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Artykuły w czasopismach na temat "Popular culture – pictorial works"
Fejes, János. "Strangers of Popular Culture – The Verbal and Pictorial Aesthetics of Mythological Metal Music". Acta Universitatis Sapientiae Communicatio 4, nr 1 (1.12.2017): 37–60. http://dx.doi.org/10.1515/auscom-2017-0002.
Pełny tekst źródłaSemerenko, Lubov I., i Oleksandr O. Pliushchai. "Pictorial as readable: ekphrasis in a literary work and reader’s p". Alfred Nobel University Journal of Philology 1, nr 23 (czerwiec 2022): 50–59. http://dx.doi.org/10.32342/2523-4463-2022-1-23-4.
Pełny tekst źródłaFadeeva, T. E. "360° ILLUSTRATION IN CONTEMPORARY VISUAL CULTURE". Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 25, nr 89 (2023): 92–99. http://dx.doi.org/10.37313/2413-9645-2023-25-89-92-99.
Pełny tekst źródłaDimarco, Christa R. "Van Gogh’s Parisian Gardens on the Butte Montmartre". Nineteenth Century Studies 34 (1.11.2022): 1–41. http://dx.doi.org/10.5325/ninecentstud.34.0001.
Pełny tekst źródłaNIKOLENKO, K., i O. NIKOLENKO. "CONTEMPORARY STRATEGIES OF STUDYING INTERTEXTUALITY". Philological Studies, nr 33 (19.04.2021): 13–19. http://dx.doi.org/10.33989/2524-2490.2020.33.228193.
Pełny tekst źródłaAyu Lestari, Dita, Megi Primagara, Shinta Aulia Sari, Afifah Meilina, Silfiah Fauziah, Ade Irfany Sugesti, Aisyah Nasywa i Ahmad Diva Salwi. "Meme Culture: A Study of Humor and Satire in Digital Media". International Journal of Advanced Multidisciplinary Research and Studies 4, nr 4 (9.07.2024): 134–40. http://dx.doi.org/10.62225/2583049x.2024.4.4.3013.
Pełny tekst źródłaLIU, Mingxuan. "REPRESENTATION OF THE CITY IN TRADITIONAL CHINESE GOHUA PAINTING: MOTIFS, TYPOLOGY, PICTORIAL AND STYLISTIC FEATURES". HUDPROM: The Ukrainian Art and Design Journal 2023, nr 2 (15.10.2023): 57–65. http://dx.doi.org/10.33625/hudprom2023.02.057.
Pełny tekst źródłaMroziewicz, Karolina. "The Image of the Lithuanian and Ruthenian Legacy of the Jagiellons in 16th-Century Pictorial Catalogues of Polish Monarchs". Ikonotheka 27 (10.07.2018): 133–56. http://dx.doi.org/10.5604/01.3001.0012.2322.
Pełny tekst źródłaStanicka-Brzezicka, Ksenia. "Design jako próba przywrócenia kanonu? Pojęcia, metody i dyskursy a niemieckie i śląskie wzornictwo pierwszej połowy XX wieku". Artium Quaestiones, nr 32 (15.12.2021): 37–66. http://dx.doi.org/10.14746/aq.2021.32.2.
Pełny tekst źródłaKol'tsova, Natal'ya Zinov'evna, i Liu Miaowen. "Dialogue of arts in the novel “The Artist is Unknown” by V. Kaverin". Litera, nr 9 (wrzesień 2020): 42–50. http://dx.doi.org/10.25136/2409-8698.2020.9.33780.
Pełny tekst źródłaRozprawy doktorskie na temat "Popular culture – pictorial works"
Herbig, Art, A. Watson, Andrew F. Herrmann i A. Tyma. "The Creation of Profs Do Pop!: A Critical Examination of Popular Culture Communities". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/790.
Pełny tekst źródłaSakoi, Junko. "The responses of fifth graders to Japanese pictorial texts". Thesis, The University of Arizona, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3700794.
Pełny tekst źródłaThis study explores the responses of twelve fifth graders to Japanese pictorial texts— manga (Japanese comics), anime (Japanese animations), kamishibai (Japanese traditional visual storytelling), and picture books — and their connections to Japanese culture and people.
This study took place Cañon Elementary School in Black Canyon City in Arizona. The guiding research questions for this study were: How do children respond to Japanese pictorial texts? and What understandings of Japanese culture are demonstrated in children's inquiries and responses to Japanese pictorial texts? The study drew on reader response theory, New Literacy Studies, and multimodality. Data collection included participant-observation, videotaped/audiotaped classroom discussions and interviews, participants' written and artistic artifacts, ethnographic fieldnotes, and reflection journals. Results revealed that children demonstrated four types of responses including (1) analytical, (2) personal, (3) intertexual, and (4) cultural. These findings illustrate that the children actively employed their popular culture knowledge to make intertextual connections as part of meaning making from the stories. They also showed four types of cultural responses including (1) ethnocentrism, (2) understanding and acceptance, (3) respect and appreciation and valuing, and (4) change. This study makes a unique contribution to reader response as it examines American children's cultural understandings and literary responses to Japanese pictorial texts (manga, anime, kamishibai, and picture books).
