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Artykuły w czasopismach na temat "Press Booth Printing Co"
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Joala, Liisi. "Kodukootud kangaid väärindades. Robert Natuse auruwärwimise wabrik Viljandis aastatel 1883-1941 / Increasing the value of homespun fabrics. Robert Natus’s dye house in Viljandi between 1883 and 1941". Studia Vernacula 8 (13.11.2017): 94–108. http://dx.doi.org/10.12697/sv.2017.8.94-108.
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Many good sources for the history of textile printing can be found among the international scholarly literature. The authors who have compiled them have made use of woodblocks, richly printed fabrics and fabric samples, notes taken by dye craftsmen, and other sources. Unfortunately, such material is rarely to be found in Estonian museums. More complete research into the technologies used in Estonian dye houses in the 19th and 20th centuries is therefore an ongoing process of discovery. This article draws on the remaining woodblocks of Natus’s dye house in Viljandi as well as on the information written by the craftsmen who specialised in dyeing and printing processes. Texts and advertisements published in the press and in the dye house’s calendars proved to be especially valuable sources. The article gives an overview of the services provided at Natus’s dye house by explaining which fabrics were typical and which fabric and printing dyes were used. The study is placed within a broader historical context: an overview is also given of the development of a field of activity and of the competitors of the dye house.
During the first half of the 19th century, handicraft was one of the main areas of activity and chief modes of production in Estonia. By the latter part of the century, textile companies were being established in larger towns and massproduced fabrics emerged as a competitor to homespun fabrics. Craftsmen could refine and increase the value of handmade textiles at dye houses. The emergence of such establishments played a key role in the development of handicraft, since it provided the craftsmen with an opportunity to offer higher quality fabrics than mass-produced ones.
In the nineteenth century, dye houses operated in numerous Estonian boroughs, towns, and even villages. In fact, several dye craftsmen lived in Viljandi. The most prominent dye house located in Viljandi is likely to beNatus’s dye house, which was active between 1883 and 1941. Robert Natus from Brandenburg purchased the plant from the heirs of August Valenius. In addition to the processing and dyeing of fabrics, he also offered woodblock printing as an additional service, which helped him stand out from the competition. No fabrics originating from Natus’ dye house have survived, and only 31 woodblocks that are preserved at the Viljandi Museum. Since few printed fabrics in Estonia have survived, the remaining woodblocks in museums are almost the sole evidence of the technologies used in textile printing at that time. Synthetic fabric dyes were mentioned in the advertisements of Natus’s dye house. Both the dyes and machines were imported from Germany. Continuous technological development and upgrades to the machinery were needed to keep up with the competition. Thus, for the sake of survival, all sorts of services were provided and the clients received extremely flexible treatment. The quality of the products was held in high regard, since tough competition already existed in the fabric dyeing business in the nineteenth and twentieth centuries. The network of co-operation partners was relevant too. In his heyday, Natus had 46 reception points throughout Estonia. But over the course of time, small dye houses could not keep up with large factories; eventually, many became washhouses.
Keywords: dye house, woodblock printing, printed textiles, Indanthren synthetic vat dye
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Joala, Liisi. "Kodukootud kangaid väärindades. Robert Natuse auruwärwimise wabrik Viljandis aastatel 1883-1941 / Increasing the value of homespun fabrics. Robert Natus’s dye house in Viljandi between 1883 and 1941". Studia Vernacula 8 (13.11.2017): 94–108. http://dx.doi.org/10.12697/sv.2017.8.94-108.
Pełny tekst źródłaStreszczenie:
Many good sources for the history of textile printing can be found among the international scholarly literature. The authors who have compiled them have made use of woodblocks, richly printed fabrics and fabric samples, notes taken by dye craftsmen, and other sources. Unfortunately, such material is rarely to be found in Estonian museums. More complete research into the technologies used in Estonian dye houses in the 19th and 20th centuries is therefore an ongoing process of discovery. This article draws on the remaining woodblocks of Natus’s dye house in Viljandi as well as on the information written by the craftsmen who specialised in dyeing and printing processes. Texts and advertisements published in the press and in the dye house’s calendars proved to be especially valuable sources. The article gives an overview of the services provided at Natus’s dye house by explaining which fabrics were typical and which fabric and printing dyes were used. The study is placed within a broader historical context: an overview is also given of the development of a field of activity and of the competitors of the dye house.
