Gotowe bibliografie tematyczne / Postcolonial

Gotowa bibliografia na temat „Postcolonial”

Autor: Grafiati

Data publikacji: 4 czerwca 2021

Data aktualizacji: 27 lipca 2024

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Artykuły w czasopismach na temat "Postcolonial"

Ajah, Richard Oko. "Postcolonial Utopianism of African Cities". Afrique(s) en mouvement N° 7, nr 1 (7.02.2024): 47–54. http://dx.doi.org/10.3917/aem.007.0047.

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La ville postcoloniale africaine a suscité des attentions critiques alors que les chercheurs s’interrogent sur ses possibilités et potentialités discursives. Under Siege: Four African Cities d’Okwui Enwezor et al, African Cities de Garth Myers, The African City de Bill Freund et d’autres sont des études notables sur les villes postcoloniales africaines. Aussi engageantes et perspicaces que soient ces études, leurs perspectives choisies sont particulièrement historiques, sociologiques et architecturales. Cependant, ces études factuelles des villes donneront un aperçu des représentations littéraires par les écrivains de fiction et de l’utopisme postcolonial qu’elles dépeignent. J’utiliserai la théorie de l’utopisme postcolonial de Bill Ashcroft pour examiner Un nègre a violé une bonde à Dallas de Ramonu Sanusi, Commissaire Kouamé de Marguerite Abouet & Donatien Mary, et Partir de Tahar Ben Jelloun en vue de démontrer comment Lagos, Abidjan et Tanger en tant que villes africaines postcoloniales sont représentées comme des épicentres de subjectivités, de subversions et de survivances dans la fiction africaine francophone. Ces villes africaines textualisées ne sont pas seulement des représentations culturelles, mais aussi réalistes de la postcolonialité africaine. Dans ces textes, les personnages sont dépeints comme des sujets abandonnés qui deviennent des « prisonniers du désir » afin de changer leurs récits de vie. Alors que les fantasmes urbains et les complexités dystopiques de ces villes jettent les bases et expliquent la pensée utopique et son audace d’espoir dans ces corps socialement démunis, les crimes et les vices (violence, meurtre, viol, vol, prostitution) font partie de leurs pratiques subversives et de survie dans les paysages urbains socialement construits et économiquement fragmentés de Lagos, Abidjan et Tanger.

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Banu, Jainab Tabassum. "Power Shifts in the English Language in Postcolonial African Poetry". Crossings: A Journal of English Studies 10 (1.08.2019): 17–24. http://dx.doi.org/10.59817/cjes.v10i.75.

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Colonialism has been used as a negative term for its brutal, cruel, and merciless history of oppression. In the process of colonization, the English language has been used as a tool of subjugation. However, postcolonial writers have formed a resistance against European superpowers by writing their own stories in the colonizer’s language. Although critics like Ngũgĩ wa Thiong’o and Chinua Achebe have given contradictory views on using the English language to write African fiction, most of the postcolonial African writers have remarkably written about their own African experiences in English. By analyzing four postcolonial African poems by Leopold Sedar Senghor, David Diop, Wole Soyinka and Gabriel Okara, this paper aims to explicate how the colonizer’s weapon – the English language – actually turns into a blessing for postcolonials.

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Mapangou, Dacharly. "Voyage des enfants de la postcolonie vers l’ailleurs-paradis". Voix Plurielles 18, nr 2 (4.12.2021): 219–32. http://dx.doi.org/10.26522/vp.v18i2.3537.

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Phénomène social total, l’immigration est devenue une modalité majeure de la poétique de la fiction africaine francophone postcoloniale. Le champ littéraire africain francophone dévoile, depuis le début des années quatre-vingt jusqu’à maintenant, l’émergence d’une fiction de la migration mettant en scène le sujet africain postcolonial hanté par une vision édénique de la terre de l’Autre : l’Europe occidental, qu’il considère comme un endroit propice à sa réussite. À ce titre, la lecture de Le Ventre de l’Atlantique de Fatou Diome, qui raconte la fascination qu’ont les enfants de la postcolonie pour l’Europe d’une part, et de l’autre, leur devenir, une fois arrivé dans le pays d’accueil, apparaît, de ce point de vue, fort éclairante, pour mener une réflexion sur la mythification et la démythification de l’Ailleurs-paradis.

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Galafa, Beaton. "Politique de l’émeute dans Le dernier de l’Empire (1981) d’Ousmane Sembène". Journal of Humanities 32, nr 1 (25.01.2024): 84–104. http://dx.doi.org/10.4314/jh.v32i1.5.

