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Yao, Kouadio Dieudonné. "Mythes et discours postcolonial : approche comparée de quelques romans postcoloniaux". Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2011.
Pełny tekst źródłaBased on an interdisciplinar and interdiscursive perspective, this study creates a relationship between Myth as an anthropological element and Literature - falling as such in the category of creation - in the form of postcolonial discourse. By considering myth as a framework having its origin in the inconscious background of a human community and being as such able to transcend both societal and historical differences, this relationship is described as a common denominator of the literary discourses practized by the postcolonial writers who are brought together, building so a wide-ranged corpus that reflects the different postcolonial situations. We find here Maurice Bandaman (The Son of the Male Woman), Chinua Achebe (Things Fall Apart), Nadine Gordimer (A World of Strangers), Tahar Ben Jelloun (The Sacred Night), Salman Rushdie (The Satanic Verses) and Patrick Chamoiseau (The Malfini's Nine Consciences). The most used investigative tool is the mythocritical approach, especially represented by the studies of Pierre Brunel and Gilbert Durand taken into account both in their common research orientation and in their reciprocal complementarity. From the perspective of postcolonial world view, our approach is focused of the essential antagonism that consists in the confrontation between « masters » (i.e. the colonists) and the « humiliated autochton » described by Hubert Félix Thiéfaine. In the same way, this study is periodically punctuated by other quotes from Thiéfaine's texts, which provide a suggestive counterpoint to the views exposed in the different chapters. One has to determine to what extent the incorporation of mythical elements actually appears as a key part by the emergence of a postcolonial discourse, while the shift from colonial to postcolonial discourse occurs through the recourse to a mythical legacy which combines reappropriations of the cultural legacy brought by the colonisators and renewal of the local mythic background, in this case with differents accentuations depending on the localisation of the text and its author in Black Africa, Maghreb or India. The recognition of significant divergences concerning the selection of the most important mythical elements goes in fact hand in hand with a large similarity in the treatment modalities concerning their integration in the poscolonial discourse, of which they are an essential part in all the cases studied. Several elements belonging to the mythical domain appear thus to be present in the poscolonial literary texts analysed in the present study. We find in particular symbols and mythems related to the resurgence of very old mythical figures and revealing in this way their eternal return. Apart from those symbolical structures, the investigation of the texts shows that mythical figures like Prometheus or Dionysos appear in postcolonial context as acceptable configurations of representations whose disruptive potentialities contain the possibility of a transition in the transmission of the values and systems of thoughts they convey and that underlie in the same way both the colonial and postcolonial facts. The investigation of the main categories in the novels building our corpus allows to describe the specific dynamics inherent to those novelistic categories and determined by the postcolonial context, which stays itself under the influence of the dynamics inherent to the mythical structures that underlies the thinking of people and also appears as the substrate of the literary and artistic achievements which are in touch with current concerns of our time. Henceforth our study postulates as a last result the presence of a mythical discourse common to all those texts. It appears as a projection of imaginary representations of transition in postcolonial context, grounded in eschatology and tending to the emergence of new cosmologies
Crunfli, Édina Pereira. "Postcolonial Lawrence". Florianópolis, SC, 2006. http://repositorio.ufsc.br/xmlui/handle/123456789/89431.
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Este trabalho lida com a produção de D.H.Lawrence enquanto o escritor inglês residia no México em 1923 e 1924, o romance The Plumed Serpent e os ensaios da coleção Mornings in Mexico, analisados de uma perspectiva pós-colonial. O projeto parte do pressuposto de que é tarefa do crítico pós-colonial, como Edward Said argumenta, tornar visível a ideologia contida nos textos imperiais e canônicos. Seria reducionista, no entanto, alegar que o material aqui analisado, em que pesem as estruturas coloniais que Lawrence necessariamente habita, seja "uniformemente imperialista". A complexidade do romance The Plumed Serpent reside precisamente no fato de que se pode observar uma ambivalência problemática: por um lado, um esforço inegável de Lawrence para tomar o partido das vítimas da Conquista Espanhola, o que leva o escritor a assumir uma postura "anti-imperialista", ainda que platônica, quando reverte papéis de figuras do episódio histórico, quais sejam, a figura de Hernán Cortés (criando um protagonista nativo mexicano que promove a reinstalação da religião Asteca, banindo o Cristianismo do México) e a figura de Malinche (amante e intérprete de Cortés); por outro lado, como qualquer sujeito