Rozprawy doktorskie na temat „Popular music”
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Nott, James. "Popular music and the popular music industry in interwar Britain". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.324242.
Pełny tekst źródłaRoss, Gordon. "Popular music analysis". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65051.pdf.
Pełny tekst źródłaWise, Timothy Elbert. "Yodelling in American popular music". Thesis, University of Liverpool, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428246.
Pełny tekst źródłaMan, Oi-kuen Ivy. "Cantonese popular song in Hong Kong in the 1970s : an examination of musical content and social context in selected case studies /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20566013.
Pełny tekst źródłaWong, Chi-chung Elvin. "Making and using pop music in Hong Kong /". Hong Kong : University of Hong Kong, 1997. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18736439.
Pełny tekst źródłaHuang, Chun-Ming. "Mediated music, mediated nations : Taiwanese popular music in China". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/28985.
Pełny tekst źródłaWilliams, Zaneh M. "American Influence on Korean Popular Music". Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.
Pełny tekst źródłaLakhani, Ali Moneim. "Popular Music and Adolescent Sexual Health". Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366767.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Human Services and Social Work
Griffith Health
Full Text
Stephan-Robinson, Anna. "Form in Paul Simon's music /". Digitized version, 2009. http://hdl.handle.net/1802/11554.
Pełny tekst źródłaIncludes abstract and vita. Includes bibliographical references. Digitized version available online via the Sibley Music Library, Eastman School of Music http://hdl.handle.net/1802/11554
Gaydos, Thomas Joseph Odo. "Popular Music in the Paterson, New Jersey General Music Classroom". Thesis, The William Paterson University of New Jersey, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10827718.
Pełny tekst źródłaThis project seeks to discover ways to effectively use popular music in the general music classroom in order to have lessons be more culturally relevant, give students a better understanding of musical concepts, and increase engagement. The research methods for this thesis included review of various articles, a survey (see appendix C), and personal experience as a general music teacher. My research suggested ways for music teachers to use popular music in the general music classroom in order to keep lessons culturally relevant, give students a better understanding of musical concepts, and increase engagement. A one unit curriculum centered on popular music in the general music classroom was created using the Understanding by Design curriculum template (see appendix D). This research is important to the field of music education because effective use of popular music can help music educators in their goal of having their students understand musical concepts and be engaged throughout lessons.
Matula, Theodore. "A rhetorical schema for studying popular music". Connect to resource, 1998. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1229692187.
Pełny tekst źródłaGilmore, Abigail. "Popular music in the city : an examination of local music scenes, popular music practice and cultural policy in the city of Leicester". Thesis, University of Leicester, 1999. http://hdl.handle.net/2381/30731.
Pełny tekst źródłaStahl, Matthew Wheelock. "Reinventing certainties : American popular music and social reproduction /". Diss., Connect to a 24 p. preview or request complete full text in PDF formate. Access restricted to UC campuses, 2006. http://wwwlib.umi.com/cr/ucsd/fullcit?p3244179.
Pełny tekst źródłaHarvey, Sandi K. "The analysis of Okinawan popular music and identity in relation to other studies of southeast Asian popular music". Thesis, Wichita State University, 2010. http://hdl.handle.net/10057/3720.
Pełny tekst źródłaThesis (M.A.)--Wichita State University, College of Liberal Arts and Sciences, Dept. of Anthropology.
Ongyod, Anthony. "Popular music and communication in interpersonal relationships". Thesis, University of Hawaii at Manoa, 2003. http://hdl.handle.net/10125/7114.
Pełny tekst źródłaviii, 122 leaves
Behr, Adam. "Group identity : bands, rock and popular music". Thesis, University of Stirling, 2010. http://hdl.handle.net/1893/3051.
Pełny tekst źródłaLee, Christopher Paul. "Popular music making in Manchester (1950-1995)". Thesis, Manchester Metropolitan University, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336818.
Pełny tekst źródłaHarper, A. C. "Lo-Fi aesthetics in popular music discourse". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:cc84039c-3d30-484e-84b4-8535ba4a54f8.
Pełny tekst źródłaCrozier, Hugh Ian. "Structures of meaning : popular music and society". Thesis, Goldsmiths College (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336392.
Pełny tekst źródłaBochanty-Aguero, Erica Jean. "Music that moves television music, industrial travel, and consumer agency in contemporary media culture /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1851096631&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaOssorio-Bermudez, Julissa. "Unveiling popular music? : a study of how Muslim girls in Belfast negotiate gender and religion through popular music listening". Thesis, Queen's University Belfast, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.558177.
