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Artykuły w czasopismach na temat "Popa, vasko"

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Curcic, Lazar. "The blind singers of Vladan Nedic and Vasko Popa". Prilozi za knjizevnost, jezik, istoriju i folklor, nr 86 (2020): 135–40. http://dx.doi.org/10.2298/pkjif2086135c.

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According to Vuk Karadzic, sung epic poetry accompanied by the gusle was spread by outlaws, travellers and the blind. Such blind men used to perform in homes, monasteries, and church fairs (in Banat, Backa, Slavonia and Srem, such a fair is known as the slava - patron saint?s day - of a church, village, town or monastery). After World War II, some literary authors and historians started to refer to the gusle players and singers who were blind as ?the blind singers?. These writers and literary historians started appreciating their singing as high art, so the view of their singing as a form of craft accompanied by begging they did for a living had to be changed. They believed that the artists were supposed to be remembered simply as ?blind singers?, rather than ?blind men?. Their lyrical achievement was valued more than their craft (singing) and social status (begging). Among the most adamant advocates of the new designation were university professor Vladan Nedic and the poet Vasko Popa.
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Mikasinovich, Branko, Vasko Popa i Anita Lekić. "The Quest for Roots: The Poetry of Vasko Popa". World Literature Today 68, nr 3 (1994): 602. http://dx.doi.org/10.2307/40150519.

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Reder, Claudia M. "To Vasko Popa, and: My Body Loves Your Body". Prairie Schooner 94, nr 2 (2020): 160–61. http://dx.doi.org/10.1353/psg.2020.0059.

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Seatović, Svetlana. "New Trends In The Interpretation Of The Poetry Of Vasko Popa Vertical Land And Serbianbyzantine Heritage". Slavica Lodziensia 1 (14.11.2017): 95–104. http://dx.doi.org/10.18778/2544-1795.01.08.

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This paper presents fi ndings on the interpretation of the poetry of Vasko Popa in the last 25 years. They point to a shift in the analyzes that follow new theoretical insights. In the case of collections Vertical land shows how the medieval Serbian and Byzantine heritage built into the cycle of poems in the collection, with special emphasis on the cycle of „Pilgrimage”.
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Đurđevic, Đorđe. "HODOČAŠĆE KA POEZIJI". Lipar, nr 71 (kwiecień 2020): 115–26. http://dx.doi.org/10.46793/lipar71.115dj.

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The paper examines the angelological-poetic relations in the poetry of Vasko Popa, Branko Miljković and Vojislav Karanović. Beginning with the medial position between the poet and the poem, the angel, with the poet‘s intervention, becomes an active principle in discovering the poem as such. He simultaneously exists in the space of the poem itself, as well as in the space of its realization in language, and its role is doubly translational: it translates the poet into the space of poetry and brings poetry closer to the poet. The given process flows through the original approximation and depiction of the poet and the angelic being / body, and it ends in the creation of a poem, which is, in its characteristics, close to the angelological complex.
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Cy Matthews. "Crow and Vučja so: Locations of Indeterminacy in Ted Hughes and Vasko Popa". Comparative Literature Studies 47, nr 2 (2010): 159–84. http://dx.doi.org/10.1353/cls.2010.0005.

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Maksimović, Miroslav. "Poetry and the Contemporary Epoch". Transcultural Studies 11, nr 1 (23.12.2015): 15–21. http://dx.doi.org/10.1163/23751606-01101003.

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In this polemical piece, the author attempts to diagnose the state of the art of poetry in the context of the global market as a dominant social value system. He finds that poetry as a fundamental human need for freedom, is based on the concept of “freedom of meaning”, not “freedom” of the market. The “free market” is for him a misnomer which conceals the contemporary global dependence on profit and a hectic way of life in the pursuit of profit. This is to the detriment of poetry which while never profitable contains the seeds of what it is to be human. However, while poetry does not (co-)exist with the market, even this fact is worthy of being recorded in poetry. Thus poets have to deal with the contemporary situation by re-inventing themselves, and finding new (modern, even market) means of solving poetic questions, following the advice of Vasko Popa and the example of the poet of the advertisement, Dušan Radović.
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Mihailovich, Vasa D. "The Quest for Roots: The Poetry of Vasko Popa. By Anita Lekić. Balkan Studies, vol. 2. New York: Peter Lang, 1993. xiv, 178 pp. Index. $44.95, hard bound." Slavic Review 54, nr 1 (1995): 168. http://dx.doi.org/10.2307/2501155.