During the first half of the 19th century, handicraft was one of the main areas of activity and chief modes of production in Estonia. By the latter part of the century, textile companies were being established in larger towns and massproduced fabrics emerged as a competitor to homespun fabrics. Craftsmen could refine and increase the value of handmade textiles at dye houses. The emergence of such establishments played a key role in the development of handicraft, since it provided the craftsmen with an opportunity to offer higher quality fabrics than mass-produced ones.
In the nineteenth century, dye houses operated in numerous Estonian boroughs, towns, and even villages. In fact, several dye craftsmen lived in Viljandi. The most prominent dye house located in Viljandi is likely to beNatus’s dye house, which was active between 1883 and 1941. Robert Natus from Brandenburg purchased the plant from the heirs of August Valenius. In addition to the processing and dyeing of fabrics, he also offered woodblock printing as an additional service, which helped him stand out from the competition. No fabrics originating from Natus’ dye house have survived, and only 31 woodblocks that are preserved at the Viljandi Museum. Since few printed fabrics in Estonia have survived, the remaining woodblocks in museums are almost the sole evidence of the technologies used in textile printing at that time. Synthetic fabric dyes were mentioned in the advertisements of Natus’s dye house. Both the dyes and machines were imported from Germany. Continuous technological development and upgrades to the machinery were needed to keep up with the competition. Thus, for the sake of survival, all sorts of services were provided and the clients received extremely flexible treatment. The quality of the products was held in high regard, since tough competition already existed in the fabric dyeing business in the nineteenth and twentieth centuries. The network of co-operation partners was relevant too. In his heyday, Natus had 46 reception points throughout Estonia. But over the course of time, small dye houses could not keep up with large factories; eventually, many became washhouses.
Keywords: dye house, woodblock printing, printed textiles, Indanthren synthetic vat dye
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Ayeni, O., V. O. Agada, A. A. Mahamat, E. C. Ibrahim, A. M. Stanley i D. Abdulsalam. "Impact of indoor air pollutant concentration levels on the health of press operators of printing facilities in Zaria Metropolis, Nigeria". Environmental Technology and Science Journal 15, nr 1 (24.06.2024): 1–13. http://dx.doi.org/10.4314/etsj.v15i1.1.
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Long-term exposure to air pollutants in printing facilities is detrimental to the health, well-being, and productivity of press users. This study investigated the concentrations of indoor air pollutants in 22 printing facilities in Zaria, Nigeria, as well as their interactions with press operators' perceptions of feeling Sick Building Syndrome (SBS) symptoms. The study employed quantitative methods. The concentrations of indoor air pollutants (CO2, CO, TVOC, HCHO, PM2.5, and PM10) were monitored with air quality multifunction devices in the different printing facilities. Questionnaires were also administered to assess press operators’ health and perceptions of feeling SBS symptoms in the printing facility. The results showed that indoor air pollutant concentrations vary in the different printing facilities, with pollutant concentration values in the range of 0.323–9.999 mg/m3, 0.030–0.078 mg/m3, 21.33–426.67 μg/m3, and 28.0–568 μg/m3 for TVOCs, HCHO, PM2.5 and PM10, respectively and same exceeding the NESREA standard values. Findings also show that press operators rarely felt 14 SBS symptoms in the printing facility. The questionnaire results suggest that health-related problems experienced by press operators may worsen if operators continue to have long-term exposure to these pollutants. From this study, press operators need to be cautious of the adverse health impacts associated with long-term exposure to indoor air pollutants. Indoor air quality (IAQ) monitoring equipment and indoor air pollutant capture systems should be installed in all printing environments to minimize the adverse impacts of indoor air pollutant concentrations. The findings of this study advance the knowledge of the health impacts of prolonged indoor air pollutant exposure in printing facilities and the connections between elevated concentrations and adverse effects on press operators. Implications include the need for enhanced occupational health practices, regulatory compliance, awareness training, and infrastructure investment to safeguard press workers' well-being and productivity in printing facilities.
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Aubert, Danielle, i Lorraine Perlman. "Anything Can Happen". South Atlantic Quarterly 119, nr 3 (1.07.2020): 549–66. http://dx.doi.org/10.1215/00382876-8601410.
