Rozprawy doktorskie na temat „Quartets”
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ZHAO, LINGYAN. "STRING QUARTETS". University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147967807.
Pełny tekst źródłaEdwards, Angela M. "Frank Bridge : the string quartets". Thesis, University of Sheffield, 1992. http://etheses.whiterose.ac.uk/14826/.
Pełny tekst źródłaNikan, Mehran. "Template-assembled synthetic G-quartets (TASQS)". Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/5825.
Pełny tekst źródłaBare, Grant. "Synthesis of template-assembled nucleotide quartets". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42842.
Pełny tekst źródłaChua, Daniel. "Beethoven's 'Galitzin' quartets : an analytical study". Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239822.
Pełny tekst źródłaFinney, Ian James. "The string quartets of Vagn Holmoe". Thesis, Royal Holloway, University of London, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.245474.
Pełny tekst źródłaYang, Benjamin H. (Benjamin Hoh). "A Study of the Relationship Between Motive and Structure in Brahms's op. 51 String Quartets". Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc332309/.
Pełny tekst źródłaPuerta, José Luis, i José Luis Puerta. "A Performance Guide to Latin-American Guitar Quartets: The Quartets of Ernesto Cordero, Leo Brouwer, and Sérgio Assad". Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/622968.
Pełny tekst źródłaBen-Tal, Oded. "String quartet /". May be available electronically:, 2002. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Pełny tekst źródłaLiddle, J. A. "Irony and ambiguity in Beethoven's string quartets". Thesis, University of Edinburgh, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.653893.
Pełny tekst źródłaChoa, Sharon Andrea. "Sonata-fugue in Joseph Haydn's string quartets". Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/sonatafugue-in-joseph-haydns-string-quartets(82b5de10-3113-42a1-b683-c101cd19df3f).html.
Pełny tekst źródłaOboussier, Jacques Philippe. "Hyacinthe Jadin (1776-1800) : the string quartets". Thesis, University of Exeter, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425491.
Pełny tekst źródłaBlack, Brian. "Schubert's apprenticeship in sonata form, the early string quartets". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ29892.pdf.
Pełny tekst źródłaGushue, Ariane C. "Self-Expression Through The String Quartet: An Analysis of Shostakovich's String Quartets No. 1, No. 8, and No. 15". Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/710.
Pełny tekst źródłaLindsay, Anne. "The real presences in T.S. Eliot's Four Quartets /". Title page, contents and introduction only, 1994. http://web4.library.adelaide.edu.au/theses/09AR/09arl748.pdf.
Pełny tekst źródłaCrispin, Darla May. "Re-reading the string quartets of Arnold Schoenberg". Thesis, King's College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409409.
Pełny tekst źródłaBowers, Greg Jerome. "String quartet no. 2 : by-products of mass media /". Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/11378.
Pełny tekst źródłaPrestia, Chrysa. "Temporum mobile : for string quartet /". May be available electronically:, 2004. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Pełny tekst źródłaFrench, Daniel W. "String quartet in C major". Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/449.
Pełny tekst źródłaHui, Benjamin Wei Qiang. "Construction of template-assembled pyrimidine-based quartets and quadruplexes". Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/48391.
Pełny tekst źródłaScience, Faculty of
Chemistry, Department of
Graduate
Elphick, Daniel. "The string quartets of Mieczysław Weinberg : a critical study". Thesis, University of Manchester, 2016. https://www.research.manchester.ac.uk/portal/en/theses/the-string-quartets-of-mieczyslaw-weinberg-a-critical-study(a156efef-b055-4415-8949-87791374c6bc).html.
Pełny tekst źródłaWilliams, Joseph T. "Discontinuous continuity?: structural analysis of Sofia Gubaidulina's string quartets /". Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1186507085.
Pełny tekst źródłaAdvisor: Dr. Catherine Losada. Title from electronic thesis title page (viewed Nov. 29, 2007). Includes abstract. Includes bibliographical references.
Bakulina, Olga. "Polyphony as a loosening technique in Mozart's «Haydn» quartets". Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=92332.
