Gotowa bibliografia na temat „Police – Family relationships – Fiction”
Utwórz poprawne odniesienie w stylach APA, MLA, Chicago, Harvard i wielu innych
Zobacz listy aktualnych artykułów, książek, rozpraw, streszczeń i innych źródeł naukowych na temat „Police – Family relationships – Fiction”.
Przycisk „Dodaj do bibliografii” jest dostępny obok każdej pracy w bibliografii. Użyj go – a my automatycznie utworzymy odniesienie bibliograficzne do wybranej pracy w stylu cytowania, którego potrzebujesz: APA, MLA, Harvard, Chicago, Vancouver itp.
Możesz również pobrać pełny tekst publikacji naukowej w formacie „.pdf” i przeczytać adnotację do pracy online, jeśli odpowiednie parametry są dostępne w metadanych.
Artykuły w czasopismach na temat "Police – Family relationships – Fiction"
1
Rhee, Jooyeon. "Making Sense of Fiction: Social and Political Functions of Serialized Fiction in the Daily News (Maeil sinbo) in 1910s Korea". Journal of Korean Studies 22, nr 1 (1.03.2017): 227–55. http://dx.doi.org/10.1215/21581665-4153385.
Pełny tekst źródłaStreszczenie:
Abstract Modern Korean newspapers played a decisive role in transforming the Korean fiction genre in the early twentieth century―a transformation that was carried out in two distinctively different cultural and political environments. In the 1900s, reform-minded Korean intellectuals translated and authored fictional works in newspapers primarily as a way to instigate Koreans to participate in the nation-building process during the Patriotic Enlightenment movement (Aeguk kyemong undong) period. When Japan annexed Korea in 1910, the Daily News (Maeil sinbo) continually used fiction as a vehicle to deliver the colonial government’s assimilation policy, that is, to raise Korea’s socioeconomic and cultural status, with the aim of civilizing the society. The rhetoric of civilization is a common feature in fictional works produced during the period. However, what characterized the works serialized in Maeil sinbo was their increasing focus on individual desire and domestic affairs, which manifested itself in the form of courtship and familial conflicts. The confrontation between private desire and family relationships in these fictional works represented the prospect of higher education and economic equity while invoking emotional responses to the contradictory social reality of colonial assimilation in the portrayal of domestic issues in fiction. Looking at Maeil sinbo and its serialization of fiction not as a fixed totality of the Japanese imperial force but as a discursive space where contradicting views on civilization were formed, this paper scrutinizes emotional renderings of individuality and domesticity reflected in Maeil sinbo’s serialized fiction in the early 1910s.
2
Hansen, Solveig L. "Family Resemblances: Human Reproductive Cloning as an Example for Reconsidering the Mutual Relationships between Bioethics and Science Fiction". Journal of Bioethical Inquiry 15, nr 2 (8.03.2018): 231–42. http://dx.doi.org/10.1007/s11673-018-9842-0.
Pełny tekst źródła
3
Ratcliffe, E. B. "Evening Star". After Dinner Conversation 2, nr 9 (2021): 5–19. http://dx.doi.org/10.5840/adc20212980.
Pełny tekst źródłaStreszczenie:
Which would you prefer, a gay son, or no relationship with your son at all? In this work of philosophical short story fiction, Robert and Grace are high school friends. Both are bullied. Robert for his long hair and the rumor he is gay, and Grace, for her short hair, and the rumors she is too. Robert is gay, Grace is not. While preparing their midterm English performance, Robert decides he is going to use the performance as the way to finally come out to the school and tell them about the trauma he has been experiencing from his family the last several years. It does not go well as both are sent to the office, and their parents are called in. Robert escapes with his father’s gun. When Grace finds out she steals her mother’s car and goes looking for him. She finds him at a hotel. They briefly talk and the police show up. Before Grace realizes what has happened, Robert has killed himself.
4
Bergen-Aurand, Brian. "The Problem of Homosexuality: Desire-in-Uneasiness, Friendship, Family, Freedom". CINEJ Cinema Journal 5, nr 1 (17.02.2016): 34–56. http://dx.doi.org/10.5195/cinej.2015.124.
Pełny tekst źródłaStreszczenie:
Zenne Dancer is a 2011 Turkish film written by Caner Alper and directed by Alper and Mehmet Binay. It is inspired by the story of Ahmet Yildiz, a gay Kurdish Turk allegedly murdered by his father in 2008 for dishonoring his family. Through its depiction of the unlikely friendship between three men, the film addresses the problem of homosexuality, the desire-in-uneasiness evoked by men being together, and the complex social structures of honor killings. In its address of honor killings, Zenne Dancer follows in a prestigious line of some of the best of Turkish and world cinema. Importantly, though, there are differences here as Zenne Dancer reimagines the relationships involved in crimes of honor. First, Zenne Dancer deploys the story of a father killing his son, rather than his daughter, to save the family honor, which is threatened by homosexual desire rather than the loss of virginity or illegitimate pregnancy. Second, rather than pitting the modern state against religion, tradition, or pre-modern culture, Zenne Dancer’s critique of honor killing implicates both the police and the military in the violence done in the name of tradition (not religion). Islam plays a much smaller part than economic deprivation or the trauma of war in this film. Third, the film complicates gendered expectations through its deployment of female characters—mothers, sisters, lovers—who all have their own relationships with and perspectives on these men. The film depicts heteropatriarchy as a system harmful to women and men and shows men and women enforcing and resisting that harm. In the end, Zenne Dancer connects these thematic concerns through a mixture of realist story, dance video, daydream, fairytale, and melodrama in a film ultimately concerned with the care of the self and the meaning of liberation. Thus, it resists falling into fictional “realist anthropology” or simplistic assertions of repression in confronting the complexities of honor killings, the problem of homosexuality, and friendship in cinema.