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This set of texts by Lorraine Perlman, a founding member of the Detroit Printing Co-op, and Danielle Aubert discusses several of the projects printed by Fredy and Lorraine Perlman in 1968 and into the 1970s. The Detroit Printing Co-op, which existed from 1970 until 1980, was open for use by anyone willing to learn to maintain and operate the equipment, which was considered social property. It was the site of production of thousands of leftist books, pamphlets, posters, and flyers over the course of the 1970s. In her text, Lorraine Perlman describes her time with her husband Fredy, a writer and printer, when they lived in Kalamazoo, Michigan, and first began publishing the magazine Black and Red, which would later become the name of their press, Black and Red. Danielle Aubert, a graphic designer, describes how Fredy Perlman’s anti-capitalist approach to craft led to experimentation with graphic arts equipment, layout, typography, and printing.
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Jurič, Ivana, Danijela Ranđelović, Igor Karlović i Ivana Tomić. "Influence of the surface roughness of coated and uncoated papers on the digital print mottle". Journal of Graphic Engineering and Design 6, nr 1 (czerwiec 2015): 17–23. http://dx.doi.org/10.24867/jged-2014-1-017.
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Many factors influence the occurrence of print mottle in prints. In printing process three main components are involved: printing press, substrate and toner. They can be considered as separate components, but in most cases their interaction influences the quality of the print.The goal of this work was to examine the influence of surface roughness of different types of paper (coated and uncoated on print mottle of electro-photographic digital prints. We set up a hypothesis that print mottle will be more apparent on rougher surfaces. In the experimental part we printed four different substrates with different surface properties on electrophotographic printing press. Morphology of the papers surface was analysed using atomic force microscopy (AFM) from which surface properties were calculated. For print mottle characterization Gray level co-occurrence matrix (GLCM) method was used. Based on the measurements and results we can conclude, contrary to the initial hypothesis, that uncoated papers with rougher surfaces produce smaller print mottle values.
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Tarasov, D. A., i O. B. Milder. "Mathematics and practice of color space invariants by the example of determining the gray balance for a digital printing system". Computer Optics 44, nr 1 (luty 2020): 117–26. http://dx.doi.org/10.18287/2412-6179-co-580.
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In modern printing, a large number of tasks are associated with the mutual transformation of color spaces. In particular, the most common pair of hardware-dependent color spaces is RGB and CMYK, the mutual transformation of colors in which is ambiguous, which creates significant problems in color reproduction. To solve this problem, we propose using color space invariants — gradation trajectories and gradation surfaces, which are analogs of gradation curves for initial colorants and their binary overlays, constructed in the absolute color space of the CIE Lab. Invariants are introduced on the basis of the mathematical apparatus of the differential geometry of spatial curves and surfaces. Practical application of color space invariants involves certain difficulties associated with their complex analytical description; moreover, for most practical problems, the high accuracy of the model is redundant. For the practical application of invariants, we propose a simpler approach using natural color sampling in digital printing systems. As an example, the procedure for determining the gray balance for an electrophotographic printing press is given.
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Iwegbue, Chukwujindu M. A., Nnamdi Nwose, Francis E. Egobueze, Eze W. Odali, Godswill O. Tesi, Godwin E. Nwajei i Bice S. Martincigh. "Risk assessment of human exposure to potentially toxic metals in indoor dust from some small and medium scale enterprise workplace environments in southern Nigeria". Indoor and Built Environment 29, nr 8 (25.09.2019): 1137–54. http://dx.doi.org/10.1177/1420326x19876007.
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This study concerns an assessment of indoor dust from printing press, car spray painting and metal design workshops, with the aim of evaluating the occupational risk arising from exposure to metals present in the dust. The levels of Cd, Pb, Cr, Ni, Cu, Co, Mn, Zn and Fe in the dust samples were quantified by means of atomic absorption spectrometry. The concentrations of metals (mg kg−1) in the indoor dust from these workplace environments varied from <0.003–208 for Cd, 26.5–1530 for Pb, 7.80–346 for Cr, 10.5–490 for Ni, 32.0–1915 for Cu, 3.50–232 for Co, 169–20,300 for Zn, 87.5–7260 for Mn and 8900–661,000 for Fe. The hazard index values were above one for different age groups except for the exposure of teenagers and adults to metals in dusts in the printing press studios and car spray painting workshops. The carcinogenic risk for all age groups relating to human contact with metals (Cd, Pb, Cr and Ni) in dust from these workplace environments via three exposure pathways: oral ingestion, inhalation and dermal contact, were above the safe level of 1.0 × 10−6 but not up to the level (1.0 × 10−4) that requires remedial action.
