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Montlló, Bolart Jordi. "La Fira de Santa Llúcia de Barcelona: La primera fira de pessebres documentada (1786 – 2012)". Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/430847.
Pełny tekst źródłaThis thesis studies the Fira de Santa Llúcia of Barcelona which is dedicated to Nativity figures, cribs, constructions and other objects related with Christmas celebration. It takes place during the month before Christmas at Cathedral Avenue and is documented since 1786. To achieve the objective of the study, the celebration, the relationships between stallholders, the transmission by inheritance, the social relations network and the relation of the local authorities with the group of stallholders (i.e., the spatial anthropology), have been studied. The existing precedents have been studied in the context of a city devoted to fairs, with a long tradition of them. Together with interviews and ethnographic observation, the elaboration of a qualitative study has been pursued, without renouncing to quantitative studies when the treatment of information sources has required it. Different tendencies in Nativity scenes and figures, and their influence in the artisans of Fira de Santa Llúcia have been also studied. Historical analysis is crucial to understand many of the aspects that shape the contemporay fair. For the analysis of the present fair, the protagonists, the stallholders have been invited to talk. Fira de Santa Llúcia is a specialised fair that is currently structured in three sectors. First, the sector of figures and complements of Nativity scenes, known as the figures sector. Second, the sector called green, which sells plants, threes, decoration and home festive complements for Christmas celebration. Finally, a third sector that has been added in the last years, is the craftworks sector, called the hippies sector. This division of the fair is a result of its historical background, but it is not adjusted to reality. The current role of the stalls and the typology and roles developed by the stallholders, the working systems, the strategies for labour and family conciliation, the organisation of space and time, the partial or exclusive dedication as economic motivation, the weight of family tradition and the generational replacement have been examined. Moreover, the relations between the government bodies (i.e., the Fira de Santa Llúcia association and the city council) and between them and the stallholders have been revised. The distinctive traits of the fair, and how the stallholders see the future of it, have been analysed. It has been observed that, although every year the public space occupied by the stalls is put out to tender, the stalls ownership is inherited by the next generation in the family. But that stall ownership inheritance is not associated with a knowledge transmission and the archetype of the stallholder that is an artisan, works at home and benefits from the earnings of the fair to complement a short year income is being replaced by a more pragmatic stallholder dedicated to resell products which not always are handcrafted.
Vergara, Reyes María Constanza. "Documentales en primera persona en el Chile actual". Doctoral thesis, Universitat Autònoma de Barcelona, 2021. http://hdl.handle.net/10803/673225.
Pełny tekst źródłaLa presente tesis tiene por objetivo analizar un corpus de documentales chilenos en primera persona estrenados en las últimas décadas. Desde una perspectiva intermedial, interesa explorar el funcionamiento de las narrativas de vida en el formato audiovisual y, desde ahí, reflexionar sobre las estrategias a través de las cuales estas películas implican a su audiencia. En particular se estudia, a partir del análisis de los elementos de inscripción de directores y directoras en las películas, los modos en que se articulan la historia personal y la nacional, tanto en la narrativa como en la forma de los documentales. También, se analizan las estrategias materiales y visuales que los documentales despliegan para construir y poner en circulación diferentes formas de recepción. A partir de este estudio se propone que, en el caso de la producción chilena de las últimas décadas, los documentales en primera persona no se quedan anclados en lo individual y la esfera privada. Por el contrario, constantemente participan de lo público y buscan maneras de vincular la subjetividad con lo colectivo. La hipótesis es que los documentales en primera persona, a través de su modo performativo de representación (Bruzzi, 2006) y de su relación material con el pasado, establecen un nuevo pacto con los espectadores, ya no a partir del registro, sino de su anunciada artificialidad. En los documentales estudiados la creación de una película sobre la propia vida adquiere la forma de una investigación en proceso, para la cual se deben reunir las piezas faltantes, ya sea lo que no se recuerda de la infancia, lo que se desconoce del relato familiar, o lo que no se ha podido entender debido a una prolongada ausencia o a la muerte o desaparición de seres queridos. A partir del análisis de las películas del corpus, esta investigación da cuenta de las transformaciones que los documentales en primera persona producen en los supuestos tradicionales de la práctica documental y, a partir de eso, explora una nueva relación entre directores y espectadores. En particular, examina la manera en que los cineastas lidian con los vacíos e interrogantes de sus historias de vida: ¿cómo es la puesta en escena de esa búsqueda?, ¿qué rol tienen los archivos y los relatos orales en estas investigaciones?, ¿cuánto hay de íntimo y de colectivo en estos proyectos? En esta investigación se analiza un corpus de documentales que propone estrategias discursivas y visuales para construir historias de vida y referencias al pasado. El conjunto está conformado por diez documentales nacionales estrenados entre los años 2009 y 2017 y dos documentales que datan de los años ’80, pero que han sido recuperados y puestos en circulación recién en los últimos años. Ya sea a través de reenactments, testimonios orales, fotografías o fragmentos de metraje encontrado, los documentales chilenos en primera persona construyen historias de vida que redefinen las concepciones tradicionales del cine documental. El hecho de que las películas se construyan a partir de un modo performativo hace que el propio film anuncie su falta de autenticidad y, al hacerlo, paradójicamente, se vuelva más auténtico a los ojos de los espectadores.
