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Data publikacji: 29 lipca 2024

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1

O'Rourke, Teresa. "The poetics and politics of liminality : new transcendentalism in contemporary American women's writing". Thesis, Loughborough University, 2017. https://dspace.lboro.ac.uk/2134/33558.

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By setting the writings of Etel Adnan, Annie Dillard, Marilynne Robinson and Rebecca Solnit into dialogue with those of the New England Transcendentalists, this thesis proposes a New Transcendentalism that both reinvigorates and reimagines Transcendentalist thought for our increasingly intersectional and deterritorialized contemporary context. Drawing on key re-readings by Stanley Cavell, George Kateb and Branka Arsić, the project contributes towards the twenty-first-century shift in Transcendentalist scholarship which seeks to challenge the popular image of New England Transcendentalism as uncompromisingly individualist, abstract and ultimately the preserve of white male privilege. Moreover, in its identification and examination of an interrelated poetics and politics of liminality across these old and new Transcendentalist writings, the project also extends the scope of a more recent strain of Transcendentalist scholarship which emphasises the dialogical underpinnings of the nineteenth-century movement. The project comprises three central chapters, each of which situates New Transcendentalism within a series of vertical and lateral dialogues. The trajectory of my chapters follows the logic of Emerson s ever-widening circles , in that each takes a wider critical lens through which to explore the dialogical relationship between my four writers and the New England Transcendentalists. In Chapter 1 the focus is upon anthropological theories of liminality; in Chapter 2 upon feminist interventions within psychoanalysis; and in Chapter 3 upon the revisionary work of Post-West criticism. In keeping with the dialogical analogies that inform this project throughout, the relationship examined within this thesis between Adnan, Dillard, Robinson and Solnit and the nineteenth-century Transcendentalists is understood as itself reciprocal, in that it not only demonstrates how my four contemporary writers may be read productively in the light of their New England forebears, but also how those readings in turn invite us to reconsider our understanding of those earlier thinkers.

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2

Lindsay, Stuart L. "Reading Chernobyl : psychoanalysis, deconstruction, literature". Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/21790.