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L’œuvre d’Ousmane Sembène est devenue un vecteur de lutte sociale dans l’Afrique postcoloniale suite à l’émergence de problèmes sociaux et politiques endémiques à la postcolonie. De ce chaos est également né Le dernier de l’Empire, un roman dans lequel Sembène explore l’utilisation de l’émeute dans les luttes de classe africaines. Cet article examine comment Sembène représente cette émeute dans le roman comme un outil efficace pour le prolétariat dans la lutte des classes au Sénégal, tout en la décrivant comme une conséquence délibérée de la répression violente orchestrée par la bourgeoisie contre la dissidence de la classe ouvrière. Sembène y parvient par le biais d’un récit fictif qui gagne notre reconnaissance en tant que préservation de la mémoire dans laquelle nous voyons le roman comme une représentation de la réalité. Nous voyons également comment le prolétariat, tout au long du roman, est opposé à la bourgeoisie, et comment l’émeute devient une solution ultime à la lutte des classes. Considérant que Le dernier de l’Empire se concentre sur la lutte des classes (après l’indépendance), l’article déploie une critique marxiste dans son analyse du roman. Ceci est pareillement conforme à notre propre compréhension de Sembène en tant qu’écrivain marxiste renommé. Cependant, l’article utilise également la désillusion postcoloniale dans son analyse puisque le roman traite des défis de l’État postcolonial africain. Ousmane Sembène’s work became a vector for social struggle in postcolonial Africa following the emergence of social and political problems endemic to the post-colony. Out of this chaos also emerged Le dernier de l’Empire, a novel in which Sembène explores the use of riot in African class struggles. This article is an examination of how Sembène represents this riot in the novel as an effective tool for the proletariat in the class struggle in Senegal while at the same time describing it as a deliberate consequence of violent repression orchestrated by the bourgeoisie against working-class dissent. Sembène achieves this through a fictional narrative that gains our recognition as a preservation of memory in which we see the novel as a representation of reality. We also see how the proletariat throughout the novel is pitted against the bourgeoisie, and how riot becomes an ultimate solution to the class struggle. Considering that Le dernier de l’Empire focuses on class struggle (after independence), the article deploys a Marxist critique in its analysis of the novel. This also aligns with our understanding of Sembène as a renowned Marxist writer. However, the article equally uses postcolonial disillusionment in its analysis since the novel deals with the challenges of the African postcolonial state.

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Lammes, Sybille. "Postcolonial Playgrounds: Games and postcolonial culture". Eludamos: Journal for Computer Game Culture 4, nr 1 (26.04.2010): 1–6. http://dx.doi.org/10.7557/23.6110.

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Many games touch upon issues that are related to the postcolonial culture we live in. Be it in the shape of referring to how it has generated ethnic differences, subscribing to (post) capitalist values of winning and gaining, or by employing militarist strategies that have been partly shaped our colonial histories, cultural notions that are related to our colonial past are often resonant in games. However, one particular strand of strategy games takes the notions of colonialism as its most central focus. Games like Age Of Empires (AOE), Civilization and Rise of Nations, may differ greatly in certain ludological aspects, but all share a strong fascination with colonial history. Through employing colonial techniques of domination like exploring, trading, map-making and military manoeuvring, players create their personal colonial pasts and futures. Even though it is evident that such games share an explicit fascination with colonial history, it remains less clear in what way they may be called postcolonial. In this article I will shed light on why and how such games can be called postcolonial and should even be conceived as one of the most significant arenas to express the tensions and frictions that are part of the postcolonial culture we live in. As postcolonial playgrounds they offer the perfect means to play with and make sense of how colonial spatial practices have shaped contemporary culture. I will argue that the very character of digital games as well as the specific game mechanisms of historical strategy games makes them postcolonial playgrounds par excellence.

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Lex, Barbara W. "Native American Postcolonial Psychology:Native American Postcolonial Psychology." American Anthropologist 100, nr 2 (czerwiec 1998): 574–75. http://dx.doi.org/10.1525/aa.1998.100.2.574.2.

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Elvy, Stacy-Ann. "A Postcolonial Theory of Spousal Rape: The Carribean and Beyond". Michigan Journal of Gender & Law, nr 22.1 (2015): 89. http://dx.doi.org/10.36641/mjgl.22.1.postcolonial.

