Gotowe bibliografie tematyczne / Postmodern

Gotowa bibliografia na temat „Postmodern”

Autor: Grafiati
Data publikacji: 4 czerwca 2021
Data aktualizacji: 1 sierpnia 2024

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Artykuły w czasopismach na temat "Postmodern"

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Figueroa Sánchez, Cristo Rafael. "De Piel en Piel de Montserrat Ordóñez: la metamorfosis de la serpiente y la sabiduría de la araña". Estudios de Literatura Colombiana, nr 11 (2.11.2011): 64–79. http://dx.doi.org/10.17533/udea.elc.10505.

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Resumen: El artículo pretende situar la poética que anima el poemario De Piel en Piel (Ekdysis) de Montserrat Ordóñez dentro de las direcciones actuales de la poesía hispanoamericana y colombiana, particularmente en el cruce de tendencias subjetivistas procedentes de la vanguardia, con elaboraciones de cuño postmoderno: autorregulación del texto, opción por la reescritura y dilución entre la palabra propia y la ajena. Descriptores: Ordóñez, Montserrat; Poesía colombiana; Poesía vanguardista; Poesía postmoderna; Reescritura. Abstract: The article tries to locate the roetry that enlinves the collection of poems De Piel en Piel (Ekdysys), written by Monserrat Ordóñez, in the course of the present orientations of Spanish-American and Colombian Poetry, particularly the contact between the subjective tendencies originated at the vanguard, with elaborations of postmodern marks: auto regulations of the text, possibilities of text rewriting and dilution between the own and the other’s words. Key words: Ordónez, Montserrat; Colombian Poetry; Vanguardist Poetry; Postmodern Poetry; Rewriting.
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LARKIN, WILLIAM J. "Approaches to and Images of Biblical Authority for the Postmodern Mind". Bulletin for Biblical Research 8, nr 1 (1.01.1998): 129–38. http://dx.doi.org/10.2307/26422159.

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Abstract Biblical authority is unintelligible, if not inimical, to the postmodern mind. Deconstructive, analytical postmodernists are hostile to any "privileging" of a text. Playful postmoderns, many persons in the broader culture, though technologically sophisticated, live "surface" lives indifferent to authority, biblical or otherwise. Constructivist postmoderns promote "Scripture free" paradigms for constructive living. Through reflection on the Bible as "sword" and "grand mural," "mirror" and "CD-ROM," "light for the path" and "map for the journey," this article seeks to commend Scripture to the postmodern mind of whatever stripe.
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LARKIN, WILLIAM J. "Approaches to and Images of Biblical Authority for the Postmodern Mind". Bulletin for Biblical Research 8, nr 1 (1.01.1998): 129–38. http://dx.doi.org/10.5325/bullbiblrese.8.1.0129.

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Abstract Biblical authority is unintelligible, if not inimical, to the postmodern mind. Deconstructive, analytical postmodernists are hostile to any "privileging" of a text. Playful postmoderns, many persons in the broader culture, though technologically sophisticated, live "surface" lives indifferent to authority, biblical or otherwise. Constructivist postmoderns promote "Scripture free" paradigms for constructive living. Through reflection on the Bible as "sword" and "grand mural," "mirror" and "CD-ROM," "light for the path" and "map for the journey," this article seeks to commend Scripture to the postmodern mind of whatever stripe.
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Bordo, Susan, Jane Flax, bell hooks i Judith Butler. "Postmodern Subjects, Postmodern Bodies". Feminist Studies 18, nr 1 (1992): 159. http://dx.doi.org/10.2307/3178218.

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Hamera, Judith. "Postmodern performance, postmodern criticism". Literature and Performance 7, nr 1 (listopad 1986): 13–20. http://dx.doi.org/10.1080/10462938609391622.

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Albahi, Haidarsyah Dwi. "Kajian Makna dan Konsep Estetik pada Ilustrasi Harimau Karya Bodilpunk". Ars: Jurnal Seni Rupa dan Desain 24, nr 3 (12.04.2022): 173–84. http://dx.doi.org/10.24821/ars.v24i3.4883.