5
Kramer, Daniela, i Michael Moore. "Family Myths in Romantic Fiction". Psychological Reports 88, nr 1 (luty 2001): 29–41. http://dx.doi.org/10.2466/pr0.2001.88.1.29.
Pełny tekst źródłaStreszczenie:
Three types of myths frequently appearing in contemporary romantic fiction deal with traditional family values, spousal relationships, and love. Several myths belonging to each type are illustrated and analyzed. It is argued that by naturalizing some behaviors and idealizing others, romantic novels not only may indoctrinate their readers with a patriarchal ideology but also may inculcate upon them pathogenic family processes.
6
Hutchison, Ira W., J. D. Hirschel i Carolyn E. Pesackis. "Family Violence and Police Utilization". Violence and Victims 9, nr 4 (styczeń 1994): 299–313. http://dx.doi.org/10.1891/0886-6708.9.4.299.
Pełny tekst źródłaStreszczenie:
This study examines the utilization of police service for domestic incidents. Contrary to the popular image of serious violence perpetrated upon a spouse, the data show that most calls involve less serious incidents that are almost as likely to involve cohabitants as married couples. This finding assumes significance because of the small proportion of the cohabiting population to the married population. Other types of relationships that generate calls to the police include, although to a lesser extent, parent-child, boyfriend-girlfriend, and siblings. Explanation for these findings focuses on relationship issues and provides implications for service utilization.
7
Nadaswaran, Shalini. "RETHINKING FAMILY RELATIONSHIPS IN THIRD‐GENERATION NIGERIAN WOMEN’S FICTION". RELIEF - REVUE ÉLECTRONIQUE DE LITTÉRATURE FRANÇAISE 5, nr 1 (9.11.2011): 19. http://dx.doi.org/10.18352/relief.652.
Pełny tekst źródła
8
Qureshi, Hanif, Eric G. Lambert i James Frank. "When Domains Spill Over: The Relationships of Work–Family Conflict With Indian Police Affective and Continuance Commitment". International Journal of Offender Therapy and Comparative Criminology 63, nr 14 (2.05.2019): 2501–25. http://dx.doi.org/10.1177/0306624x19846347.
Pełny tekst źródłaStreszczenie:
Policing is a stressful occupation that may give rise to work–family conflict (WFC). WFC arises when the work domain encroaches into the family domain, or vice versa, causing officers to become less attached to their job and the police organization. Using survey data collected from a sample of police officers in India, we examined the relationship between four dimensions of WFC (time-based, strain-based, behavior-based, and family-based WFC) and two dimensions of organizational commitment (continuance and affective). Family-based WFC was found to reduce continuance commitment, while strain-based WFC reduced affective commitment. Time-based, strain-based, and behavior-based WFC increased continuance commitment. We examined the implications of these findings for police policy makers and administrators. In addition, we also discussed our findings in the context of cross-cultural comparisons.
9
ABDERRAZAG, Sara, i Dr Lynda KAZI-TANI. "Social Isolation as a Cause of Incest in Latin American Fiction". Journal of English Language and Literature 11, nr 1 (28.02.2019): 1087–89. http://dx.doi.org/10.17722/jell.v11i1.407.
Pełny tekst źródłaStreszczenie:
In his One Hundred Years of Solitude (1967), the Latin American writer Gabriel Garcia Marquez depicts the Buendia family, whose members seem to have a great difficulty marrying and developing sexual relationships with characters outside this family. Marquez portrays these characters as such in order to represent incest and connect it with the social behavior of individuals. The present paper, then, is an attempt to prove that through depicting male as well as female characters as unable to establish healthy relationships with people outside the family, Marquez seems to show that social isolation is one of the key causes to social aberration.
10
Jabeen, Fauzia, Maryam Al Hashmi i Vinita Mishra. "Should I stay or should I go? The antecedents of turnover intention among police personnel". Safer Communities 19, nr 1 (27.01.2020): 1–14. http://dx.doi.org/10.1108/sc-05-2019-0013.
Pełny tekst źródłaStreszczenie:
Purpose This study aims to explore the antecedents that may lead to turnover intentions among police personnel in the United Arab Emirates. Design/methodology/approach The data were collected from police personnel (n = 176) through a questionnaire survey, and structural equation modeling was used to test the relationships. Findings The findings revealed that the work-family conflict and job autonomy significantly correlate with turnover intentions. Alternatively, perceived organizational support does not predict turnover intentions. Research limitations/implications This research is limited by the study’s subjective assessment of police personnel turnover intentions through self-reported questionnaires. It provides implications for policymakers, organizational behavioral experts and those interested in formulating effective strategies to reduce turnover among police personnel. Originality/value This study offers a novel context as it assesses police personnel in an emerging Middle Eastern country. It provides insights to policymakers and academia concerning the factors strongly linked with police personnel turnover intentions and will help them formulate strategies for improving personnel satisfaction and advancing relationships between police and the community.