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Many postcolonial states in the Caribbean continue to struggle to comply with their international treaty obligations to protect women from sexual violence. Reports from various United Nations programs, including UNICEF, and the annual U.S. State Department Country Reports on Antigua and Barbuda, the Bahamas, Barbados, Dominica, Jamaica, and Saint Lucia (“Commonwealth Countries”), indicate that sexual violence against women, including spousal abuse, is a significant problem in the Caribbean. Despite ratification of various international instruments intended to eliminate sexual violence against women, such as the Convention on the Elimination of All Forms of Discrimination Against Women, Commonwealth Countries have retained the common law spousal rape exemption. While much has been written on the topic of spousal rape in common law jurisdictions, this Article is unique in at least three respects. First, this Article is part of a larger project that seeks to trace the connections between colonial history and contemporary law in postcolonial states with the aim of developing a typology of the enduring effects of colonial laws and norms. Second, this Article uses postcolonial theory to provide a theoretical framework for critiquing the colonial roots of the modern-day spousal rape exemption in Commonwealth Countries. Third, this Article posits that postcolonial theory offers many insights regarding the history of colonialism and modern-day power dynamics and identities in Commonwealth Countries. The Article uses postcolonial theory to advocate for a norms-based approach to changing the structures that perpetuate inequality, and goes on to suggest the need for changes to negative norms regarding the role of women in marriage, with the aim of creating national and individual identities that value compliance with modern human rights norms. The Article recommends legal, social, legislative, and judicial internalization of human rights norms. While these solutions are not new, the Article uses postcolonial theory to assess which solution may be more viable, as well as to determine the best way to implement internalization of human rights norms given the colonial heritage and politics of postcolonial Commonwealth Countries.

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Schultz, Cecilia. "Postcolonial Finance". Theoria 68, nr 166 (1.03.2021): 60–86. http://dx.doi.org/10.3167/th.2021.6816603.

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This article politicises the discourse of emerging markets in global finance. The black-boxed appearance of credit markets easily obscures the significant amount of subjective evaluation and cultural work that underpins capital flows. This article reveals the colonial, masculine, and racial imagination that informs the articulation of emerging markets as geographies of risk and profit. This brings into view the postcolonial nature of contemporary finance and how colonialism’s regimes of power and knowledge remain crucial for the reproduction of the global political economy. To illustrate this point, the article highlights the sociality of credit practices. Contrary to their mathematical appearance, credit is a relationship with the future, mediated by social imaginations of trust. Focusing on emerging markets as ‘risk-versus-reward’ investments, this article examines the long-term colonial histories embedded in modern investment discourses. The article aims to show the continuing relevance this history plays for emerging market economies in modern financial markets and their political economies.

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Sjølyst-Jackson, Peter. "Postcolonial Futures". New Formations 66, nr 66 (1.03.2009): 173–79. http://dx.doi.org/10.3898/newf.66.rev01.2009.

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Bouvier, Pierre. "Syndrome postcolonial". Esprit Janvier, nr 1 (2006): 170. http://dx.doi.org/10.3917/espri.0601.0170.

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Rozprawy doktorskie na temat "Postcolonial"

Yao, Kouadio Dieudonné. "Mythes et discours postcolonial : approche comparée de quelques romans postcoloniaux". Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2011.