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This thesis explores the psychological trauma of the survivors of the Chernobyl nuclear disaster, which occurred on April 26, 1986. I argue for the emergence from the disaster of three Chernobyl traumas, each of which will be analysed individually – one per chapter. In reading these three traumas of Chernobyl, the thesis draws upon and situates itself at the interface between two primary theoretical perspectives: Freudian psychoanalysis and the deconstructive approach of Jacques Derrida. The first Chernobyl trauma is engendered by the panicked local response to the consequences of the explosion at Chernobyl Reactor Four by the power plant’s staff, the fire fighters whose job it was to extinguish the initial blaze caused by the blast, the inhabitants of nearby towns and villages, and the soldiers involved in the region’s evacuation and radiation decontamination. Most of these people died from radiation poisoning in the days, weeks, months or years after the disaster’s occurrence. The first chapter explores the usefulness and limits of Freudian psychoanalytic readings of local survivors’ testimonies of the disaster, examining in relation to the Chernobyl event Freud’s practice of locating the authentic primal scene or originary traumatic witnessing experience in his subjects’ pasts, as exemplified by his Wolf Man analysis, detailed in his psychoanalytic study ‘On the History of an Infantile Neurosis’ (1918). The testimonies read through this Freudian psychoanalytic lens are constituted by Igor Kostin’s personal account of the disaster’s aftermath, detailed in his book Chernobyl: Confessions of a Reporter (2006), and by Svetlana Alexievich’s interviews with Chernobyl disaster survivors in her book Voices from Chernobyl: The Oral History of a Nuclear Disaster (2006). The second chapter argues that Freudian psychoanalysis only provides a provisional, ultimately fictional origin of Chernobyl trauma. Situating itself in relation to trauma studies, this thesis, progressing from its first to its second chapter, charts the geographical and temporal shift between these first and second traumas, from trauma-as-sudden-event to trauma-as-gradual-process. In the weeks following the initial Chernobyl explosion, which released into the atmosphere a radioactive cloud that blew in a north-westerly direction across Northern Ukraine, Belarus, Latvia, Estonia, Finland and Sweden, symptoms of radiation poisoning slowly emerged in the populations of the abovementioned countries. To analyse the psychological impact of confronting this gradual, international unfolding of trauma – the second trauma of Chernobyl – the second chapter of this thesis explores the critique of the global attempt to archivise, elegise and ultimately understand the Chernobyl disaster in Mario Petrucci’s elegies, compiled in his poetry collection Heavy Water: A Poem for Chernobyl (2006), the horror film Chernobyl Diaries (2012, dir. Bradley Parker), and Adam Roberts’ Science Fiction novel, Yellow Blue Tibia (2009). Analysing the deconstructive approach of Jacques Derrida in these texts – his notions of archive fever, impossible mourning and ethical mourning – this chapter argues that the attempt to interiorise, memorialise and mourn the survivors of the Chernobyl disaster is narcissistic, hubristic and violent in the extreme. It then proposes that Derrida’s notion of ethical mourning, outlined most clearly in his lecture ‘Mnemosyne’ (1984), enables us to situate our emotional sympathy for survivors – who, following Derrida’s lecture, are maintained as permanently exterior and inaccessible to us – in our very inability or failure to comprehend or locate the origin of their Chernobyl traumas. The third and final chapter analyses the third trauma of Chernobyl: the psychological and physiological effects of the disaster on second-generation inhabitants living near the Exclusion Zone erected around the evacuated, cordoned-off and still-radioactive Chernobyl region. These second-generation experiences of living near a sealed-away source of intense radiation are reconstructed in literature and videogaming: in Darragh McKeon’s novel All That Is Solid Melts Into Air (2014), Hamid Ismailov’s novel The Dead Lake (2014) and the videogame S.T.A.L.K.E.R: Shadow of Chernobyl (2007), developed by the company GSC Game World. The analysis of these texts is informed by Nicolas Abraham and Maria Torok’s psychoanalytic theory of the intergenerational phantom: the muteness of a generation’s history which returns to haunt the succeeding generations. This chapter will explore the psychological effects upon second-generation Chernobyl survivors, which result from these survivors’ incorporation or unconscious interiorisation of their parents’ psychologically repressed traumatic Chernobyl experiences, by analysing reconstructions of this process in the abovementioned texts. These parental experiences, echoing the Exclusion Zone as a denied physical space, have been interred in inaccessible psychic crypts. By way of conclusion, the thesis then offers an alternative theory of reading survivors’ Chernobyl trauma. Survivors’ restaging of their Chernobyl witnessing experiences as jokes enables them to cathartically, temporarily abreact their trauma through the laughter that these jokes engender.

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3

Baker, Philip Paul. "Beckett and psychoanalysis". Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334953.

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4

Johnson, Scott. "Systemic concepts in literature and art". Diss., This resource online, 1991. http://scholar.lib.vt.edu/theses/available/etd-07282008-135409/.

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5

Chisholm, Dianne Lynn. "H.D.'s Freudian poetics : psychoanalysis in translation". Thesis, University of Oxford, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293388.

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6

Wright, Laurie Jo. "Unravelling countertransference : three case histories from literature". Thesis, University of Kent, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319225.

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7

Ray, Nicholas. "Tragedy and otherness : Sophocles, Shakespeare, psychoanalysis". Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/3052/.

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The thesis is concerned with the relationship between psychoanalysis and tragedy, and the way in which psychoanalysis has structured its theory by reference to models from tragic drama - in particular, those of Sophocles and Shakespeare. It engages with some of the most recent thinking in contemporary French psychoanalysis, most notably the work of Jean Laplanche, so as to interrogate both Freudian metapsychology and the tragic texts in which it claims to identify its prototypes. Laplanche has ventured an ‘other-centred’ re-reading of the Freudian corpus which seeks to go beyond the tendency of Freud himself, and psychoanalysis more generally, to unify and centralise the human subject in a manner which strays from and occults some of the most radical elements of the psychoanalytic enterprise. The (occulted) specificity of the Freudian discovery, Laplanche proposes, lies in the irreducible otherness of the subject to himself and therefore of the messages by which subjects communicate their desires. I argue that Freud’s recourse to literary models is inextricably bound up with the ‘goings-astray’ in his thinking. Laplanche’s work, I suggest, offers an important perspective from which to consider not only the function which psychoanalysis cells upon them to perform, but also that within them for which Freud and psychoanalysis have remained unable to account. Taking three tragic dramas which, more or less explicitly, have borne a formative impact on Freud’s thought, and which have often been understood to articulate the emergence of ‘the subject’, I attempt to set alongside Freud’s own readings of them, the argument that each figures not the unifying or centralising but the radical decentring of its principal protagonists and their communicative acts. By close textual analyses of these three works, and by reference to their historical and cultural contexts, the crucial Freudian motif of parricide (real or symbolic) which structures and connects them is shown ultimately to be an inescapable and inescapably paradoxical gesture: one of liberty and autonomy at the cost of self-division, and of a dependence at the cost of a certain autonomy.

