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Artykuły w czasopismach na temat "Portrait of the artist as a young man"
Tarasenko, O. "Image of the Family and People in the Artwork of Roman Petruck". Research and methodological works of the National Academy of Visual Arts and Architecture, nr 27 (27.02.2019): 227–34. http://dx.doi.org/10.33838/naoma.27.2018.227-234.
Pełny tekst źródłaLowe-Evans, Mary. "Joyce's Portrait of the Artist as a Young Man". Explicator 48, nr 4 (lipiec 1990): 275–77. http://dx.doi.org/10.1080/00144940.1990.9934028.
Pełny tekst źródłaKearney, Anthony. "Joyce's a Portrait of the Artist as a Young Man". Explicator 56, nr 1 (styczeń 1997): 33–36. http://dx.doi.org/10.1080/00144949709595246.
Pełny tekst źródłaGilliam, D. M. E., i R. W. McConchie. "Joyce’s a Portrait of the Artist as a Young Man". Explicator 44, nr 3 (kwiecień 1986): 43–46. http://dx.doi.org/10.1080/00144940.1986.11483936.
Pełny tekst źródłaCervo, Nathan. "Joyce’s a Portrait of the Artist as a Young Man". Explicator 49, nr 2 (styczeń 1991): 114–16. http://dx.doi.org/10.1080/00144940.1991.11484029.
Pełny tekst źródłaMathews, Carolyn L. "Joyce's a Portrait of the Artist as a Young Man". Explicator 50, nr 1 (październik 1991): 38–40. http://dx.doi.org/10.1080/00144940.1991.9938706.
Pełny tekst źródłaAoyama, Tomoko. "Seinen: Ogai's portrait of a young man as an artist". Japanese Studies 14, nr 3 (grudzień 1994): 66–77. http://dx.doi.org/10.1080/10371399408727589.
Pełny tekst źródłaStanca, Nicoleta. "“From Baby Tackoo To Sunny Jim”: Joyce’s “A Portrait of the Artist as a Young Man” As Fictional Biography". Linguaculture 2, nr 1 (30.06.2011): 37–44. http://dx.doi.org/10.47743/lincu-2011-2-1-254.
Pełny tekst źródłaBelyaev, Vasily, i Nina Makarova. "Portrait of Kirill Razumovsky by Pompeo Girolamo Batoni". Ideas and Ideals 14, nr 2-2 (27.06.2022): 338–49. http://dx.doi.org/10.17212/2075-0862-2022-14.2.2-338-349.
Pełny tekst źródłaJones, Robert S. P. "Language, Form and Emotion in James Joyce’s Portrait of an Artist as a Young Man: A Literary Analysis". Advances in Language and Literary Studies 8, nr 5 (2.11.2017): 158. http://dx.doi.org/10.7575/aiac.alls.v.8n.5p.158.
Pełny tekst źródłaRozprawy doktorskie na temat "Portrait of the artist as a young man"
Heinimann, David. "A portrait of the young man as a failed artist /". Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66151.
Pełny tekst źródłaMendonça, Júnior Jorge Witt de. "O tempo do artista em A portrait of the artist as a young man". PROGRAMA DE PÓS-GRADUAÇÃO EM ESTUDOS DA LINGUAGEM, 2018. https://repositorio.ufrn.br/jspui/handle/123456789/25094.