Pełny tekst źródłaKajikawa, Loren Yukio. "Centering the margins black music and American culture, 1980-2000 /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaYuan, Xiaorong. "Chinese Minority Popular Music: A Case Study of Shanren, a Contemporary Popular Band". Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461073565.
Pełny tekst źródłaBennett, James Andrew. "Popular styles, local interpretations : rethinking the sociology of youth culture and popular music". Thesis, Durham University, 1996. http://etheses.dur.ac.uk/1570/.
Pełny tekst źródłaGreen, Ben. "Peak music experiences: A new perspective on popular music, identity and scenes". Thesis, Griffith University, 2017. http://hdl.handle.net/10072/372598.
Pełny tekst źródłaThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Hum, Lang & Soc Sc
Arts, Education and Law
Full Text
Straw, Will 1954. "Popular music as cultural commodity : the American recorded music industries 1976-1985". Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39241.
Pełny tekst źródłaNunes, Pedro. "Popular music and the public sphere : the case of Portuguese music journalism". Thesis, University of Stirling, 2004. http://hdl.handle.net/1893/24.
Pełny tekst źródłaRivel, Charley. "Wagakki and Japanese Popular Music: The Perception of Music and Cultural Identity". Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-193443.
Pełny tekst źródłaEnsign, Jeffrey S. "Form in Popular Song, 1990-2009". Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc822808/.
Pełny tekst źródłaPolychronakis, Ioannis. "Song odyssey : negotiating identities in Greek popular music". Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669839.
Pełny tekst źródłaAttas, Robin Elizabeth Sturton. "Meter as process in groove-based popular music". Thesis, University of British Columbia, 2011. http://hdl.handle.net/2429/33822.
Pełny tekst źródłaWalker, Seth. "Musical Spirituality: The Transformative Power of Popular Music". Honors in the Major Thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1050.
Pełny tekst źródłaBachelors
Arts and Humanities
Humanities
Dowsett, Andrew Christopher. "Theology in discography : the Bible in popular music". Thesis, University of Sheffield, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301265.
Pełny tekst źródłaGammon, V. A. F. "Popular music in rural society : Sussex 1815-1914". Thesis, University of Sussex, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370433.
Pełny tekst źródłaDiGiallonardo, Richard L. (Richard Lee). "Musical Borrowing: Referential Treatment in American Popular Music". Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277911/.
Pełny tekst źródłaRobins, Jeremy M. "Phrase Structure, Hypermeter, and Closure in Popular Music". Thesis, The Florida State University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10262010.
Pełny tekst źródłaPhrases in common-practice music are traditionally defined by harmonic processes, particularly goal-directed progressions to tonic. In popular music, however, harmonic motion toward a tonic is not always present, making traditional approaches to phrase segmentation problematic. The goal of this dissertation is to provide a systematic methodology for addressing phrase segmentation and closure in popular music, particularly in the absence of goal-directed harmonic motion. Additionally, I aim for simplicity of application and consistency of results.
Because contemporary popular music is heavily focused on vocal melodies and lyrics, it is important to use a methodology that privileges melodic activity in classifying formal structures. My methodology for phrase segmentation is based on patterns of melodic repetition, particularly in reference to recurring quadruple hypermeter. With a consistent method for segmenting phrases, cadences can be identified and classified, allowing for comparison of closure in popular songs.
This research aims to engage the musical syntax of popular music on its own terms while drawing on the rich resource of common-practice analytical methodologies. There are many theoretical concepts and terms that carry into popular practice such as periods, sentences, and cadences; however, the transfer is not always exact, resulting in some concepts that are loosened or expanded, such as allowing subdominant (IV) and subtonic (bVII) harmonies to support half cadences. New categories of phrase structure and cadences are also necessary to accurately describe popular music, specifically rotated phrases, rotated subphrases, and submediant cadences, none of which have established analogues in common-practice scholarship. In rotated phrases and subphrases, lyrical content is displaced from melodic repetition, creating formal ambiguity. Submediant cadences occur as part of the submediant double-tonic complex (DTC), where tonal fluidity is created between relative major and minor keys. Songs featuring the submediant DTC fluctuate between the major and minor rotations of a single diatonic collection, allowing cadences that articulate the major and minor modes simultaneously.
This dissertation represents the first step of a longer process of studying, classifying, and presenting the musical syntax of popular music. The methodology has the potential to address the wide spectrum of popular music, and I trust that it will be a useful tool for scholars working in the field of popular music scholarship.