Pełny tekst źródłaCette étude explore la relation entre texture et forme dans les six quatuors à cordes de Mozart dédiés à Haydn, et soutient que la texture peut être un facteur déterminant de la forme. En m'inspirant des concepts de fonctions formelles de William Caplin et de la distinction qu'il apporte entre certaines organisations formelles très rigoureuses et d'autres moins structurées, je soutient que la texture polyphonique est utilisée comme élément relâchant lors de conflits groupes-structure, et ainsi agit comme un des éléments détérminants de fonctions formelles médianes, et parfois conclusive. La polyphonie est également employée comme moyen de contraste, en distinguant deux sections formelles utilisant le même matériau motivique mais qui diffèrent entre elles au niveau de la texture et de l'organisation formelle. Je définis et donne des exemples de paires de contrastes, un concept englobant les questions de fonctionnalité formelle, structure formelle, types de texture et matériau motivique. Ce concept permet donc de combiner deux approches différentes, mais compatibles: le théorie de la fonction formelle at l'analyse motivique.
Black, Brian 1953. "Schubert's apprenticeship in sonata form : the early string quartets". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41985.
Pełny tekst źródłaHamilton, Katherine Lucy. "The vocal quartets of Johannes Brahms : a contextual study". Thesis, Royal College of Music, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.576941.
Pełny tekst źródłaDay, Thomas Anthony. "Four Quartets and poetic dialogue : Eliot, Davie, Hill, Tomlinson". Thesis, University of Warwick, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412994.
Pełny tekst źródłaIrvine, Thomas. "Mozart’s ›Haydn‹ Quartets, ›Ausführung‹, and the Aesthetics of Nuance". Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71939.
Pełny tekst źródłaRice, Kathryn Elizabeth. "Pedagogical Applications in the Clarinet Quartets of Yvonne Desportes". Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707316/.
Pełny tekst źródłaWILLIAMS, JOSEPH T. "DISCONTINUOUS CONTINUITY?: STRUCTURAL ANALYSIS OF SOFIA GUBAIDULINA'S STRING QUARTETS". University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1186507085.
Pełny tekst źródłaFinan, Ernest Thomas IV. "The idea and the reality: experience and Four Quartets". Thesis, Boston University, 2003. https://hdl.handle.net/2144/27647.
Pełny tekst źródłaPLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
Moran, David W. (David Wayne). "Chaos, Cosmos, and Communion: Three Movements for String Quartet". Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278804/.
Pełny tekst źródłaLiu, Bo. "Template-assembled synthetic G-quartets as targets for anticancer drugs". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42814.
Pełny tekst źródłaMoyle, Joanna. "Towards a common style : 'Four quartets' and biblical wisdom poetry". Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.416520.
Pełny tekst źródłaNoel-Tod, Jeremy. "T.S. Eliot, Four Quartets and the poetics of mock-prophecy". Thesis, University of Cambridge, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612176.
Pełny tekst źródłaWinterbach, Veranza. "Stylistic characteristics of Gabriel Fauré's piano quartets and piano quintets". Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/7979.
Pełny tekst źródłaGabriel Fauré has been neglected as composer in terms of international recognition. It is indeed true that the art of his music is not revealed at first sight: one must take time to discover the beauty and authentic meaning concealed in the depths thereof. While it is relatively true that musicians recognize the originality of his melodies, there seems to be a lack of appreciation of his contributions in the field of chamber music.
Von, Bergen Megan Kimberly. "Spiritual meaning and the prophetic mode in T.S. Eliot's Four quartets". Manhattan, Kan. : Kansas State University, 2010. http://hdl.handle.net/2097/4147.
Pełny tekst źródłaGray, Vashti Diane. "The critical writings of Henri Blanchard on the Beethoven string quartets". College Park, Md. : University of Maryland, 2004. http://hdl.handle.net/1903/2319.
Pełny tekst źródłaThesis research directed by: Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
Watters-Cowan, Peter Edward English Media & Performing Arts Faculty of Arts & Social Sciences UNSW. "Nigel Butterley??s string quartets: compositional processes from sketch to score". Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/43676.
Pełny tekst źródłaRainbolt, Steven Robert. "Vocal chamber duets, trios, and quartets an examination of the genre /". College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3163.
