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Gotowe bibliografie tematyczne / Productive melancholia

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Artykuły w czasopismach

Gotowa bibliografia na temat „Productive melancholia”

Autor: Grafiati

Data publikacji: 18 lipca 2023

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Artykuły w czasopismach na temat "Productive melancholia"

1

Muliaee, Maryam. "Crossing a Productive Melancholia in Artistic Work Based on Xerography." Ekphrasis. Images, Cinema, Theory, Media 21, no. 1 (2019): 82–92. http://dx.doi.org/10.24193/ekphrasis.21.7.

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2

Liss, Barry. "Hot media, technological transformation and the plague of the dark emotions: Erich Fromm, Viktor Frankl and the recovery of meaning1." Explorations in Media Ecology 17, no. 4 (2018): 379–92. http://dx.doi.org/10.1386/eme.17.4.379_1.

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This article takes the position that our contemporary overheated media environment lends itself to comfortable passivity, resulting in mental breakdown in the guise of the dark emotions: anxiety, melancholia and boredom. This is especially the case with the inevitable synergy of the upcoming technological transformations from genetic modification, virtual reality simulacra and artificial intelligence/robotics. After discussing the data from the World Health Organization regarding the stark increase of people across the globe suffering from depression and anxiety, this article weds the concepts

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3

Yeager, Stephen. "Empire, Shame, and Medieval Text Editing: The Case of Beowulf Line 1382a." Journal of Medieval and Early Modern Studies 53, no. 2 (2023): 201–24. http://dx.doi.org/10.1215/10829636-10416571.

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This essay applies the concept of postimperial melancholia, taken from the work of Paul Gilroy, to describe the affective undercurrents of medieval text editing in the latter half of the twentieth century and the first decades of the twenty-first through an example from Beowulf. The discussion is focalized through the emendations to line 1382a, where an ambiguous series of minims leads to different editorial choices in Klaeber's first three editions of the poem, in his second supplement to the third edition, in the fourth edition produced by R. D. Fulk, Robert D. Bjork, and John D. Niles, and

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4

Dular, Sonja. "Gazing into Beauty, Gazing into Death." Maska 33, no. 189 (2018): 30–34. http://dx.doi.org/10.1386/maska.33.189-190.30_1.

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A Melancholic Croquis is based on the motifs of Thomas Mann’s Death in Venice and its eponymous film adaptation by Luchino Visconti. The director Matej Filipčič conceived the project as a unique synthesis of a theatre performance, a scientific experiment and a social event. The article focuses on this triple connection, the specifics of the project’s content, form and production. It first explains the thematic deviation from the original: the performance does not foreground the artist and his being torn between the Apollonian and the Dionysian, but centres on melancholy, which Filipčič recogni

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5

Wolf-Meyer, Matthew. "Our Master’s Voice, the Practice of Melancholy, and Minor Sciences." Cultural Anthropology 30, no. 4 (2015): 670–91. http://dx.doi.org/10.14506/ca30.4.10.

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How do scientists and experts in marginal scientific fields think about themselves, their knowledge production, and their practices in relation to dominant sciences? In this article, drawing on fieldwork with a group of Lacanian psychoanalysts, I argue that what motivates much of the training, practice, and thought of some contemporary psychoanalysts is their place as practicing a minor science in relation to dominant forms of psychiatry and neuroscience in the United States. They are exemplary marginalized experts who articulate themselves and their work against mainstream forms of neuroscien

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6

GRINAGE, JUSTIN. "Endless Mourning: Racial Melancholia, Black Grief, and the Transformative Possibilities for Racial Justice in Education." Harvard Educational Review 89, no. 2 (2019): 227–50. http://dx.doi.org/10.17763/1943-5045-89.2.227.

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In this article, Justin Grinage investigates how black youth experience and contest racial trauma using racial melancholia, a psychoanalytic conception of grief, as a framework for understanding the nonpathologized endurance of black resistance to racism. Examining data from a yearlong ethnographic study, Grinage engages the notion that melancholia is needed for mourning to take place, a crucial distinction that engenders agency in relation to the constant (re)production of racial oppression in the lives of five black twelfth-grade students at a multiracial suburban US high school. Grinage ill

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7

Jeong, Boram. "The Production of Indebted Subjects: Capitalism and Melancholia." Deleuze Studies 10, no. 3 (2016): 336–51. http://dx.doi.org/10.3366/dls.2016.0230.

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In the essay ‘Postscript on the Societies of Control’, Deleuze discusses the differences between nineteenth-century capitalism and contemporary capitalism, characterising the former as the spaces of enclosure and the latter as the open circuits of the bank. In contemporary capitalism, ‘[m]an is no longer man enclosed, but man in debt’ ( Deleuze 1992 : 6). Deleuze claims that under financial capitalism, where the primary use of money is self-generation, economic relations are thought in terms of an asymmetrical power relationship between debtor and creditor, rather than an exchange between comm

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8

Parikh, Crystal. "Blue Hawaii: Asian Hawaiian Cultural Production and Racial Melancholia." Journal of Asian American Studies 5, no. 3 (2002): 199–216. http://dx.doi.org/10.1353/jaas.2003.0020.

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9

Rosburg, Regan Suzanne. "The Relentless Memorial." International Journal of Civic Engagement and Social Change 4, no. 1 (2017): 23–44. http://dx.doi.org/10.4018/ijcesc.2017010102.

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This manuscript, per the author, will explain “Environmental Melancholia” and “Collective Social Mania,” and describe how they are connected in a hedonic loop of capitalism and buyer's remorse. This manuscript will also explain the role of symbolism and symbolic acts in healing one's grief, and the connection it has to art. The materials used in the artwork, Relentless Memorial, reference the unyielding pollution and mass production of goods created by the petroleum industry, as well as creating a dichotomy between a clean, white, virgin plastic to an ever-increasingly polluted, contaminated w

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10

Navaro-Yashin, Yael. "Affective spaces, melancholic objects: ruination and the production of anthropological knowledge." Journal of the Royal Anthropological Institute 15, no. 1 (2009): 1–18. http://dx.doi.org/10.1111/j.1467-9655.2008.01527.x.

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