Gotowa bibliografia na temat „Postmoderne dance”
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Artykuły w czasopismach na temat "Postmoderne dance"
Osumare, Halifu. "Choreographing Social Change: Reflections on Dancing in Blackness". Dance Research Journal 53, nr 2 (sierpień 2021): 130–42. http://dx.doi.org/10.1017/s0149767721000218.
Pełny tekst źródłaNjaradi, Dunja. "Rethinking participation through dance: A historical-theoretical intersection". Bulletin de l'Institut etnographique 70, nr 2 (2022): 199–215. http://dx.doi.org/10.2298/gei2202199n.
Pełny tekst źródłavon Rosen, Astrid. "Bildaktivism i dansarkivet: Betydelsen av Anna Wikströms Akademi för dans". Nordic Journal of Dance 11, nr 1 (1.06.2020): 4–15. http://dx.doi.org/10.2478/njd-2020-0002.
Pełny tekst źródłaAlderson, Evan. "Dance and Postmodern Communities". Contemporary Theatre Review 6, nr 4 (październik 1997): 63–74. http://dx.doi.org/10.1080/10486809708568436.
Pełny tekst źródłaStanich, Veronica Dittman. "Turning the World Upside Down". Dance Research 36, nr 2 (listopad 2018): 198–223. http://dx.doi.org/10.3366/drs.2018.0238.
Pełny tekst źródłaGiersdorf, Jens Richard. "Trio ACanonical". Dance Research Journal 41, nr 2 (2009): 19–24. http://dx.doi.org/10.1017/s0149767700000620.
Pełny tekst źródłaUCHIYAMA, Sumiko. "Semantics of dance for postmodern". Journal of the Philosophy of Sport and Physical Education 21, nr 2 (1999): 1–9. http://dx.doi.org/10.9772/jpspe1979.21.2_1.
Pełny tekst źródłaRosenthal, Sarah. "Postmodern Dance: A Feminist Lineage". American Book Review 40, nr 4 (2019): 4–5. http://dx.doi.org/10.1353/abr.2019.0049.
Pełny tekst źródłaBanes, Sally, i Noël Carroll. "Cunningham, Balanchine, and Postmodern Dance". Dance Chronicle 29, nr 1 (lipiec 2006): 49–68. http://dx.doi.org/10.1080/01472520500538057.
Pełny tekst źródłaKasyanova, Olena. "Architectonics of the "Dance of The Seven Veils "From Richard Strauss's Opera "Salome" Through the Prism of Historical Reconstruction". Часопис Національної музичної академії України ім.П.І.Чайковського, nr 3-4(52-53) (14.12.2021): 160–80. http://dx.doi.org/10.31318/2414-052x.3-4(52-53).2021.251819.
Pełny tekst źródłaRozprawy doktorskie na temat "Postmoderne dance"
Fleischle-Braun, Claudia. "Der Moderne Tanz : Geschichte und Vermittlungskonzepte /". Butzbach-Griedel : Afra, 2001. http://catalogue.bnf.fr/ark:/12148/cb389105358.
Pełny tekst źródłaStanich, Veronica Dittman. "Poetics and Perception: Making Sense of Postmodern Dance". The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1402089308.
Pełny tekst źródłaForster, Lou. "Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Pełny tekst źródłaLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Griffiths, Carolyn Margaret. "Tracing image and bodily displacement in modern and postmodern dance". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2000. https://ro.ecu.edu.au/theses/1362.
Pełny tekst źródłaMathews, Rachel A. "Postmodern Theory and the Choreography of Michael Clark". Thesis, University of Surrey, 1992. https://eprints.qut.edu.au/74785/6/Postmodern%20Theory%20and%20the%20Choreography%20of%20Michael%20Clark_Mathews_1992.pdf.
Pełny tekst źródłaMonten, Joshua Lee. ""Something old, something new, something borrowed...": eclecticism in postmodern dance". The Ohio State University, 2001. http://rave.ohiolink.edu/etdc/view?acc_num=osu1407405704.
Pełny tekst źródłaSears, Linda Roseanne. "Resistant corporealities contemporary British dance-theater /". For electronic version search Digital dissertations database. Restricted to UC campuses. Access is free to UC campus dissertations, 2002. http://uclibs.org/PID/11984.
Pełny tekst źródłaPostle, Julia. "Dancing through the postmodern : Australian choreography in relation to postmodernism". Thesis, Queensland University of Technology, 1996.
