Gotowe bibliografie tematyczne / Present

Gotowa bibliografia na temat „Present”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 25 maja 2024

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Artykuły w czasopismach na temat "Present"

Stuart Burch. "Past Presents and Present Futures: Rethinking Sweden's Moderna Museet". Future Anterior: Journal of Historic Preservation, History, Theory, and Criticism 9, nr 2 (2012): 97. http://dx.doi.org/10.5749/futuante.9.2.0097.

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Druzhinin, A. S. "FORMULATION OF THE SEMANTIC INVARIANT OF 'PRESENT SIMPLE' AND 'PRESENT PROGRESSIVE' GRAMMATICAL CONSTRUCTIONS". Kognitivnye Issledovaniya Yazyka 27 (2016): 666–73. http://dx.doi.org/10.20916/2071-9639-2016-27-666-673.

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Porter, H. Boone. "Be Present, be Present". Studia Liturgica 21, nr 2 (wrzesień 1991): 155–64. http://dx.doi.org/10.1177/003932079102100203.

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Weeks, R. A. "The structure of glass: Past, present, and prescient". Journal of Non-Crystalline Solids 73, nr 1-3 (sierpień 1985): 103–12. http://dx.doi.org/10.1016/0022-3093(85)90340-0.

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Brought to you by ACS Careers. "Being present to present virtually". C&EN Global Enterprise 98, nr 47 (7.12.2020): 44. http://dx.doi.org/10.1021/cen-09847-careertips.

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Le Poidevin, Robin. "Screen Present and Fictional Present". Manuscrito 39, nr 4 (grudzień 2016): 315–30. http://dx.doi.org/10.1590/0100-6045.2016.v39n4.rp.

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Borzutzky, Daniel. "Simple Present and Present Progressive". International Jazz Archive Journal 03, nr 1 (1.10.2006): 129–30. http://dx.doi.org/10.2307/44758108.

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Patel, Dr Megha, i Dr Shaswat Jani. "Vaginal Hysterectomy : Present Scenario". International Journal of Scientific Research 2, nr 7 (1.06.2012): 298–99. http://dx.doi.org/10.15373/22778179/july2013/100.

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Silpa, S. "Nanotechnology-Present Revolutionary Biotechnology". International Journal of Pharma Research and Health Sciences 4, nr 4 (2016): 1261–67. http://dx.doi.org/10.21276/ijprhs.2016.04.03.

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Sarma, Prof (Dr) Hemkanta. "Episiotomy – the present scenario". New Indian Journal of OBGYN 9, nr 2 (luty 2023): 191–93. http://dx.doi.org/10.21276/obgyn.2023.9.2.1.

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Rozprawy doktorskie na temat "Present"

Wildenboer, Barbara. "Present absence /Absent Presence". Master's thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8205.

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Includes bibliographical references (p. 73-75).
In this project melancholy and the related experiences of loss and longing as explanatory concepts, are the basis fromwhich visually interpret the body of practical work that emphasises the role of emotion and personal experience in locating meaning.

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Witkowski, Jacqueline. "Ever present, never presented : Suzanne Lacy, feminism, and quilting". Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/50404.

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Seated at tables of four, over four hundred women aged 55-95 years old unfold tablecloths of yellow, red, and black. With their choreographed and synchronized gesturing hands, they mimic traditional Euro-American quilt patterns. This performance, titled The Crystal Quilt, was produced by Los Angeles-based artist Suzanne Lacy in 1987 as the culminating work to the two-year long, statewide initiative Whisper Minnesota (1985-1987). There is a continued resonance of the quilt in Lacy’s oeuvre, as The Crystal Quilt was the third project to reference quilts and quilt making. The first project, Evalina and I: Crimes, Quilts, Art (1975-78), and a smaller commemorative project (1980), employed tactile quilting projects instead of the conceptual quilt arrangement that Lacy would incorporate in 1987. The formal and historical attributes of this textile practice have been largely ignored in contemporary scholarship on the artist, thus raising the question of how this very specific medium encouraged her artistic and activist agenda. The primary focus of this thesis is an exploration of how Lacy mediates these two approaches, one of feminism and the other inspired by conceptual artist Allan Kaprow, through the medium of the quilt. Neither Lacy’s quilt works nor the use of craft during the second wave feminist movement has been sufficiently analyzed within craft scholarship. The thesis thus centers on the historical labor of quilting, its pedagogical and political aspects, the cross generational connection of feminism since 1987, and finally, the impact it currently has on quilt scholarship.
Arts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate

