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1

Andrews, Hannah. "Public service broadcasters and British cinema, 1990–2010". Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/44037/.

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The relationship between television institutions and film in Britain has a complex history, influenced by profound changes in both industries over time. The involvement of public service broadcasters (PSBs) in British cinema has been a regularly-acknowledged, but under-examined phenomenon. There is a dearth of up-to-date scholarship dealing with the relationship, particularly as it unfolded over the turbulent decades of the 1990s and 2000s. This thesis updates and expands the existing field on the relationship between British television and film cultures. It does so by examining the ways in which PSBs have been involved in film culture, as producers, distributors and exhibitors. It also discusses the significant changes to this relationship wrought by the coming into dominance of digital technologies, and the responses of the PSBs to digitalisation. The body of the thesis is separated into two parts. Part One examines the relationship between television and film at the end of the analogue era, ending roughly in 2002. The first chapter explores the historical background to television films in Britain, discussing the semantic turn from describing single dramas shown on television as ‘plays’ and ‘films’. The second chapter outlines three case studies which explore the relationship between television and distribution. The third chapter discusses the industrial relationship between film and television, and the distinct discourses of ‘quality’ applied to each form. The second part of the thesis discusses the effects of digital technologies on the PSB’s role as producer, distributor and exhibitor of films. Chapter Four explores the position of the PSB as patron of low-budget, digital production schemes. In Chapter Five, the opening night and subsequent decade of broadcasting on the FilmFour digital television channel is analysed. Chapter Six takes as its subject the online film output of the BBC, particularly via its iPlayer platform, and its short film distribution network, the BBC Film Network.
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Bourgett, Julia. "Children's public service broadcasters and their challenges in the online era : a comparison between the UK and Germany". Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/9v3zq/children-s-public-service-broadcasters-and-their-challenges-in-the-online-era-a-comparison-between-the-uk-and-germany.

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This thesis aims to establish the differences and similarities in how publicly- funded public service broadcasters in the UK and Germany negotiate challenges and opportunities related to the transition from broadcasting to a multi-platform provision for children. The substantive subject of this research is the transition from public service broadcasting to public service multi- platform media for children under 13 years in the United Kingdom and Germany, where public service broadcasters offer content and services on multiple platforms, including traditional TV, audio, online and mobile media. The research focuses on the publicly-funded broadcasters SWR, BR (ARD), BBC and ZDF and ARD/ZDF’s joint children’s channel KiKA, while the original research further narrows the focus down to those services on new online and mobile platforms. The research applies a qualitative comparative approach based on a triangulation of literature study, document analysis and semi-structured expert interviews with broadcasters, producers and stakeholders in the policy-making process. The thesis consists of three parts and a conclusion. The thesis concludes that, although there are some similarities, the BBC and the German public service broadcasters under review differ in regard to how they understand the challenge of the multi-platform transformation, the main sources and characteristics of that challenge and the purpose of the multi-platform provision.
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Jingklev, Niklas. "Quality and diversity in Swedish television? : In what way has public service television been affected by competition from commercial broadcasters in terms of quality and diversity". Thesis, Uppsala University, Department of Information Science, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-6035.

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Abstract

Purpose/Aim: To study the effect competition from commercial-TV has had on public-service-TV in Sweden in terms of quality and diversity.

Material/Method: Literature study

Main results: The SVT Corporation continues to offer a wide range of quality programming. Its new digital-TV ventures also show clear characteristics of high ambitions in regards to quality and diversity. The company’s investment in light entertainment is not in conflict with its public service commitments. TV4 has shown a clear tendency to move towards a more commercial outline. Its programming shows a smaller diversity-profile and light entertainment has increased substantially. Its digital-TV ventures are also of lesser ambitions in regards to quality and diversity than those of SVT.

Keywords: Public Service, Media, Quality, Commercialisation, Diversity

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4

Burns, Maureen, i n/a. "ABC Online: Becoming the ABC". Griffith University. School of Arts, Media and Culture, 2004. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20040520.111544.