Padua, Daniel A. "The Family 'Playlist': Popular music, age and identity". Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/110533/1/Daniel_Padua_Thesis.pdf.
Pełny tekst źródłaHolman, Jones Stacy Linn. "Music for torching". Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037501.
Pełny tekst źródłaPercival, James Mark. "Making music radio : the record industry and popular music production in the UK". Thesis, University of Stirling, 2007. http://hdl.handle.net/1893/362.
Pełny tekst źródłaAitken, Shelagh Elizabeth. "Music and the popular press : music criticism in Paris during the First Empire /". Ann Arbor : UMI, 2000. http://catalogue.bnf.fr/ark:/12148/cb370598311.
Pełny tekst źródłaRéunit des articles du Journal des débats, du Journal de Paris, du Journal de l'Empire et du Moniteur universel en français avec la trad. anglaise en regard. Bibliogr. p. 433-444.
McReynolds, Robert Timothy. "The influences of American popular music upon twentieth-century song and chamber music". College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/3088.
Pełny tekst źródłaFreire, Guilherme Araujo 1987. "Vanguarda, experimentalismo e mercado na trajetória artística de Tom Zé". [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/285314.
Pełny tekst źródłaDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-27T18:13:44Z (GMT). No. of bitstreams: 1 Freire_GuilhermeAraujo_M.pdf: 3785916 bytes, checksum: 7074b9f4c38144853c89de9e6f856bab (MD5) Previous issue date: 2015
Resumo: Este trabalho aborda e problematiza as diferentes fases da carreira artística do compositor e intérprete Tom Zé, situadas entre o lançamento do seu primeiro LP em 1968 e o final da década de 1990. Estabelecendo como foco central sua produção musical, concebida com uma postura crítica frente a certos cânones e padrões da canção de massa consolidados no mercado e com práticas criativas experimentais análogas às do repertório das vanguardas do pós-guerra, investigamos a relação tensa estabelecida entre o seu projeto estético experimental e a indústria cultural. Nesse sentido, a pesquisa tentou situar os discursos e quatro discos de Tom Zé nos respectivos contextos históricos e configurações da indústria fonográfica, buscando compreender melhor as especificidades de sua inserção no mercado de música popular, suas estratégias de atuação, o sentido de suas opções estéticas, bem como investigar as transformações ocorridas no seu projeto estético ao longo de sua trajetória
Abstract: This work broaches and problematizes the different phases of the artistic career of the composer and performer Tom Zé, located between the release of his first LP in 1968 and the late 1990¿s. Establishing as central focus his music production, conceived with a critical posture towards certain canons and mass song patterns consolidated in the market and with experimental creative practices analogous to the repertoire of the postwar avant-garde, we investigated the tense relationship established between his experimental aesthetic project and the cultural industry. In this sense, the research tried to position the discourses and four discs of Tom Zé in the respective historical contexts and configurations of the phonographic industry, seeking to better understand the specifics of his insertion in the popular music market, his acting strategies, the sense of his aesthetical options, as well to investigate the transformations occurred in his aesthetical project throughout his career
Mestrado
Música, Teoria, Criação e Prática
Mestre em Música
Szemere, Anna. "Pop culture, politics, and social transition /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC IP addresses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820881.
Pełny tekst źródłaGoldschmitt, Kariann Elaine. "Bossa mundo Brazilian popular music's global transformations (1938-2008) /". Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1905631301&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Pełny tekst źródłaMetts, Charles Rodney. "Charting the margins: subversive practices in popular forms /". The Ohio State University, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487849377294712.
Pełny tekst źródłaChaly, Maya Ann. "Perspectives on popular music analysis, towards a standarized approach". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0003/MQ46557.pdf.
Pełny tekst źródłaBreault, Ainsley. "Native noise: Māori popular music and indigenous cultural identity". AUT University, 2010. http://hdl.handle.net/10292/927.
Pełny tekst źródłaGamboa, Vera Caisip. "Revolution girl style now, popular music, feminism, and revolution". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61431.pdf.
Pełny tekst źródłaViol, Claus-Ulrich. "Jukebooks: contemporary British fiction, popular music, and cultural value". Heidelberg Winter, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2772862&prov=M&dok_var=1&dok_ext=htm.
Pełny tekst źródłaMaciel, Katia Augusta. "Film, popular music and television : intertextuality in Brazilian cinema". Thesis, University of Southampton, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494969.
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