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Wright, Robyn. "Estudio Comparativo del Tiempo Pasado en Tres Dialectos Hispanohablantes". Thesis, The University of Arizona, 2008. http://hdl.handle.net/10150/193292.

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Desde una perspectiva variacionista, este estudio compara el uso del presente perfecto en Buenos Aires, la Ciudad de Mexico y Madrid, basado en la produccion de esta variable en blogs personales de la red electronica. El analisis de GoldVarb confirma que los hablantes mexiquenses mantienen la funcion tradicional del presente perfecto y el preterito mientras los madrilenos tienden a extender el presente perfecto hacia el pasado, cumpliendo con funciones anteriormente del preterito. En el habla portena, el preterito tiende a extenderse hacia el presente, dejando que el presente perfecto pierda funciones al preterito. Los resultados son comparables con estudios previos, demostrando que el blog puede ser considerado valido como un medio para estudiar el habla vernacula. Ademas, esta investigacion establece los contextos linguisticos y extralinguisticos que condicionan la realizacion del PP en los tres dialectos, el efecto paralelo siendo un factor muy importante para los tres dialectos en este estudio.

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Foohs, Marcelo. "Present perfect". reponame:Repositório Institucional da UFPR, 2010. http://hdl.handle.net/1884/24371.

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Renfro, Garry D. "Present Access". Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2112.

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The artist discusses his Master of Fine Arts exhibition, Present Access, hosted by The Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from April 2 through April 25, 2007. This exhibit contains works that span his four-year tenure in the graduate program and represent several iterations of the artist's exploration of the landscape as metaphor and discovery. Subjects discussed explicate the development of thought and process leading to the pieces presented in this exhibition. Topics explored include the importance of form, material, media, research, personal history, experience, and memory. Also considered are the influences of contemporary artists such as Tula Telfair, April Gornick, Toba Khedoori, Ying Kit Chan, and Rackstraw Downes; the poetry of T. S. Eliot; the ideas of Theoretical Physics and philosopher Paul Crowther.

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Weede, Christian C. "Overcoming the present". Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1586526.

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We should reject presentism as the most intuitive theory of time. Prima facie, presentism might seem intuitive due to our perception of time. However, if presentism accurately represents the metaphysics of time, then presentism entails some counter-intuitive results regarding events, truths about the past, and temporary intrinsics. I argue that presentists can only allow for the present to be instantaneous, and then only at the cost of losing events as ontological entities. I argue that an ersatz B-series of times is viable only at the cost of losing the special metaphysical status of the present. Finally, I argue that the claim that propositions are true simpliciter is inconsistent with the claim that propositions are not eternally true. Given these problems, we can see that presentism has some strongly counter-intuitive entailments.

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Sørheim, Ingrid By. "Kosovo's present challenges". Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for sosiologi og statsvitenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-25728.

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Kosovo is struggling in its attempt to develop into a liberal democratic state, and on its path toward EU membership. The rule of law has not yet been consolidated. Corruption is connected to the lack of economic growth, and is hindering domestic progress. The political system is made up by hierarchal, close- knit structures of power, and lacks clear ideological basis. This is hindering a real democratic process from taking place, along with the lack of transparency and accountability.

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Colwell, Virginia Kathryn. "The Present Absence". The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1308167144.

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Ceron, Cristina. "Thomas Hardy: the poetry of memory: past and present, presence and absence". Doctoral thesis, Università Ca' Foscari Venezia, 2003. http://hdl.handle.net/10579/277.