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8

Bayley, Melanie. "Mathematics and literature in Victorian England". Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.527279.

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9

Keir, Kenneth J. "The translating effect : Neil M. Gunn, psychoanalysis and Scottish modernism". Thesis, University of Aberdeen, 2012. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=194785.

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Neil Gunn was one of the principal writers of the Scottish Literary Renaissance movement, the earlytwentieth century flowering of modernist literature in Scotland. Although some commentators have noticed the frequent mentions of psychoanalysis in his work, until now no wider study has been undertaken. In this thesis, I look at Gunn's interest in psychoanalysis in a number of different ways. This is down with the two-fold aim of first, providing a modern assessment of Gunn's work, and second, examining more broadly the history of modernism in Scottish literature. In the introduction, I propose an understanding of modernism based on the literary exploration of new theories of, in this case the mind. I argue that a complex understanding of the interplay of these new theories and literature serves better than a more simple concern with either intellectual developments or changes in literary form alone. In the first section, I look at Sun Circle and The Serpent in the light of psychoanalytic theories of 'primitive' psychology and the history of religion. In the second, I look at Highland River and The Silver Darlings in the light of Freudian and Jungian theories of personal development, regression, and childhood. In the third, I look at the way in which Gunn explores Freud's theories of the warring life- and deathinstincts in both The Shadow and The Lost Chart. I conclude by looking briefly at how Gunn's literary explorations of psychoanalysis link with the work of later writers such as Muriel Spark, Robin Jenkins, Alexander Trocchi, Alasdair Gray, Kenneth White and Alan Spence.

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10

Crook, H. Marie. "The writing cure : psychoanalysis and the contemporary memoir". Thesis, University of York, 2002. http://etheses.whiterose.ac.uk/10823/.

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11

Ellesley, Sandra. "Psychoanalysis in early twentieth-century England : a study in the popularization of ideas". Thesis, University of Essex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282527.

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12

Szollosy, Michael. "Surviving our paradoxes : the psychoanalysis and literature of uncertainty". Thesis, University of Sheffield, 2003. http://etheses.whiterose.ac.uk/3440/.

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This thesis explores the importance of tolerating and facilitating uncertainty as it is recognised by British Independent and Kfeinian psychoanalysis and contemporary British magic realist fiction. In Part I, I offer some theoretical investigations, arguing that postmodem and some psychoanalytic discourses, namely Lacanian psychostructuralism, remarkably fail to address the challenges facing subjects in late- twentieth, early twenty-first century consumer culture. In their inability to tolerate paradoxes and uncertainty, these discourses objectify the subject, through processes of depersonalisation, derealisation and desubjectification. To redress these problems, I offer the work of British psychoanalysts, specifically, that of D. W. Winnicott and Melanie Klein and her followers. These perspectives, I argue, better serve the contemporary subject by recognising the importance of paradox and helping develop facilitating environments for the realisation of creative experience. In Part II, I examine how the play of paradox is fostered in contemporary British magic realist fiction. Specifically, I look at how these narrative strategies attempt to move away from the vicissitudes of internal and external, certainty and uncertainty, reason and unreason, to negotiate a Winnicottian third, potential space. The conceptualisation of such a space, I believe, offers a place from which we can begin to dialogue, to draw ourselves out of the oppositional dialectics that have plagued the bourgeois subject. I believe that in the novels of writers such as Jeanette Winterson, Joanne Harris, John Fowles, John Murray and, most especially, Angela Carter, we can find alternatives to bourgeois conceptions of reason and rationality, alternatives that are not based on the paranoid-schizoid, primitive processes and depersonalisation necessitated by the Enlightenment and capitalism but instead upon, in Kleinian terms, depressive ambivalence and the recognition of whole-objects.