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A obra de James Joyce (1882-1941) que trabalhamos nessa pesquisa, A Portrait of the Artist as a Young Man, publicada em 1916, narra a história de Stephen Dedalus no período que vai da sua infância até o início da idade adulta. É a partir dessa perspectiva da evolução do texto juntamente com o personagem que propomos um estudo do romance enquanto gênero diferenciado no tratamento da categoria do tempo. Partimos com o objetivo de analisar de que maneira a linguagem desenvolvida pelo autor possibilita a criação de uma camada linguística para o desenvolvimento do personagem e do tempo ao longo da narrativa, possibilitando o compartilhamento de uma experiência temporal a partir da linguagem. Analisaremos como a linguagem é utilizada para desenvolver a temática da rebeldia do personagem, inserida na estrutura linguística da obra. Desenvolvemos essa pesquisa em A Portrait a partir do estudo de autores como Ricoeur (1995), Bakhtin (2010), Benjamin (2011), Lukács (2007), Mendilow (1972), Genette (1995), entre outros. Discutimos também a questão da interação narradorpersonagem e sua influência na evolução da narrativa, partindo de Candido (2007) e Auerbach (2002). Nossa proposta desenvolve primeiramente um estudo sobre as características romanescas que fazem da temática do tempo um elemento essencial à forma do romance. Abordamos, na sequência, a forma como a linguagem desenvolve uma reconfiguração da experiência temporal na estrutura linguística do romance. Chegamos à conclusão de que para configurar o tempo por meio da linguagem, o autor utiliza de recursos literários como, por exemplo, a relação entre o narrador e personagem observada na manipulação do ponto de vista, a possibilidade de unir o discurso do narrador às palavras do personagem por meio de uma linguagem híbrida, o uso de ferramentas como a repetição ou a exploração dos níveis da consciência do personagem pela sua linguagem, além da adaptação de estilos e padrões narrativos correspondentes a cada etapa da vida do personagem fazendo com que a sua evolução seja sentida, não apenas declarada, na própria experiência linguística da leitura.
The work of James Joyce (1882-1941) discussed in this research, A Portrait of the Artist as a Young Man, published in 1916, tells the story of Stephen Dedalus, in the period of time that goes from his childhood to early adulthood. It is from the perspective of the evolution of the text along with the character that we propose a study of the novel as a genre differentiated in the treatment of the category of time. We set out to analyze how the language developed by the author allows the creation of a linguistic layer for the development of the character and the category of time throughout the narrative, allowing the sharing of a temporal experience from the language. We will also analyze how the language is used to develop the theme of character's rebellion, which is also observed in the linguistic structure of the novel. We carry out this research in A Portrait from the theoretical underpinning of authors such as Ricoeur (1995), Bakhtin (2010), Benjamin (2011), Lukács (2007), Mendilow (1972), Genette (1995), among others. We also discuss the narrator-character interaction and its influence on narrative evolution, based on Candido (2007) and Auerbach (2002) theoretical background. Our proposal first depicts a study on the romanesque characteristics that make of the category of time an essential element to the form of the novel. We next deal with the way language embodies a reconfiguration of temporal experience in the linguistic structure of the novel. We conclude that in order to configure the time within the language, the author uses literary resources such as the relationship between the narrator and character, which can be seen in the manipulation of the point of view, the possibility of uniting the speech of the narrator to the words of the character through a hybrid language, the use of tools such as the repetition or the exploration of the levels of the character's consciousness by its language and the adaptation of narrative styles and patterns corresponding to each stage of the life of the character, causing its evolution to be felt, not just stated, in the linguistic experience of reading.
Sewerin, Mikael. "The Deconstruction of Maturity in Joyce's Portrait of the Artist as a Young Man". Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113427.
Pełny tekst źródłaGan, Wanghui. "A Portrait of the Artist as an Angry Young Man: Masculinities and the Male Artist in Twentieth-Century British Literature". Thesis, Université d'Ottawa / University of Ottawa, 2020. http://hdl.handle.net/10393/41098.
Pełny tekst źródłaSagrista, César. "James Joyce’s attitude towards religion in “A Portrait of the Artist as a Young Man”". Tesis, Universidad de Chile, 2005. http://www.repositorio.uchile.cl/handle/2250/110205.
Pełny tekst źródłaThis essay will deal with an aspect that cannot be ignored nor go unnoticed when we read A Portrait of the Artist as a Young Man; Joyce's interest in the theme of religion, or the importance of religion in the development of the artist as a young man, according to Joyce.
Figueroa, Lienqueo Tamara Valentina. "A portrait of the subject as a young artist: James Joyce and modernism". Tesis, Universidad de Chile, 2010. http://repositorio.uchile.cl/handle/2250/109942.