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S'inscrivant dans une perspective à la fois interdisciplinaire et interdiscursive, cette étude établit un rapports entre Mythe (élément anthropologique) et littérature - relevant de la création - (discours postcolonial). Ce rapport, en se basant sur le mythe en tant que référentiel ancré principalement dans l'inconscient d'une communauté et transcendant les différences tant sociétales qu'historiques est appréhendé en tant que dénominateur commun des discours littéraires développés par les écrivains postcoloniaux réunis dans un corpus très diversifié et représentatif des différentes situations postcoloniales. On y retrouve en effet Maurice Bandaman (Le Fils de-la-femme-mâle), Achebe Chinua (Le Monde s'effondre), Nadine Gordimer (Un Monde d'étrangers), Tahar Ben Jelloun (La Nuit sacrée), Salman Rushdie (Les Versets sataniques) et Patrick Chamoiseau (Les Neuf Consciences du Malfini). L'outil d'investigation sollicité est principalement la mythocritique, dont les approches incarnées respectivement par Pierre Brunel et Gilbert Durand se voient sollicitées tant dans leur communauté d'orientation que dans leur complémentarité réciproque. Aussi, d'un point de vue de la pensée postcoloniale, la confrontation des « maîtres » colons et de « l'autochtone humilié » telle que l'évoque Hubert Félix Thiéfaine est l'opposition essentielle autour de laquelle s'est construite notre démarche. Ce travail est ainsi périodiquement ponctué par d'autres citations de Thiéfaine qui offrent un contrepoint évocateur aux réflexions développées dans les différents chapitres. Il s'agit alors de déterminer dans quelle mesure l'incorporation du mythe apparaît comme un élément obligé de la constitution d'un discours postcolonial, la substitution de celui-ci au discours colonial s'articulant à travers le recours à un legs mythique qui combine réappropriations du legs culturel véhiculé par le colonisateur et renouvellement du fonds mythique local, avec des accentuations différentes selon la localisation du texte et de son auteur en Afrique noire, au Maghreb ou en Inde. On aboutit ainsi tant à la constatation de divergences marquantes dans le choix des éléments mythiques à privilégier qu'au diagnostic d'une convergence des modalités de leur sollicitation dans le discours postcolonial, dont ils constituent dans tous les cas étudiés un ingrédient essentiel. Ainsi est-il apparu que plusieurs éléments afférents au mythe manifestent leur présence dans les textes littéraires postcoloniaux qui ont fait office de terrain d'analyse dans le cadre de notre étude. Il s'agit notamment de symboles et mythèmes qui ont plus d'un rapport avec la résurgence de figures mythiques anciennes, marquant leur éternel retour. En dehors de ces structures symboliques, l'exploitation des textes a montré qu'en contexte postcolonial, les figures mythiques telles que celles de Prométhée et de Dionysos sont des configurations d'images plausibles qui de par la rupture entre elles opèrent une sorte de transition dans la transmission des valeurs et systèmes de pensée qu'elles véhiculent et qui sous-tendent du même coup les faits colonial et postcolonial. Après analyse des catégories fondamentales dans les romans de notre corpus, il convient de souligner un dynamisme de ces catégories romanesques commandé par le contexte postcolonial qui lui-même subit le dynamisme des structures mythiques qui sous-tendent la pensée des peuples et qui subséquemment constituent le substrat des créations littéraires et artistiques qui sont en accord avec les préoccupations du moment. Dès lors, notre étude postule, in fine, la possibilité d'un discours mythique commun à ces textes. Il s'agit d'une projection d'imaginaires de la transition en contexte postcolonial s'enracinant dans l'eschatologie pour déboucher sur de nouvelles cosmogonies
Based on an interdisciplinar and interdiscursive perspective, this study creates a relationship between Myth as an anthropological element and Literature - falling as such in the category of creation - in the form of postcolonial discourse. By considering myth as a framework having its origin in the inconscious background of a human community and being as such able to transcend both societal and historical differences, this relationship is described as a common denominator of the literary discourses practized by the postcolonial writers who are brought together, building so a wide-ranged corpus that reflects the different postcolonial situations. We find here Maurice Bandaman (The Son of the Male Woman), Chinua Achebe (Things Fall Apart), Nadine Gordimer (A World of Strangers), Tahar Ben Jelloun (The Sacred Night), Salman Rushdie (The Satanic Verses) and Patrick Chamoiseau (The Malfini's Nine Consciences). The most used investigative tool is the mythocritical approach, especially represented by the studies of Pierre Brunel and Gilbert Durand taken into account both in their common research orientation and in their reciprocal complementarity. From the perspective of postcolonial world view, our approach is focused of the essential antagonism that consists in the confrontation between « masters » (i.e. the colonists) and the « humiliated autochton » described by Hubert Félix Thiéfaine. In the same way, this study is periodically punctuated by other quotes from Thiéfaine's texts, which provide a suggestive counterpoint to the views exposed in the different chapters. One has to determine to what extent the incorporation of mythical elements actually appears as a key part by the emergence of a postcolonial discourse, while the shift from colonial to postcolonial discourse occurs through the recourse to a mythical legacy which combines reappropriations of the cultural legacy brought by the colonisators and renewal of the local mythic background, in this case with differents accentuations depending on the localisation of the text and its author in Black Africa, Maghreb or India. The recognition of significant divergences concerning the selection of the most important mythical elements goes in fact hand in hand with a large similarity in the treatment modalities concerning their integration in the poscolonial discourse, of which they are an essential part in all the cases studied. Several elements belonging to the mythical domain appear thus to be present in the poscolonial literary texts analysed in the present study. We find in particular symbols and mythems related to the resurgence of very old mythical figures and revealing in this way their eternal return. Apart from those symbolical structures, the investigation of the texts shows that mythical figures like Prometheus or Dionysos appear in postcolonial context as acceptable configurations of representations whose disruptive potentialities contain the possibility of a transition in the transmission of the values and systems of thoughts they convey and that underlie in the same way both the colonial and postcolonial facts. The investigation of the main categories in the novels building our corpus allows to describe the specific dynamics inherent to those novelistic categories and determined by the postcolonial context, which stays itself under the influence of the dynamics inherent to the mythical structures that underlies the thinking of people and also appears as the substrate of the literary and artistic achievements which are in touch with current concerns of our time. Henceforth our study postulates as a last result the presence of a mythical discourse common to all those texts. It appears as a projection of imaginary representations of transition in postcolonial context, grounded in eschatology and tending to the emergence of new cosmologies

