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Artykuły w czasopismach na temat "Postcolonial theater"
Mackenzie, Clayton G., i Moira Arthurs. ""Together Again": Theater in Postcolonial Hong Kong". Comparative Drama 37, nr 1 (2003): 75–87. http://dx.doi.org/10.1353/cdr.2003.0037.
Pełny tekst źródłaVallejo Sameshima, Miguel. "performático en el teatro reciente de la independencia peruana. Rituales que cuestionan los antiguos prejuicios". Tradición, segunda época, nr 21 (27.12.2021): 90–97. http://dx.doi.org/10.31381/tradicion.v0i21.4482.
Pełny tekst źródłaRifandi, Ilham, i Ikhsan Satria Irianto. ""Membingkai Melayu" Perancangan Metode Akting Berbasis Tradisi Untuk Pembelajaran Makyong di Program Studi Seni Pertunjukan UNIMED". Jurnal Sendratasik 12, nr 2 (6.06.2023): 157. http://dx.doi.org/10.24036/js.v12i2.122569.
Pełny tekst źródłaJayathilake, C. "Historicizing anglophone theater in postcolonial South Africa: select political and protest plays". International Journal of Multidisciplinary Studies 8, nr 1 (30.05.2021): 70. http://dx.doi.org/10.4038/ijms.v8i1.134.
Pełny tekst źródłade Waal, Ariane. "Living Suspiciously: Contingent Belonging in British South Asian Theater". Humanities 9, nr 3 (18.08.2020): 85. http://dx.doi.org/10.3390/h9030085.
Pełny tekst źródłaJohnson, Alan, i Nandi Bhatia. "Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India". Rocky Mountain Review of Language and Literature 59, nr 2 (2005): 108. http://dx.doi.org/10.2307/3655058.
Pełny tekst źródłaRoubaud, Luísa. "After Looking North and West: Portuguese Contemporary Dance and the European Crises". Congress on Research in Dance Conference Proceedings 2016 (2016): 323–32. http://dx.doi.org/10.1017/cor.2016.43.
Pełny tekst źródłaMinier, Márta. "Translating Welsh Drama Into Hungarian Through English: A Contextual Introduction to Sêra Moore Williams’ Crash in Hungarian Translation". Hungarian Cultural Studies 6 (12.01.2014): 176–86. http://dx.doi.org/10.5195/ahea.2013.120.
Pełny tekst źródłaSchmidt, Kerstin. "Relations with/to the Text: Four Plays on the Move". Journal of Contemporary Drama in English 11, nr 2 (1.11.2023): 332–42. http://dx.doi.org/10.1515/jcde-2023-0027.
Pełny tekst źródłaDharwadker, Aparna Bhargava. "Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India (review)". Modern Drama 48, nr 2 (2005): 440–44. http://dx.doi.org/10.1353/mdr.2005.0024.
Pełny tekst źródłaRozprawy doktorskie na temat "Postcolonial theater"
Harass, Azza. "Reading the Israeli/Palestinian conflict through theater : a postcolonial analysis". Thesis, University of Kent, 2015. https://kar.kent.ac.uk/47909/.
Pełny tekst źródłaChowdhury, Khairul Haque. "Three Bangladeshi plays considered in postcolonial context". Access E-Book Access E-Book, 1999. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20010919.141455/index.html.
Pełny tekst źródłaRanwalage, Sandamini Yashoda. "Reperforming Sarachchandralatory:A Nationalist Discourse of Postcolonial Theatre in Sri Lanka". Miami University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=miami15640466703959.
Pełny tekst źródłaKwon, Kyounghye. "Local Performances, Global Stages: Postcolonial and Indigenous Drama and Performance in Glocal Circuits". The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1259760023.