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Hawkesworth, Celia. "Vasco Popa,Collected Poems". Translation Review 55, nr 1 (wrzesień 1998): 41–42. http://dx.doi.org/10.1080/07374836.1998.10523723.

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Marković, Bojan M. "POEZIJA VASKA POPE U KONTEKSTU NASTAVNE INTERPRETACIJE I UČENIČKE RECEPCIJE". Nasledje Kragujevac XIX, nr 53 (2022): 267–81. http://dx.doi.org/10.46793/naskg2253.267m.

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Vasko Popa’s poetry represents a part of mandatory curriculum in primary and secondary schools, which necessarily results in the expansion of its primary readership, which imposes the need to answer questions about the possibility of teaching interpretation that will ena- ble its interpretation and understanding. The paper addresses Popa’s cycles of poems „List”, „Landscapes”, „The Little Box”, „Far Within Us”, „Give Me Back My Rags”, „Games” and „One Bone to Another”. The methodical approach that will enable students to experience and understand the poems will depend on the poetic material and the poetic procedure. The aim of the paper is to consider certain poetic features of Popa’s poetry that contribute to the sug- gestiveness of the experience, imagination and understanding of the poem, as well as others that deny certain aspects of understanding the text for young readers. At the end of the paper, it is concluded that, although certain aspects of the poetic text remain inaccessible to students, other understood and experienced aspects are reflected positively as a whole and lead to stable outcomes during the teaching interpretation. This implies that it is necessary to introduce stu- dents to contemporary poetry, and to plan the teaching interpretation according to the levels of complexity of the interpretation of an individual poem.
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Rozprawy doktorskie na temat "Popa, vasko"

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Novillo, Perez Cecilio Jose, i Perez Cecilio Jose Novillo. "La Movida Madrileña and the Rock Radical Vasco as Political and Social Agents in Post-Franco Spain: Their influence on Popular Musical Practices of 21st-Century Spain". Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/626715.

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In Spain, the era of political transition to democracy known as La Transición during the 1970s and 1980s led to changes in Spanish popular music (i.e., pop, rock, punk) which became the musical representation of the new democracy’s social and political changes. Two different musical movements of that period, La Movida Madrileña and Rock Radical Vasco, established boundaries between official mainstream music and its musical counterculture counterpart, underground, and subversive musical practices within Spanish democracy. This thesis examines the nature of those musical practices, their song lyrics, and their social and political interpretations, including their influence on current musical practices.
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Książki na temat "Popa, vasko"

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editor, Hamović Dragan, red. Vasko Popa. Novi Sad: Izdavački centar Matice srpske, 2015.

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Vasić, Ankica. Bibliografija Vaska Pope =: Bibliography of Vasko Popa. Novi Sad: Srpska akademija nauka i umetnosti, Ogranak u Novom Sadu, 1997.

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Milošević, Petar. Poezija absurda: Vasko Popa. Beograd: Službeni glasnik, 2008.

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Poezija absurda: Vasko Popa. Beograd: Službeni glasnik, 2008.

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Gajić-Zlatković, Nada. Vasko Popa, 1922-1997: Izložba. Vršac: Narodna biblioteka Srbije, 1997.

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Rajkić, Ljubica. Vasko Popa: Stringența unei integrale în limba română. Zrenianin: Editura ICRV, 2012.

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Lekić, Anita. The quest for roots: The poetry of Vasko Popa. New York: P. Lang, 1993.

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Cidilko, Vesna. Studien zur Poetik Vasko Popas. Wiesbaden: O. Harrassowitz, 1987.

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Pennington, Anne. Pisma Vasku Popi. Novi Sad: Akademska knjiga, 2010.

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Jovanović, Jelena. Poetska gramatika Vaska Pope. Beograd: Filološki fakultet Univerziteta Beogradu, 2000.

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Części książek na temat "Popa, vasko"

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Džaji, Harris. "Popa, Vasko". W Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14073-1.

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Lauer, Reinhard. "Popa, Vasko: Nepočin-polje". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14074-1.

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Lauer, Reinhard. "Popa, Vasko: Sporedno nebo". W Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_14075-1.

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Jovanović, Aleksandra V. "Charles Simić and Vasko Popa: Poetic Encounters". W Међународна конференција Катедре за српску књижевност са јужнословенским књижевностима и Катедре за англистику Филолошког факултета Универзитета у Београду, 333–52. Београд: Универзитет у Београду, Филолошки факултет, 2022. http://dx.doi.org/10.18485/srp_eng.2022.1.ch23.