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Crunfli, Édina Pereira. "Postcolonial Lawrence". Florianópolis, SC, 2006. http://repositorio.ufsc.br/xmlui/handle/123456789/89431.

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Tese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente.
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Este trabalho lida com a produção de D.H.Lawrence enquanto o escritor inglês residia no México em 1923 e 1924, o romance The Plumed Serpent e os ensaios da coleção Mornings in Mexico, analisados de uma perspectiva pós-colonial. O projeto parte do pressuposto de que é tarefa do crítico pós-colonial, como Edward Said argumenta, tornar visível a ideologia contida nos textos imperiais e canônicos. Seria reducionista, no entanto, alegar que o material aqui analisado, em que pesem as estruturas coloniais que Lawrence necessariamente habita, seja "uniformemente imperialista". A complexidade do romance The Plumed Serpent reside precisamente no fato de que se pode observar uma ambivalência problemática: por um lado, um esforço inegável de Lawrence para tomar o partido das vítimas da Conquista Espanhola, o que leva o escritor a assumir uma postura "anti-imperialista", ainda que platônica, quando reverte papéis de figuras do episódio histórico, quais sejam, a figura de Hernán Cortés (criando um protagonista nativo mexicano que promove a reinstalação da religião Asteca, banindo o Cristianismo do México) e a figura de Malinche (amante e intérprete de Cortés); por outro lado, como qualquer sujeito imbricado em sua cultura, ele é inexoravelmente incapaz de atravessar o abismo que o separa do outro mexicano, e a questão da incomensurabilidade cultural se apresenta de forma infinitamente mais complexa do que ele poderia ter sonhado. O resultado de sua tentativa é que quanto mais ele verbaliza suas posições anti-eurocêntricas, mais o eurocentrismo se manifesta em seu discurso. Esse fenômeno é cuidadosamente analisado no capítulo sobre a questão racial (no qual investigo a relação entre Kate e Juana), também no capítulo intitulado "Utopian politics of resistance/orientalism", e ainda no capítulo que chamei "Barbaric Mexico". O capítulo III, "Pattern of role reversals: Fickle attempt of deconstruction" apresenta uma análise sistemática dos papéis históricos que Lawrence reverte em sua ficção. Por fim, o capítulo V apresenta uma análise rigorosa do contexto social do México enquanto Lawrence lá residiu e como ele se reflete no romance. A conclusão do trabalho aponta, à luz dos capítulos anteriores, para a dupla condição de Lawrence: por um lado, seu desejo de "desaprender a Europa" e sua vontade de resgatar "histórias esquecidas", seu genuino esforço, ainda que perturbado, de explorar diferença cultural; e, por outro lado, sua intensa dependência de construções históricas da própria cultura ocidental que ele tenta desafiar, e quão pouco consciente de suas limitações, enquanto sujeito de seu tempo e de sua cultura, ele foi. Como uma pessoa não-estabelecida e dividida, ele envereda pela tentativa de resistência a aspectos da ideologia imperialista, mas simultaneamente não consegue evitar as armadilhas da retórica do colonialismo.

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Kew, Thomas. "The postcolonial Midlands". Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/40575.

