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Artykuły w czasopismach na temat "Portrait photography"
Allen, Joseph R. "Picturing Gentlemen: Japanese Portrait Photography in Colonial Taiwan". Journal of Asian Studies 73, nr 4 (listopad 2014): 1009–42. http://dx.doi.org/10.1017/s0021911814000990.
Pełny tekst źródłaKotliar, Svitlana, i Iryna Zaspa. "Female Portrait in Photography Art: from Authenticity to Modernity". Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 4, nr 1 (30.06.2021): 84–96. http://dx.doi.org/10.31866/2617-2674.4.1.2021.235094.
Pełny tekst źródłaBlanchard, Antoine. "Microhistoire des portraits composites: Le cas Arthur Batut (1846-1918)". REVISTA DE HISTORIOGRAFÍA (RevHisto) 27 (27.11.2017): 287. http://dx.doi.org/10.20318/revhisto.2017.3975.
Pełny tekst źródłaVogelsang, Helena. "A Nostalgic Longing for the 20th Century: Past and Present Backdrops and Scenes in the Skylight Studio of Josip Pelikan". Membrana Journal of Photography, Vol. 3, no. 2 (2018): 56–61. http://dx.doi.org/10.47659/m5.056.art.
Pełny tekst źródłaWulan, Evi Retno. "Written Approval for Commercialization of Portrai Photography: A Study of Law No. 28 of 2014 in the context of Improving the Distro Business in Indonesia". IJEBD (International Journal of Entrepreneurship and Business Development) 5, nr 4 (31.07.2022): 759–63. http://dx.doi.org/10.29138/ijebd.v5i4.1909.
Pełny tekst źródłaAlù, Giorgia. "Order and otherness in a photographic shot: Italians abroad and the Great War". Modern Italy 22, nr 3 (sierpień 2017): 291–314. http://dx.doi.org/10.1017/mit.2017.34.
Pełny tekst źródłaKazakevych, Gennadii. "Memory Factories: Professional Photography in Kyiv, 1850-1918". Text and Image: Essential Problems in Art History, nr 1 (2020): 82–101. http://dx.doi.org/10.17721/2519-4801.2020.1.06.
Pełny tekst źródłaPadmanabhan, Lakshmi. "A Feminist Still". Camera Obscura: Feminism, Culture, and Media Studies 35, nr 3 (1.12.2020): iv—29. http://dx.doi.org/10.1215/02705346-8631535.
Pełny tekst źródłaEnsel, Remco. "Dutch Face-ism. Portrait Photography and Völkisch Nationalism in the Netherlands". Fascism 2, nr 1 (2013): 18–40. http://dx.doi.org/10.1163/22116257-00201009.
Pełny tekst źródłaDwika, Nurtati, Emmi Siregar i Irda Pratiwi. "PERLINDUNGAN POTRET UNTUK PROMOSI TANPA IZIN PIHAK TERKAIT BERDASARKAN UNDANG-UNDANG NOMOR 28 TAHUN 2014". JURNAL RECTUM: Tinjauan Yuridis Penanganan Tindak Pidana 2, nr 1 (7.01.2020): 20. http://dx.doi.org/10.46930/jurnalrectum.v2i1.388.
Pełny tekst źródłaRozprawy doktorskie na temat "Portrait photography"
Munsie, Richard. "Intimation of life : photographic portraiture in art". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/719.
Pełny tekst źródłaKowsar, Shabahang. "L'Art de Paraître dans le Portrait Photographique sous le Second Empire". Thesis, Versailles-St Quentin en Yvelines, 2015. http://www.theses.fr/2015VERS006S.
Pełny tekst źródłaWhen portraiture was made accessible to French citizens in the nineteenth century, someconservative critics did not consider all individuals to be “portrayable”. This did notprevent people of means from hiring portrait painters to create their own “visiblememory”. In the process, they redefined the nature of the artist’s model. These newsitters, who were employers rather than employees, were not obedient: they insisted uponimposing their individual style and references. Photographic artists, on the other hand,persisted in directing their sitters—as artists did their paid academic models—and had toseek compromises that, without relinquishing their favoured styles, would satisfy theirdemanding clients. Some photographers published manuals and treatises explaining howto produce a good portrait without being unduly disturbed by the model’s whims andfancies. Furthermore, self-proclaimed experts in modern “etiquette” taught people how totalk, how to walk and how to appear in society. A careful examination of the conditionsbehind the production of photographic portraits, especially those representing fashionablecitizens taken during the era of the carte-de-visite, reveals the importance of the rolesplayed respectively by the model, the portrait photographer and the social codes ofconduct of the day
Hacking, Juliet Louise. "Photography personified : art and identity in British photography 1857-1869". Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266787.