Rozprawy doktorskie na temat "Police – Family relationships – Fiction"
1
Baurichter, Austin. "ALL YOUR BELONGINGS AND OTHER STORIES". UKnowledge, 2018. https://uknowledge.uky.edu/english_etds/76.
Pełny tekst źródłaStreszczenie:
Short stories examining interpersonal relationships, familial relationships and legacies, self-examination. These stories were written in an attempt to understand what it is to come of age in a damaged family, to explore the feelings and events associated with finding oneself.
2
Patrick, Denise L. "Lost and Found". ScholarWorks@UNO, 2015. http://scholarworks.uno.edu/td/2101.
Pełny tekst źródła
3
Yanez, Luiz. "Police Officer Burnout: An Examination of Officer Stress, the Policing Subculture and the Advantages of Family Counseling". Thesis, University of North Texas, 2004. https://digital.library.unt.edu/ark:/67531/metadc4646/.
Pełny tekst źródłaStreszczenie:
The work of a police officer is stressful and could potentially lead to burnout. As a result, a variety of reactions may occur which include, cynicism, abuse of authority, and in extreme cases suicide. One method which has been proven to be effective in treating officer stress is counseling; however, because of the policing subculture the opportunity to seek counseling has been ignored. In order to successfully manage officer stress, the subculture must be dealt with. Additionally, the officers' family must also be acknowledged as being affected by officer burnout. Counseling services must be made available to the officer's family and through training they can become a source of support instead of an added source of stress to the officer.
4
Wang, Xin Yue. "‘Sacrifice your own family for the interest of the public’ :Work–family conflict among rank-and-file police officers in China". Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953602.
Pełny tekst źródła
5
Nagarajan, Neeraja. "Found Family: A Novel". Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1586034750865844.
Pełny tekst źródła
6
Courtney, Mackenzie. "Snowing in Kansas". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/1683.
Pełny tekst źródłaStreszczenie:
Set in rural Kansas, this story follows the lives of Jonathan Tate, his sister Lily Anne Tate, and their father, up until his death, Hershall Tate. They are an isolated family, seemingly living outside of time. John opens the novel with a walk into town to set the contrast between him and the rest of the world. Time is the theme and essence, because every scene and the tone of the scenes are weighted by the imminence of Hershall's death. He is dying slowly and so their lives move slowly. Lily can't help but be ornery, while John, assuming all the chores and anxiety of the future without his father, is reserved and reluctant. Hershall is set in his ways and not in a hurry to get the house in order before his death. There is the old-fashioned nature of Hershall, the isolated nature of the whole family, and the rest of the modern world to contend with. These beginning pages are setting up the next stage of the novel where Lily and John begin their journey after their father's death.
7
Warren, Sean Patrick. "Since I've Been Away". PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/1093.
Pełny tekst źródłaStreszczenie:
The remains of James Oliver Plunkett are dug up one night from their grave at Mount Calvary Cemetery by two college adjunct writing professors, Bob Rusher and Phil Pike. Having chopped through Plunkett's coffin with a pick, Rusher lifts Plunkett's skeleton from the coffin and pronounces his name--and in this moment Plunkett returns to consciousness as a cognitive vapor. The reason that Plunkett has been dug up is hinted at: After writing many unpublished novels and stories during his lifetime, and dying utterly anonymous, Plunkett's fiction has somehow been posthumously published, to great acclaim. Rusher is a huge fan of Plunkett's published work and is digging him up in the belief that one of his unpublished novels--The King of Portland--has been buried with him. When he does not find the novel, Rusher decides to kidnap the remains to force Plunkett's family to reveal the status of The King of Portland.
Plunkett drives with Rusher and Pike to a strip club called the Serpentine, located in downtown Portland. They are not aware of Plunkett, but when they enter the club, leaving his bones behind in the car in a brown sack, Plunkett accompanies them. Rusher is courting one of the strippers, Hazel, and has given her one of Plunkett's posthumous novels to read, which she's enjoyed. Hazel's employer and perhaps boyfriend Chuck arrives at Rusher and Pike's table and, with Hazel still present, demonstrates his claim to the stripper by urinating in Rusher's beer.
Rusher leaves the club humiliated. After dropping Pike off, he drives to the Hollywood District and brings the sack with Plunkett's remains into his house. His girlfriend Ava Snyder is there, reading the poet Rilke in the bathtub--fully clothed, smoking a cigarette, lying on an air mattress, and drinking an old fashioned. Plunkett is present in consciousness throughout. Rusher does not tell Ava about his grave robbing or the bone-sack he's carrying; but when he leaves Ava in the tub, taking the bones with him, Plunkett remains behind in the bathroom and is startled to find himself privy to Ava's thoughts.
After Ava splits from Rusher, Plunkett remains with her, experiencing her life while wondering about the family he might have left behind at his death, nine years earlier. Ava has a scary encounter with her bullying, drug-addled sister Judy, during which she has hints of Plunkett's presence in her mind; but Ava dismisses these hints until after a disappointing visit to her mother, with whom she has long had trouble communicating. At this point Ava hears Plunkett's voice for the first time, and they begin conversing. After transitioning from disbelief to annoyance to the intimate, irresistible pull of their shared consciousness, Ava eventually helps Plunkett to discover the reason for his posthumous, unlikely literary fame and the state of his still-living family: A wife and son who have reaped the profits of his posthumous success, but do not harbor fond memories of their long lives together with him.