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This thesis aims to demonstrate the advantages of shifting the focus of literary criticism about postcolonial and post-war British writing towards regional literary cultures. London has long hosted dominant creative narratives and is also the centre of the UK’s publishing industry. In recent years, the North of England has arguably begun to catch up, with sustained critical attention — most notably Pearce, Fowler and Crashaw’s Postcolonial Manchester (2013) — being devoted to the region’s literary output. Perhaps in part due to its landlocked geography, the Midlands region is too often overlooked and caught in the middle of a critical landscape that tends to reify, and thereby reinforce, the reductive notion of a North–South divide. This thesis therefore heralds the recognition of the Midlands as a fertile site of academic enquiry. With the reassessment of Midlands writing, I hope to offer a richer understanding of how the dynamics of space and place result in distinctive regional literatures. This thesis affords a unique regional optic as the first major study to position the Midlands at the forefront of debates emanating from devolution of literary cultures, literary economy, diaspora and cosmopolitanism. The relationship between region and writer, and the role which literature plays in defining the character of an area, are central to this thesis. My source material is primarily fiction and poetry from the post-war period, supplemented by original interviews and readings of the historical and social sources which provide necessary context. My thesis therefore emerges alongside new critical and creative work which demonstrates the Midlands’ literary abundance.

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Sharma, Seetal. "Globalisation and postcolonial identity". Thesis, Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25262348.

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Fielder, John. "Postcolonial ambivalence: Reading Aboriginality". Thesis, Fielder, John (1996) Postcolonial ambivalence: Reading Aboriginality. PhD thesis, Murdoch University, 1996. https://researchrepository.murdoch.edu.au/id/eprint/50698/.

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The central claim of this thesis is that an understanding of ambivalence as a productive element of discursive practice opens up reading strategies which counter the assimilationist tendencies of dominant reading formations in relation to Aboriginality in Australia. This claim is supported by offering readings of selected texts which foreground the threat posed by the unassimilable difference of Aboriginality to the project of modernity and its colonising impulse. These readings of specific texts marked as “Aboriginal” identify an historical pattern of projection of ambivalence onto Aboriginal people. My thesis counters this historical pattern of colonialist projection by framing ambivalence as a particularly modern “problem,” a dilemma that is intrinsic to the logic of modernity. In an abstract sense, then, ambivalence is explored as the supplement of modernity's and colonialism's desire to impose Enlightened Western order on “primitive” peoples, places and practices; in a more concrete sense. ambivalence is explored as an increasingly undeniable social force in Australia as cultural policy has shifted away from assimilationism and towards cultural pluralism. This shift in cultural policy since the 1960s is examined in terms of Aboriginal writer Mudrooroo’s “Wildcat” trilogy: his novels are used as a springboard to discuss the social and cultural tensions evident in dominant reading formations. I also use the novels to identify some of the ways in which Aboriginal people negotiate persistent assimilationist expectations, both the disabling effects of the exigencies of assimilationism and the enabling opportunities they have exploited. I argue that Aboriginal people have necessarily had to struggle with ambivalence, whereas the primary colonialist strategy has been to deny ambivalence. It is in this context that I apply Homi Bhabha's ideas on the ambivalence and hybridity of “cultural translation” in order to emphasise the struggle inherent in negotiating incommensurate cultural practices and logics. In this thesis, I also explore oppositional reading tactics which acknowledge the slippage, incompleteness and surplus of cultural translation, in order to counter assimilationist reading strategies. I refer to “reading,” in a very broad sense, as a form of translation and show how everyday, informal interpretative practices also operate in terms of dominant reading formations. Accordingly, this thesis applies Mudrooroo's “wildcat” metaphor to cultural fields beyond literature: to Nyoongahs’ struggle to reclaim sacred sites in an urban context and to the “image” of Aboriginal Australian rules football players. Overall, the thesis shows how selected Aboriginal literary and cultural “texts” expose and disrupt the assimilationist tendencies which persist in Australian mainstream reading patterns. The thesis is especially concerned with the ways in which such texts respond to specific social and political circumstances, and seize opportunities—understood here in terms of cultural ambivalence—to re-frame Aboriginality. In other words, the thesis demonstrates how Aboriginal texts, how Aboriginal people, have actively contributed to the ongoing process of changing established cultural reading formations in Australia.

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Roma, Jennifer. "Zadie Smith as the postcolonial Sisyphus a neo-postcolonial examination of On Beauty /". Connect to Electronic Thesis (CONTENTdm), 2008. http://worldcat.org/oclc/441854030/viewonline.

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Mirze, Z. Esra. "Disorientation : "home" in postcolonial literature/". abstract and full text PDF (free order & download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209125.