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Perkembangan seni ilustrasi di Indonesia begitu beragam dan sangat dipengaruhi oleh perkembangan art style pada era postmodern. Dalam era postmodern, para ilustrator cenderung mengedepankan kebebasan dalam mengekspresikan diri dalam visual karyanya, tidak ingin terpaku pada suatu kaidah visual dan standar yang berlaku dalam dunia seni gambar ilustrasi. Bodilpunk (Rahadil Hermana) merupakan seorang seniman ilustrator yang mempunyai kekhasan dalam ide pemikiran postmodern. Ilustrasi karya Bodilpunk selalu tampil dengan objek-objek fantasi melalui deformasi dan imajinasi bentuk. Gaya visual ilustrasi khas Bodilpunk cenderung menampilkan objek dengan wujud imajinatif dalam bentuk yang distorsi, dia adalah cerminan seorang postmodernis dengan metode berpikir intitutional. Ilustrasi ciptaan Bodilpunk bertema harimau merupakan karya yang sangat kental dengan nuansa postmodern. Pengaruh postmodern pada ilustrasi harimau, terlihat pada penggayaan-penggayaan yang diberikan pada unsur visualnya. Penelitian ini membantu menjelaskan permasalahan konsep, estetika dan makna ilustrasi harimau karya Bodilpunk sebagai sebuah karya seni berlatarbelakang postmodern. Fokus penelitian ini adalah memahami konsep, idiom estetik serta makna yang terdapat pada ilustrasi seri harimau. Makna yang muncul dari ilustrasi harimau, sebagai sebuah karya dengan penggambaran realita secara berlebihan (hiperealitas), antara lain: makna ekonomi, makna budaya dan makna ekspresi.
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Taylor, Peter J. "Modern, postmodern and post postmodern". Political Geography 13, nr 3 (maj 1994): 279–89. http://dx.doi.org/10.1016/0962-6298(94)90032-9.

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Nuyen, A. T. "Postmodern theology and postmodern philosophy". International Journal for Philosophy of Religion 30, nr 2 (październik 1991): 65–76. http://dx.doi.org/10.1007/bf00139047.

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Machalet, Christian. "Postmodern". Zeitschrift für Pädagogik und Theologie 38, nr 6 (1.06.1986): 517–19. http://dx.doi.org/10.1515/zpt-1986-0603.

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Frank, Arthur W. "Postmodern Sociology/Postmodern Review:Interpretive Interactionism;Interpretive Biography". Symbolic Interaction 14, nr 1 (luty 1991): 93–100. http://dx.doi.org/10.1525/si.1991.14.1.93.

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Rozprawy doktorskie na temat "Postmodern"

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Skråge, Magnus, i Dennis Isosalo. "Postmodern counseling". Thesis, Malmö högskola, Lärarutbildningen (LUT), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-34417.

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I detta arbete har vi haft som syfte att utreda om det postmoderna samhällets värderingar skapar ett behov av att förändra vägledningen i riktning mot en holistiskt inriktad vägledning, i arbetet betecknad som Personlig vägledning. Resultatet i arbetet tycker vi visar att det föreligger ett sådant behov. Mycket talar för att vi till stora delar redan lever i det postmoderna samhället och därför anser vi att det är angeläget att vi i vägledningskretsar diskuterar detta vidare. Vi vill även se fortsatt forskning inom området av samma skäl. Arbetet bygger på litteraturstudier och som teoretisk grund ligger Konstruktivistisk vägledning.
In this work, we have had as objective to investigate whether the post-modern values ​​of society creates a need to change the guidance in the direction of a holistic guidance, the work referred to as Personal guidance. The result of the work we think shows that there is such a need. There are many indications that we largely already live in the postmodern society, and therefore we believe that it is certainty that we are in counseling circles discussing this further. We would also like to see further research in the field for the same reason. The work is based on literature reviews and theoretical basis is constructivist guidance.
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Karman, Barbara Ann. "Postmodern power plays : a linguistic analysis of postmodern comedy /". Connect to online version at OhioLINK ETD Connect to online version at Digital.Maag, 1998. http://hdl.handle.net/1989/4784.

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Caraher, Paul. "The Postmodern Improvisor". TopSCHOLAR®, 1995. http://digitalcommons.wku.edu/theses/900.

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This thesis represents a revitalization of the thesis form because it has organically blossomed from an integrated consciousness. Instead of the pre-existing thesis form for a Master of Arts Degree in English bending, limiting, and shaping the content, I have shaped the form according to my own synthetic ambition, resulting in a fusion of elements from both a researched and a creative thesis. This strategy is justified since the very subject of the thesis stresses the improviser's ongoing urge to create as the spontaneous moment/impulse requires while simultaneously creating an organic frame or unique inner logic. Above all, this project is a translation of autobiographical reflections which have crystalized years of intense struggle, culminating with my hard fought liberation from the hollow shell of garage band mediocrity.
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Morgan, Andrew Hugh, i andr morgan@gmail com. "Refrain: postmodern confessions". RMIT University. Creative Media, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080702.152100.