Tolley, Rebecca. "Review of Alcohol in Popular Culture: An Encyclopedia, ed. by Rachel Black". Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etsu-works/5639.
Pełny tekst źródłaLiu, Zhe. "The History of a Chinese Pictorial Genre in Modern Shanghai : Lianhuanhua – The Palm-sized World (1920-1949)". Thesis, Lyon, École normale supérieure, 2015. http://www.theses.fr/2015ENSL1045.
Pełny tekst źródłaThis study examines the development of lianhuanhua, a genre of Chinese comic, as an expression of popular culture in modern Shanghai, the most important metropolis in the Chinese modern history. Chapter one attempts to explain why lianhuanhua was born in Shanghai and how it became a part of popular culture. The background was the political and cultural configurations created as a result of the presence of the foreign settlements. Cultural and technical elements fed the creation of lianhuanhua. The development of lianhuanhua was a process of combining pictures and words into comic booklet that became very popular among the common people. In Chapter Two, The Fate of Hong and Bi is taken as an example to explore the relationship between lianhuanhua and other forms of entertainments. It established a connection between different entertainment spheres. Through the whole process of transition, we can observe the development of visual narrative, the interaction between different forms of urban entertainments, and the urban culture that played an essential, decisive and directional role behind the scenes. In Chapter Three, research focuses mainly on producers from three angles: the producers’ original cultural identity and social status, their condition in production circles, and their relationship with the metropolis. Lianhuanhua was a link between these new residents and the metropolis.. The complexity of this publishing industry reveals the living strategy of these immigrants. In Chapter Four, we study how popular culture faced the three different political challenges. The public media, especially the press, represented the “correct” discourse by the upper classes over the common people. The war itself in 1937 raised a special challenge due to political instability. Official interference by the National Government also influenced the role of lianhuanhua. Yet Lianhuanhua survived all these challenges. We identified four important elements in the process of the development of lianhuanhua. First, the basic precondition for the rise and the development of lianhuanhua was the emergence of Shanghai as a modern city. Second, the genre of lianhuanhua was within the reach, economically and culturally, of a wide range of readers, which was an important factor for its popularisation. Third, producers were a crucial group for the development of lianhuanhua. Fourth, lianhuanhua is a stage of the wrestle between the elite and the common people
Herrmann, Andrew F. ""Saving People. Hunting Things. The Family Business": Organizational Communication Approaches to Popular Culture". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/439.
Pełny tekst źródłaDudding, William P. "Soldier of Culture: A Literary Analysis of the Works of Kanye West". Scholarship @ Claremont, 2011. http://scholarship.claremont.edu/cmc_theses/192.
Pełny tekst źródłaHerrmann, Andrew F. "Book Review of Reading Joss Whedon". Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etsu-works/838.
Pełny tekst źródłaMeier, Lori T. "Making Sense of Popular Culture, Spaces of Learning, and Self: Educational Experiences at the Boundaries of Teacher Education". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/5902.
Pełny tekst źródłaSutton, Matthew D. "The Young, Clean-Cut America: The Hootenanny, Revisited". Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/2365.
Pełny tekst źródłaHerrmann, Andrew F. "Daniel Amos and Me: The Power of Pop Culture and Autoethnography". Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/752.
Pełny tekst źródłaKsiążki na temat "Popular culture – pictorial works"
Ltd, Press Association, red. Britain's century: Popular culture. Edinburgh: Mainstream Pub., 1999.
Znajdź pełny tekst źródłaphotographer, Goss John 1958, red. Very Thai: Everyday popular culture. Wyd. 2. Tatien, Bangkok: River Books, 2013.
Znajdź pełny tekst źródłaNo, Sŭng-dae. Pawi ro paeunŭn uri munhwa. Sŏul-si: Muhan, 1999.
Znajdź pełny tekst źródłaLiksom, Rosa. Go Moskova go. [Helsinki]: Tammi, 1988.
Znajdź pełny tekst źródłaHundertmark, Christian. The art of rebellion: The world of street art. [Mainaschaff, Germany]: Publikat-Verl, 2005.
Znajdź pełny tekst źródłaGakugeika, Fukui Kenritsu Bijutsukan. Nihon no poppu ten: 1960-nendai. Fukui-shi: Fukui Kenritsu Bijutsukan, 1992.
Znajdź pełny tekst źródłaHakubutsukan, Ishikawa Kenritsu Rekishi, red. Shōwa wandārando: Mono de tadoru sengo. Kanazawa-shi: Ishikawa Kenritsu Rekishi Hakubutsukan, 2007.
Znajdź pełny tekst źródłaCarlos, Rico Juan, i Spain. Subdirección General de Museos Estatales., red. Certamen de fotografía sobre cultura popular 2007. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes y Bienes Culturales, Subdirección General de Museos Estatales, 2008.
Znajdź pełny tekst źródłaPearce, Chris. The fifties: A pictorial review. London: Blossom, 1991.