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L'obiettivo di questa tesi e, prima di tutto, quello di analizzare la poesia della memoria di Hardy, sia nelle sue piu celebri espressioni che nelle manifestazioni piu sotterranee, allo scopo di metter in luce i meccanismi comuni che la rendono un'area piu o meno omogenea. E inoltre necessario distinguere le diverse strategic poetiche messe in atto per occasioni diverse, e la conseguente varieta di registri, toni ed immagini. Infine, l'analisi di un numero significative) di poesie evidenzia la concentrazione di insiemi di immagini riconducibili a specifici campi semantici, quali | luce | ed | ombra |, | distacco | e | perdita |, | nostalgia | e | rimorso |. La tesi e suddivisa in quattro ambiti principali, con un'ulteriore sezione introduttiva. Dopo un breve cenno al percorso che Hardy compie da poeta celato sotto i panni del romanziere a poeta ufficiale, e dopo un riepilogo sulla redazione delle otto raccolte poetiche, l'analisi si concentra sul rapporto tra il poeta e la facolta memoriale. Il Capitolo I analizza la precoce consapevolezza di Hardy dell'influenza del passato sul presente, specialmente alla luce del suo ambiente familiare, del suo attaccamento alla cultura arcaica del Dorset ed al suo approccio critico alla filosofia dell'epoca. L'accento e posto sulla dimensione post-mortem, sulla possibilità di una permanenza immaginativa o memoriale di cio che e morto nella percezione del vivente. Il Capitolo II entra nel vivo della poesia della memoria, partendo da quei testi che rappresentano pietre miliari della costruzione della poetica della memoria. In questi luoghi poetici quest'ultima non e sempre una facolta positiva che funzione da ponte verso il passato; al contrario, essa si rivela spesso un intruso nella coscienza poetica, un ospite che diventa un ostaggio antagonista che porta all' 'io' poetico dolorose epifanie di memoria. La domanda retorica 'dove eri tu' e sostituita dalla ben piu drammatica 'dove ero io', ed il senso di colpa spesso soverchia la gioia di poter ricordare. Questo aspetto drammatico viene amplificato nel Capitolo III, dove un'analisi delle poesie per Emma mette a nudo l'estrema poliedricita della poetica della memoria. É in questa sezione che la memoria svela tutte le sue qualità contraddittorie; ad esempio, quando il ricordo è suscitato da un forte sentimento personale, la facoltà amplifica il suo potere di materializzare fantasinatici doppi dell'entità originaria, ma amplifica anche la facoltà di questi doppi di influire sulla coscienza poetica. A questo punto, la poetica della memoria si sviluppa da un'intrusione nel passato, fatta di sporadici contatti con i suoi abitanti, fino ad attuare una relazione biunivoca tra locutore e destinatario, una relazione che sembra quasi annichilire le barriere spazio-temporali. L'ultimo capitolo restringe il campo ad un aspetto specifico della poetica della memoria: la poesia elegiaca, suddivisa in elegie per i poeti, per gli amici e poesie di guerra. Anche se lo schema elegiaco può essere ritrovato in tutti questi componimenti, in realtà le elegie per i poeti appaiono molto più formali ed asettiche, sia dal punto di vista formale che contenutistico. Le elegie dedicate agli amici, invece, fanno uso delle convenzioni del genere per mettere in risalto la distanza tra il vivente ed il defunto, oppure per rendere più vivido il ritratto dell'oggetto memoriale. Le poesie di guerra rappresentano un momento celebrativo dove l'espressione intima del dolore viene coperta dalla natura ufficiale dell'occasione poetica. La poesia della memoria di Hardy si basa su uno scambio dialogico tra 1' 'io' poetico ed il destinatario memoriale, espresso dalla seconda o dalla terza persona. L'uso marcato di pronomi diversi, di immagini sostitutive o metonimiche come referenti per l'oggetto memoriale, causa una presenza ossessiva di una molteplicità di personae nei testi e lungo le raccolte. Per mezzo di questa anàklisis retorica, il poeta resta aggrappato al ricordo, allo scopo di mantenere un contatto illusorio con esso il più a lungo possibile. Questo meccanismo di autodifesa dà vita ad una miriade di proiezioni immaginative dell'oggetto memoriale, a forme in continua evoluzione ed ad una forte dinamica intertestuale. Tutte queste creature poetiche rappresentano prodotti diversi e persino contraddittori della memoria, una prodigiosa facoltà generativa che ci ricorda quanto la mente umana sia il primo fattore di tutto ciò che è nell'universo, sia in quello presente che in quello a