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The creative component of my project is a conteporary, confessional novel, Refrain. The narrator, Jake, has spent his youth chasing a life that matched his dreams - first as a would-be rock star and then by fleeing to India in search of exotic adventures with his girlfriend. Now he returns alone to the suburban backwater he'd tried so hard to escape, ready for stability and responsibility. However, his attempts to reinvent himself in this world of chronic unemployment and limited horizons are thrown into confusion by old friends, estranged fmaily members, an unresolved attachment, and by his musical successor - a volatile young woman with her own problems, who draws him back to things he'd rather forget and towards a future he isn't ready to face. Refain is a story of idealism and desire, fading hopes and unexpected opportunities, long-distance love and short-sightedness. The exegetical component of my project investigates the term 'portmodern confession' as an i ntersection of the confessional narrative mode and postmodernism, and its application to two recent texts: The sportswriter by Richard Ford, and The remains of teh day by Kazuo Ishiguro.
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Lindberg, Simon. "Postmodern uppmärksamhet : funderingar kring filmisk estetik och filmåskådandet i en postmodern kontext". Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-14558.

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I den här uppsatsen behandlas postmodernismens förhållande till filmestetiska och filmåskåderliga företeelser i vår samtid. Vad innebär postmodern film och vilken typ av filmisk estetik är att betrakta som typiskt postmodern och är det rimligt att benämna vår samtida film och dess kultur som tillhörande en postmodern epok? Centrala begrepp och teorier som ställs mot varandra och komparativt studeras är 3D-filmsestetiken och ansamlingsestetiken samt hur de perspektiv som presenteras i den äldre filmteorin, hos André Bazin och Roland Barthes, förhåller sig till vår samtids syn på film, både på ett estetiskt plan och ur ett åskådarperspektiv. Andra frågor som behandlas är huruvida 3D-filmen är att betrakta som immersiv i en postmodern epok och hur den postmoderna filmestetiken förhåller sig till åskådaren. De teoretiska resonemang vilka komparativt studeras under uppsatsens gång exemplifieras med bland annat Avatar (2009) och Jackass 3D (2010). Övriga forskare vars perspektiv tas i särskilt beaktande under uppsatsen inkluderar Jan Holmberg, Fredric Jameson, Deborah Tudor, Philip Sandifer och Pierre Gander bland andra. Vid uppsatsens slut förefaller en absolut formulering av en typisk postmodern filmestetik å ena sidan vara besvärlig att göra, men å andra sidan antyds att ansamlingsestetiken troligen är att betrakta som postmodern. 3D-filmens immersiva potential förväntas vidare hänga på filmskapares förmåga att sömlöst väva in 3D-effekten i sitt narrativ och därmed undvika att presentera den som ett isolerat spektakel, samtidigt medgives det spekulativa i att dra en sådan slutsats. Slutligen pekas sketchformatet, exemplifierat av filmen Jackass 3D, ut som ett särskilt sätt att hålla den postmoderne åskådarens uppmärksamhet fången i en epok kännetecknad av mångfaldiga distraktioner.
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Hay, Kenneth Einar. "Postmodern theory, computer technology, and education : looking forward to a postmodern education". Connect to resource, 1991. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1239981095.

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Parent, Marcel 1975. "Is comparative philosophy postmodern?" Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79800.

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This thesis examines the claims of Jeffrey Timm and James Buchanan that the field of Comparative Philosophy is moving in a postmodern direction. I examine their conception of the postmodern and compare to both the most influential views of postmodernism and with my own understanding of postmodernism. To evaluate their claims I examine the journal Philosophy East and West, which I argue is representative of the field of Comparative Philosophy. I analyze the works of the editors of the journal and also do a statistical analysis of the journal to determine whether the field is becoming more postmodern. I conclude that Timm and Buchanan may be correct.
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Ng, Ho-yi Veronica, i 吳可怡. "Postmodern space in Yaumatei". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31260330.

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Franco, Marie. "SM in Postmodern America". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1532004486477585.

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Lopez, Delano J. Lopez. "How We Became Postmodern". The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153450213719398.

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Książki na temat "Postmodern"

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Irene, Lochhead Judith, i Auner Joseph Henry 1959-, red. Postmodern music/postmodern thought. New York: Garland, 2002.

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Irene, Lochhead Judith, i Auner Joseph Henry 1959-, red. Postmodern music/postmodern thought. New York: Routledge, 2002.

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Vogel, Nichols Karen, i Sanin Francisco, red. Michael Graves, buildings and projects, 1995-2003. New York: Rizzoli, 2003.

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Cruz, Décio Torres. Postmodern Metanarratives. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137439734.