This dissertation analyzes a group of Chilean first-person films released in recent decades. From an intermedial perspective, it explores the way life narratives work in the audiovisual format and, from there, it reflects on the strategies through which these films involve their audience. In particular, this research studies, from the analysis of the elements of inscription of directors and directors in films, the ways both personal and national history are implicated. This dissertation also analyzes the material and visual strategies that first person films deploy to build and put into circulation different forms of reception. From this analysis, it is proposed that, in the case of today’s Chilean production, first-person films do not remain anchored in the individual and the private sphere. On the contrary, they constantly participate in the public and look for ways to intertwine subjectivity with the collective. The hypothesis is that first-person documentary films, through their performative mode of representation (Bruzzi, 2006) and their material relationship with the past, present a new pact with viewers, not based on the record, but on their announced artificiality. In the documentaries studied, the creation of a film about one's own life takes the form of an ongoing investigation, for which some missing pieces must be brought together, whether it is what is not remembered from childhood, what is unknown from the family story, or what has not been understood due to a prolonged absence or the death or disappearance of a loved one. From the analysis of a group of recent Chilean films, this research accounts for the transformations that first-person documentary films produce in the traditional assumptions of documentary practice and it also explores a new relationship between directors and the spectators of their films. In particular, it examines the way in which filmmakers deal with the gaps and questions in their life stories: what is the staging of this search like? What role do archives, and oral stories play in these inquieries? How are the intimate and the collective depicted in these projects? This research analyzes a group of documentary films that deploy discursive and visual strategies to build life stories and references to the past. The group is made up of ten Chilean documentaries released between 2009 and 2017 and two documentaries dating from the '80s, but which have only been recovered in recent years. Whether through reenactments, oral testimonies, photographs or fragments of found footage, Chilean first-person documentary films construct life stories that redefine traditional conceptions of documentary cinema. Since the films are produced in a performative mode, they announce their own artificiality, in doing so, paradoxically, they become more authentic for their audience.
Universitat Autònoma de Barcelona. Programa de Doctorat en Teoria de la Literatura i Literatura Comparada
Peck, Rowan. "Detachment Versus Compartmentalisation: Priming and Intrusion Levels after Listening to an Anxiety-Arousing Auditory Report". Thesis, University of Canterbury. Psychology, 2013. http://hdl.handle.net/10092/8850.
Pełny tekst źródłaRaharjo, Joko Purnomo. "The performance analysis of real estate construction firms (RECF) in Indonesia". Thesis, Queensland University of Technology, 2022. https://eprints.qut.edu.au/228029/1/Joko%20Purnomo_Raharjo_Thesis.pdf.
Pełny tekst źródłaZucchini, Camilla. "ZORA JESENSKÁ, TRADUTTRICE Proposta di sottotitolaggio del documentario del ciclo PRVÁ - PRIMA". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16013/.
Pełny tekst źródłaFOSCHINI, DANIELE. "L' ANALISI DELLA PERFORMANCE E DEL VALORE DELLE FAMILY FIRMS PRIMA E DOPO L' IPO: REALTA' ITALIANA E FRANCESE A CONFRONTO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/851.
Pełny tekst źródłaFOSCHINI, DANIELE. "L' ANALISI DELLA PERFORMANCE E DEL VALORE DELLE FAMILY FIRMS PRIMA E DOPO L' IPO: REALTA' ITALIANA E FRANCESE A CONFRONTO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2009. http://hdl.handle.net/10280/851.