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13

Shorter, Wendy Ann. "Gothic writing : maintaining the psyche in literature and psychoanalysis". Thesis, University of Kent, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408431.

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14

Jan, Sara. "Ibsen in England 1889-1914". Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259559.

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15

Dandridge, Ross. "Anti-quack literature in early Stuart England". Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/3112.

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During the thirty years preceding the Civil War, learned physicians such as John Cotta, James Hart, James Primerose and Edward Poeton produced a stream of works attacking those who practised medicine without what they regarded as the proper training and qualifications. Recent scholarship has tended to view these as exercises in economic protectionism within the context of the ‘medical marketplace’. However, increasing attention has latterly been drawn to the Calvinist religious preferences of these authors, and how these are reflected in their arguments, the suggestion being that these can be read as oblique critiques of contemporary church reform. My argument is that professional and religious motivations were in fact ultimately inseparable within these works. Their authors saw order and orthodoxy in all fields - medical, social, political and ecclesiastical - as thoroughly intertwined, and identified all threats to these as elements within a common tide of disorder. This is clearest in their obsession with witchcraft, that epitome of rebellion, and with priest-physicians; practitioners who tended to combine medical heterodoxy, anti-Calvinist sympathies and a taste for the occult, and whose practices were innately offensive to puritan social thought while carrying heavy Catholic overtones. These works therefore reflected an intensely conservative worldview, but my research suggests that they should not necessarily be taken as wholly characteristic of early Stuart puritan attitudes. All of these authors can be associated with the moderate wing of English Calvinism, and Cotta and Hart developed their arguments within the context of the Jacobean diocese of Peterborough, where an entrenched godly elite was confronted by an unusually rigourous conformist church court regime. They sought to promote a particular vision of puritan orthodoxy against conformist heterodoxy; in light of the events of the interregnum, it seems likely that this concealed more diverse attitudes towards medical reform amongst the godly.

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16

Brooke, Angela. "Imagining England in Russian literature, 1855-1917". Thesis, University of Surrey, 2008. http://epubs.surrey.ac.uk/844622/.

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During the era of Russia's modernisation and industrialisation which spans from the death of Nicholas I to the Revolution of 1917, Russian thinkers saw Britain as a rival and a society to emulate. The concern with Britain found its way to the pages of Russia's literary prose fiction in the form of English characters and images of England's society. The dissertation gives an analytical study of the English in Russian literature, examining how they become the textual other in the quest to identify Russia's national self between 1855 and 1917. The dissertation argues that the promulgation of stereotypes of Englishness in Russia's prose literature relies upon images that had been established by the travel narrative in the initial stages of Russia's quest to define its national identity. Early attempts to define Russia's selfhood through travellers' perceptions of England between 1790 and the 1840s fostered an essentialised image of Englishness which the later writers cemented. The theoretical investigation of identity creates a foundation upon which our assessment has been formed. It involves the exploration of Russian national identity as it is implied through the images of England and the English: Evoking the critical framework of Said and the theories of Orientalism and Occidentalism, this dissertation studies the Russian literary productions of England and the English, of religion in England, of 'Englishness' as a form of social respectability, and also of the British Empire and the exportation of English values abroad.

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17

Bell, Richard 1972. "Towards a psychoanalytic aesthetics of contemporary literature". Monash University, German Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8912.

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18

Church, Alan P. "Scribal rhetoric in Anglo-Saxon England /". Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9320.

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19

Bertram, Benjamin Glenn. "Skepticism and social struggle in early modern England /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9804020.

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Marshall, David W. "Monstrous England nation and reform, 1375--1385 /". [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3274253.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2007.
Source: Dissertation Abstracts International, Volume: 68-07, Section: A, page: 2937. Advisers: Karma Lochrie; Patricia C. Ingham. Title from dissertation home page (viewed April 8, 2008).

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21

Curtis, Abigail. "The Freud effect : at the limits of psychoanalysis and literature". Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.441029.