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This thesis combines histories of the implementation of ABC Online (the website of the Australian Broadcasting Corporation, Australia's largest national Public Service Broadcaster) with the political philosophies of Foucault, and of Deleuze and Guattari. Following the Deleuzian argument that institutions of enclosure are in crisis because they exist in between diagrams of the disciplinary and control societies, the thesis tests each of the Foucauldian diagrams of discipline, governmentality and control against the ABC as Public Service Broadcaster. It explores issues such as which ABC strategies belong to which diagram, and the ways in which changes in communications technologies altered governing rationales of these diagrams at the ABC. The thesis uses the implementation of ABC Online to explore the idea of the ABC in the late 1990s as operating in between social diagrams. One way of examining this 'in between-ness' is to use the Public Service Broadcasting idea as an instance of arboreal thinking and the internet idea as rhizomic. The thesis employs that model to argue that Public Service Broadcasting as it is practised is not merely an arboreal assemblage, and that actual implementations of the internet are more than merely rhizomic assemblages. The thesis details some of the earliest relations between broadcasting and the internet at the ABC, and describes the relations between rhizomic and arboreal images of the ABC at particular sites and in various discourses. This examination concludes that both ways of imagining the ABC - the arboreal and the rhizomic - have been essential to the success of ABC Online. While the position of the ABC in between social diagrams caused a sense of crisis, ABC Online was in fact successful largely because of its position in between social diagrams. Not only was ABC Online remarkably successful in its first five years, but it was successful in ways which could not be accommodated in such documents as the ABC Charter. The public silences of ABC Online both allowed it to thrive, and conversely supported arboreal stratified ways of defending the ABC. Defences of the ABC that used arboreal thinking as a rhetorical strategy continued to dominate public discussion of the ABC, despite the successes of contrary examples in practice. One such example was the successful implementation of Radio Australia Online at a time when the Mansfield Review sought to limit the scope of the ABC to domestic free-to-air broadcasting. When some ABC Online practices were publicised in relation to the proposed Telstra deal, the resultant controversy concentrated on the non-commercial/commercial boundary at the ABC. The controversy also highlighted fears that the Online environment may alter the ethical relations between the ABC and its publics. In particular, the ethical goals of independence and integrity were perceived as being under threat in the World Wide Web environment. These goals were further problematised within the organisation by the demands of interactive subsites. These subsites demonstrated an altered ethical relation between the ABC and its user in the online environment of the control society.
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Tichonovaite, Monika. "The Public Service Broadcaster of Lithuania in the Era of Commercialization". Thesis, Uppsala universitet, Medier och kommunikation, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-154398.

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The television industry in Lithuania is analyzed in this thesis with a focus on the impact of commercialization on the public service broadcaster. The purpose of the research paper is to describe the impact of the changing market on the public service broadcaster of Lithuania using as theoretical framework the approach of the political economy of the media and communication and quantitative methods. One part of the thesis is the theoretical research, which is done by analyzing and systematically presenting books and articles that relate to the thesis’s topic. In the second part of the work, the theoretical framework is applied to the Lithuanian television market. In addition, an empirical study is conducted in order to apply the theoretical discussion and answer the main research question. The main results of the study suggest that the public service broadcaster of Lithuania managed to maintain its programmes’ diversity. However, the amount of entertainment, imported production and advertising has increased. Therefore, a certain concern about growing commercialization is reasonable. These changes correspond to the tendencies in the European television industry. However, Lithuanian viewers seem to prefer the more heavily commercialized programmes since the leader of the market is a commercial television station, whose market share is almost twice bigger than LTV’s. Thus, LTV is facing a dilemma between preserving quality and diversity and commercializing its programmes in order to increase its audience share (dilemma between quality and audience share).
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6

Wu, Sok Han. "To what extent does Teledifusao de Macau (TDM) fulfill its role as a public service broadcaster?" Thesis, University of Macau, 2010. http://umaclib3.umac.mo/record=b2162009.

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Sweeney, Bill. "RTÉ : public service broadcaster? : an examination using an analysis of broadcasting schedules and content, and the perceptions of staff". Thesis, Liverpool John Moores University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.436576.