Plunkett has a vision of his death, in which he apparently committed suicide over his decades-long literary obscurity. Ava seeks out Plunkett's son, Kyle Fleming, an artist who has established his own, prominent comic book company. Kyle is bitter toward his father for neglecting him while growing up, and has taken on his mother's maiden name; but he then reveals that it was his father's fame that propelled him to celebrity as a comic book artist and publisher. Meanwhile, Plunkett's wife Camille is suffering from dementia and lives in a managed care facility. Ava and Plunkett arrive at Camille's room; in the presence of her late husband's consciousness, Camille reveals that it was she who asked Kyle to send out one of his unpublished manuscripts for publication--a romance novel whose enormous, unexpected success led to the publication of several other best-selling works by Plunkett. In spite of this, Camille tells Plunkett that she experienced the happiest years of her life after he died. While Plunkett was never violent and rarely verbally abusive, he was always distant, neglecting his wife and son to write his fiction around a series of demanding day jobs.
After this visit, in which she thought she might lose him to Camille, Ava informs Plunkett that she has fallen in love with him. Plunkett reciprocates her feelings. And yet, Plunkett's lack of physical being is causing Ava to consider a romance with Kyle, his son, in order to experience more fully the voice of the dead writer she has come to love. Ava meets Kyle at a bar on Lombard Street; Kyle informs Ava that his mother, Camille, has died. Kyle insists that Ava take him to the managed care home to help make arrangements for his mother's body. During this car ride, with Ava driving, Kyle begins to hear his father's voice and to rail against him. Kyle reveals that his father hasn't committed suicide, but that he shot him for what he considered to be Plunkett's cruelty toward his mother.
Ava and Plunkett are stunned. By this time, Ava has Plunkett's remains in the trunk of her car; she insists that Kyle return the bones to their grave as penance for the murder. At the cemetery Kyle runs away; Ava cannot bring herself to let go of Plunkett's remains. Ava's sister, Judy, shows up at the cemetery and in a drug-addled haze shoots Ava, of whom she has long been jealous. Ava dies of her wounds. Plunkett is left behind--but ultimately they are reunited in the dry, dark sea beyond this life.
8
Kim, Angela. "Relate, Relative, Relationship". Thesis, Boston College, 2007. http://hdl.handle.net/2345/514.
Pełny tekst źródłaStreszczenie:
Thesis advisor: Susan MichalczykIsaac Newton's third Law of Motion states that "for every action, there is an equal and opposite reaction." When things collide, there is an immutable effect on both the initiator and the reactor. In the same way, people are in constant motion, "colliding" with one another and irrevocably changing in the process. It was only when I had to live on my own at Boston College that I realized how much the people in my life had such a powerful influence in my life. They are the ones who guided me to evolve into the person I am today. Swayed by my scientific background, I had always believed that I was mostly predestined by my genetic makeup: who I will ultimately become was written in my DNA from conception. However, living in a suite with seven other women and developing close relationships with people who were so unique made me question everything: my beliefs, my approach, my reactions, my opinions. The first chapter is a personal experience I had with my mother in dealing with the cultural and language barriers we had to face. A great deal of our misunderstandings arose because I was the first generation in my family to be born in America and to pursue a higher education at college. Many children come to a point when they rebel against everything their parents tell them to do because they do not understand why their parents do and say the things they do. It is only after the child and the parents can come to a mutual comprehension of each other that steps can be made toward building a stronger relationship, a relationship that goes beyond the simple acts of obedience — or rebellion — and of giving commands. My parents had immigrated to America in their early twenties in pursuit of better opportunities for their future. It was not until I was older and when my relationship with my mother had deepened that I could begin to comprehend her side of the story, her journey, her past which had influenced her decisions that she had made for her children. In order to recount this experience creatively, pieces of conversations that I had with my mother are woven throughout my scenes and my mother's scenes, which, in their stark contrast, causes a palpable tension. Being able to recount the memories in retrospect gives the ability to compare each experience and to reach an understanding. The second chapter is an exploration of the ripple effect amongst strangers and how individuals are all connected in one way or another. Our influences are felt by those around us, even though we may not be directly connected with them. Opening with a dramatic scene, the reader is taken sequentially backwards in time, tracing the steps that the seemingly unconnected characters had taken, ultimately understanding the woman's motivation. Each individual's secrets and conditions all culminate into that moment where one person tries to take her own life. It is rarely one isolated moment that triggers action. Like a snowball that rolls down a hill, increasing its speed and its size over time, various facets of one's life and of other's lives collect together to produce a bigger consequence of which one is aware. The concluding chapter of this series explores the fictional world of a family dealing with the repercussions of their past actions. Each individual's decisions had ramifications for the rest of the family, which they struggle to deal with years later. Characters face guilt, anger, bitterness, and responsibility, as they are constantly reminded of the day when their lives came crashing down. Instead of telling these characters' story by starting from the past and proceeding to the present in chronological order, I decided to include pieces of information and scenes from their memories for the reader to piece together. In the end, the reader is left with having to make a decision: with whom will he or she ultimately sympathize? Will he or she even make that choice? This comprehensive and tedious project provided many obstacles and tensions throughout the year, but it was a journey and a journey worth taking. Before this year, I was never afforded the opportunity to pursue a goal I had set for myself after watching "A Walk to Remember" in high school: to write a novel. It has been rewarding to see the end product of constant revisions, of constant criticisms, and of constant growth
Thesis (BA) — Boston College, 2007
Submitted to: Boston College. College of Arts and Sciences
Discipline: English
Discipline: College Honors Program
9
Earley, Deja Anne. "Keeping Gardens: Poetry and Essay". Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd943.doc.