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Lee, Hak Lae, Jin Doo Kim, Kyong Ho Lee, Chae Hoon Kim i Hye Jung Youn. "Effect of coating formulations and drying methods on the coverage and smoothness of brown grade base papers". Nordic Pulp & Paper Research Journal 27, nr 1 (1.01.2012): 79–85. http://dx.doi.org/10.3183/npprj-2012-27-01-p079-085.
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Abstract The Corrugated container industry asks papermakers to produce highly attractive linerboard with good multicolor printing properties to improve product appeal as much as possible at low cost to consumers. To meet this requirement, it is necessary to improve the visual appearance and printing properties of conventional linerboard which is made from recycled fibers for economic and environmental reasons. To meet this challenge, two new technologies, hot press drying and curtain coating, which make a strong combination as a method to produce high quality coated linerboard, were used. Hot press drying improved the smoothness of the linerboard and decreased the coating penetration, resulting in better surface smoothness after the coating process. The influence of the pigment composition on the brightness, gloss and smoothness of single or double coated linerboard was examined. Clay outperformed calcium carbonate by improving the brightness and gloss for coated linerboards, suggesting that the hiding power is more important than scattering characteristics when considering the pigment to be used in linerboard coating. The dynamic surface tension of the coating color decreased with the addition of a surfactant. It was shown that a surfactant that provides the curtain stability and less foaming should be used in the curtain coating. Mill experience from Dong-Il Paper Mfg. Co. started the twolayer curtain coating operation at the end of 2008 was described.
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Wang, Hai Jun, Da Ming Wu, Xiu Ting Zheng, Ying Liu i Peng Sheng Jing. "Preparation and Testing of the Microstructure Diffuse Reflection Plate Based on the Continuous Extrusion". Applied Mechanics and Materials 372 (sierpień 2013): 454–58. http://dx.doi.org/10.4028/www.scientific.net/amm.372.454.
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The article introduces a kind of preparation process of the micro structure diffuse reflection plate based on continuous extrusion and proposes a new preparation process of diffuse reflection plate. The process mainly includes two single screw extruders which work by means of co-extrusion composite. Then polymer sheet is got through the roller via the thermal printing. At last the micro structure is pressed on the polymer sheet. The preparation of diffuse reflection plate is successful. We can measure the surface microstructure of diffuse reflection plate by using ContourGT-X3 that is made from Germany. The content of the measuring includes the 3 d shape, depth, diameter and uniformity of the micro structure. The article analyzes that the die temperature, rolling depression and roll speed have the influence on the diffuse reflection plate replication rate. The experimental result shows that the die temperature has little impact on the replication rate; Along with the increase of roller press, diffuse reflection plate replication rate increases; Along with the increase of the roller speed, diffuse reflection plate replication rate reduces.
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Sun, Jia Zhen, Xian Fu Wei, Pei Qing Huang i Qing Li Liu. "Preparation of the Plastic Water-Based Gravure Primary Ink with High Pigment". Advanced Materials Research 380 (listopad 2011): 15–19. http://dx.doi.org/10.4028/www.scientific.net/amr.380.15.
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The water-based gravure ink contains no volatile organic solvents and makes little environmental pollution, so it will be used widely as one promising environment-protecting ink. The dryness of water-based ink is always one hard point, because the printing carrier plastic hasn’t absorbability. To improve the dryness speed, the use of shallow version reducing the transfer is a common way. In order to reach the quality requirements of the graver press, the ink with high pigment is necessary. In this text getting printable ink samples, the primary ink that is dispersed by high-speed grinding is maxed with good- compatible water-based resin, co-solvent and auxiliary in proportion. Then getting the proof of the ink using IGT F1, the viscosity, size distribution, color density were tested . The influence of pigment/binder ratio to the viscosity, dispersibility and adherence of the ink were discussed. The result indicates that with the pigment/binder ratio promoting, the viscosity of the primary ink is decreasing. The dispersibility of primary ink is influenced by the pigment/binder ratio, when the pigment/binder is 2:1 ,the size of ink is the smallest. The pigment/binder ratio in primary ink has a certain influence to the adherence and the apparent performances of the ink. And the color density and the gloss of the proof are also influenced.