Pełny tekst źródłaMakun, Adetoun Jones. "International passports : portrait of the Nigerian diaspora". Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002226.
Pełny tekst źródłaTran, Michelle. "Standing in the shadow of the moon : a diaristic encounter with identity through my everyday /". Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/8531.
Pełny tekst źródłaPhillips, Michael. "The family album : an extended portrait /". Online version of thesis, 1987. http://hdl.handle.net/1850/8851.
Pełny tekst źródłaSpenny, Anne M. "Portrait of a young woman /". Online version of thesis, 1989. http://hdl.handle.net/1850/11529.
Pełny tekst źródłaCarmignac, Ariane-Esther. "Passer le temps. Vies d'une archive photographique contemporaine : l'archivio Graziano Arici". Thesis, Lyon, 2018. http://www.theses.fr/2018LYSES044/document.
Pełny tekst źródłaThe Archive Graziano Arici is a definitely unique photograph Archive of its kind. It concentrates issues, or combine objectives which only partially meet. The standard Archive of Graziano Arici’s photograph (Arici is a photographer born in Venice, now living in Arles and still working) first acting as a picture-base which enables the photographer to gather together and sell his productions, is also, from the outset, designed as a conservation device, and by its author himself intended in its entirety to represent particular times and bear testimony to individual perceptions of those times ; by acquiring fractions of photograph archives, and setting up a picture-conservation policy, but through his own creation and plastic work as well, the photographer becomes heir to a fleeting world, and his go-between, too, giving birth to an art of assembling, and his archive becoming a paradoxical place
Pelser, Monique Myren. "Roles : "I am as intently observed as the people photograph"". Thesis, Rhodes University, 2007. http://hdl.handle.net/10962/d1007647.
Pełny tekst źródłaCleveland, Larissa. "Collector : collection/possession/persona /". Online version of thesis, 2008. http://hdl.handle.net/1850/6186.
Pełny tekst źródłaKsiążki na temat "Portrait photography"
Herrmann, Frank. Portrait photography. Sparkford: Oxford Illustrated, 1988.
Znajdź pełny tekst źródłaPeter, Weiermair, red. Portraits: Das Portrait in der zeitgenössischen Photographie = Portraits in contemporary photography = Le portrait dans la photographie contemporaine. Schaffhausen: Edition Stemmle, 1989.
Znajdź pełny tekst źródłaGilissen, Maria. Portrait photography. Bristol: Arnolfini Gallery, 1988.
Znajdź pełny tekst źródłaGilissen, Maria. Portrait-photography. Bristol: Arnolfini Gallery, 1988.
Znajdź pełny tekst źródłaGilissen, Maria. Portrait-photography. Bristol: Arnolfini Gallery, 1988.
Znajdź pełny tekst źródłaTechniques of portrait photography. London: Macdonald, 1985.
Znajdź pełny tekst źródłaTim, Meyer, red. The portrait: Understanding portrait photography. Santa Barbara, CA: Rocky Nook, 2009.
Znajdź pełny tekst źródłaRand, Glenn. The portrait: Understanding portrait photography. Santa Barbara, CA: Rocky Nook, 2010.
Znajdź pełny tekst źródłaRand, Glenn. The portrait: Understanding portrait photography. Wyd. 2. Santa Barbara, CA: Rocky Nook, 2014.
Znajdź pełny tekst źródłaRand, Glenn. The portrait: Understanding portrait photography. Santa Barbara, CA: Rocky Nook, 2009.
Znajdź pełny tekst źródłaCzęści książek na temat "Portrait photography"
Raymond, Claire. "Self-Portrait Performance". W The Selfie, Temporality, and Contemporary Photography, 152–71. New York: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429319044-8.
Pełny tekst źródłaHood, Stephanie L. "Science, Photography, and Objectivity? Exploring Nineteenth-Century Visual Cultures through the HMS Challenger Expedition (1872–1876)". W Scientific Visual Representations in History, 251–86. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-11317-8_9.
Pełny tekst źródłaSkopin, Denis. "“Portrait” Criminal Cases". W Photography and Political Repressions in Stalin's Russia, 15–56. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003184744-3.