Pełny tekst źródłaCorbella, Roca Carles. "Thin film structures of diamond-like carbon prepared by pulsed plasma techniques". Doctoral thesis, Universitat de Barcelona, 2006. http://hdl.handle.net/10803/1772.
Pełny tekst źródłaUna desventaja importante presentada por las capas de DLC es su elevado esfuerzo compresivo residual, factor que limita el grosor de las capas a unas pocas decenas de nanómetros. La superación de este grosor provoca inestabilidades en el material que conducen a problemas de adhesión e incluso a la delaminación de la capa. En la literatura se proponen varias soluciones para reducir las tensiones internas del DLC y así rebajar este esfuerzo mecánico, como por ejemplo el depósito de capas metálicas de anclaje y de estructuras repetitivas en multicapa de periodo nanométrico. El objetivo de esta tesis ha consistido en preparar diferentes estructuras de DLC y modificar sus propiedades mediante la variación de los parámetros tecnológicos de depósito. El análisis de los resultados de caracterización de las muestras nos ha proporcionado su estructura, morfología, propiedades químicas, ópticas, eléctricas y de superficie.
Una parte de este trabajo trata sobre el crecimiento de DLC por la técnica de PECVD mediante una fuente pulsada-DC de alta potencia que alimenta un plasma de metano. Esta tecnología ofrece varias ventajas, como la reducción del esfuerzo intrínseco del DLC y el incremento de la velocidad de depósito, todo ello logrado utilizando una instalación más económica que las tradicionales de radiofrecuencia. Se ha hecho un estudio in-situ de los parámetros del plasma pulsado (temperatura electrónica, densidades iónica y electrónica, y potencial de plasma) medinte una sonda de Langmuir en modo de resolución temporal. De esta manera, se ha apreciado la dependencia de las propiedades de las capas con respecto a las variables fundamentales del proceso de depósito.
Por otro lado, también se ha considerado la incorporación de átomos metálicos (Mo, Nb, Ti, W) en la red de carbono mediante la técnica de depósito de pulverización reactiva con magnetrón en atmósfera de argón y metano. Las capas de DLC con contenido metálico, que presentan una nanoestructura y una cristalinidad determinadas por el metal añadido y su abundancia, sufren un menor esfuerzo merced a una estructura más relajada sin que por ello se resienta en gran medida la dureza. Las propiedades tribológicas también se ven favorecidas al mostrar valores muy bajos (~0.03) de coeficiente de fricción.
THESIS SUMMARY:
This thesis reports the study of the synthesis and characterisation of thin films of diamond-like carbon (DLC). This material exhibits high hardness, low friction and low wear rate. Due to its excellent mehanical and tribological properties, the DLC shows several applications as protective coating and solid lubricant. We can mention for instance coatings addressed to cutting tools, hard-disk drives and orthopedic implants. DLC films are commonly deposited by plasma-enhanced chemical vapor deposition (PECVD), cathodic arc, and magnetron sputtering.
An important drawback of DLC films is their high residual compressive stress, which limits film thickness to a few tens of nanometers. Strong instabilities of the material are promoted by the overcoming of this thickness, leading to adhesion problems and even to film delamination. Some of the solutions proposed in the literature consist on the deposition of metallic buffer layers and multilayer structures of nanometric period. The aim of this thesis consisted on the preparation of different structures of DLC and the tailoring of their properties by varying the technological parameters of deposition. The analysis of the characterisation results of the samples provided us their structure, morphology, and chemical, optical and electrical properties.
A part of this work deals with the growth of DLC by means of PECVD technique using a pulsed-DC power supplier that drives a methane plasma. This technology provides several advantages, as for example the reduction of the intrinsic stress of DLC and the increase of the deposition rate, being this achieved by making use of an installation more cost-effective than the employed for radiofrequency. The parameters of the pulsed plasma (electron temperature, ion and electron densities, and plasma potential) have been studied by means of a Langmuir probe in time-resolution mode. Thus, the film properties have been related to fundamental variables of the deposition process.
On the other hand, we have also considered the incorporation of metal atoms (Mo, Nb, Ti, W) within the carbon network by means of reactive magnetron sputtering in an argon and methane mixture. The metal-containing DLC films, which present a nanostructure and crystallinity determined by the added metal and its abundance, suffer a lower stress thanks to a more relaxed structure without reducing significatively the hardness. The low values of the friction coefficient (~0.03) are indicative of the improvement of the tribological properties.