Znajdź pełny tekst źródłaLisa, Eisner, i Alonso Román, red. Height of fashion. Los Angeles, Calif: Greybull Press, 2000.
Znajdź pełny tekst źródłaCzęści książek na temat "Popular culture – pictorial works"
Griffiths, John. "Shurey's Pictorial Budget, 19th February 1900". W Empire and Popular Culture, 147–51. London: Routledge, 2022. http://dx.doi.org/10.4324/9781351024709-20.
Pełny tekst źródłaVorobiev, Artem. "Shibata Renzaburō’s Other Works". W East Asian Popular Culture, 177–211. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11192-1_5.
Pełny tekst źródłaSautto, Chiara. "Gender and Reproduction in the Dystopian Works of Sayaka Murata". W Palgrave Studies in Science and Popular Culture, 157–72. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96192-3_8.
Pełny tekst źródłaSuquet, Mirta. "Incorrigibility and Becoming-Child: Portrayals of People Living with HIV/AIDS in the Works of Cuban Writer Miguel Angel Fraga". W Palgrave Studies in Science and Popular Culture, 63–89. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-59699-5_4.
Pełny tekst źródłaNischik, Reingard M. "On Imagology, Canadian-US Relations, and Popular Culture: National Images and Border Crossings in Margaret Atwood’s Works". W Comparative North American Studies, 93–120. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137559654_5.
Pełny tekst źródłaTalairach-Vielmas, Laurence. "‘How Are You to Enter the Fairy-Land of Science?’: The Wonders of the Natural World in Arabella Buckley’s Popular Science Works for Children". W Fairy Tales, Natural History and Victorian Culture, 47–64. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137342409_3.
Pełny tekst źródłaSaunders, Corinne. "From Romance to Vision: The Life of Breath in Medieval Literary Texts". W The Life of Breath in Literature, Culture and Medicine, 87–109. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_5.
Pełny tekst źródłaPitassio, Francesco. "Looking at the Images". W Neorealist Film Culture, 1945-1954. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789089648006_ch03.
Pełny tekst źródłaPlock, Vike Martina. "‘A Journal of the Period’: Modernism and Conservative Modernity in Eve: The Lady’s Pictorial (1919–29)". W Women's Periodicals and Print Culture in Britain, 1918-1939. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474412537.003.0004.
Pełny tekst źródłaEasley, Alexis. "Felicia Hemans and the Birth of the Mass-Market Woman Poet". W New Media and the Rise of the Popular Woman Writer, 1832-1860, 24–52. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475921.003.0002.
Pełny tekst źródłaStreszczenia konferencji na temat "Popular culture – pictorial works"
Walton, James M., i Patrick LeBeau. "Maverick and Skunk Works: Representing Aerospace in Popular Culture". W AIAA SCITECH 2023 Forum. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2023. http://dx.doi.org/10.2514/6.2023-2397.
Pełny tekst źródłaCotoman, Carolina. "Funeral traditions and customs reflected in Petre V. Ștefănucă’s works". W Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.12.
Pełny tekst źródłaKaverkina, Aleksandra. "Projecting event series on literary mastership for schoolchildren in libraries". W Sixth World Professional Forum "The Book. Culture. Education. Innovations". Russian National Public Library for Science and Technology, 2021. http://dx.doi.org/10.33186/978-5-85638-236-4-2021-121-123.
Pełny tekst źródłaKhokhlova, Yu I., i A. N. Sunami. "“SEMIOTIC CULTS” AS A PHENOMENON OF MASS CULTURE IN THE DIGITAL AGE". W 4th International Conference Modern Culture and Communication. Institute for Peace and Conflict Research, 2024. http://dx.doi.org/10.31312/978-5-6048848-7-4-18.
Pełny tekst źródłaHołowaty, J. "Repair of High Silicon Steel Railway Bridges". W IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.1024.
Pełny tekst źródłaЗадорожня, Ірина. "ДІАЛЕКТНА ТЕКСТОТЕКА: ФОРМУВАННЯ ТА ІНФОРМАТИВНІСТЬ". W Proceedings of the XXV International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25012021/7360.
Pełny tekst źródłaKovaleva, M. V. "The Theme of Cultural Crisis by Representatives of Russian Religious Thought of the Late 19th – Early 20th Centuries (on the Example of the Works of S.N. Bulgakov and N.A. Berdyaev)". W General question of world science. General question of world science, 2022. http://dx.doi.org/10.18411/gqws-15-10-2022-05.
Pełny tekst źródłaLi, Yijin. "SPIRITUAL COMMUNICATION ACROSS TIME AND SPACE — ON THE SUCCESS OF LIAOZHAI STUDY BY V. M. ALEXEYEV". W 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.02.
Pełny tekst źródłaOvodova, Svetlana. "Representation of Cultural Traumas in Contemporary Public Discourse: “New Frankness” of Meta-Modernism". W The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-04.
Pełny tekst źródłaHasegawa, Sho, i Masashi Yamada. "A Statistical Analysis of History of Japanese Light Novels". W 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1002996.
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