Pełny tekst źródła
10
Soldan, William R. "In Just the Right Light". Youngstown State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1491431274838911.
Pełny tekst źródłaKsiążki na temat "Police – Family relationships – Fiction"
1
Warren, Linda. A Texas family. Don Mills, Ont: Harlequin, 2013.
Znajdź pełny tekst źródła
2
Johns, P. A. His unexpected family. New York: Love Inspired Books, 2013.
Znajdź pełny tekst źródła
3
Brondos, Sharon. Change of pace. Waterville, Me: Five Star, 2003.
Znajdź pełny tekst źródła
4
Gardner, Lisa. Alone. New York: Bantam Books, 2006.
Znajdź pełny tekst źródła
5
Gardner, Lisa. Alone: A novel of suspense. New York: Bantam Books, 2010.
Znajdź pełny tekst źródła
6
Gardner, Lisa. Alone: A novel of suspense. New York: Bantam Books, 2010.
Znajdź pełny tekst źródła
7
Weaver, David. The Power family. [S.l.]: D. Weaver, 2012.
Znajdź pełny tekst źródła
8
Copyright Paperback Collection (Library of Congress), red. Shadow chasing. New York: Silhouette Books, 1986.
Znajdź pełny tekst źródła
9
Copyright Paperback Collection (Library of Congress), red. Shadow chasing. New York: Silhouette Books, 1986.
Znajdź pełny tekst źródła
10
Fackler, Elizabeth. Patricide. Unity, Me: Five Star, 2000.
Znajdź pełny tekst źródłaCzęści książek na temat "Police – Family relationships – Fiction"
1
Damiano, Natasha. "Making a Place for Our Selves: A Story About Longing, Relationships, and the Search for Home". W IMISCOE Research Series, 189–99. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-41348-3_17.
Pełny tekst źródłaStreszczenie:
AbstractI use an ‘autoethnographic’ or ‘creative non-fiction’ writing approach to share a story of my relationship with my Italian-born father, a stone mason by trade whose singular dream in life was to build his family a home. Moving between vignettes of the past and composite re-tellings of conversations I had with my father before he died, I intertwine my father’s immigrant experience and life story with memories of the multiculturalism of my own youth. Through this process I try to illuminate Euro-colonial obsessions with property (ownership) and its impact on my understanding of self, home, and belonging.
2
Grahn, Lisa. "One Hand Clapping: The Loneliness of Motherhood in Lucia Berlin’s “Tiger Bites”". W Narratives of Motherhood and Mothering in Fiction and Life Writing, 17–31. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-17211-3_2.
Pełny tekst źródłaStreszczenie:
AbstractThe issue of safe and legal abortions is and has been highly relevant for generations of women. By describing acts that have previously been carried out in secret, literary fiction makes these experiences visible, meanwhile exposing the circular nature of women’s history. In this chapter, intergenerational experiences of motherhood are examined in Lucia Berlin’s short story “Tiger Bites,” which tells the story of a young mother seeking abortion in Mexico. In Berlin’s representation of the abortion clinic, feelings of isolation and shame are foregrounded, as well as the actual risks to the health of the women and girls involved. The portrayal of the patients and staff at the clinic highlights aspects such as class, the crossings of bodily and national borders, and agency. This chapter argues that family relationships can create feelings of isolation as well as community, and that it is only through her own choice that the protagonist can realize her agency in motherhood. The analysis ultimately argues that Berlin’s story has its own intergenerational relevance, and speaks to the present as well as to its time of initial publication.
3
O'Neill, Megan. "Police Family Dynamics". W Police Community Support Officers, 101–20. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198803676.003.0005.
Pełny tekst źródłaStreszczenie:
Chapter 5 describes and analyses the day-to-day encounters between Police Community Support Officers (PCSOs) and police officer colleagues. These encounters are important to consider in order to understand fully PCSOs’ occupational experiences. The pluralized public police in England and Wales are often described as a police ‘family’. However, just how functional and harmonious a family this is is shown to be variable between and within police forces. The chapter considers the reasons for this from within a dramaturgical framework, to appreciate fully the nature and organization of these face-to-face interactions. In particular, Goffman’s concepts of performances, teamwork, and regions will be used. The chapter argues that police officers and PCSOs operate as separate performance teams, rather than as one unified one, and that the relationships between these teams varies. In some areas, the teams worked in a complementary way, whereas in others, the relationship was competitive.
4
Davis, Colin, i Elizabeth Fallaize. "Detective fictions: Daniel Pennae’s Au bonheur des ogres (1985)". W French Fiction in the Mitterrand Years, 38–60. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198159568.003.0003.