Pełny tekst źródłaSkopin, Denis. "The Group Portrait". W Photography and Political Repressions in Stalin's Russia, 57–73. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003184744-4.
Pełny tekst źródłaSarvas, Risto, i David M. Frohlich. "The Portrait Path (ca. 1830s–1890s)". W From Snapshots to Social Media - The Changing Picture of Domestic Photography, 23–45. London: Springer London, 2011. http://dx.doi.org/10.1007/978-0-85729-247-6_3.
Pełny tekst źródłaKwon, Heangga. "Royal Propaganda and National Identity in Emperor Gojong's Portrait Photography". W Interpreting Modernism in Korean Art, 49–57. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429351112-8.
Pełny tekst źródłaPrussat, Margrit. "Carte de visite photography in South America. The mass-produced portrait". W Exploring the Archive, 129–50. Köln: Böhlau Verlag, 2015. http://dx.doi.org/10.7788/9783412218423-005.
Pełny tekst źródłaAnderson, Joel. "Actor portraits". W Theatre & Photography, 39–45. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-34562-2_6.
Pełny tekst źródłaGiannachi, Gabriella. "The photographic self-portrait". W Technologies of the Self-Portrait, 43–70. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429468483-3.
Pełny tekst źródłaZhang, Xiaoyan, Martin Constable, Kap Luk Chan, Jinze Yu i Wang Junyan. "Composition Improvement for Portrait Photographs". W Computational Approaches in the Transfer of Aesthetic Values from Paintings to Photographs, 137–53. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3561-6_8.
Pełny tekst źródłaStreszczenia konferencji na temat "Portrait photography"
Yang, He. "Illusion of Portrait Photography". W 2015 2nd International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-15). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icelaic-15.2016.113.
Pełny tekst źródłaSong, Xue, Jiawei Pan, Fuzhang Wu i Weiming Dong. "Optimal Composition Recommendation for Portrait Photography". W SA '22: SIGGRAPH Asia 2022. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3550082.3564206.
Pełny tekst źródłaBeretta, Giordano B. "Professional portrait studio for amateur digital photography". W Photonics West '98 Electronic Imaging, redaktorzy Giordano B. Beretta i Reiner Eschbach. SPIE, 1998. http://dx.doi.org/10.1117/12.298305.
Pełny tekst źródłaLiu, Yunfei, Sijia Wen i Feng Lu. "3D Photography with One-shot Portrait Relighting". W 2021 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2021. http://dx.doi.org/10.1109/ismar-adjunct54149.2021.00038.
Pełny tekst źródłaKim, Jee Hong. "A method to modify images to compensate for non-uniform flash illumination in group portrait photography". W Digital Photography II. SPIE, 2006. http://dx.doi.org/10.1117/12.650460.
Pełny tekst źródłaWang, Ziyu, Liao Wang, Fuqiang Zhao, Minye Wu, Lan Xu i Jingyi Yu. "MirrorNeRF: One-shot Neural Portrait Radiance Field from Multi-mirror Catadioptric Imaging". W 2021 IEEE International Conference on Computational Photography (ICCP). IEEE, 2021. http://dx.doi.org/10.1109/iccp51581.2021.9466270.
Pełny tekst źródłaYurgeneva, Alexandra. "Attributes of a Model in 19th Century Portrait Photography: Typical and Individual". W The 5th International Conference on Art Studies: Research, Experience, Education (ICASSEE 2021). Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789048557240/icassee.2021.022.
Pełny tekst źródłaMohanty, Vikram, David Thames, Sneha Mehta i Kurt Luther. "Supporting Historical Photo Identification with Face Recognition and Crowdsourced Human Expertise (Extended Abstract)". W Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. California: International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/660.
Pełny tekst źródłaVenable, Dennis L., i Nicholas George. "Orientation sorting by diffraction pattern sampling". W OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/oam.1987.ma2.
Pełny tekst źródłaHill, Rodrigo, i Tom Roa. "Place-making: Wānanga based photographic approaches". W LINK 2022. Tuwhera Open Access, 2022. http://dx.doi.org/10.24135/link2022.v3i1.188.
Pełny tekst źródłaRaporty organizacyjne na temat "Portrait photography"
Visa Barbosa, M., T. Serés Seuma i J. Soto Merola. From the family portrait to the profile picture. Uses of photography in the Facebook social network. Revista Latina de Comunicación Social, kwiecień 2018. http://dx.doi.org/10.4185/rlcs-2018-1278en.
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