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Toninelli, My. "Public service-uppdraget i italiensk television : En innehållsanalys av nyhetsprogrammet Tg1". Thesis, Linnéuniversitetet, Institutionen för medier och journalistik (MJ), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-25330.

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The main question this bachelor thesis aims to answer is how the public service program Tg1’s news broadcasts may look. The following questions were used to discuss thetendencies of the result: How can the distribution of the news categories appear in Tg1’sbroadcasts? Can the main news be considered as impartial and objective in its linguisticand pictorial representation? To answer the aforementioned question I chose to do a combined study, using aquantitative content analysis and a qualitative content analysis. To lead my research, I focused on two requirements underlined by public servicebroadcasters, namely, objectivity and impartiality, and diversity. The outcome shows thatthe diversity in Tg1’s broadcast is disproportionate and that the pictorial representation isnot impartial and objective without the linguistic part. Then, additionally to mytheoretical choice, the public service role in a democracy, a discussion about the resultand its consequences has been set up.
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9

Hutchinson, Jonathon P. "Collaboration, connections and consequences : a study of cultural intermediation within the ABC Pool institutional online community". Thesis, Queensland University of Technology, 2013. https://eprints.qut.edu.au/64476/1/Jonathon_Hutchinson_Thesis.pdf.

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This thesis addresses the question of what it means to be a public broadcaster in the context of a rapidly changing media landscape, in which audiences no longer only watch and consume but now also make and share media content. Through a close investigation of the ABC Pool community, this thesis documents how the different interests of the stakeholders within an institutional online community intersect and how those interests are negotiated within the Australian Broadcasting Corporation. It demonstrates a new approach towards the cultural intermediation of user-created content within institutional online communities. The research moves beyond the exploration of the community manager role as one type of intermediary to demonstrate the activities of multiple cultural intermediaries that engage in collaborative peer production. Cultural intermediation provides the basis for institutional online community governance.
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Spiteri, Joanna. "The challenge of achieving impartiality in Maltese TV news programming". Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21182.

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This study examines some of the challenges that Maltese broadcasting is facing with respect to the news programming produced by the public service broadcaster and by the other two political stations. The thesis also investigates the concepts of balance and objectivity in news reporting and analyzes the extent to which Maltese TV news programmes succeed in providing balanced, impartial and accurate accounts. Special attention is paid to the role of the public service broadcaster, but consideration is also given to the part played by the two Maltese political stations competing with the public service broadcaster. A particular aim of this study is to measure how the requirement to preserve impartiality and balance impinges on the content of TV news bulletins and current affairs programmes produced by PSB and the other two political stations. The study will also consider the impact of current broadcasting regulations and will examine the degree to which such legislation is relevant in the attempt to achieve impartiality and balance in Maltese news broadcasting. As a basis for the study the thesis focuses on a sample of news programming material broadcast on the three television stations in Malta during a Local Council electoral campaign. The aim is to assess how various news messages are communicated to audiences and to consider whether such messages are perceived as impartial and balanced by the viewers. The study explores how news workers and news producers strive to achieve impartiality and balance in their day-to-day practices. Finally the thesis makes one or two tentative suggestions as to how current broadcasting legislation might be amended in order for the Broadcasting Authority can become a more effective watchdog and is able to intervene in cases where news programming is not deemed to be balanced and impartial.
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Havlíček, Tomáš. "Transformace médií na příkladu vzniku médií veřejné služby v zemích bývalého Východního bloku". Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-305046.

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The viewership of public service media in post-communist countries of the so-called Eastern Bloc is steadily declining. The need for their support brings about a question about the future of PSB model. The shape of public service remit differs across the selected countries of the Visegrád Group despite the former similarities of media landscapes. This study is trying to provide the reader with a solid comparison of the evolution of public service broadcasting from 4 points of view: regulation, politicization, viewer's attractiveness and sources of funding. The analysis should shed some light into the discussion of future role of PSB's in post-communist democracies. The first part of this thesis is focused on the history of former Czechoslovakia, Hungary and Poland with stress on the broadcasting media and their regulation until 1989. It is followed with the key part analyzing the establishment of dual system, transformation of state-owned media into public service broadcasters and the setting up of the first democratic broadcasting laws. Next chapter describes the current state of European broadcasting regulation and its impact on member states' broadcasters. The closing part evaluates the major differences in compared public service media and provides possible implications for further development...
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Khan, Imraan Dawood. "New media influences on the public broadcaster's content value chain and business model". Thesis, 2012. http://hdl.handle.net/10539/11976.