imbricado em sua cultura, ele é inexoravelmente incapaz de atravessar o abismo que o separa do outro mexicano, e a questão da incomensurabilidade cultural se apresenta de forma infinitamente mais complexa do que ele poderia ter sonhado. O resultado de sua tentativa é que quanto mais ele verbaliza suas posições anti-eurocêntricas, mais o eurocentrismo se manifesta em seu discurso. Esse fenômeno é cuidadosamente analisado no capítulo sobre a questão racial (no qual investigo a relação entre Kate e Juana), também no capítulo intitulado "Utopian politics of resistance/orientalism", e ainda no capítulo que chamei "Barbaric Mexico". O capítulo III, "Pattern of role reversals: Fickle attempt of deconstruction" apresenta uma análise sistemática dos papéis históricos que Lawrence reverte em sua ficção. Por fim, o capítulo V apresenta uma análise rigorosa do contexto social do México enquanto Lawrence lá residiu e como ele se reflete no romance. A conclusão do trabalho aponta, à luz dos capítulos anteriores, para a dupla condição de Lawrence: por um lado, seu desejo de "desaprender a Europa" e sua vontade de resgatar "histórias esquecidas", seu genuino esforço, ainda que perturbado, de explorar diferença cultural; e, por outro lado, sua intensa dependência de construções históricas da própria cultura ocidental que ele tenta desafiar, e quão pouco consciente de suas limitações, enquanto sujeito de seu tempo e de sua cultura, ele foi. Como uma pessoa não-estabelecida e dividida, ele envereda pela tentativa de resistência a aspectos da ideologia imperialista, mas simultaneamente não consegue evitar as armadilhas da retórica do colonialismo.
Kew, Thomas. "The postcolonial Midlands". Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/40575.
Pełny tekst źródłaSharma, Seetal. "Globalisation and postcolonial identity". Thesis, Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262348.
Pełny tekst źródłaFielder, John. "Postcolonial ambivalence: Reading Aboriginality". Thesis, Fielder, John (1996) Postcolonial ambivalence: Reading Aboriginality. PhD thesis, Murdoch University, 1996. https://researchrepository.murdoch.edu.au/id/eprint/50698/.
Pełny tekst źródłaRoma, Jennifer. "Zadie Smith as the postcolonial Sisyphus a neo-postcolonial examination of On Beauty /". Connect to Electronic Thesis (CONTENTdm), 2008. http://worldcat.org/oclc/441854030/viewonline.
Pełny tekst źródłaMirze, Z. Esra. "Disorientation : "home" in postcolonial literature/". abstract and full text PDF (free order & download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209125.
Pełny tekst źródła"August 2005." Includes bibliographical references (leaves 229-239). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
Mowat, Ryan Douglas Ronald. "Narrative ethics in postcolonial fiction". Thesis, University of Strathclyde, 2003. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21205.
Pełny tekst źródłaChaplain, Josefina. "Gendered visions postcolonial Indian art". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31223928.
Pełny tekst źródłaBhambra, Gurminder K. "Contesting modernity : a postcolonial analysis". Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406613.
Pełny tekst źródłaANGIBAUD, LAIDET ANNE MARIE. "R. K. Narayan, ecrivain postcolonial". Paris 7, 1998. http://www.theses.fr/1998PA070087.
Pełny tekst źródłaTaking into account the historical importance of a literary work started just before the independence of india and continued fifty years after, our essay will attempt to show the complexity and sophistication of narayan's message often qualified as 'simple' by a kind of literary criticism which has overlooked the undertones of the author's writing. He makes a constant use of irony, oblique angles, and implicit statements, all of which are part of the discursive practice of postcolonial literature. While all along narayan clearly states the strong cultural identity of his country and celebrates its huge and significant potential, at the same time through meaningful but inconspicuous details he denounces the abusers of power oppressing the members of the small south indian community he imagined, based on his daily observations. In the first part of our study, we present narayan's work as an outcome of the colonial situation, show how it is linked to the main ideological concerns of the beginning of the century and why the writer remarkably balances mimicry and resistance to the prevaling currents of thought. The chronology of the novels especially gives its full meaning to the evolution of narayan's discourse : first, he obliquely condemns the strategies of power oppressing colonized people, then he opposes cultural resistance and subversion to the new forms of imperialism to finally condemn all aspects of domination, and this is the focus of our second part. In the third part we analyse the impact of the paradox expressed in narayan's feminism and through the diversification of his female portraits, the writer's dedication to articulate the values at stake in the newly acquired individual consciousness of indian women
Comorau, Nancy Alla. "Postcolonial refashionings reading forms, reading novels /". College Park, Md. : University of Maryland, 2009. http://hdl.handle.net/1903/9951.
Pełny tekst źródłaThesis research directed by: Dept. of English. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
He, Chu. "Postcolonial Performances in Brian Friel's Plays". Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/264.
