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Artykuły w czasopismach na temat "Poetry, Philippine (English)"
Benitez, Christian Jil. "Vernacular Virtual: Toward a Philippine New Materialist Poetics". eTropic: electronic journal of studies in the Tropics 21, nr 2 (7.10.2022): 95–119. http://dx.doi.org/10.25120/etropic.21.2.2022.3903.
Pełny tekst źródłaJavier, Jeffrey B. "Pornotopia". eTropic: electronic journal of studies in the Tropics 21, nr 1 (30.03.2022): 373–87. http://dx.doi.org/10.25120/etropic.21.1.2022.3842.
Pełny tekst źródłaDewi, Novita. "Interface of Linguistics, Literature, and Culture in Translating Singapore and Sri Lanka Postcolonial Poetry". Lingua Cultura 10, nr 2 (30.11.2016): 69. http://dx.doi.org/10.21512/lc.v10i2.885.
Pełny tekst źródłaAndaya, Leonard Y., H. A. Poeze, Anne Booth, Adrian Clemens, A. P. Borsboom, James F. Weiner, Martin Bruinessen i in. "Book Reviews". Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 148, nr 2 (1992): 328–69. http://dx.doi.org/10.1163/22134379-90003163.
Pełny tekst źródłaKrystal Joy M. Clamares. "MGA TURA: A LITERARY ANALYSIS OF MANSAKA POEMS". EPRA International Journal of Multidisciplinary Research (IJMR), 8.04.2023, 47–59. http://dx.doi.org/10.36713/epra12736.
Pełny tekst źródłaRozprawy doktorskie na temat "Poetry, Philippine (English)"
Cayanan, Mark Anthony. "Unanimal, Counterfeit, Scurrilous -- “expiation,For,the,sin,of,Nothing”: The Politics of Form in Queer Philippine Poetry in English". Thesis, 2021. https://hdl.handle.net/2440/133562.
Pełny tekst źródłaMy thesis comprises a creative and a critical component. The creative component, Unanimal, Counterfeit, Scurrilous, is a poetry sequence that attends to issues of ageing and desire, in which the human subject is often a riveted but alienated figure. The entries in this major work, many of them prose poems, attempt intimacy and interiority even as their compositional process works against these postures. This process enacts the imbrication of personal concerns, textual realities and lived social conflicts within the sequence. In lightly tracing the narrative and emotive trajectory of its primary source material, Thomas Mann’s Death in Venice, the manuscript moves from dignity to disgrace, arc telegraphed by, among other things, the deferred presence of the “I” pronoun and the vacillations in tone and voice. The exegesis, “expiation,For,the,sin,of,Nothing”: The Politics of Form in Queer Philippine Poetry in English, examines how queerness is transmuted into matters of poetic form. Form, in this context, extends to the architectonic features of poetry, the rhetorical strategies used in it and its methodology, with the social and political dimensions of form functioning as the pivot around which my arguments revolve. The introductory chapter situates the critical and creative endeavours of this thesis within the milieu of Philippine literature. In it, I elaborate on the uneasy position of queer writing relative to a hegemonic narrative that foregrounds the antagonisms between New Critical discourse and socially committed literary production. The first chapter contributes to the revaluation of José Garcia Villa (1908-1997). Contrary to his insistence that poetry must remain cloistered from the intrusion of the political, I complicate Villa’s rarefied aestheticist ideals by reading the formally transgressive features of his poems as queer gestures. Villa’s oeuvre has been disparaged by Filipino critics for its seeming universalism and its maintenance of a narcissistic persona; I analyse how these characteristics become legible through José Esteban Muñoz’s propositions on queer futurity. The second chapter examines the poetry of J. Neil Garcia (b. 1969), a key figure in the emergence of Philippine gay literature. I classify the prominent rhetorical and linguistic elements of Garcia’s poems as manifestations of what Christopher Schmidt calls “waste management poetics,” a category of writing marked by its repudiation of literary and social standards of propriety. By referencing contexts pertinent to the circulation and evaluation of his literary output, I argue that the charismatic wastefulness in Garcia’s poetry sidesteps expectations of profitability. In the concluding chapter, I scrutinise the tendency of my poetry manuscript toward queer coding—a praxis of deliberate obscurity—and textual appropriation as a method of composition. This tendency is a literary response to the state-sponsored exertions of violence in the Philippines; it also refracts my compromised status as a Filipino queer writer committed to queer aestheticism while also troubled by the transvaluation of social relevance into capital. In appraising this tendency, I draw from Lauren Berlant’s notion of the impasse, an affective response to the precarious conditions of the present; thus, I frame my manuscript as an anxious and queer performance of abeyance: a response without resolution.
Thesis (Ph.D.) -- University of Adelaide, School of Humanities, 2021
Książki na temat "Poetry, Philippine (English)"
Montana, Jason. Clearing: Poems of people's struggles in Northern Luzon. Philippines: Artista at Manunulat ng Sambayanan (ARMAS), 1987.
Znajdź pełny tekst źródłaLyrics from a dead language: Poems 1977-1991. Metro Manila: Anvil Pub., 1991.
Znajdź pełny tekst źródłaFrancia, Hilario S. A beacon in the dark and other poems: With a Tagalog version. Manila, Philippines: Logos, Etc., 1992.
Znajdź pełny tekst źródłaOrdoñez, Sedfrey A. Arayat-Cabiao: Collection of poems = Kalipunan ng mga tula. Wyd. 2. Quezon City, Manila: PIMA Press, 1994.
Znajdź pełny tekst źródła1950-, Majzels Robert, red. The Guerrilla is like a poet: An anthology of Filipino poetry. Dunvegan, Ont: Cormorant Books, 1988.
Znajdź pełny tekst źródłaArmamento, Vidal Brigoli. Seed of wisdom: (a compilation of poetry). [S.l.]: V. B. Armamento, 2005.
Znajdź pełny tekst źródłaC, Garcia J. Neil, Ong Charlson 1960- i Likhaan: U.P. Creative Writing Center., red. The Likhaan book of poetry and fiction, 1998. [Quezon City]: University of the Philippines Press, 2000.
Znajdź pełny tekst źródłaVentura, Castro Jovita, i ASEAN Committee on Culture and Information., red. Philippine metrical romances. [Quezon City, Philippines]: ASEAN Committee on Culture and Information, 1985.
Znajdź pełny tekst źródłaC, Garcia J. Neil, red. At home in unhomeliness: An anthology of Philippine postcolonial poetry in English. Wyd. 5. Manila, Philippines: Philippine PEN and UST Pub. House, 2007.
Znajdź pełny tekst źródłaGonzales, Joseph Ignatius B. Philippine poetry in English, 1928--1950: A critical survey. Manila, Philippines: Dispatch Publications, 1986.
Znajdź pełny tekst źródłaCzęści książek na temat "Poetry, Philippine (English)"
Abad, Gémino H. "‘This scene so fair’: Filipino English poetry, 1905–2005". W Philippine English, 279–97. Hong Kong University Press, 2008. http://dx.doi.org/10.5790/hongkong/9789622099470.003.0015.
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