Pełny tekst źródłaNatali, Ilaria. "The Ur-portrait : Stephen Hero ed il processo di creazione artistica in A portrait of the artist as a young man /". Firenze : Firenze University Press, 2008. http://digital.casalini.it/9788884539083.
Pełny tekst źródłaMonteiro, Flavia Rodrigues. "A portrait of the hero as a young man: Stephen Dedalus and the mythogenesis of the artist". Universidade Federal de Minas Gerais, 2011. http://hdl.handle.net/1843/ECAP-8FDLTC.
Pełny tekst źródłaApós séculos sob a dominação inglesa, a Irlanda vivenciou uma forte demanda por restauração e consolidação de sua própria identidade política e cultural no final do século dezenove e início do século vinte. James Joyce tentou suprir a necessidade irlandesa de uma (re)construção de identidade e a mistura de mitologia e realismo em seus trabalhos foi sua tentativa de fornecer auto-conhecimento para seu povo. Essa dissertação investiga em que sentido a jornada de formação de um artista, desenvolvida em A Portrait of the Artist as a Young Man, metaforicamente faz um paralelo com a saga do herói clássico a fim de investigar as escolhas feitas por Joyce no que diz respeito aos arquétipos mitológicos com seu propósito e influência no trabalho do autor. Essa análise baseia-se na pesquisa de quarto campos: o contexto histórico irlandês, a biografia de James Joyce, elementos mitológicos e características importantes do romance de Joyce no que diz respeito à estrutura e construção de sentido. Ao compartilhar as características do herói, o protagonista do primeiro romance de Joyce eleva a condição do artista ao papel de salvador, redentorum verdadeiro herói para sua comunidade por revelar o caminho da iluminação através da literatura. Portanto, Joyce revela que o caminho para o auto-conhecimento é uma busca universal, tornando seus trabalhos uma reflexão que não é limitada por tempo, lugar e cultura.
Meints, Renata Del Rio. "The fallen artist :: the influence of John Milton's "Paradise Lost" on James Joyce's "A portrait of the artist as a young man"". Universidade Federal de Minas Gerais, 2009. http://hdl.handle.net/1843/ECAP-7PYHB9.
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Brown, James S. "Joyce's Doctrine of Denial: Families and Forgetting in Dubliners, A Portrait of the Artist as a Young Man, and Ulysses". The Ohio State University, 1993. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392900185.
Pełny tekst źródłaKsiążki na temat "Portrait of the artist as a young man"
James, Joyce. Portrait of the Artist As a Young Man. Independently Published, 2021.
Znajdź pełny tekst źródłaJames, Joyce, i Hans Walter Gabler. Portrait of the Artist As a Young Man. Penguin Random House, 2013.
Znajdź pełny tekst źródłaJames, Joyce, i Mint Editions. Portrait of the Artist As a Young Man. West Margin Press, 2021.
Znajdź pełny tekst źródłaJames, Joyce. Portrait of the Artist As a Young Man. Digireads.com Publishing, 2021.
Znajdź pełny tekst źródłaJames, Joyce. Portrait of the Artist As a Young Man. Independently Published, 2020.
Znajdź pełny tekst źródłaRiordan, Arthur, i Joyce James. Portrait of the Artist As a Young Man. Bloomsbury Publishing Plc, 2018.
Znajdź pełny tekst źródłaJames, Joyce. Portrait of the Artist As a Young Man. Independently Published, 2020.
Znajdź pełny tekst źródłaJames, Joyce. Portrait of the Artist As a Young Man. Independently Published, 2021.
Znajdź pełny tekst źródłaJames, Joyce. Portrait of the Artist As a Young Man. Independently Published, 2020.
Znajdź pełny tekst źródłaJames, Joyce. Portrait of the Artist As a Young Man. Independently Published, 2021.
Znajdź pełny tekst źródłaCzęści książek na temat "Portrait of the artist as a young man"
Brown, Richard. "A Portrait of the Artist as a Young Man". W James Joyce, 29–61. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21919-3_2.