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Aćamović, Bojana. "Walt Whitman vs. Karl Marx — On Whose Side is Vasko Popa?" W Међународна конференција Катедре за српску књижевност са јужнословенским књижевностима и Катедре за англистику Филолошког факултета Универзитета у Београду, 353–66. Београд: Универзитет у Београду, Филолошки факултет, 2022. http://dx.doi.org/10.18485/srp_eng.2022.1.ch24.

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Oliveira da Silva, Joseane, Grasiele de Oliveira Cruz, Sara Moreno Pereira Lacerda, Danyella Santos Silveira i Felizardo Adenilson Rocha. "Aplicação de biofertilizante de polpa de café no desenvolvimento morfologico da cultura de alface (Luctuca sativa L.)". W Estudos em Ciências Florestais e Agrárias, 140–54. Editora Licuri, 2023. http://dx.doi.org/10.58203/licuri.20109.

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O presente estudo teve como objetivo analisar os parâmetros de crescimento da cultura de alface (Lactuca sativa L.) cultivada com doses diferenciadas do biofertilizante proveniente da digestão da polpa do café. O trabalho foi realizado no laboratório de Solos do Instituto Federal de Educação Ciências e Tecnologia da Bahia (IFBA), campus Vitória da Conquista, BA, bem como o cultivo das mudas em vasos localizados na casa de vegetação do instituto e do Sitio Guduri, localizado na cidade de Rio de Contas. O delineamento experimental foi inteiramente casualizado (DIC) contendo cinco tratamentos de diferentes proporções 0; 0,6; 0.8; 1,2; 1,8 e 2,4 g vaso -1 em dose única e com quatro repetições, totalizando 20 unidades experimentais. Após ponto de colheita, as mudas das hortaliças foram submetidas a avaliação das seguintes características morfológicas: número de folhas (unidade), comprimento da raiz, comprimento do caule, diâmetro do caule e diâmetro da cabeça expressa em cm, determinação do peso fresco e peso seco da hortaliça (g/vaso), área foliar e área do sistema radicular em cm². O uso do biofertilizante favoreceu o acúmulo do peso fresco total, peso seco total e área foliar. O número de folhas, diâmetro do caule e cabeça aumentaram significativamente com a dose 2,4 g vaso -1 do insumo orgânico, indicando sua eficiência na produção da hortaliça.
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García-Bedoya Maguiña, Carlos. "Letras coloniales : los marcos culturales e institucionales". W Literatura y cultura en el Virreinato del Perú: apropiación y diferencia, 31–56. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9786123172503.001.

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El Perú colonial formaba parte del más vasto imperio europeo de la modernidad temprana, el Imperio español. La Corona española agrupó a sus posesiones del nuevo mundo en dos grandes virreinatos, los de Nueva España (México) y del Perú. Casi la totalidad de las posesiones españolas de Sudamérica (a excepción de la actual Venezuela) dependían del Virreinato del Perú. Será recién en el transcurso del siglo XVIII, como consecuencia de las reformas impulsadas por la dinastía borbónica, que se desmembrará esa unidad administrativa con la conformación de los virreinatos de Nueva Granada (establecido inicialmente en 1717, suprimido en 1724 y reestablecido de modo definitivo en 1739) y del Río de la Plata (creado en 1776). La capital del Virreinato del Perú, la Ciudad de los Reyes de Lima, gozará de una posición privilegiada desde el punto de vista comercial a lo largo de los siglos XVI, XVII y gran parte del XVIII. En torno a la figura del virrey se constituirá en Lima una auténtica corte, cuya vocación por el boato y la pompa la tornará en uno de los escenarios privilegiados para el florecimiento de la actividad letrada
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Streszczenia konferencji na temat "Popa, vasko"

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Suvajdžić, Boško. "NARODNA KNjIŽEVNOST I IDENTITETSKE PROMENE U SRPSKOJ KNjIŽEVNOSTI". W IDENTITETSKE promene: srpski jezik i književnost u doba tranzicije. University of Kragujevac, Faculty of Edaucatin in Jagodina, 2022. http://dx.doi.org/10.46793/zip21.107s.

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New approaches to oral literature in teaching bring to the fore the questions of classification and terminology, the phenomenon of authorship, the process of composing and tradition, the complexity of reception, the specificities of oral genres and their poetics. The terms ’oral formula’ and ’formulativity’ also stand out in these approaches as some of the most important elements of oral poetic grammar. In all of these researches focused on poetics, the identitary character of Serbian oral literature as “our classic, one and true” (Vasko Popa) should not be neglected, nor its specific roles in teaching and education: aesthetic, ethical, epistemological, cultural, educational functions.
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