Pełny tekst źródłaStreszczenie:
Abstract A bomb explodes in a Parisian department store. An elderly man is killed; Benjamin Malaussène, an employee of the store, witnesses the explosion but is unharmed. Police investigations prove fruitless. A second bomb explodes in the store, this time killing an elderly brother and sister; Malaussène witnesses the explosion but is unharmed. A third explosion kills an elderly man; Malaussene witnesses the explosion but is unharmed. For the fourth explosion, which perhaps unsurprisingly kills an elderly man, Malaussène is not present, but one of his sisters is near the scene. Malaussène is the principal suspect of the police and his fellow employees; interrogated by the former, he is also subjected to a vicious beating by a group of the latter. Only his dysfunctional family and a certain police Commissioner Coudrier, who shares his passion for good coffee, seem to accept his protestations of innocence. Eventually, however, the truth emerges. By the time the fifth bomb explodes, killing an elderly man whilst Malaussène looks on unharmed, it has become clear that Malaussène is not the perpetrator but the victim of the crimes: an innocent bystander, a saint even, whom a group of cannibalistic devil-worshippers with astrological leanings has decided to discredit by making him seem responsible for what are in fact their suicides. His innocence established, Malaussène can go home to his family of half-brothers and half-sisters. Finally, their mother returns, pregnant once again, and unaccompanied by her next child’s father.
5
Bellamy, Liz. "Family and Domesticity in Defoe’s Writings". W The Oxford Handbook of Daniel Defoe, 294–310. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780198827177.013.16.
Pełny tekst źródłaStreszczenie:
Abstract Daniel Defoe’s writings have been cited by both sides in the debate over whether family structures were characterized by change or continuity in early modern England. This essay analyses representations of domesticity in Defoe, to explore the relationship between fictional and non-fictional constructions, and assess their ideological, historical, and literary significance. It argues that Defoe’s works cannot be accommodated into conventional paradigms of a shift from feudalism to capitalism, or from public to private ideology. Instead, both the fiction and non-fiction construct a domestic model which represents a radical mercantile appropriation of the extended family, framing economic and inherently exploitative relationships in the language of paternal duty and patriarchal authority. At the same time, the development of Defoe’s novels shows increasing awareness of the drama within domestic life, and the potential of the family as the primary source of fiction.
6
Britton, Celia. "On Not Belonging: Surrogate Families and Marginalized Communities in Maryse Condé’s Desirada". W The Sense of Community in French Caribbean Fiction, 131–50. Liverpool University Press, 2009. http://dx.doi.org/10.5949/liverpool/9781846311376.003.0008.
Pełny tekst źródłaStreszczenie:
This chapter highlights Desirada’s opposition between the breakdown of the biological family unit and the contrastingly positive strength of relationships not based on biological kinship: friendship and surrogate parent-child relationships. The chapter also explores marginalized, heterogeneous communities, while foregrounding the representation of Guadeloupe and Martinique as ideal organic communities free from alienation and depersonalization.
7
Rappoport, Jill. "“Giv[ing] All She Had”". W Imagining Women's Property in Victorian Fiction, 153—C5P52. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867261.003.0006.
Pełny tekst źródłaStreszczenie:
Abstract Margaret Oliphant’s Hester uses the intense feelings provoked by a pearl necklace to explore two different models for thinking about women’s relationship to property: changing legal rights and family traditions. Awareness of these two models allows us to see how the novel takes what initially appears to be a contest between a naïve, helpless wife and a successful, single businesswoman and transforms it into opposing visions of daughters, one who manages to protect a maternal legacy for herself and the next generation against another who cannot. This shift in perspective forces us to see how these roles coexist, in tension, and also changes how we understand characters’ choices and relationships. Suggesting that their newfound rights to private property will not make women abandon other family traditions, Hester remains ambivalent about the costs and benefits of these rights and reminds us of the other extralegal forces and relational obligations that continued to shape women’s financial lives.
8
Lagji, Amanda. "Projects and Promissory Notes: The Waiting Rooms of V. S. Naipaul and Nadine Gordimer". W Postcolonial Fiction and Colonial Time, 58–90. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474490207.003.0003.
Pełny tekst źródłaStreszczenie:
Chapter 2 continues the interrogation of waiting and colonial time regimes by pairing two novels with intertextual relationships to Heart of Darkness: V.S. Naipaul’s 1979 A Bend in the River and Nadine Gordimer’s 1981 July’s People. This chapter shows that these authors’ constructions of “waiting rooms of history” in the interior of Africa are designed to achieve very different ends. Naipaul is assessed for how he renders the eponymous bend in the river as a waiting room for Salim and other African citizens where, notwithstanding political independence, “not yet” will never become “now.” Gordimer’s novel presents a different view of July’s village as a waiting room, where the spatiotemporal experience of waiting disrupts Maureen’s relationship to time and its lived patterns. The temporal modality of waiting encourages Maureen’s reevaluation of herself in relation to others (her own family, as well as July’s); her final refusal to wait embraces the uncertainty of her position in the new dispensation to come.
9
Rappoport, Jill. "“A Purse in Common”". W Imagining Women's Property in Victorian Fiction, 66–97. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192867261.003.0003.
Pełny tekst źródłaStreszczenie:
Abstract Gaskell’s final, unfinished novel has interested critics for the way its two sibling pairs struggle for scarce resources. Yet the novel attempts to replace competition with common interest, privileging mutual over individual benefit in a model of sibling relations that pools resources, giving emotional connection both an economic counterpart and a grounding in alternative evolutionary strains. By juxtaposing sibling relations with visions of marital unity and discord, Gaskell shows how extralegal economic practices can promote well-being and intimacy within both family ties. The marriage plot of Gaskell’s novel is as much a story of how to be a good brother, sister, or friend as the story of a developing heterosexual romance. Wives and Daughters shows how changing economic relationships can advance the needs of both.
10
Nussbaum, Martha C. "Preference and Family: Commentary on Parts III and IV". W Sex, Preference, And Family, 319–38. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195098945.003.0017.