venire, e che, senza di essa, ogni entità finirebbe la sua esistenza nel momento stesso del suo decesso. The aim of this work is, first of all, to analyse Hardy's poetry of memory both in its well-known overt expressions and in its more cryptic occurrences, in order to foreground the common devices which render it a more or less homogenous area. Moreover, it is necessary to distinguish the different poetic strategies adopted according to the different occasions, and the ensuing multiplicity of tones, registers and imagery. At last, a close analysis of a significant number of memorative poems can foreground the concentration of some clusters of images related to specific semantic fields, such as | light | and | darkness |, j detachment | and | loss |, | nostalgia | and | regret |. The work is divided into fou. main sections, with an additional introductory section. After a brief account of Hardy's complex route from a concealed to an official status of poet, and on the chronology of the eight poetic collections, the analysis concentrates on the relationship between the poet and the memorative faculty. Chapter I considers Hardy's early acknowledgement of the silent influence of the past on the present, especially in the light of his familiar background, his attachment to the archaic culture of Dorset and his critical approach to the philosophy of the age. The stress is laid on the aftermath of death, on the possibility of an imaginative or memorative permanence of what is dead in the perceptions of the living. Chapter II sets forth on the journey into the poetry of memory, with a special concentration on those texts which reveal meaningful instances of the construction of a poetics of memory. In these texts memory is not always a positive faculty which works like a bridge onto the past; on the contrary, it is often an intruder into the poetic conscience, a guest which becomes an agonistic host who forces the poetic T into negative epiphanies of memory. The formulaic question 'where were you' is substituted by the more dramatic 'where was F, and the feeling of blame often exceeds the joy of remembering. This negative aspect is carried further and amplified in chapter III, where an analysis of the poems for Emma lays bare the extreme many-sidedness of the poetics of memory. It is in this section that memory shows all its contradictory qualities; for instance, when it is prompted by a deep personal feeling, the work of memory amplifies its power to conjure ghostly wraiths of the primal object, but it also amplifies the wraiths' own faculty to affect the poetic conscience. At this stage, the poetics of memory evolves from an intrusion into the past with sporadic contacts with its inhabitants to a biunique relationship between speaker and addressee, a relationship which almost annihilates the chronotopic boundaries. The last chapter narrows on one specific aspect of the poetics of memory: elegiac poetry, which can be grouped into elegies for poets, elegies for relatives and friends, and war poems. Even though the elegiac pattern can be identified in all these poems, in fact the elegies for the poets appear much more formal and detached, both from a semantic and a rhetoric point of view. The elegies for friends, instead, make use of the conventions in order to represent the distance between the living and the dead, or to make the portray of the memorative object more vivid. The war poems represent a celebratory moment where the genuine expression of mourning is covered by the official nature of the poetic occasion. Hardy's poetry of memory is based on the interplay between the poetic T and a memorative addressee, expressed either in the second or third person. The marked use of different pronouns, metonymic and substitutive images as referents for the memorative object produces the haunting presence of many personae in and throughout the texts. By means of a rhetorical anàklisis, the poet clings to the object of his mourning in order to retain an illusory contact with it as long as possible. This selfprotective device gives rise to multiple imaginative projections of the mourned object, to their developing shapes and their dynamics along the texts. All these poetic creatures represent different and even contradictory offsprings of memory, a prodigious generative faculty which reminds us that the human mind is the primal creator of all that is in the universe, either in the present world or in the one to be, and that, without it, everything would cease to exist in the very moment of its demise.