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Miller, Perry. "Freeing Associations: A Return to Psychoanalysis in Self-help Literature". The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1480677301526948.

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Langum, Virginia Eileen. "Discretion in late medieval England". Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609515.

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24

Madore, Noelle Marie. "Seeing Through the Glass: Psychoanalysis and J.D. Salinger". Cleveland, Ohio : Cleveland State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=csu1253044286.

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Thesis (M.A.)--Cleveland State University, 2009.
Abstract. Title from PDF t.p. (viewed on Sept. 28, 2009). Includes bibliographical references (p. 64-65). Available online via the OhioLINK ETD Center and also available in print.

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25

Allen, Lea Knudsen. "Cosmopolite subjectivities and the Mediterranean in early modern England". View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318286.

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Kierniew, Janniny Gautério. "Ensaios sobre o impossível na transmissão : educação, pscicanálise e literatura". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/152997.

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Este trabalho é composto por três ensaios que buscam investigar, por meio de textos literários, elementos sobre a transmissão de um saber-fazer-com o impossível, na interface entre educação e psicanálise. Os ensaios decantam das experiências com o Armazém de Histórias Ambulantes e o Setor de Cuidados Paliativos do Hospital Nossa Senhora da Conceição em Porto Alegre (RS). O primeiro ensaio aborda os livros que compõem o projeto O Bairro, de Gonçalo M. Tavares, e traz a noção de errância para estabelecer uma proposição metodológica. O segundo ensaio retoma a obra de Herman Melville, Bartleby, o escrevente: uma história de Wall Street, articulando a ideia de paragem como um espaço que suspende um tempo e uma urgência no fazer, interrompendo a consequência antecipada e deixando surgir o que é contingente. Já o terceiro ensaio atualiza elementos da obra A desumanização, do escritor português Valter Hugo Mãe, e tem a alteridade como chave de leitura, alteridade que imanta um campo onde emerge a possibilidade de inventar um saber-fazer-com. Esses ensaios operam como um laboratório de experiências em que a ficção, o ato e a criação seguem na direção de pensar a literatura como um modo de transmissão de um saber- -fazer-com diante do impossível.
This work consists of three essays that seek to investigate, through literary texts, elements that can transmit a know-how-with the impossible, at the interface between education and psychoanalysis. The essays enhance from experiences with the Itinerant Stories Warehouse and the palliative care sector of Hospital Nossa Senhora da Conceição in Porto Alegre – RS. The first essay explores the books that compose the project The Neighborhood, by Gonçalo M Tavares, and explores the notion of wandering to establish a methodological proposition. The second incorporates the work of Herman Melville, Bartleby, the scribe: a story of Wall Street, to articulate the idea of stopping time as a space-time that suspends the time and the urgency in doing, interrupting the early consequence and letting arise what is contingent. The third explores elements in Valter Hugo´s The dehumanization, and suggests the otherness as a key reading; otherness that connects to the field where emerges the possibility of inventing a know-how-with. These essays operate as a laboratory of experiments in which the fiction, the act and creation, follow in the direction of thinking about the literature as a way of transmitting a know-how-with towards the impossible.

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Bobo, Kirsti Ann. "Representations of Anglo-Saxon England in children's literature /". Diss., CLICK HERE for online access, 2004. http://contentdm.lib.byu.edu/ETD/image/etd666.pdf.

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Bobo, Kirsti A. "Representations of Anglo-Saxon England in Children's Literature". BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/228.

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This thesis surveys the children's literary accounts of Anglo-Saxon history and literature that have been written since the mid-nineteenth century. Authors of different ages emphasize different aspects of Anglo-Saxon culture as societal need for and interpretation of the past change. In studying these changes, I show not only why children's authors would choose to depict the Saxons in their writing, but why medievalists would want to study the resulting literature. My second chapter looks at children's historical fiction and nonfiction, charting the trends which appear in the literature written between 1850 and the present day. I survey the changes made in authors' representations of Anglo-Saxon England as children's publication trends have changed. I show how these changes are closely related to the changes made in popular conceptions of the past. My third chapter discusses the way in which children's retellings of Beowulf have placed the poem into a less culturally-dependent, more universal setting as they have separated the tale from its linguistic and cultural heritage. Children's authors have gradually removed the poem's poetic and linguistic devices and other cultural elements from their retellings, instead favoring a more courtly medieval setting, or even a generic universal one. Children's literature is an important indicator of the societal values contemporary with its publication. Authors and publishers often write the literature to reflect their own ideologies and agendas more openly in children's literature than in other literature. As I show in this thesis, the attitudes toward Anglo-Saxon England which pervade children's literature of any age make it a particularly useful tool to those scholars interested in the study of popular reception of the Middle Ages.