Ruiz, Paula Arantzazu. "De los teatros anatómicos a 'Oh! Uomo', de Yervant Gianikian y Angela Ricci Lucchi: una arqueología de la mirada médica del cuerpo". Doctoral thesis, Universitat Pompeu Fabra, 2017. http://hdl.handle.net/10803/402100.
Pełny tekst źródłaLa conciencia moderna del cuerpo y su lugar en el mundo se deben a un número de procesos epistemológicos ocurridos durante el Renacimiento. La práctica de la anatomía en los teatros anatómicos ayudó a modelar una imagen del cuerpo humano y desarrollar un régimen visual recopilado en atlas anatómicos, el más conocido el De humani corporis fabrica libri septem (1543), de Andrés Vesalio. Con la irrupción de las tecnologías de reproducción mecánica de imágenes a mediados del siglo XIX, nace otro régimen que redefinirá las imágenes del cuerpo en el campo de la neurología. Atlas de cine quirúrgico y neurológico como La neuropatología (1908), de Camillo Negro, ayudarán a los científicos a codificar patologías, pero los relatos de esos filmes son también narraciones de cuerpos sometidos a un dispositivo médico-científico violento, tal y como exponen los cinestas italianos Yervant Gianikian y Angela Ricci Lucchi en su película Oh! Uomo (2004).
Gaudenzi, Enrico. "Il cinema italiano e francese sulla prima guerra mondiale : una filmografia documentata (1914-2013)". Thesis, Paris 10, 2014. http://www.theses.fr/2014PA100092.
Pełny tekst źródłaThe aim of my thesis was to create a catalog of fiction films related to the First World War produced in Italy and France between 1914 and 2013. Methodologically, 1 worked on a variety of sources (movie collections, specialized magazines, rating and direct viewing of picture show), depending on the availability of materials which came to us. I have tried to propose an analytical investigation that also includes movies concerning the war without showing it; I am well aware my work will be certainly incomplete but it tries to be the more comprehensive possible. I have devoted a special attention to the censorious intervention exercised by the government, particularly until the early Sixties, indeed those years political censorship was very strong. In addition to the analysis of general censorship, I added that of prior one (in Italy 1945-65, in France 1945-61) and I found two similar attitudes but with different methods of intervention. Although the investigation is centered on the two countries, more importance will be given to the Italian CBSE instead of French one. The choice of comparison with France was influenced by several considerations; not least, the main point of the First World War has in both film and French public history even today. These factors have not been strange to the will to compare with the history of this country, considered as one of the most interesting. The evolution of fiction story has been put in relation with the political, cinematographic, and legislative and historiography background; I also tried to understand the film reception through two factors: the results of the box office and the opinions expressed in specialized magazines
Zhang, Qianzhe. "Microstructural control of epitaxial α-quartz films". Doctoral thesis, Universitat Autònoma de Barcelona, 2019. http://hdl.handle.net/10803/670104.
Pełny tekst źródłaEpitaxial films of piezoelectric α-quartz could enable the fabrication of sensors with unprecedented sensitivity for prospective applications in electronics, biology and medicine. However, a prerequisite is harnessing the crystallization of epitaxial α-quartz, tailoring suitable film microstructures for nanostructuration. In my PhD work, we bring new insights into the crystallization of epitaxial α-quartz films on Silicon(100) from the thermal devitrification of nanoporous silica and the control the film microstructures: We show that by increasing the quantity of devitrifying agent (Sr) it is possible to switch from an α-quartz microstructure consisting of porous flat film to one dominated by larger and fully dense α-quartz crystals. The mechanism of Sr-assisted devitrification was also investigated simultaneously. Then, we found that film thickness, annealing temperature, relative humidity and the nature of surfactant also play an important role in the control of the microstructure and homogeneity of the films. By increasing its, thickness it is possible to switch from a partly crystalline and porous film to fully a crystalline and dominated by dense crystals one. Annealing temperature can impact the crystallization process very deeply for it can change the dynamics and reactivity of Sr within the silica film. High relative humidity cooperates with a suitable surfactant to create perforations on the films via a water-induced phase separation phenomenon. This perforation can also influence the film crystallinity by altering the distribution of Sr inside film. All these studies on the one hand give us a better understanding of the mechanism of Sr-assisted devitrification and on the other hand can show us a versatile microstructural control of the epitaxial α-quartz film. Besides, via a multilayer deposition method, we have extended the maximum thickness of the α-quartz films from a few hundreds of nm into the µm range. Moreover, in my thesis, we report unprecedented large-scale fabrications of ordered arrays of piezoelectric epitaxial α-quartz nanostructures on silicon(100) substrates by the combination of three cost-effective lithographic techniques: (i) laser transfer lithography, (ii) soft nanoimprint lithography on Sr-doped SiO2 sol-gel thin films and (iii) self-assembled SrCO3 nanoparticles reactive nanomasks. Epitaxial α-quartz nanopillars with different diameters (down to 50 nm) and heights (up to 2000 nm) were obtained for the first time. This part of my PhD work demonstrates the control over the shape, micro- and nano-patterning of α-quartz thin films while preserving its crystallinity, texture and piezoelectricity, which opens the opportunity to fabricate new high frequency resonators and high sensitivity sensors relevant in different fields of application.