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Moody, Megan Felicity. "Eulachon past and present". Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/676.

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The eulachon (Thaleichthys pacificus), a small anadromous smelt (Family Osmeridae) found only along the Northwest Pacific Coast, is poorly understood. Many spawning populations have suffered declines but as their historic status is relatively unknown and the fisheries poorly documented, it is difficult to study the contributing factors. This thesis provides a survey of eulachon fisheries throughout its geographical range and three analyses aimed at improving our understanding of past and present fisheries, coast-wide abundance status, and the factors which may be impacting these populations. An in-depth view of the Nuxalk Nation eulachon fishery on the Bella Coola River, Central Coast, BC, is provided. The majority of catches were used for making eulachon grease, a food item produced by First Nations by fermenting, then cooking the fish to release the grease. Catch statistics were kept yearly from 1945-1989 but have since, rarely been recorded. Using traditional and local ecological knowledge, catches were reconstructed based on estimated annual grease production. Run size trends were also created using local Fisheries Officers and Nuxalk interview comments. A fuzzy logic expert system was designed to estimate the relative abundance of fifteen eulachon systems. The expert system uses catch data to determine the exploitation status of a fishery and combines it with other data sources (e.g., CPUE) to estimate an abundance status index. The number of sources depended on the existing data and varied from one to eight. Using designed heuristic rules and by adjusting weighting parameters a final index was produced. Results suggest that there have been recent and extended declines in several eulachon rivers particularly the Klamath, California; Bella Coola, BC; Wannock, BC; and Kitimat, BC. Seven of the fifteen abundance time-series were used to evaluate the potential relationships between the declines and some of the factors that impact eulachon. Results suggest increases in shrimp and hake catches, seal and sea lion abundance, and sea surface temperatures were weakly associated with the declines. But contrary to expectations, adult hake biomass showed a positive association with four eulachon relative abundance time-series, suggesting that common environmental factors influenced both species.

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Książki na temat "Present"

Always present present. [Place of publication not identified]: Sheep Meadow Press, 2007.

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Corn, Alfred. Present. Washington: Counterpoint, 1997.

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Present. [Montreal, Quebec]: Drawn & Quarterly, 2017.

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Present. New York: Avon Books, 1998.

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Wee, Serene. Present. Singapore: Read Plus, 2009.

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Vanfleteren, Stephan. Present. [Lichtervelde]: Hannibal, 2019.

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Weiss, Theodore Russell. The always present present: Letters, poems. New York: Quarterly Review of Literature, 2005.

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Karol, Weiss Renée, red. The always present present: Letters, poems. New York: Quarterly Review of Literature, 2005.

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Ionesco, Eugène. Present past, past present: A personal memoir. New York: Da Capo Press, 1998.

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Andersen, Susan. Present danger. New York: Zebra Books, Kensington Pub. Corp., 1993.

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Części książek na temat "Present"

Grubb, Genene. "Present without presence". W Personal Process in Child-Centred Play Therapy, 91–111. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003017271-6.

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DeFrantz, Thomas F. "Ballet's Ever-Present Presence". W Antiracism in Ballet Teaching, 155–63. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003283065-21.

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Bobic, Nikolina. "Present spaces, present times". W Balkanization and Global Politics, 175–86. First edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: Routledge studies in urbanism and the city: Routledge, 2019. http://dx.doi.org/10.4324/9781315162065-7.

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O’Connell, Mark. "Present". W The Performing Art of Therapy, 143–47. New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315175683-20.

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Koyama, Yuhsuke. "Present". W History of the Japanese Video Game Industry, 245–73. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-1342-8_15.

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Rant, Melita Balas, i Katarina Katja Mihelič. "Being present is a present". W The Routledge Companion to Mindfulness at Work, 234–50. First Edition. | New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429244667-13.

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Brown, Adam. "She Was Presented With a Present". W Activities and Exercises for Teaching English Pronunciation, 100–103. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003092247-23.

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Krejčí, Jaroslav. "Present Alternatives". W The Human Predicament: Its Changing Image, 125–68. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22523-1_12.

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Humphrey, Nicholas. "Time Present". W A History of the Mind, 179–90. New York, NY: Springer New York, 1992. http://dx.doi.org/10.1007/978-1-4419-8544-6_24.

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Mazzola, Guerino, Joomi Park i Florian Thalmann. "Present Approaches". W Musical Creativity, 141–48. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-24517-6_18.