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Thesis (Ph. D.)--University of Nevada, Reno, 2005.
"August 2005." Includes bibliographical references (leaves 229-239). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.

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Mowat, Ryan Douglas Ronald. "Narrative ethics in postcolonial fiction". Thesis, University of Strathclyde, 2003. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21205.

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When considering the ethico-political task of postcolonial criticism Gayatri Chakravorty Spivak claims that "ethics is the experience of the impossible, " and that "deconstruction cannot form a political program of any kind. " Both these ideas motivate the central question of this thesis: if ethics is an experience of the impossible and deconstruction cannot form a political program, can we produce an ethical critique that radically considers the narrative representation of violent oppression within different postcolonial cultures and histories? This question will be addressed via four modes of enquiry: 1) By considering the current role of deconstruction within postcolonial criticism and asking whether deconstruction is a concept of writing that can be incorporated into reading strategies which intend to identify an ethics within writing; 2) by examining recent critical investigations into the idea that literary-linguistic structures themselves have ethical characteristics, and asking whether it is possible to identify an ethics within the structure of certain postcolonial fictions; 3) by investigating the representation of violence and physical oppression intrinsic to these fictions, and asking how the inscription of that violence affects their narrative structures; and, 4) by arguing that the representation of the postcolonial body in pain not only affects the structures of the narratives considered, but also plays a vital role in the radical ethics of that fiction. This last concern is initiated by Elaine Scarry's claim that pain itself remains utterly resistant to language. These enquiries will be made alongside critical examinations of twelve international postcolonial novels and their narrative structures. In doing so this thesis will ask whether it is possible to identify a radical ethics of fiction that is common to various postcolonial cultures, rather than a discursively informed ethics that is culturally or historically specific.

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Chaplain, Josefina. "Gendered visions postcolonial Indian art". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31223928.

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Bhambra, Gurminder K. "Contesting modernity : a postcolonial analysis". Thesis, University of Sussex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406613.

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Książki na temat "Postcolonial"

Craps, Stef. Postcolonial Witnessing. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137292117.

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Ingham, Patricia Clare, i Michelle R. Warren, red. Postcolonial Moves. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1057/9781403980236.

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Brigitte, Lachartre, i Cahen Michel, red. L'Angola postcolonial. Paris: Karthala, 2008.

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Ismaiel-Wendt, Johannes Salim, i Andi Schoon, red. Postcolonial Repercussions. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462522.

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Can sound be perceived independently of its social dimension? Or is it always embedded in a discursive network? »Postcolonial Repercussions« explores these questions in form of a collective conversation. The contributors have collected sound stories and sound knowledge from Brazil to Morocco, listened to resonances from the Underground and the Pacific Ocean, from Popular Music and speech recognition. The anthology gathers heterogeneous approaches to emancipatory forms of ontological listening as well as pleas for critical fabulation and a practice of care. It tells us about opportunities, perspectives and the (im)possibility of decolonised listening.

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Boehmer, Elleke. Postcolonial Poetics. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-90341-5.

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Ward, Abigail, red. Postcolonial Traumas. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137526434.

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Mukherjee, Upamanyu Pablo. Postcolonial Environments. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230251328.

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Teverson, Andrew, i Sara Upstone, red. Postcolonial Spaces. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230342514.

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Lombardi-Diop, Cristina, i Caterina Romeo, red. Postcolonial Italy. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137281463.

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Nayar, Pramod K., red. Postcolonial Studies. Chichester, UK: John Wiley & Sons, Ltd, 2015. http://dx.doi.org/10.1002/9781119118589.

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Części książek na temat "Postcolonial"

Karkov, Catherine E. "Postcolonial". W A Handbook of Anglo-Saxon Studies, 149–63. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118328828.ch10.

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Benavides, O. Hugo. "Postcolonial Archaeologies". W Encyclopedia of Global Archaeology, 8785–91. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_3.

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Moane, Geraldine, i Christopher Sonn. "Postcolonial Psychology". W Encyclopedia of Critical Psychology, 1444–48. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_226.

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van Klinken, Gerry. "Postcolonial Citizens". W Postcolonial Citizenship in Provincial Indonesia, 45–75. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-6725-0_3.

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Shizha, Edward, i Michael T. Kariwo. "Postcolonial Curriculum". W Education and Development in Zimbabwe, 73–89. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-606-9_6.

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Ahmed, Siraj. "Postcolonial Theory". W A Companion to Literary Theory, 261–74. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118958933.ch21.