Pełny tekst źródłade, Toro Alfonso. "Reflexiones sobre fundamentos de investigación transdisciplinaria, transcultural y transtextual en las ciencias del teatro en el contexto de una teoría postmoderna y postcolonial de la "hibridez" e "inter"medialidad". Universitätsbibliothek Leipzig, 2015. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-159158.
Pełny tekst źródłade, Toro Alfonso. "Reflexiones sobre fundamentos de investigación transdisciplinaria, transcultural y transtextual en las ciencias del teatro en el contexto de una teoría postmoderna y postcolonial de la "hibridez" e "inter"medialidad". Postmodernidad y postcolonialidad / Alfonso de Toro (ed.). Frankfurt 2004, S. 105-159 (Theorie und Praxis des Theaters ; 11) ISBN 3-89354-211-6, 2004. https://ul.qucosa.de/id/qucosa%3A13090.
Pełny tekst źródłaLaure, Charlotte. "Tragédies de la décolonisation. Un théâtre écrit en français depuis l'Afrique, la Caraïbe et Madagascar (1942-1992)". Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030060.
Pełny tekst źródłaIt may seem paradoxical to choose the dramatic genre of tragedy to represent and support the struggles around the decolonization process of the French empire, as it is a symbol of western culture. However, we demonstrate in this thesis the relevance of this combination of a canonical genre with a protest topic. From the study of a diverse corpus of about thirty plays written in French by African, Caribbean, and Malagasy authors in the second half of the 20th century (1942-1992), we identify a theatrical phenomenon that we call "decolonization tragedies". On the one hand, the genre of tragedy allows to create myths, to celebrate precolonial societies and to highlight anti-colonial struggles. On the other hand, this genre allows to display defeats, which enables the indictment of Europe's self-proclaimed civilizing mission, and reveals the violence of the colonial and slavery system from the standpoint of those who suffer it. Moreover, the specific nature of tragedy encourages to examine its impact on gender. Finally, discussing some distortions in the reception of the plays allows us to show that the dramatic genre is being renewed through the affirmation of a destiny that is no longer transcendental, but historical, and from which one can emancipate oneself
McGregor, Lilicherie. "The praxis of postcolonial intercultural theatre in Aotearoa New Zealand". Thesis, University of Canterbury. Drama, 2004. http://hdl.handle.net/10092/4845.
Pełny tekst źródłaLe, Gallic Jeanne. "L’immigration algérienne sur la scène théâtrale française (1972-1978) : d’une lutte postcoloniale à l’émergence d’une reconfiguration historique et temporelle". Thesis, Rennes 2, 2014. http://www.theses.fr/2014REN20049/document.
Pełny tekst źródłaThis doctoral dissertation, falling in the field of postcolonial studies, investigates the emergence of an immigration theatre during the decade 1970 in the continuation of fights that characterise the development of a critical discourse regarding colonisation and its effects. In this context, theatre is used as a weapon, a prolongation of the political and militant activism, permitting to dismantle the mechanisms of alienation and exploitation to which immigrants are subject in contemporary environment. Indeed, it is now impossible to consider immigration without considering outcomes of a history initiated with colonisation. Independences, far from consecrating a rupture in the modes of domination established during colonisation, instead seem to perpetuate some beliefs and practises in a renewed expression: it is in particular through the Algerian immigrant figure, backward excrescence of the French colony Algeria was, that methods for processing, supervising and monitoring immigration, in part inherited from the colonial era, persist during postcolonial times. These domination and exploitation mechanisms directed toward immigrant workers will be fiercely denounced during the decade, which sees apparition at the same time of a new political subjectivity and the emergence of an immigrant theatre, whose practise illustrates Anglo-Saxon theories on colonisation and its consequences in the burst of new discursive and aesthetical forms. The weight of colonial legacy, particularly the one related to Algeria, therefore allows to mobilise workers around a contextual identity and to develop a theatre ideologically and aesthetically based on the panoramic examination of a reality inscribed in complex temporality and territoriality linked to motion
Merriman, Victor Nicholas. "Dramas of postcolonial desire : nation, representation and subjectivity in contemporary Irish theatre". Thesis, Staffordshire University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.402736.