Znajdź pełny tekst źródłaPeter, Frank-Manuel. "Zwischen Ausdruckstanz und Postmodern Dance Dore Hoyers Beitrag zur Weiterentwicklung des modernen Tanzes in den 1930er Jahren /". [S.l. : s.n.], 2003. http://www.diss.fu-berlin.de/2004/245/index.html.
Pełny tekst źródłaCampbell, Daly Janis. "A perplexing pilgrimage : the spectator as Mitreisender in the Tanztheater of Pina Bausch". Thesis, University of Roehampton, 2009. https://pure.roehampton.ac.uk/portal/en/studentthesis/a-perplexing-pilgrimage(220e92fb-9910-4017-8174-e85ab543ae95).html.
Pełny tekst źródłaKsiążki na temat "Postmoderne dance"
Midol, Nancy. La démiurgie dans les sports et la danse: Consciences traditionnelle, moderne et postmoderne. Paris: L'Harmattan, 1995.
Znajdź pełny tekst źródłaBültzingslöwen, Cora von. Unorthodox: Wegbereiterinnen der tänzerischen Moderne und Postmoderne in Texten und Bildern : Maya Plisetkaya, Marcia Haydée, Gelsey Kirkland, Sylvie Guillem, Pina Bausch. Wilhelmshaven: Florian Noetzel Verlag, 2020.
Znajdź pełny tekst źródłaLouis, Murray. Murray Louis on dance. Chicago, IL: A Cappella Books, 1992.
Znajdź pełny tekst źródłaTampini, Marina. Cuerpo e ideas en danza: Una mirada sobre el Contact improvisation. Buenos Aires: IUNA, Instituto Universitario Nacional de Arte, 2012.
Znajdź pełny tekst źródłaLouis, Murray. Murray Louis ondance. Chicago, IL: A Cappella Books, 1992.
Znajdź pełny tekst źródłaSilva, Eliana Rodrigues. Dança e pós-modernidade. Salvador: EDUFBA, 2004.
Znajdź pełny tekst źródłaKlein, Susan Blakeley. Ankoku Butō: The premodern and postmodern influences on the dance of Utter Darkness. Ithaca, N.Y: East Asia Program, Cornell University, 1988.
Znajdź pełny tekst źródłaRowell, Bonnie. An investigation into critical analysis of postmodern dances. London: University of Surrey Roehampton, 2003.
Znajdź pełny tekst źródłaPortzamparc, Christian de. De la danse: Ecole du ballet de l'Opéra de Paris à Nanterre. Paris: Editions du Demi-Cercle, 1990.
Znajdź pełny tekst źródłaDyke, Jan Van. Modern dance in a postmodern world: An analysis of federal arts funding and its impact on the field of modern dance. Reston, VA: National Dance Association, 1992.
Znajdź pełny tekst źródłaCzęści książek na temat "Postmoderne dance"
Banes, Sally. "2.4 Postmodern Dance". W Comparative History of Literatures in European Languages, 151. Amsterdam: John Benjamins Publishing Company, 1997. http://dx.doi.org/10.1075/chlel.xi.15ban.
Pełny tekst źródłaMattingly, Kate. "Modern and Postmodern Dance". W Milestones in Dance History, 108–33. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003185918-5.
Pełny tekst źródłaAdair, Christy. "We say no — postmodern dance". W Women And Dance, 139–59. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_8.
Pełny tekst źródłaDodds, Sherril. "Postmodern Dance Strategies on Television". W Dance on Screen, 95–125. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230509580_4.
Pełny tekst źródłaBurt, Ramsay. "Masculinity, Dance, and the Postmodern". W The Male Dancer, 133–54. Wyd. 3. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003159926-7.
Pełny tekst źródłaCruz, Décio Torres. "Revisiting the Biblical Tradition: Dante, Blake and Milton in Blade Runner". W Postmodern Metanarratives, 60–75. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137439734_5.
Pełny tekst źródłaKaye, Nick. "The Collapse of Hierarchies and a Postmodern Dance". W Postmodernism and Performance, 90–117. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23334-2_6.
Pełny tekst źródłaStewart, Nigel. "A Theological Turn? French Postmodern Dance and Herman Diephuis’s D’Après J.-C." W Contemporary French Theatre and Performance, 200–212. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230305663_16.
Pełny tekst źródłaPakes, Anna. "Postmodern Works". W Choreography Invisible, 93–116. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780199988211.003.0005.
Pełny tekst źródłaMattingly, Kate. "Who Is a Critic?" W Shaping Dance Canons, 55–88. University Press of Florida, 2023. http://dx.doi.org/10.5744/florida/9780813069630.003.0003.
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