Pełny tekst źródłaVon, Bergen Megan Kimberly. "Spiritual meaning and the prophetic mode in T.S. Eliot’s Four quartets". Thesis, Kansas State University, 2010. http://hdl.handle.net/2097/4147.
Pełny tekst źródłaDepartment of English
Michael L. Donnelly
Among the body of criticism on T.S. Eliot’s Four Quartets, critics such as Cleo McNelly Kearns and Alireza Farahbakhsh have recently interpreted the poet’s “intolerable wrestle / With words and meanings” (EC II) in light of deconstructionist theory. Although the poetry does recognize the difficulty of speaking about spiritual experience, it does not embrace the resulting linguistic miscommunication. In fact, the poems resist such a move, identifying the spiritual danger of such miscommunication; instead, they seek to overcome these difficulties and accurately communicate spiritual experience – an aim achieved in the context of biblical prophecy. Louis Martz argues that the Quartets are, in fact, not prophetic; however, he defines prophecy in terms of its social interests, rather than in terms of the interest in the human-divine relationship that characterizes both biblical tradition and Eliot’s poetry. I want to argue that reading the Quartets in the context of biblical prophecy, filtered through mystical tradition, explains their ability to transcend linguistic difficulty and explore spiritual experience in human language. In biblical tradition, the prophets overcome linguistic difficulty through a direct encounter with God, which purifies language of error and equips them to speak of divine reality. In Eliot’s Quartets, the poetry undergoes a similar purifying experience meant to replace linguistic error with a meaningful exploration of spiritual experience. For the Quartets, linguistic purification is accomplished by means of the mystical via negativa. Appropriating images associated with the via negativa, the poetry denies language tied to direct perception of spiritual reality and adopts instead a language that conveys such experience through unfamiliar words and images. In that language, the poetry is purified of its errors and made capable of exploring the human relationship with God. A poetry identified with the Incarnation, this solution communicates in human language the reality of spiritual experience. In this communication, the poetry at last explores spiritual experience in a way freed of miscommunication and meaningful for the audience, thereby fulfilling its prophetic aims.
Bocanegra, Cheryl D. "Accent and Grouping Structures in the String Quartets of Béla Bartók". Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2820/.
Pełny tekst źródłaBlanche, Linda Susanne. "Selected etudes for the development of string quartet technique : an annotated compilation /". Access Digital Full Text version, 1996. http://pocketknowledge.tc.columbia.edu/home.php/bybib/12025689.
Pełny tekst źródłaIssued also on microfilm. Includes tables. Sponsor: Lenore M. Pogonowski. Dissertation Committee: Harold F. Abeles. Includes bibliographical references (leaves 123-125).
Lee, Ming-Wen. "Brahms's string quartet in C minor, op. 51, no. 1 : context, analysis and interpretive approaches /". Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11265.
Pełny tekst źródłaLaghi, Simone. "Italian string quartets and late eighteenth-century London : publication and production : with a critical edition of the quartets opp. 2 and 7 by Venanzio Rauzzini (1746-1810)". Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/107709/.
Pełny tekst źródłaAyling, Benjamin Charles II. "An historical perspective of international champion quartets of The Society For The Preservation and Encouragement of Barber Shop Quartet Singing in America, 1939-1963". The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1304016438.
Pełny tekst źródłaAyling, Benjamin Charles. "An historical perspective of international champion quartets of The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, 1939-1963 /". The Ohio State University, 2000. http://rave.ohiolink.edu/etdc/view?acc_num=osu1488193665233569.
Pełny tekst źródłaMiddleton, Arthur S. "The centrality of paradox : the influence of Heraclitus on Eliot's Four quartets /". Connect to resource, 1987. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1133901856.
Pełny tekst źródłaKuhn, Judith Ellen. "Shostakovich in dialogue: Form and imagery in the first sic string quartets". Thesis, University of Manchester, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.488767.
Pełny tekst źródłaRoberts, Heidi Francie. "The moment in the garden spiritual autobiography and T.S. Eliot's Four quartets /". Online full text .pdf document, available to Fuller patrons only, 2003. http://www.tren.com.
Pełny tekst źródłaCrafton, Elizabeth B. "Preferential Strategies in Elliott Carter's String Quartet No. 2". Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc278805/.
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