ALVES, Sandro Leonardo. "Efeitos do tipo de floresta e da estrutura de habitat em assembléias de primatas no sudoeste da Amazônia". Universidade Federal do Pará, 2013. http://repositorio.ufpa.br/jspui/handle/2011/6911.
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A heterogeneidade ambiental expressa diferenças naturais entre áreas e é um fator determinante para a riqueza e abundância local de primatas. Neste estudo nós investigamos a composição e estrutura de assembléias de primatas em quatro tipos de floresta: floresta de terra firme, florestas de igapó sazonalmente inundáveis por rios de águas claras (aberta e densa) e cerradão na Reserva Biológica do Guaporé, sudoeste da Amazônia Brasileira. Além disso, avaliamos a associação entre a ocorrência e abundância dos primatas com diferenças estruturais das florestas. Realizamos 617,8 km de censos pelo método de transecção linear (~154 km por tipo de floresta) e avaliamos a estrutura da vegetação em 108 parcelas de 200 m2 (0,54 ha por tipo de floresta). Dez espécies de primatas foram registradas durante os 11 meses deste estudo. A floresta de terra firme apresentou o maior número de espécies e a maior densidade de primatas, principalmente devido à presença exclusiva de Callicebus moloch e a maior abundância de Sapajus apella. A elevada densidade de Ateles chamek na floresta aberta inundável foi preponderante para a maior biomassa de primatas neste tipo de floresta. Nas florestas inundáveis e na terra firme, Ateles chamek e Sapajus apella responderam juntas por mais de 70% da biomassa de primatas, e no cerradão apenas Sapajus apella foi responsável por 68% da biomassa. Diferenças entre tipos de floresta na composição específica e abundância relativa de primatas foram associadas com o regime de inundação e com algumas variáveis de estrutura de habitat (densidade de árvores no sub-bosque e no dossel, abertura do dossel, altura total do dossel e densidade de palmeiras e lianas). Nossos resultados reforçam a importância de paisagens heterogêneas na Amazônia, pois estas áreas tendem a contribuir para uma maior diversidade de espécies em uma escala de paisagem.
Environmental heterogeneity of natural vegetation types is a key determinant of local primate species richness and abundance. In this study we investigate primate assemblages composition and structure in four types of forest: unflooded (terra firme) forest, open and dense igapó forests (those seasonally inundated by clear water rivers) and cerradão (dense savanna woodland) in the Guaporé Biological Reserve in southwestern Brazilian Amazonia. In addition, we evaluate associations between primate occurrence and abundance with structural differences between forests types. We carried out 617.8 km of line-transect census (~154 km per forest type) and evaluated vegetation structure in 108 200 m2 plots (0.54 ha per forest type). Ten primate species were recorded during the 11-month study. Terra firme forest presented the highest primate species richness and density, predominantly as it is the only habitat playing host to Callicebus moloch and has the highest abundance of Sapajus apella. The high density of Ateles chamek in open igapó forest led to this habitat recording the highest primate biomass of any forest type. In the open and dense igapós and terra firme forests, Ateles chamek and Sapajus apella together made up over 70% of primate biomass, whilst in cerradão Sapajus apella accounted for 68% of primate biomass. Differences across forest types in primate species composition and relative abundances were associated with flood regimes and with several habitat structure variables (such as understory and canopy tree densities, canopy openness, total canopy height, and palm and liana densities). Our results reinforce the importance of heterogeneous landscapes in Amazonia, since these areas tend to contribute to elevating species diversity on this spatial scale.