Książki na temat "Press Booth Printing Co"
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Ltd, ICON Group. HAMADA PRINTING PRESS CO., LTD.: Labor Productivity Benchmarks and International Gap Analysis (Labor Productivity Series). Wyd. 2. Icon Group International, 2000.
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Ltd, ICON Group. HAMADA PRINTING PRESS CO., LTD.: International Competitive Benchmarks and Financial Gap Analysis (Financial Performance Series). Wyd. 2. Icon Group International, 2000.
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Coals of fire: The Alton telegraph libel case. Carbondale: Southern Illinois University Press, 1988.
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William Morris: Designing an Earthly Paradise. Cleveland Museum of Art, 2017.
Znajdź pełny tekst źródłaCzęści książek na temat "Press Booth Printing Co"
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Plunkett, John. "Royal Portraiture". W Queen Victoria, 68–109. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199253920.003.0003.
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Abstract London, 28 June 1838: at Victoria’s coronation fair in Hyde Park there was a print seller charging 6d. to enter his booth. Therein, you would have the privilege of witnessing the printing of your own engraved portrait of Victoria and a lithograph of the fair. On the same day, 200 miles north in Preston, another enterprising printer was attaching his printing press to a horse-drawn carriage in order to join the local coronation procession. As the parade moved through the streets, he printed penny handbills that contained a short biography of Victoria and a narrative of the day’s events. These two small episodes are exemplary in that the process of reproduction has been turned into a performance that is itself part of a larger royal spectacle. The printing presses were integral to the experience of the coronation. At the same time, they were the form through which that experience was expressed and disseminated.
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Bergmann Loizeaux, Elizabeth. "Family Business at Dun Emer and Cuala". W The Oxford Handbook of W.B. Yeats, 464—C30N93. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198834670.013.21.
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Abstract This chapter explores collaboration at the Irish craft cooperative Dun Emer (later Cuala) Industries, co-founded by William Butler Yeats’s sisters Elizabeth Corbet Yeats (Lolly) and Susan Mary Yeats (Lily). Lily ran the embroidery division, Lolly the hand press, with W. B. Yeats as literary editor. Clashing personalities and gender dynamics made for contentious relations, especially among these three siblings. Nevertheless, out of their collaboration came WBY’s emergence as a modern poet, the establishment of Dun Emer/Cuala Press as one of the most important fine printing presses of the twentieth century, and Lily’s underappreciated, distinctive embroideries. The collaboration of WBY with Lolly on his volume of poems In the Seven Woods (1903), the press’s first book, and the collaboration of WBY with Lily in the 1930s on embroidered illustrations to his poems demonstrate the remarkable creativity that flourished despite, and perhaps at times sharpened by, the contention in a family business that ran from 1902 to 1986.
Streszczenia konferencji na temat "Press Booth Printing Co"
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Lin, Pei-Ju, i Jun-Yu Yang. "Customer Preference of Recycled Plastic Products". W 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001770.
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The circular economy of recycled plastics is gradually emerging. Its objective is to reduce the production of new plastics, design products with recycled plastics according to the thermoplastic characteristics of plastics, classify, wash, dry, finely shred, and then melt and remanufacture waste plastics to reshape the appearance and function of products. In this study, consumers’ acceptance, cognition, and preference for recycled plastic products were explored based on the image these products carry. A total of 11 commercially available recycled plastic products were collected, which were respectively made of propylene (PP), high/low-density polyethylene (HDPE/LDPE), and poly (ethylene glycol-co-1,4-cyclohexanedimethanol terephthalate) (PETG), and shaped by the injection moulding machine, compressor, tablet press, and 3D printing. These adjectives were used for the survey of 100 subjects for their evaluation of recycled plastic products. The consumers’ preference for the material of the recycled plastic products is in the order of HDPE/LDPE > PETG > PP. In addition, the evaluation of those using moulds in the manufacturing process is high, which can achieve a better product image and win consumer preferences. In the sample products of this study, a recycled watch strap is made of LDPE material using the injection moulding machine.