Pełny tekst źródłaStreszczenie:
Abstract One of the most controversial areas in which law and public policy are confronted with ideas of “nature” and “social construction” is the area of same-sex sexual orientation and conduct. Same-sex relations are an especially obvious case of the ways in which laws and institutions shape the intimate personal lives of many Americans. The sexual conduct of gays and lesbians is limited by the sodomy laws that still exist in twenty-three states. Although only five states restrict the prohibition of oral and anal sex acts to same-sex actors, the constitutionality of sodomy laws has been upheld by the U.S. Supreme Court only insofar as they prohibit same-sex conduct, and “sodomy” is frequently understood to be definitive of same-sex conduct.1 Lesbians and gays cannot serve in the military unless they conceal their sexual practices-although many nations, including Israel, Canada, Germany, Australia, France, and the Netherlands, and the police forces of several major U.S. cities, including New York, San Francisco, and Chicago, have all removed barriers to their full participation with no serious problems. Lesbians and gays cannot marry and cannot therefore enjoy the social privileges and benefits of marriage, including favorable tax, inheritance, and insurance status; immigration and custody rights; the right to the privileges of next kin in hospital visitations, decisions about burial, and so forth. Gays and lesbians frequently lose custody of children they have had in previous relationships and cannot adopt children should they wish to. Finally, gays and lesbians suffer discrimination of many types in the workplace, in housing, in social life generally.
Streszczenia konferencji na temat "Police – Family relationships – Fiction"
1
Vitória Abrahão Cabral, Marina, i Valdir Júnio dos Santos. "Restorative justice and the resolution of judicial conflicts: na analysis of the restorative justice Program of the General Department of Social and Education Actions (DEGASE –RJ)". W 7th International Congress on Scientific Knowledge. Perspectivas Online: Humanas e Sociais Aplicadas, 2021. http://dx.doi.org/10.25242/8876113220212436.
Pełny tekst źródłaStreszczenie:
The analytical and practical field of restorative justice is linked to the debates on the new social conflict management that challenge the institutional design of criminal justice and the Brazilian legal system. When starting from the problematization of the Brazilian criminal justice, we assume that the penalty under neoliberalism presents itself as a societal project that is sustained by the paradox of the potentiation of the police and penitentiary State and the minimization of the economic and social areas of action of the State. Thus, restorative justice emerges as an efficient conflict resolution mechanism, mainly because its criminal approach is based on equating relationships and repairing the damage caused to individuals and communities. In this context, this research aims at analyzing the impact of the implementation of the Restorative Justice Program of the General Department of Social and Education Actions (DEGASE, abbreviation in Portuguese) established by Ordinance 441 of September 13, 2017, within the scope of the social and education units, as well as the challenges presented to those responsible for implementing the law in the state of Rio de Janeiro, Brazil (judges, public defenders, members of the Public Prosecution Service and the DEGASE System) inthe management of restorative practices directed at juvenile offenders deprived of freedom. This problematization raises questions about the limits of the definition of crime and punishment; the relationship between criminal law; and the protection of human rights. The research is structured in three stages: systematic review of the academic field of restorative justice and the Brazilian criminal justice system; elaboration of a framework of the experiences of policies developed in the field of restorativejustice in the state of Rio de Janeiro; and the elaboration of the sociodemographic profile of adolescents and their family structure –analyzing the variables:gender, infraction, age group, monthly family income, education, family structure, and territoriality. It is expected to obtain a critical view of the state of the art of literature on restorative justice in the Brazilian criminal justice system and the debate in the field of conflict resolution criminalized by juvenile offenders served by the Restorative Justice Program of the General Department of Social and Education Actions (DEGASE).
2
Gaitanaru, Andrei. "SOCIAL MEDIA - THE PATH TO MILLENNIALS AND THE Y GENERATION". W eLSE 2017. Carol I National Defence University Publishing House, 2017. http://dx.doi.org/10.12753/2066-026x-17-165.
Pełny tekst źródłaStreszczenie:
Social--media is a relatively new term for Romania. In the early 2000s, the idea of Internet and virtual communication was starting to take shape. The digital phenomenon that began to grow starting with the mid 2000, is currently continuing, moreover it is in full development. The digital revolution with all its derivatives, starting from new techniques of using the computer to online platforms that transform the virtual communication into a process easy for any citizen in the world, and ending with the cellular networks, is implementing more software compatible with modern systems, taking over our world. Patrice Flichy describes the Internet as being "the most important invention of the XXth" century. Its origins are found in 1969, at the US Department of Defense, in the ARPANET network (Advanced Research Project Network). So, the internet was the first name of a technological revolution that can be summarised as the digitalisation idea. [1]. Without a doubt the Internet is the main junction at the end of the XXth century and the beginning of the XXIst century, and its expansion in the coming years shall be staggering. Socialization is the fundamental process of transmitting culture and social organization to new generations through different ways - learning their mother tongue, learning to write, learning social norms and values, common traditions and beliefs takeover. In this way, all members of society accept the same fundamental values, using the same rules in interpersonal and social relations. Therefore, socialization is the act of preparing the individual for participation in group life and to common social life. People are being trained to become members of community groups - family, school, workplace, group of friends, etc., and also to know and understand other groups they will never be members of, but will be obligated to communicate with - banks, hospitals, police stations, companies etc. Socialization occurs necessarily within social interaction, the direct relationships between people.If the interhuman relation deprivation is prolonged and extensive, the evolution of an individual might be slowed forever. Therefore, according to the above explained, socialization exclusively represent the communication and direct interaction of individuals wioth other individuals, thus taking on habits, norms, values.