Aghamohammadi, Mahdieh. "Nanoscale investigation and control of the interfacial properties of organic solar cells and organic thin-film transistors". Doctoral thesis, Universitat Autònoma de Barcelona, 2016. http://hdl.handle.net/10803/392722.
Pełny tekst źródłaThin-film and interface properties of organic semiconductors are among the most prominent aspects with regard to the overall performance of organic electronic devices. The interface formed between two organic materials can influence the electronic and optical properties of organic electronic devices by determining the growth mechanisms, morphology, defect density and the electronic interface structures of organic films. The impact of the relative molecular orientation at the organic/organic interface on the performance of organic solar cells is one of the less understood factors and thus, it represents an outstanding opportunity for research and technologies based on the control of the local molecular ordering of the organic molecules in donor/acceptor organic photovoltaics. Using state-of-the-art scanning probe microscopy techniques and photoluminescence studies a clear link between the relative molecular orientation of the DIP (donor)/PTCDI-C8 (acceptor) heterostructures and an emissive charge transfer state is demonstrated, which is ultimately associated with an efficient π-orbital overlap at the interface. Another extremely interesting organic/organic interface is the one found in organic thinfilm transistors (TFTs), where the gate dielectric contains organic species such as selfassembled monolayers (SAMs). The use of SAMs opens an appealing path of research in manufacturing TFTs with the desired operating voltages, due to the observation that the threshold voltage can be modulated using different SAMs. Revealing the underlying mechanisms of this phenomenon, which is known as threshold-voltage shift, signifies a considerable challenge. Kelvin probe force microscopy (KPFM) was used as a powerful tool to explore at the nanoscale the electronic properties at the interface between DNTT and two different SAMs namely an alkly- and a fluoroalkylphosphonic acid SAM. A systematic series of KPFM investigations combined with the analysis of the transistor parameters reveals gate-oxide capacitance-dependent threshold-voltage shift as a result of interface electronic interactions at the DNTT/fluoroalkyl SAM interface. On the contrary, the DNTT transistors with the alkyl SAMs exhibit a small capacitanceindependent threshold-voltage shift, associated with the intrinsic dipole-induced electrostatic potential of the SAM. Together, the studies carried out in this thesis represent innovative approaches utilizing controlled organic semiconductor processing methods and complementary techniques, which enabled us to achieve a better understanding of different electronic processes at the interfaces involved in organic solar cells and organic thin-film transistors. This thesis emphasizes the relevance of achieving controlled interface architectures with exciting potential for future interface engineering in organic electronic devices.
PEREIRA, Priscila Maria. "Caracterização e dinâmica espacial da caça de primatas em comunidades ribeirinhas da Amazônia Central". Universidade Federal do Pará, 2015. http://repositorio.ufpa.br/jspui/handle/2011/6917.
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Os primatas são importante item alimentar para as populações que vivem em locais isolados, e estão entre as espécies mais caçadas por populações tradicionais e indígenas, principalmente nas regiões neotropicais. No entanto, pouco se conhece sobre as características e os padrões espaciais da atividade de caça, e sua abrangência no espaço e no tempo, impedindo uma real avaliação do impacto desta atividade. O objetivo deste trabalho foi descrever, quantificar e analisar a dinâmica espacial da caça de primatas na Amazônia Central, em ambientes de várzea e de terra firme, através de dados de monitoramento de pequenas comunidades ribeirinhas acumulados ao longo de 11 anos. Neste período, o sistema de monitoramento registrou 402 caçadas de primatas, totalizando 541 animais abatidos de nove espécies: Alouatta juara, Aotus cf. vociferans, Ateles chamek, Cacajao ouakary, Callicebus torquatus, Cebus albifrons, Saguinus inustus, Saimiri cassiquiarensis e Sapajus macrocephalus. Destas caçadas, 240 ocorreram em Amanã e 162 em Mamirauá. As distâncias percorridas pelos caçadores a partir das suas comunidades foram significativamente diferentes nos dois ambientes (T= -2,451; gl = 41; p <0,05), os caçadores de terra firme caçam em locais mais distantes que os caçadores de várzea. Quando analisamos o tamanho das áreas utilizadas pelos caçadores, as de terra firme também foram significativamente maiores do que a várzea (F(2,56)=21,471; P<0,01). Embora a contribuição da biomassa de primatas seja pequena, quando comparada a outras espécies, como queixada e paca, o guariba ainda é uma das espécies mais caçadas na Amazônica Central. Para conhecermos o real impacto da atividade de caça entre os primatas, o estudo comprova a necessidade de um monitoramento contínuo das áreas de caça, bem como a análise da sua variação espacial ao longo dos anos.