Pełny tekst źródłaDavis, Christopher P. "Reading, writing and understanding the postcolonial". Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/80930/.
Pełny tekst źródłaMcInturff, Kate Elaine. "Dark continents, postcolonial encounters with psychoanalysis". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ48674.pdf.
Pełny tekst źródłaNakai, Asako. "Conrad's inheritors : colonial and postcolonial literatures". Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308867.
Pełny tekst źródłaChan, Ka-ming, i 陳嘉銘. "Social identity in postcolonial Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B30409238.
Pełny tekst źródłaChan, Ka-ming. "Social identity in postcolonial Hong Kong". Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B23234477.
Pełny tekst źródłaMongiat, Timothy. "Confronting heteronormativity in postcolonial Zimbabwean literature". Thesis, University of Kent, 2017. https://kar.kent.ac.uk/66341/.
Pełny tekst źródłaRishi, Pooja. "Teaching women empowerment governmentality in postcolonial India /". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 333 p, 2010. http://proquest.umi.com/pqdweb?did=1993336281&sid=10&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Pełny tekst źródłaPrincipal faculty advisors: Daniel M. Green and Claire Rasmussen, Dept. of Political Science and International Relations. Includes bibliographical references.
Chau, Chi-kit. "Still looking back : modern American postcolonial pairings /". View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31573241.
Pełny tekst źródłaAlrasheed, Khalid Mosleh. "The postcolonial Middle Ages a present past /". Laramie, Wyo. : University of Wyoming, 2009. http://proquest.umi.com/pqdweb?did=2065749111&sid=1&Fmt=2&clientId=18949&RQT=309&VName=PQD.
Pełny tekst źródłaBoodoo, Gerald Uzukwu Elochukwu Eugene. "GLOBALIZATION, POLITICS AND RELIGION IN POSTCOLONIAL AFRICA". Bulletin of Ecumenical Theology, 2013. http://digital.library.duq.edu/u?/bet,1233.
Pełny tekst źródłaVenter, Carina. "Experiments in postcolonial reading : music, violence, response". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:7d8db9f2-a2c4-4ed2-a627-a330db30b7c9.
Pełny tekst źródłaChowdhury, Khairul Haque. "Three Bangladeshi plays considered in postcolonial context". Access E-Book Access E-Book, 1999. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20010919.141455/index.html.
Pełny tekst źródłaLaurušaitė, Laura. "Baltic Novels of Exile: A Postcolonial Analysis". Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110920_152550-94621.
Pełny tekst źródłaDisertacijoje naujai teoriškai konceptualizuojama baltų pokario išeivių bendruomenės situacija bei jos raiška lietuvių ir latvių romanuose. Prievartinė emigracija iš baltų kraštų po II pasaulinio karo susijusi su kardinaliomis permainomis, todėl analizės instrumentais tampa lūžį ir slinktis ženklinantys postkolonializmo konceptai: liminalumas (V. Turner), hibridiškumas ir mimikrija (H. Bhabha), įsivaizduojama bendruomenė (B. Anderson), nostalgija (S. Boym), triksteris (M. Bachtin). Analizės centre – latvių ir lietuvių XX a. II pusės egzodo romanai apie karą, pasitraukimą ir gyvenimą išeivijoje, sukurti rašytojų, kurie patys tą lemtį patyrė. Pasirinktų tekstų korpusui skvarbyti pasitelkiamas dvinaris fizinės ir mentalinės kolonizacijos modelis. „Fizinės kolonizacijos“ skyriuje analizuojami karo romanai pagal vyrų/moterų lyties skirtį. „Mentalinės kolonizacijos“ skyriuje tyrinėjami kūriniai, atspindintys išlikimo strategijas, kurios įvairuoja nuo prisirišimo prie savos kultūros iki savanoriško jos atsižadėjimo. Įžvelgiamos trys išeivio tapatybės transformacijos pakopos: antikolonizacija, hibridizacija, savikolonizacija. Baltų romanų analizei taikyta postkolonializmo metodologija, jos pasiūlytos sąvokos ir tipologizavimo modelis pasirodė funkcionalūs. Konstatuota, kad emigracinė patirtis ir tapatybės virsmai ne tiek pavaldūs etninei prigimčiai, kiek išgyvenami bendražmogiškai.
Rao, Rahul. "Postcolonial cosmopolitanism : between home and the world". Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:6eb91e22-9563-49a2-be2b-402a4edd99b5.
Pełny tekst źródłaMolande, Bright. "Postcolonial tragic vision in Steve Chimombo's writing". Thesis, University of Essex, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.559267.
Pełny tekst źródłaChau, Chi-kit, i 周智傑. "Still looking back: modern American postcolonial pairings". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45007469.