Pełny tekst źródłaKsiążki na temat "Postcolonial theater"
Theatre and postcolonial desires. London: Routledge, 2003.
Znajdź pełny tekst źródłaAmkpa, Awam. Theatre and Postcolonial Desires. London: Taylor & Francis Group Plc, 2003.
Znajdź pełny tekst źródłaIndonesian postcolonial theatre: Spectral genealogies and absent faces. New York: Palgrave Macmillan, 2010.
Znajdź pełny tekst źródłaBhatia, Nandi. Acts of authority, acts of resistance: Theater and politics in colonial and postcolonial India. Ann Arbor: University of Michigan Press, 2004.
Znajdź pełny tekst źródłaBehera, Gourhari, i Sunita Murmu. Representation and resistance: Essays on postcolonial theatre and drama. Delhi, [India]: ABS Books, 2015.
Znajdź pełny tekst źródłaFeminist visions and queer futures in postcolonial drama: Community, kinship, and citizenship. New York: Routledge, 2010.
Znajdź pełny tekst źródła1939-, Adler Heidrun, i Röttger Kati, red. Performance, pathos, política de los sexos: Teatro postcolonial de autoras latinoamericanas. Madrid: Iberoamericana, 1999.
Znajdź pełny tekst źródłaChowdhury, Khairul. Three Bangladeshi plays considered in postcolonial context: Three Bangladeshi plays. Saarbrücken: LAP Lambert Academic Pub., 2010.
Znajdź pełny tekst źródłaBatra, Kanika. Feminist visions and queer futures in postcolonial drama: Community, kinship, and citizenship. New York: Routledge, 2011.
Znajdź pełny tekst źródłaIntersecciones.: Ensayos sobre cultura y literatura en la condición postmoderna y postcolonial. Buenos Aires: Galerna, 2002.
Znajdź pełny tekst źródłaCzęści książek na temat "Postcolonial theater"
Hoài Tran, Thu. "»Sabotiert das Theater!«". W Postcolonial Studies, 227–46. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839449868-012.
Pełny tekst źródłaBala, Sruti. "Das Theater verlassen auf der Suche nach dem Theater". W Postcolonial Studies, 247–66. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839449868-013.
Pełny tekst źródłaKalu, Joy Kristin, i Anja Quickert. "Reenacting Racism". W Postcolonial Studies, 211–26. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839449868-011.
Pełny tekst źródłaBalestrini, Nassim Winnie. "Transnational and Postcolonial Perspectives on Communicating Climate Change Through Theater". W Climate Change Management, 247–61. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98294-6_16.
Pełny tekst źródłaPizzato, Mark. "Global, Postcolonial Theatre". W Mapping Global Theatre Histories, 271–320. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12727-5_14.
Pełny tekst źródłaWinet, Evan Darwin. "Introduction: Colonial Foundations and Precessions of Postcoloniality". W Indonesian Postcolonial Theatre, 1–37. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_1.
Pełny tekst źródłaWinet, Evan Darwin. "Unimagined Communities: Theatres of Eurasian and Chinese Batavia". W Indonesian Postcolonial Theatre, 38–68. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_2.
Pełny tekst źródłaWinet, Evan Darwin. "Sites of Disappearance: Expatriate Ghosts on Ephemeral Stages". W Indonesian Postcolonial Theatre, 69–107. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_3.
Pełny tekst źródłaWinet, Evan Darwin. "Despite Their Failings: Spectres of Foreign Professionalism". W Indonesian Postcolonial Theatre, 108–40. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_4.
Pełny tekst źródłaWinet, Evan Darwin. "Hamlet and Caligula: Echoes of a Voice Unclear in Origins". W Indonesian Postcolonial Theatre, 141–73. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230246676_5.
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