Lorenz, Hans Christopher. "Zeit-Kritik als Form der Templation durch Medien des 21. Jahrhunderts". Doctoral thesis, Humboldt-Universität zu Berlin, Kultur-, Sozial- und Bildungswissenschaftliche Fakultät, 2015. http://dx.doi.org/10.18452/17149.
Pełny tekst źródłaHow can the aggregate of Theodor W. Adornos media-critical hypotheses be relativised to todays time-critical media which effect processes on the basis of algorithmic transformations – the most prominent contribution arguably being constituted by the chapter “The Culture Industry. Enlightenment as Mass Deception” (1944), formulated in collaboration with Max Horkheimer? Within which sphere can the concept of “manipulation” be expanded, or re-contextualised, if media systems – essentially “non-human actors” (Bruno Latour) – effect processes and decisions in the micro-temporal sphere and, thus, trigger a shift in emphasis and a re-definition of the concept of “critique of media” or “critique of time” even within technologically and epistemologically orientated scholarly media discourse? And which are the treatises by means of which Adorno may have himself already opened up a school of thought, supplementing the debate on the methods (and systems) of media functioning and media-specific temporal considerations as the basis for the manipulation of human perception at a subliminal level?
Uddenberg, Molly. "Metafor - en metod att göra det privata personligt". Thesis, Linnéuniversitetet, Institutionen för fysik och elektroteknik (IFE), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-28051.
Pełny tekst źródłaI det här arbetet har jag samlat tre författare i olika genrer till ett dialogseminarium om sin arbetsprocess. Samtalet, som utgick från texter av Lacan och Sokrates, kretsade mycket kring författarens arbetsvillkor och de olika metoder som författarna använder sig av för att hitta sin frihet i förhållande till dem. I samtalet blev det uppenbart hur beroende alla författarna är av en förstående medarbetare. Okunskap och felläsning från en dramaturg eller redaktör kan bokstavligt talat bli förödande. Dialogmötet kom att kretsa kring frågeställningar om hur man skiljer privat och personligt. Vi diskuterade författaren Karl Ove Knausgård och fotografen Sally Mann, som båda jobbar med sin egen familj som motiv. Genom att Knausgård använder sig själv som en roll visar han på en möjlighet att närma sig ett eget material. Hos Sally Mann är det istället de metaforiska dimensionerna i de vardagliga motiven som gör sig tydliga. Också i Imre Kertész skildring av förintelsen förvandlas den till något större: en metafor för hur ödet och slumpen kan påverka våra liv. Hans berättelse blir på det sättet mindre beroende av vad som är sant, än skildringarna av två andra överlevare från Auschwitz: Primo Levi och Viktor Frankl. Vilket inte betyder att de andras texter saknar metaforisk styrka. Avslutningsvis går uppsatsen in på författarnas sätt att använda metaforen som ett verktyg för att berätta. Metaforen är alltid en bild av någonting annat, den skapar en fördjupning och oförväntad igenkänning hos läsaren. Den ger också möjligheter för konstnären/författaren att berätta saker som hen inte kan säga på andra sätt. Metaforen uppstår genom igenkänning i skapandet. Man kan välja att gå med den, eller aktivt gå emot den för att fördjupa textens eller filmens metaforiska dimension. En viktig aspekt för yrkeskunnande inom konsten och författarskap är att aldrig ligga före i sitt arbete genom att oroa sig för vad omgivningen ska tycka och tänka. Då finns det en risk att man blir en feg konstnär, vilket är förödande för ens skapande.
BASILI, Silvia. "Gli attuali scenari del commercio internazionale dei prodotti agroalimentari, tra vecchie e nuove questioni di sicurezza alimentare: una riflessone comparatistica ta UE, USA e CINA". Doctoral thesis, 2018. http://hdl.handle.net/11393/251081.
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