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McRae, Andrew Donald. "Textual representations of agrarian England, 1547-1625". Thesis, University of Cambridge, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239153.

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30

Winchell, James. "Murdered sleep : crime and aesthetics in France and England, 1850-1910 /". Thesis, Connect to this title online; UW restricted, 1988. http://hdl.handle.net/1773/6615.

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31

Silver, Sean R. "The curatorial imagination in England, 1660-1752". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1720866751&sid=20&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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32

Slater, Graeme Paul. "Authorship and authority in Hume's History of England". Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314546.

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33

Birchwood, Matthew. "Dramatic representations of Islam in England 1640-1685". Thesis, Royal Holloway, University of London, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.271527.

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34

Montaño, Jesus A. "Writing a nation : figuring community in late medieval England/". The Ohio State University, 1999. http://rave.ohiolink.edu/etdc/view?acc_num=osu148819010986812.

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35

O'Donnell, Thomas Joseph. "Monastic literary culture and communities in England, 1066-1250". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1905660951&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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36

Breuer, Heidi Jo. "Crafting the witch: Gendering magic in medieval and early modern England". Diss., The University of Arizona, 2003. http://hdl.handle.net/10150/280400.

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This project documents and analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. The prophet becomes the wicked witch. This dissertation explores both the literary and the social motivations for this transformation. Chapter Two surveys representations of magic in the texts of four authors within the Arthurian canon: Geoffrey of Monmouth, Chretien de Troyes, Marie de France, and Layamon. These writers gender magic similarly (representing prophecy and certain forms of transformative magic as masculine and healing as feminine) and use gendered figures to mitigate the threat of masculine power posed by the feudal patriarchy present in England and France in the twelfth century. Chapter Three explores representations of two magical characters who appear in a group of fourteenth- and fifteenth-century romances associated with Gawain: the churlish knight and the loathly lady. The authors of these romances privilege gender conventions radically different from those in earlier models and conjure a figure neglected by the earlier writers, the wicked witch. In particular, representations of the witch as a wicked step-mother reflect the anxiety created by expanding space for women (especially mothers) in previously exclusively male arenas of English society. In Chapter Four, I follow the romance tradition into early modern England, studying the work of Malory, Spenser, and Shakespeare. For these authors, the wicked witch (alternately represented as temptress or crone) is connected specifically to maternity; the severe anxiety about maternity in these texts is representative of widespread concern about mothers and motherhood in sixteenth-century England. Chapter Five traces the legislative policy governing prosecution of witches in England and offers suggestions about the relationship between legal climates and literary representations of magic. Though prosecution of witchcraft is now extremely rare in the U.S., filmmakers still rely on medieval and Renaissance models to inform their representations of witches. Once she arrived, the witch never left.

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Dutton, Anne Marie. "Women's use of religious literature in late medieval England". Thesis, Online version, 1995. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.296557.

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Light, Alison. "Forever England : femininity, literature, and conservatism between the wars /". London ; New York : Routledge, 1991. http://www.loc.gov/catdir/enhancements/fy0648/91000587-d.html.

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Rogers, Janine. "Gender and the literature culture of late medieval England". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35053.