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Streszczenia konferencji na temat "Present"

"Present". W 2010 International Symposium on Collaborative Technologies and Systems. IEEE, 2010. http://dx.doi.org/10.1109/cts.2010.5478535.

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Matacz, Anna. "The present". W SIGGRAPH '15: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2745234.2745263.

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FAURE, HENRI. "MONTE-CARLO AND QUASI-MONTE-CARLO METHODS FOR NUMERICAL INTEGRATION". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0001.

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FISHBURN, PETER. "THEORETICAL APPROACHES TO JUDGMENT AND CHOICE". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0002.

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KIM, K. H., i F. W. ROUSH. "COMBINATORIAL ASPECTS OF MATHEMATICAL SOCIAL SCIENCE". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0003.

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KUNG, JOSEPH P. S. "TWELVE VIEWS OF MATROID THEORY". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0004.

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KWAK, JIN HO, i JAEUN LEE. "ENUMERATION OF GRAPH COVERINGS, SURFACE BRANCHED COVERINGS AND RELATED GROUP THEORY". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0005.

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MARKOWSKY, GEORGE. "AN OVERVIEW OF THE POSET OF IRREDUCIBLES". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0006.

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POINTCHEVAL, DAVID. "NUMBER THEORY AND PUBLIC-KEY CRYPTOGRAPHY". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0007.

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ROBERTS, FRED. "SOME APPLICATIONS OF GRAPH THEORY". W Present and Future. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812799890_0008.

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Raporty organizacyjne na temat "Present"

Pelletier, B. R., D. Monahan i A. Maisonneuve. Present offshore topography. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/126963.

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Judge, J. C. Steganography: Past, Present, Future. Office of Scientific and Technical Information (OSTI), grudzień 2001. http://dx.doi.org/10.2172/15006450.

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Bowles, T. J. Present status of SAGE. Office of Scientific and Technical Information (OSTI), czerwiec 1993. http://dx.doi.org/10.2172/10160213.

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Hoem, Jan M. Demography, present and future. Rostock: Max Planck Institute for Demographic Research, maj 2007. http://dx.doi.org/10.4054/mpidr-wp-2007-019.

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Auerbach, Alan. Fiscal Policy, Past and Present. Cambridge, MA: National Bureau of Economic Research, październik 2003. http://dx.doi.org/10.3386/w10023.

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Jarron, Matthew, Amy R. Cameron i James Gemmill. Dundee Discoveries Past and Present. University of Dundee, listopad 2020. http://dx.doi.org/10.20933/100001182.

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Streszczenie:

A series of self-guided walking tours through pioneering scientific research in medicine, biology, forensics, nursing and dentistry from the past to the present. Dundee is now celebrated internationally for its pioneering work in medical sciences, in particular the University of Dundee’s ground-breaking research into cancer, diabetes, drug development and surgical techniques. But the city has many more amazing stories of innovation and discovery in medicine and biology, past and present, and the three walking tours presented here will introduce you to some of the most extraordinary. Basic information about each topic is presented on this map, but you will find more in-depth information, images and videos on the accompanying website at uod.ac.uk/DundeeDiscoveriesMap For younger explorers, we have also included a Scavenger Hunt – look out for the cancer cell symbols on the map and see if you can find the various features listed along the way!

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Zweibel, K. Thin films: Past, present, future. Office of Scientific and Technical Information (OSTI), kwiecień 1995. http://dx.doi.org/10.2172/61140.

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Reinhart, Carmen, Vincent Reinhart i Kenneth Rogoff. Debt Overhangs: Past and Present. Cambridge, MA: National Bureau of Economic Research, kwiecień 2012. http://dx.doi.org/10.3386/w18015.

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Dornbusch, Rudiger, i Stanley Fischer. Stopping Hyperinflations Past and Present. Cambridge, MA: National Bureau of Economic Research, styczeń 1986. http://dx.doi.org/10.3386/w1810.

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Cook, Robert. DSCS--Past, Present, and Future,. Fort Belvoir, VA: Defense Technical Information Center, listopad 1995. http://dx.doi.org/10.21236/ada300320.

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