Pełny tekst źródłaJoyce, James. "A Portrait of the Artist as a Young Man (1916)". W Reading Fiction: Opening the Text, 91–97. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-08108-7_14.
Pełny tekst źródłaNicholas Fargnoli, A., i Michael Patrick Gillespie. "Approaching A Portrait of the Artist as a Young Man". W Reading James Joyce, 56–80. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003223290-4.
Pełny tekst źródłaGabler, Hans Walter. "Towards a Critical Text of James Joyce’s A Portrait of the Artist as a Young Man". W Genetic Inroads into the Art of James Joyce, 11–70. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0325.01.
Pełny tekst źródłaDrews, Jörg. "Joyce, James: A Portrait of the Artist as a Young Man". W Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8856-1.
Pełny tekst źródłaGabler, Hans Walter. "The Genesis of A Portrait of the Artist as a Young Man". W Genetic Inroads into the Art of James Joyce, 71–108. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0325.02.
Pełny tekst źródłaAlsop, Derek, i Chris Walsh. "Reading as Revelation: A Portrait of the Artist as a Young Man". W The Practice of Reading, 119–39. London: Macmillan Education UK, 1999. http://dx.doi.org/10.1007/978-1-349-27437-6_6.
Pełny tekst źródłaGabler, Hans Walter. "James Joyce’s Hamlet Chapter". W Genetic Inroads into the Art of James Joyce, 257–70. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0325.08.
Pełny tekst źródłaGabler, Hans Walter. "James Joyce’s A Portrait of the Artist as a Young Man Critical Edition 1993". W Genetic Inroads into the Art of James Joyce, 143–60. Cambridge, UK: Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0325.04.
Pełny tekst źródłaWales, Katie. "Joyce and Rhetoric: Dubliners and A Portrait of the Artist as a Young Man". W The Language of James Joyce, 34–67. London: Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-21873-8_2.
Pełny tekst źródłaStreszczenia konferencji na temat "Portrait of the artist as a young man"
Сталинская, Е. П. "CREATIVE PORTRAIT OF THE DISTINGUISHED ARTIST, PROFESSOR N. Y. LAVRUKHIN". W Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.11.
Pełny tekst źródłaDudar, Ya O. "Tom Sawyer in late Joseph Heller’s prose “Portrait of an Artist, as an Old Man”". W CHALLENGES OF PHILOLOGICAL SCIENCES, INTERCULTURAL COMMUNICATION AND TRANSLATION STUDIES IN UKRAINE AND EU COUNTRIES. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-588-90-7-20.
Pełny tekst źródła"Between Collateral Criticism and Critical Marginalia: Portrait of the Artist as a Critic in Labo Yari’s Man of the Moment". W International Conference on Humanities, Literature and Management. International Centre of Economics, Humanities and Management, 2015. http://dx.doi.org/10.15242/icehm.ed0115044.
Pełny tekst źródłaTuksar, Stanislav. "Lisinski – 1848 – Jelačić: Music, Arts and Politics in the Life of the Young Man as Artist". W Međunarodni i interdisciplinarni simpozij Glazba, umjetnosti i politika: revolucije i restau- racije u Europi i Hrvatskoj 1815.-1860. (14 ; 2019 ; Zagreb). Hrvatska akademija znanosti i umjetnosti, 2021. http://dx.doi.org/10.21857/ygjwrcddqy.
Pełny tekst źródłaRaporty organizacyjne na temat "Portrait of the artist as a young man"
Galenson, David. A Portrait of the Artist as a Young or Old Innovator: Measuring the Careers of Modern Novelists. Cambridge, MA: National Bureau of Economic Research, styczeń 2004. http://dx.doi.org/10.3386/w10213.
Pełny tekst źródłaGalenson, David. A Portrait of the Artist as a Very Young or Very Old Innovator: Creativity at the Extremes of the Life Cycle. Cambridge, MA: National Bureau of Economic Research, maj 2004. http://dx.doi.org/10.3386/w10515.
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