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The emergence of new media technologies has influenced the broadcasting marketplace causing it to evolve and become more competitive. The various platforms that new media technologies have made available for content repurposing and the increased number of channels available via digital television and radio has altered the landscape of the public service broadcaster in an unprecedented manner. Thus, questioning its viability amongst the other private media organisations whose core focus is on commercialisation of content rather than serving the public interest. Based on the case study of the South African Broadcasting Corporation (SABC), this study articulates the influence of new media broadcasting on the public broadcaster’s business model and value chain. It investigated the legitimacy of public service broadcasting in the new media age. This study examined the current status of the SABC’s broadcasting policy and concluded that there is urgency for policy revisions to be fast tracked.
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Kaihar, Sunita. "Multifaceted broadcasting : an analysis into Lotus FM's role and identity as a "national public service-cum-commercial broadcaster with community responsibility"". Thesis, 2001. http://hdl.handle.net/10413/5323.

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Radio broadcasting is usually classified as either a public broadcasting service or as being commercially driven. In the South African context, the concept of community radio has further complicated the definition of a public broadcasting service. While profit motivation and niche marketing characterize a radio driven by commercial means, community radio is predominantly non-profit oriented, directed towards a particular community. A public broadcasting service is, amongst other elements, typified as being geographically accessible to all and of paying particular attention to minority groups. Lotus FM, a radio station that came into existence on 16 January 1983, for the South African Indian community, describes itself as a "national public service-cum-commercial broadcaster with community responsibility". The South African Indian community, a minority group within the broader South African population, comprises of five language groups (Hindi, Gujarati, Urdu, Tamil and Telegu) and three religious groupings (Hinduism, Islam and Christianity). This research aims to explore the feasibility with which Lotus FM is accommodating the conflicting interests of being a melange of all three forms of broadcasting and reflecting it via its programmes.
Thesis (M.A.)-University of Natal, Durban, 2001.
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Govenden, Prinola. ""Toothless regulator?" a critical analysis of ICASA's regulation of the SABC so that it functions as a public services broadcaster". Thesis, 2010. http://hdl.handle.net/10539/7922.

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Abstract This study critically analyses whether ICASA effectively regulates the SABC so that it plays its role as a public service broadcaster in the public interest and promotes democracy. The study applies a combination of critical political economy of the media, theories of regulation and public service broadcasting as an analytical framework, and employs document analysis and qualitative interviews as methods. The study finds that in relation to monitoring the SABC’s license conditions, ICASA is to a large degree effective in the regulatory practices it employs. However ICASA tends to take a problematic stance by limiting its regulatory mandate to only monitor the license conditions. The study argues that ICASA’s mandate is and should be broader. Further, the study identifies an antagonistic relationship between ICASA and the SABC, which undermines the regulator’s ability to effectively regulate the SABC. The study also finds that ICASA’s regulation in general is characterized by a lack of proactive regulation in several areas. In this regard, the study demonstrates that ICASA has a regulatory practice that can be characterized as silent. The areas in which ICASA is silent when it should act include the SABC’s problematic commercial funding model which undermines its public service role. Editorial biases towards those in authority and controversial practices like withdrawing programmes and “blacklisting” commentators who are considered too critical of those in power, in ways that undermines its editorial and programming independence. The suspensions of the SABC’s two Executive members and calls for the SABC board to step down, which undermine the institutional independence that a public service broadcaster should possess. The study identifies a number of ICASA’s institutional weaknesses, which include its lack of independence in reality, its “politicised” appointment process, a lack of skilled personnel and “poaching”, “politicised” and inefficient accountability mechanisms, a lack of clarity of mandate and power regarding the SABC, as well as a lack of adequate and independent funding which result in ineffective regulatory practices. Finally the study makes recommendations for the strengthening of ICASA so that it becomes in an effective regulator functioning in the public interest.
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蔡姿瑩. "A study on the appreciations and assimilations amongst elementary school students in Taipei, whilst viewing the qualfied children’s television programs broadcasted by the Taiwan Public Television Service". Thesis, 2007. http://ndltd.ncl.edu.tw/handle/72228224103702130191.