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Malpas, Simon, red. Postmodern Debates. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1057/978-1-137-04505-8.

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Gubrium, Jaber, i James Holstein. Postmodern Interviewing. 2455 Teller Road, Thousand Oaks California 91320 United States: SAGE Publications, Inc., 2003. http://dx.doi.org/10.4135/9781412985437.

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Tupan, Maria-Ana. Discursul postmodern. București: Cartea Românească, 2002.

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Ní Fhlainn, Sorcha. Postmodern Vampires. London: Palgrave Macmillan UK, 2019. http://dx.doi.org/10.1057/978-1-137-58377-2.

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Crowder, Garry B., Thomas Schneeweis i Hossein Kazemi, red. Postmodern Investment. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2012. http://dx.doi.org/10.1002/9781119205128.

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Best, Steven, i Douglas Kellner. Postmodern Theory. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-21718-2.

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Części książek na temat "Postmodern"

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Riese, Utz, i Karl Heinz Magister. "Postmoderne/postmodern". W Ästhetische Grundbegriffe, 1–39. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-98611-5_1.

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Riese, Utz, i Karl Heinz Magister. "Postmoderne/postmodern". W Ästhetische Grundbegriffe, 1–39. Stuttgart: J.B. Metzler, 2010. http://dx.doi.org/10.1007/978-3-476-00547-2_1.

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Graham, Elspeth, i Joe Doherty. "Postmodern Horizons". W Postmodernism and the Social Sciences, 196–220. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-22183-7_12.

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Holzman, Lois. "Postmodern Marxism". W Encyclopedia of Critical Psychology, 1448–51. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_227.

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Barnes, Marissa, Fengqing Gao i Yunpeng Wu. "Postmodern Psychology". W Encyclopedia of Critical Psychology, 1451–58. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_228.

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Rzayeva Oktay, Roida. "The Postmodern". W The Challenges of Contemporaneity, 13–15. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33885-9_4.

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Gray, Mel. "Postmodern Ethics". W Ethics and Value Perspectives in Social Work, 120–31. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-0-230-31357-6_11.

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Hockey, Jenny, i Allison James. "Postmodern Lives?" W Social Identities across the Life Course, 98–116. London: Macmillan Education UK, 2003. http://dx.doi.org/10.1007/978-1-4039-1399-9_6.

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White, Robert E., i Karyn Cooper. "The Postmodern". W Democracy and Its Discontents, 95–107. Rotterdam: SensePublishers, 2015. http://dx.doi.org/10.1007/978-94-6300-106-9_6.

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Mikics, David. "Postmodern Fictions". W A Concise Companion to Postwar American Literature and Culture, 187–209. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470756430.ch8.

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Streszczenia konferencji na temat "Postmodern"

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Xing, Luanming. "Postmodern Nihilism, Motion, and the Space of Postmodern Warfare". W 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.007.

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Maulana, Mohammad Iqbal, Aning Sofyan i Kiki Zakiah. "Postmodern Lifestyle Construction". W Social and Humanities Research Symposium (SORES 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210617.019.

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Cox, Donna. "Paleolithic postmodern Venus, 1987". W ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281552.

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Usovskaya, E. A. "Postmodern paradigm in education". W Культура, наука и искусство - современные векторы развития вуза культуры. Орел: Орловский государственный институт культуры, 2021. http://dx.doi.org/10.53722/9785905436499_103.

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Darmanto, Nova, i Santi Delliana. "As Postmodern Journalism Citizen Journalism". W Proceedings of the First International Conference of Science, Engineering and Technology, ICSET 2019, November 23 2019, Jakarta, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.23-11-2019.2301480.

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Widjaja, Fransiskus Irwan, Fredy Simanjuntak i Noh Ibrahim Boiliu. "Repositioning Mission in Postmodern Culture". W 1st International Conference on Education, Society, Economy, Humanity and Environment (ICESHE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200311.038.

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Kroeze, Jan H. "Ontology goes postmodern in ICT". W the 2010 Annual Research Conference of the South African Institute of Computer Scientists and Information Technologists. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1899503.1899520.

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Maslova, Ekaterina. "Postmodern Identity: Creativity Or Falsification". W SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.287.

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Chistyakova, Olga. "Postmodern Philosophy and Contemporary Art". W 4th International Conference on Arts, Design and Contemporary Education (ICADCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icadce-18.2018.26.

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Timermanis, Elena. "TRANSFORMATION OF THE POSTMODERN ONTOLOGY". W 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb21/s06.053.

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Raporty organizacyjne na temat "Postmodern"

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Reilly, Andrew, i Ben Barry. Androgyny in the Post-postmodern Era. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-428.