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Schweiger, Hannes. "Postcolonial Studies". W Handbuch Biographie, 408–13. Stuttgart: J.B. Metzler, 2009. http://dx.doi.org/10.1007/978-3-476-05229-2_53.

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Khair, Tabish. "Postcolonial Horror". W The Palgrave Handbook to Horror Literature, 433–39. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97406-4_33.

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Hardwick, Lorna. "Postcolonial Studies". W A Companion to the Classical Tradition, 312–27. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996775.ch22.

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Baxi, Upendra. "Postcolonial Legality". W A Companion to Postcolonial Studies, 540–55. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470997024.ch29.

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Streszczenia konferencji na temat "Postcolonial"

Irani, Lilly C., i Paul Dourish. "Postcolonial interculturality". W Proceeding of the 2009 international workshop. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1499224.1499268.

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Irani, Lilly, Janet Vertesi, Paul Dourish, Kavita Philip i Rebecca E. Grinter. "Postcolonial computing". W the 28th international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753326.1753522.

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Heng, Xuemin. "Studies of Postcolonial Theory and Postcolonial Translation Theory". W Proceedings of the 2018 2nd International Conference on Education Innovation and Social Science (ICEISS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iceiss-18.2018.25.

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Alghofaili, Sultan. "Wangari Maathai’s Postcolonial Environmental Struggle". W 4th World Conference on Social Sciences. ACAVENT, 2022. http://dx.doi.org/10.33422/4th.worldcss.2022.06.120.

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MisirHiralall, Sabrina. "Postcolonial Dress Narratives Through Cultural Becoming". W 2021 AERA Annual Meeting. Washington DC: AERA, 2021. http://dx.doi.org/10.3102/1689375.

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Yang, Yang. "Postcolonial Uncanny Narrative in Heart of Darkness". W Proceedings of the 2018 International Symposium on Humanities and Social Sciences, Management and Education Engineering (HSSMEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/hssmee-18.2018.29.

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Merritt, Samantha, i Shaowen Bardzell. "Postcolonial language and culture theory for HCI4D". W the 2011 annual conference extended abstracts. New York, New York, USA: ACM Press, 2011. http://dx.doi.org/10.1145/1979742.1979827.

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Tondji, Germaine. "Engaging Currere and Postcolonial Discourse Toward Survivance". W 2023 AERA Annual Meeting. Washington DC: AERA, 2023. http://dx.doi.org/10.3102/2017849.

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JOVANOVIĆ, ALEKSANDRA. "POSTCOLONIAL INDIA IN SALMAN RUSHDIE’S NOVEL MIDNIGHT’S CHILDREN". W International Conference on Social science, Humanities and Education. Acavent, 2018. http://dx.doi.org/10.33422/icshe.2018.12.64.

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Kaur, Gurpreet. "An Exegesis of Postcolonial Ecofeminism in Contemporary Literature". W Annual International Conference on Language, Literature & Linguistics. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2251-3566_l31257.

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Raporty organizacyjne na temat "Postcolonial"

Pasveer, Bernike, i Anne Beaulieu. WTMC Spring Workshop Postcolonial 2019. Netherlands Graduate Research School of Science, Technology and Modern Culture (WTMC), 2019. http://dx.doi.org/10.3990/4.2666-2892.2019.01.

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Stefan, Madalina. Conviviality, Ecocriticism and the Anthropocene: An Approach to Postcolonial Resistance and Ecofeminism in the Latin American Jungle Novel. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, kwiecień 2022. http://dx.doi.org/10.46877/stefan.2022.43.

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In the context of the Anthropocene, ecocriticism is gaining an increasingly important role, foregrounding the inextricability of nature and culture, on the one hand, and the postcolonial cultural representation from the Global South on the other. Against this backdrop, the present working paper will focus on the Latin American context, suggesting that conviviality signifies a crucial contribution to the discourse about the Anthropocene and serves as an ideal theoretical framework for the research project on “Postcolonial Resistance and Ecofeminism in the Latin American Jungle novel”, which is outlined at the end of the paper.

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Müller, Gesine. Conviviality in PostColonial Societies: Caribbean Literature in the Nineteenth Century. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, kwiecień 2018. http://dx.doi.org/10.46877/muller.2018.02.

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Magnima Kakassa, Arsène. Féminité et marginalité dans la prose postcoloniale : essai de réflexion sur la polygamie et le mariage arrangé dans Celles qui attendent de Fatou Diome. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.10.

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