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This dissertation explores the impact of gender ideologies held by medieval readerships on the production of books and circulation of texts in late medieval England. The first chapter explores how the professional book trade of late medieval London circulated booklets of Chauceriana which constructed masculinity and femininity in strict adherence to the courtly love literary tradition. In the second chapter, I demonstrate that such a standardized representation of courtly gender could be adapted by a readership removed from the professional book trade, in this case the rural gentry producers of the Findern manuscript, who present a revised vision of femininity and courtliness in their anthology. This revised femininity includes several texts which privilege the female speaking voice. The third chapter goes on to investigate the use of the female voice in one particular genre, the love lyric, and asks if the female lyric speaker can be associated with manuscripts in which women participated as producers or readers. Finally, the fourth chapter turns to masculinity, examining how the commonplace book of an early 16th century grocer, Richard Hill, contains selections from didactic and recreational literature which reinforce the ideals of masculine conduct in the merchant community of late medieval London. The dissertation concludes that manuscript contexts must be taken into account when reading gender in medieval English literature.

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Stainsby, Jonathan David. "Literature and the Land in Mid-Seventeenth-Centuary England". Thesis, University of Oxford, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.508674.

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Volkofsky, Imogen Clara. "Life, Literature and Prayer in Early Anglo-Saxon England". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17722.

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This thesis deals with the representation of prayer in literary texts from early Anglo-Saxon England, investigating the role of reading in the life of prayer and the various ways in which literary texts from the eighth and ninth centuries attest to cultures of prayer in this period. Chapter One looks at writings about saints, especially Bede’s Ecclesiastical History of the English People and a number of early saints’ lives, to identify the features most common to early Anglo-Saxon prayer. Prayer, in these texts, is most frequently ascetic and extra-liturgical, with an emphasis on the night vigil as the most important form of private devotion and a keen interest in the sanctification of time and space through prayer and communion with the saints. The representation of prayer in these texts represents both ideal and reality and, as this chapter argues, part of the purpose of these texts was to teach people how to pray. Chapter Two looks to the prayers of the ninth-century Mercian tradition, preserved in four private prayer books: Cambridge, University Library Ll.I.10 (The Book of Cerne), B.L., Harley 2965 (The Book of Nunnaminster), B.L., Royal 2.A.XX (The Royal Prayer Book), B.L., Harley 7653 (The Harley Fragment). This chapter investigates the way in which these books encourage meditative engagement with the Gospels through reading. These books focus on penance, the person of Christ, the Incarnation, the Passion and Judgment, themes that also emerge in Old English literary volumes. Chapter Three turns to the Old English poems of Junius 11, suggesting that prayer is central to the purpose of Junius 11’s construction. This chapter argues that the manuscript as a whole is centred on the theme of moral behaviour and the appropriate response to God, on the one hand, and the rejection of God and judgment, on the other. Thus, the manuscript frequently juxtaposes the prayers of the Old Testament figures and, in Christ and Satan, the prayers of the saints with the ‘anti-prayers’ of God’s enemies. In this way, the volume is preoccupied with the contemplation of judgment as well as with redemption. Furthermore, the volume bears witness to some aspects of the practice of prayer contemporary with the composition of each poem. Finally, Chapter Four dicusses the Old English poem The Dream of the Rood in light of the ascetic, penitential and Christological focus of eighth- and ninth-century Anglo-Saxon prayers discussed so far in this thesis. This chapter argues that The Dream of the Rood is a poem about prayer and that its setting draws on conventional descriptions of the night vigil, which are discussed at length in Chapter One, and that the visionary experience of the dreamer represents a sustained poetic reflection on the kinds of meditative contemplation to which the Mercian prayer books bear witness.

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Molnar, Julie A. "Out from under the artists' brush : aesthetics and psychoanalysis in Manette Salomon and L'Oevre /". The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487596807824211.

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Stafford, Brooke Alyson. "Outside England : mobility and early modern Englishness /". Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9326.