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Pinson, James R. Just War and Postmodern Warfare: A German Case Study. Fort Belvoir, VA: Defense Technical Information Center, kwiecień 2015. http://dx.doi.org/10.21236/ad1012805.

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Trainor, Stephen C. Values, Culture, and Civil-Military Relations: Implications for the Postmodern Military. Fort Belvoir, VA: Defense Technical Information Center, kwiecień 2000. http://dx.doi.org/10.21236/ada377968.

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Menuez, Paolo. The Downward Spiral: Postmodern Consciousness as Buddhist Metaphysics in the Dark Souls Video Game Series. Portland State University Library, styczeń 2000. http://dx.doi.org/10.15760/etd.6049.

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Vicars, IV, i Robert P. Postmodern Morals, Ends, and Means: Shifting Ideas About Why, How and for Whom Wars are Fought. Fort Belvoir, VA: Defense Technical Information Center, maj 2013. http://dx.doi.org/10.21236/ada589566.

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Lylo, Taras. THE IDEOLOGEME «DICTATORSHIP OF RELATIVISM» IN THE ROBERTO DE MATTEI’S ESSAYS: POSTMODERN AND POST-COMMUNIST CONTEXTS. Ivan Franko National University of Lviv, marzec 2021. http://dx.doi.org/10.30970/vjo.2021.50.11100.

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The article considers relativism as a philosophical principle and the moral standpoint of a journalist. In particular, the main argumentation of Roberto de Mattei’s work «Dictatorship of Relativism» is analyzed. Like Ratzinger, the Italian publicist describes modern life as ruled by a dictatorship of relativism which does not recognize anything as definitive and whose ultimate goal consists solely of satisfying «the desires of one’s own ego». In his view, the boundaries of the main conflict of modernity lie between two visions of the world: one that believes in the existence of immutable, absolute values, and one that argues that there is nothing stable, that everything is conditional, time-dependent and can be discussed in the media. The markers of this conflict are our attitude to the famous statement of Protagoras about «man as a measure of all things: of the things that are, that they are, of the things that are not, that they are not», as well as to the non-debatable values, the status of natural and positive law, the worldview neutrality, the dehierarchization and multiplicity of truths, the equalization of all worldviews and axiological standpoint in foreign and Ukrainian media. A special attention in the article is paid to the ideological program of media-relativism, as well as to the postmodern and post-communist contexts of the issue of the penetration of relativism into the journalistic values.
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Cortiñas-Rovira, S., i B. Salvador-Mata. Pseudociencia y sociedad en España. Sociedad Latina de Comunicación Social, maj 2022. http://dx.doi.org/10.4185/cac179.

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Pseudociencia y sociedad en España. Estado de la cuestión e investigaciones recientes analyses the communicative strategies that pseudoscience uses for its social ex-pansion. This work begins with the definition of an epistemological framework that allows us to understand the phenomenon of pseudoscience and its rela-tionship with the main factors of contemporary society, such as relativism and liquidity. As a consequence of the postmodern condition, absolute certainties vanish and the possibility of not only ignoring science but even denying it be-comes real. In this sense, one of the main theses of this work is that the over-informed, postmodern and liquid society favours the expansion of pseudo-scientific discourses. Spain, like most countries, is no stranger to this expan-sion. To confirm this hypothesis, different social groups have been analysed to a) identify the degree of insertion of pseudoscience in these contexts; b) describe and categorise the communicative elements present in pseudoscien-tific discourses; and c) propose lines of action to limit the rise of these dis-courses. The present research has covered science journalists, literature, libraries, universities and different representatives of the biomedical field, such as pharmacists and healthcare professionals. Mixed methodologies have been applied: in-depth interviews to identify discursive patterns, content analysis, data analysis, and focus groups. Among the main conclusions, the followings stand out: 1) Pseudoscience uses fallacy, relativism, emotional reinforcement, opposition to a supposed dogmatic concept of science, antiquity, holistic or naturalistic arguments, among others to expand. 2) Pseudoscience normalizes its social discourse through its appearance in different contexts, in some cases openly, and in others in a discourse of risk minimization that favours its nor-malization as something innocuous. As a whole, the pseudoscientific discourse represents a challenge for scientific communication that must be addressed using all the communicative tools available.
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Galenson, David. Do the Young British Artists Rule (or: Has London Stolen the Idea of Postmodern Art from New York?): Evidence from the Auction Market. Cambridge, MA: National Bureau of Economic Research, październik 2005. http://dx.doi.org/10.3386/w11715.

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