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碩士
國立臺灣師範大學
圖文傳播學系
95
Television is undoubtedly one of the most popular media used by children. Research studies have revealed that the influence of television programs on children is profound. Thus, the Taiwan Public Television Service (referred hereinafter as “PTS”) has mainly developed high-grade children programs in the hope of providing an appropriate media environment for young children. This research focused on four award-winning children television programs produced by PTS in the year of 2005 and 2006. The target group composed of senior elementary school students in Taipei. A survey was conducted in order to understand the children’s current level of the media usage and more importantly to understand the children’s appreciation of the television programs mentioned above. The survey comprised of seven sections, as follows: ‘The participant’s level of media usage’, ‘The parents’ attitude toward their children watching television’, ‘The participant’s perception of PTS’s children television programs’, ‘The satisfaction and appreciation index of PTS’s children television programs’, ‘The level of gratification after viewing PTS’s children television programs, ‘The assimilations of PTS’s children television programs’, and ‘The participant’s personal information’. The results of the survey uncovered that most of the participants watch television for about one to two hours during the weekdays and more than four hours during the weekends. Similarly, Internet usage is less than one hour during the weekdays and over four hours during the weekends. Although children tend to spend most of their free time in watching television and using the Internet, PTS’s program viewing and website browsing remains unchanged. Approximately eighty percent of the participants indicated that they seldom or have never watched PTS’s programs or visited its website on either weekdays or weekends. PTS’s award-winning programs were presented to the target group prior to conducting the survey. Most of the participants demonstrated an average or above average level of appreciation for these programs. In general, the participants were satisfied with the richness in the information provided from these programs and they were able to assimilate those that met their needs.
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Šenkýřová, Markéta. "Kontrola rozhlasových vln - Československý rozhlas v 50. a 60. letech". Master's thesis, 2010. http://www.nusl.cz/ntk/nusl-296622.

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Synopsis The aim of this diploma paper is to explain and demonstrate censorial practice of the communist regime in the Czechoslovak Radio. The paper demonstrates via narrators' memories the way the transmission in the Czechoslovak Radio was affected after its takeover by the Communist Party in 1948, namely on the part of both the operational technical staff members and editors. Historical experience of narrators is presented in the context of formerly known events amended by published articles or sources including those of radio archive.
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Hlophe, Sihle. "The representation of minority languages on SABC 1: the case of Siswati / Sihle Hlophe". Thesis, 2014. http://hdl.handle.net/10394/11053.

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This dissertation interrogates the representation of SiSwati programming (a minority language) on SABC 1 It critically analyses the statutory provisions in place for language parity and utilises hegemony as the theoretical framework for understanding the concept of language parity in the South African broadcasting landscape. To the researcher’s knowledge, there is limited information pertaining to this particular research topic however, most of the previous literature refers to all eleven official languages and not SiSwati specifically. Hegemony, a strand of critical theory as developed by Antonio Gramsci, will serve as the theoretical base of this study. This study falls within the framework of qualitative research. An extensive literature study of various sources and a content analysis of the relevant legislative documents form the basis of the research. SABC TV is positioned in a highly competitive, multi-channel market environment with powerful social, political and economic forces to contend with, this makes it difficult for SABC TV to fulfil its mandate of treating all eleven official languages equitably, hence languages such as SiSwati are underrepresented on national television. This study is seminal and relevant insofar as it offers a much needed insight into the plight of a marginalised language by the country’s public broadcaster.
MA (Communication Studies), North-West University, Potchefstroom Campus, 2014
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