Raporty organizacyjne na temat "Police – Family relationships – Fiction"
1
Schmidt-Sane, Megan, Elizabeth Benninger, Tabitha Hrynick i Santiago Ripoll. Youth COVID-19 Vaccine Engagement in Cleveland, Ohio, United States. Institute of Development Studies, czerwiec 2022. http://dx.doi.org/10.19088/ids.2022.040.
Pełny tekst źródłaStreszczenie:
Despite overall progress in COVID-19 vaccination rates in Cleveland, vaccine inequity persists as young people from minority communities are often less likely to be vaccinated. COVID-19 vaccine hesitancy is not just an issue of misinformation or lack of information. Vaccine hesitancy among young people is reflective of wider issues such as mistrust in the state or the medical establishment and negative experiences during the pandemic. This report is based on case study research conducted among minority youth (ages 12-18) in Cleveland, Ohio. While public discourse may label young people as “vaccine hesitant,” we found that there were hesitation differences based on social location and place. We found the greatest vaccine hesitancy among older youth (15+ years old), particularly those from minoritized communities. Unvaccinated youth were also more likely to be from families and friend groups that were unvaccinated. While some expressed distrust of the vaccines, others reported that COVID-19 prevention was not a priority in their lives. Instead, concerns over food security, livelihood, and education take precedence. Minority youth were more likely to report negative experiences with authorities, including teachers at their schools and police in their communities. Our findings demonstrate that COVID-19 vaccine hesitancy is embedded in a context that drives relationships of mistrust between minority communities and authorities, with implications for COVID-19 vaccine uptake. Young people’s attitudes toward vaccines are further patterned by experiences within their community, school, family, and friend groups.
2
Schmidt-Sane, Megan, Tabitha Hrynick, Southall Community Alliance SCA, Charlie Forgacz-Cooper i Steve Curtis. Youth COVID-19 Vaccine Engagement in Ealing, London, United Kingdom. Institute of Development Studies, czerwiec 2022. http://dx.doi.org/10.19088/ids.2022.039.
Pełny tekst źródłaStreszczenie:
Despite progress in COVID-19 vaccination rates overall in Ealing, vaccine inequity persists as young people from minority communities are often less likely to be vaccinated. COVID-19 ‘vaccine hesitancy’ is not just an issue of misinformation or lack of information. ‘Vaccine hesitancy’ among young people is reflective of wider issues such as mistrust in the state or the medical establishment and negative experiences during the pandemic. This report is based on case study research conducted among minority youth (from ages 12-19) in the London borough of Ealing. While public discourse may label young people as “vaccine hesitant,” we found that there were differences based on social location and place. We found the greatest vaccine refusal among older youth (15+ years old), which in the context of this study were from minoritised communities who have experienced deprivation across the life course. Unvaccinated youth were also more likely to be from families and friend groups that were unvaccinated. While some expressed distrust of the vaccines, others reported that COVID-19 prevention was not a priority in their lives, but instead concerns over food security, livelihood, and education take precedence. Minoritised youth were more likely to report negative experiences with authorities, including teachers at their schools and police in their communities. Our findings demonstrate that COVID-19 vaccine hesitancy is embedded in a context that drives relationships of mistrust between minority communities and authorities, with implications for COVID-19 vaccine uptake. Young people’s attitudes toward vaccines are further patterned by experiences within their community, school, family, and friend groups.
3
Schmidt-Sane, Megan, Tabitha Hrynick, Elizabeth Benninger, Janet McGrath i Santiago Ripoll. The COVID-19 YPAR Project: Youth Participatory Action Research (YPAR) to Explore the Context of Ethnic Minority Youth Responses to COVID-19 Vaccines in the United States and United Kingdom. Institute of Development Studies, październik 2022. http://dx.doi.org/10.19088/ids.2022.072.
Pełny tekst źródłaStreszczenie:
Despite progress in COVID-19 vaccination rates overall in the US and UK, vaccine inequity persists as young people from minoritised and/or deprived communities are often less likely to be vaccinated. COVID-19 ‘vaccine hesitancy’ is not just an issue of misinformation or lack of information. ‘Vaccine hesitancy’ among young people is reflective of wider issues such as mistrust in the state or the medical establishment and negative experiences during the pandemic. This report is based on case study research conducted among young people (ages 12-18) in Cleveland, Ohio, US and the London borough of Ealing, UK. Whilst public discourse may label young people as ‘vaccine hesitant,’ we found that there were differences based on social location and place and this labelling may portray young people as ‘ignorant.’ We found the greatest vaccine hesitancy among older youth (15+ years old), particularly those from minoritised and deprived communities. Unvaccinated youth were also more likely to be from families and friend groups that were unvaccinated. While some expressed distrust of the vaccines, others reported that COVID-19 prevention was not a priority in their lives, but instead concerns over food security, livelihood, and education take precedence. Minoritised youth were more likely to report negative experiences with authorities, including teachers at their schools and police in their communities. Our findings demonstrate that COVID-19 vaccine hesitancy is embedded in a context that drives relationships of mistrust between minoritised and deprived communities and the state, with implications for COVID-19 vaccine uptake. Young people’s attitudes toward vaccines are further patterned by experiences within their community, school, family, and friend groups.