just war principles are. Author draws a conclusion that to be able to create a valid set of principles of war, realism needs to further converge with international relations theory schools and “enlarge” the set of its base theoretical notions.
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Bagenda, Christina. "Filsafat Realisme Hukum Dalam Perspektif Ontologi, Aksiologi, Dan Epistemologi". Jurnal Ius Constituendum 7, nr 1 (18.04.2022): 115. http://dx.doi.org/10.26623/jic.v7i1.4777.
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<p>Tujuan penelitian hukum ini adalah mengkaji dinamika konsep filsafat realisme hukum sekaligus mengkaji realisme hukum ditinjau dari aspek aksiologi, ontologi, dan epistemologi. Penelitian hukum ini menggunakan pendekatan konseptual dan peraturan perundang-undangan untuk mengkaji isu hukum yang dibahas. Hasil kajian yang telah diperoleh kemudian di susun secara sistematis dengan menggunakan logika silogisme. Penelitian ini menyatakan bahwa filsafat realisme hukum menempatkan realitas sosial di atas hukum. Sehingga, hukum merupakan suatu konsekuensi dari berbagai kekuatan serta alat kontrol sosial. Selanjutnya, Pola penalaran filsafat realisme hukum menggunakan skema nondoktrinal-induktif; sebagaimana ditinjau berdasarkan aspek epistimologi. Selanjutnya, ditinjau dari sisi ontologi, filsafat realisme hukum memberikan kesempatan kepada setiap subjek hukum untuk menginterpretasi segala hal yang diwujudkan berdasarkan instrumen hukum dan ilmu-ilmu yang berhubungan dengan hukum. Aspek ontologi menilai realisme hukum adalah segala upaya untuk menafsirkan dan mewujudkan segala tindakan-tindakan para setiap subjek hukum sebagai legitimasi suatu instrumen hukum yang berlaku di masyarakat. Kemudian, apabila dikaji dalam sudut pandang aksiologi, realisme hukum dianggap sebagai teori yang bernilai sebagaimana yang memiliki utilitas terhadap perkembangan ilmu pengetahuan dari hukum itu sendiri.</p><p align="center"> </p><p>The purpose of this legal research is to examine the dynamics of the philosophical concept of legal realism as well as to examine legal realism in terms of axiology, ontology, and epistemology aspects. This legal research uses a conceptual approach and legislation to examine the legal issues discussed. The results of the study that have been obtained are then arranged systematically using syllogistic logic. This study states that the legal realism philosophy places social reality above the law. Thus, law is a consequence of various forces and tools of social control. Furthermore, the reasoning pattern of legal realism uses a non-doctrinal-inductive scheme; as reviewed based on the aspect of epistemology. Furthermore, in terms of ontology, the philosophy of legal realism provides an opportunity for every legal subject to interpret everything that is realized based on legal instruments and the sciences related to law. Thus, the ontology aspect assesses legal realism as all efforts to interpret and realize all the actions of each legal subject as the legitimacy of a legal instrument that applies in society. Then, when studied from an axiological point of view, legal realism is considered a valuable theory as it has utility for the development of science from the law itself.</p>
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Köhler, Sebastian. "How to Have Your Quasi-Cake and Quasi-Eat It Too". Canadian Journal of Philosophy 51, nr 3 (kwiecień 2021): 204–20. http://dx.doi.org/10.1017/can.2021.14.
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AbstractQuasi-realism prominently figures in the expressivist research program. However, many complain that it has become increasingly unclear what exactly quasi-realism involves. This paper offers clarification. It argues that we need to distinguish two distinctive views that might be and have been pursued under the label “quasi-realism”: conciliatory expressivism and quasi-realism properly so-called. Of these, only conciliatory expressivism is a genuinely meta-ethical project, while quasi-realism is a first-order normative view. This paper demonstrates the fruitfulness of these clarifications by using them to address Terence Cuneo’s recent challenge that quasi-realist expressivists lack the resources to plausibly accommodate certain sorts of data points.
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Fabbrizi, Valerio. "Normativism and realism within contemporary democratic constitutionalism". Philosophy & Social Criticism 44, nr 6 (15.04.2018): 661–81. http://dx.doi.org/10.1177/0191453718768346.
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The renewed interest on political realism can offer a new reading of the traditional dichotomy between normative and realist conception of constitutionalism. The purpose of this article is to analyse this renewed discussion, especially by focusing on the relationship between “political realism” and “political constitutionalism,” in the light of some theorists and authors—such as Richard Bellamy and Jeremy Waldron. After a brief introduction in which political realism will be discussed, especially through Bernard Williams’ reinterpretation, the article proposes a rereading of democratic constitutionalism from the classical dichotomy between normativism and realism in political theory. The focus will be set on three key issues: 1. Richard Bellamy’s constitutional theory in a realist perspective; 2. An insight of legal constitutionalism under a normative banner; 3. A brief conclusion in which the risks of a majoritarian and populist constitutionalism will be discussed.