Pełny tekst źródłaGalea, Marco. "A study of postcolonial drama in Malta". Thesis, University of Birmingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411117.
Pełny tekst źródłaMitchell, Michael. "Hidden mutualities : Faustian themes in the postcolonial". Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/4522/.
Pełny tekst źródłaChu, Wei-cheng Raymond. "Homo and others : articulating postcolonial queer subjectivity". Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388671.
Pełny tekst źródłaHuddart, David Paul. "The foreignness of autobiography : inventing postcolonial beginnings". Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343372.
Pełny tekst źródłaAsif, Noor A. "Understanding Postcolonial South Asian Communities Through Bollywood". Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/788.
Pełny tekst źródłaLecznar, A. E. "Soyinka's Bacchae : reading tragedy in postcolonial modernity". Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1418769/.
Pełny tekst źródłaSmart, Kirsten. "National consciousness in Postcolonial Nigerian children's literature". Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/22880.
Pełny tekst źródłaRyberg, Erik. "Lgr 11's Postcolonial Burden of History". Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22702.
Pełny tekst źródłaZachariah, Tirzah. "Silence and representation in selected postcolonial texts". Thesis, University of Stirling, 2016. http://hdl.handle.net/1893/24136.
Pełny tekst źródłaNeeves, Mairi Emma. "The negotiation of trauma in postcolonial culture". Thesis, Goldsmiths College (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.514332.
Pełny tekst źródłaSamwanda, Biggie. "Postcolonial monuments and public sculpture in Zimbabwe". Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1006825.
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Dadras, Danielle Mina. "Circulating Stories: Postcolonial Narratives and International Markets". Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1222096875.
Pełny tekst źródłaLangford, Jean M. "Fluent bodies : Ayurvedic remedies for postcolonial imbalance /". Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/6557.
Pełny tekst źródłaSorensen, Eli Park. "Postcolonial melancholia : theory, interpretation and the novel". Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446117/.
Pełny tekst źródłaCarrigan, Anthony James. "Representations of tourism in postcolonial island literatures". Thesis, University of Leeds, 2008. http://etheses.whiterose.ac.uk/4125/.
Pełny tekst źródłaBird, Emma Jade. "Reimagining Bombay : postcolonial poetry and urban space". Thesis, University of Exeter, 2012. http://hdl.handle.net/10871/8301.
Pełny tekst źródłaFrancis, Toni P. "Identity Politics: Postcolonial Theory and Writing Instruction". Scholar Commons, 2007. https://scholarcommons.usf.edu/etd/711.
Pełny tekst źródłaRomanini, Elisa <1993>. "POSTCOLONIAL DICKENS Re-writings of Great Expectations". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15659.
Pełny tekst źródłaRivas, Araceli. "Postcolonial analysis of educational research discourse: creating (Mexican) American children as the". Texas A&M University, 2005. http://hdl.handle.net/1969.1/3310.
Pełny tekst źródłaWesterberg, Ågren Karl-Oscar. "Teaching the Postcolonial : Disrupting a euro-centric world-view in the multicultural classroom". Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-16704.
Pełny tekst źródłaLe, Gallic Jeanne. "L’immigration algérienne sur la scène théâtrale française (1972-1978) : d’une lutte postcoloniale à l’émergence d’une reconfiguration historique et temporelle". Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20049/document.
Pełny tekst źródłaThis doctoral dissertation, falling in the field of postcolonial studies, investigates the emergence of an immigration theatre during the decade 1970 in the continuation of fights that characterise the development of a critical discourse regarding colonisation and its effects. In this context, theatre is used as a weapon, a prolongation of the political and militant activism, permitting to dismantle the mechanisms of alienation and exploitation to which immigrants are subject in contemporary environment. Indeed, it is now impossible to consider immigration without considering outcomes of a history initiated with colonisation. Independences, far from consecrating a rupture in the modes of domination established during colonisation, instead seem to perpetuate some beliefs and practises in a renewed expression: it is in particular through the Algerian immigrant figure, backward excrescence of the French colony Algeria was, that methods for processing, supervising and monitoring immigration, in part inherited from the colonial era, persist during postcolonial times. These domination and exploitation mechanisms directed toward immigrant workers will be fiercely denounced during the decade, which sees apparition at the same time of a new political subjectivity and the emergence of an immigrant theatre, whose practise illustrates Anglo-Saxon theories on colonisation and its consequences in the burst of new discursive and aesthetical forms. The weight of colonial legacy, particularly the one related to Algeria, therefore allows to mobilise workers around a contextual identity and to develop a theatre ideologically and aesthetically based on the panoramic examination of a reality inscribed in complex temporality and territoriality linked to motion