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MIRANDA, CAMILA DO VALLE FERNANDES DE. "A SEMI COLONIAL LITERATURE? ABOUT THE PORTUGAL OF ENGLAND AND THE ENGLAND OF EÇA DE QUEROZ". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2004. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=5118@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
Procuro perceber se uma parte significativa do imaginário descrito na literatura canônica portuguesa está marcada pela relação de dependência estabelecida ao longo de séculos com a Inglaterra. Tomando o procedimento da descrição como algo que nunca é ideologicamente neutro e tematizando também o lugar a partir de onde escrevo, indago se as cicatrizes comumente encontradas em textos de ex- colônias também aparecem na produção literária portuguesa. Apesar de Portugal já ter sido apontado por estudiosos de várias áreas como um país que fora historicamente submetido pela Inglaterra a uma espécie de colonialismo, esta perspectiva, em geral, não é levada em consideração nos estudos literários. Considerando a situação de semicolônia como uma singularidade cultural, proponho uma estratégia de leitura para textos nela produzidos utilizando a experiência dos estudos culturais e conceitos desse espaço e tempo - também teóricos - chamados de pós-coloniais. Talvez, então, outra singularidade se desdobre: a relação de contigüidade entre as literaturas da ex-metrópole e das ex-colônias. O recorte temporal foi feito em torno da data do Ultimatum, 1890, por isso o estudo de caso recai sobre Eça de Queiroz.
I try to notice if the dependence relation established along the centuries with England marks a meaning part of the imaginary described in the Portuguese canonical literature. Supposing that the description procedure is something that is never ideologically neutral, and also taking into account the place where I write from - Brazil - , I do observe if the scars that are usually found in ex- colonies also appear in the production of Portuguese literature. Although Portugal has already been indicated by studious from many areas as a country that was historically submitted to England as a sort of colonialism, this perspective, in general, is not considered among literature studies. Considering the situation of semi colony as a cultural singularity, I suggest a reading strategy for texts pertaining to this semi colony literature making use of the experience of cultural studies and concepts from this time and space - either theoretical - called post- colonials. Maybe, then, another singularity is unfolded: the contiguity relation between the literatures of the ex- metropolis and the excolonies ones. The temporal cutting was made surround the date of the Ultimatum, 1890, this is why the study remits me to Eça de Queiroz.

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Sweet, Rosemary Helen. "The writing of urban histories in eighteenth-century England". Thesis, University of Oxford, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359724.

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Karn, Nicholas. "Monastic letter-collections of the twelfth century in England". Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270119.

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Lenz, Francielle Limberger. "Entre-lugares : em busca de disposições poéticas". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/138305.

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Ao ingressar no trabalho em um hospital universitário, através de um concurso público, experimentei o quão necessária, mas também o quão problemática, é toda nomeação. Porque acredito na necessidade de participação e nas possibilidades de invenção na gestão pública e na clínica psicanalítica, reconstituíram-se perguntas sobre quais aproximações são possíveis entre estes campos. Como a escuta clínica instrumentaliza para o trabalho na instituição? O encontro com a psicanálise, a literatura e os estudos utópicos, enquanto ferramentas ópticas, possibilitou a problematização das inquietações sentidas, produzindo uma experiência compartilhável. A leitura de Thomas Bernhard foi importante re-curso de pesquisa, operando um giro no discurso: da vivência do hospital como um não lugar (u-topos) à um lugar que condensa muitos lugares da cultura (heterotopia). Neste percurso pode-se perceber como a psicanálise e a literatura podem contribuir no campo das instituições. Ao se inscreverem como uma possibilidade de leitura dos discursos correntes, como uma ética (pautada na escuta de singularidades), permitem a análise das relações, das histórias construídas, dos silêncios e repetições, bem como da implicação de cada um na sustentação destas.
When I started to work at a university hospital, through a public tender, I have experienced how necessary, and how problematic, it is any nomination. Since I believe in the need for participating and in the possibilities of invention in the public administration and in the psychoanalytic clinic, questions were reconstructed on which approaches are possible between these fields. How the clinical listening does provide the tools to work in the institution? The encounter with psychoanalysis, literature and utopian studies, while optical tools, allowed the questioning of felt concerns, producing a shareable experience. Reading Thomas Bernhard was an important re-search, operating a twist in the speech: from experiencing the hospital as a non-place (u-topos) to a place that condenses many places of culture (heterotopia). In this course, one can see how psychoanalysis and literature can contribute in the field of institutions. When registering as a possibility for reading the current discourse, as an ethic (based on listening of singularities), allow the analysis of the relationship, the stories built, the silences and repetitions, as well as the implication of each one in order to support it.

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Fisher, Joshua Benjamin. "Misreading and the parameters of exemplarity in early modern England /". Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/9352.

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Light, Susan. "Strange constructions : reading romances in Renaissance England /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9809140.

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Logan, Sandra Ann. "Willing subjects : historical events and rhetorical occasions in early modern England /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9981962.

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