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Artykuły w czasopismach na temat "Plants in art"
Gökalp, D. D., i M. E. Yazgan. "ORNAMENTAL PLANTS IN MINIATURE ART". Acta Horticulturae, nr 1002 (lipiec 2013): 277–82. http://dx.doi.org/10.17660/actahortic.2013.1002.35.
Pełny tekst źródłaHofsess, Brooke Anne. "Follow the Plants". Departures in Critical Qualitative Research 9, nr 2 (2020): 85–91. http://dx.doi.org/10.1525/dcqr.2020.9.2.85.
Pełny tekst źródłaMaría I, Dinolfo, Castañares Eliana i Stenglein Sebastián A. "Fusarium–plant interaction: state of the art – a review". Plant Protection Science 53, No. 2 (10.02.2017): 61–70. http://dx.doi.org/10.17221/182/2015-pps.
Pełny tekst źródłaKaravasiles, Nina. "NATIVE PLANTS ENHANCE ART: TRANSFORMING PUBLIC TRANSPORTATION". Native Plants Journal 7, nr 2 (lipiec 2006): 114–20. http://dx.doi.org/10.2979/npj.2006.7.2.114.
Pełny tekst źródłaÇetinkaya Karafakı, F., i M. E. Yazgan. "USE OF PLANTS IN OTTOMAN ORNAMENTATION ART". Acta Horticulturae, nr 1002 (lipiec 2013): 283–87. http://dx.doi.org/10.17660/actahortic.2013.1002.36.
Pełny tekst źródłaLedford, Heidi. "The lost art of looking at plants". Nature 553, nr 7689 (styczeń 2018): 396–98. http://dx.doi.org/10.1038/d41586-018-01075-5.
Pełny tekst źródłaYOUNG-MASON, JEANINE. "Plants, Art, and the Healing of Cancer". Clinical Nurse Specialist 24, nr 3 (maj 2010): 177. http://dx.doi.org/10.1097/nur.0b013e3181d828a6.
Pełny tekst źródłaYoungman, Angela. "Gardens and children: Using plants for art". Practical Professional Child Care 4, nr 7 (lipiec 2007): 16–17. http://dx.doi.org/10.12968/ppcc.2007.4.7.38236.
Pełny tekst źródłaProkhorov, Alexey Anatolievich. "Mechanisms available for cooling plants’ surfaces". HORTUS BOTANICUS 11, nr 11 (styczeń 2016): 34–37. http://dx.doi.org/10.15393/j4.art.2016.3862.
Pełny tekst źródłaProkhorov, Alexey Anatolievich. "Active condensation of water by plants". Principles of the Ecology 7, nr 3 (październik 2013): 72–76. http://dx.doi.org/10.15393/j1.art.2013.2921.
Pełny tekst źródłaRozprawy doktorskie na temat "Plants in art"
Brickman, Jacklyn E. "Experiments in Biological Planet Formation and Plants: Nourishing Bodies, Nourishing Planets". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595340630648528.
Pełny tekst źródłaCinti, L. "The sensorial invisibility of plants : an interdisciplinary inquiry through bio art and plant neurobiology". Thesis, University College London (University of London), 2011. http://discovery.ucl.ac.uk/1310152/.
Pełny tekst źródłaChapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings". Thesis, View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.
Pełny tekst źródłaChapman, Gaye. "Decompose : decay + weeds = beauty : research into the visual art/painting implications of botanical biodegradation of weeds as an expression of I. The subjective, expansive and ephemeral nature of art, artist and materials. II. An incarnation of the nature of time and sublime beauty that articulates and expands perceptions of art, artist and materials as text + paintings /". View thesis, 2004. http://handle.uws.edu.au:8081/1959.7/29745.
Pełny tekst źródłaA thesis presented to the University of Western Sydney, College of Arts, Education and Social Sciences, School of Contemporary Arts, in fulfilment of the requirements for the degree of Doctor of Philosophy, Contemporary Arts. Includes bibliographies. Electronic version minus appendices 2, 3, 4 is also available online at: http://handle.uws.edu.au:8081/1959.7/29745.
Wilson-Bryant, Kaitlyn. "The botanical thread /". Online version of thesis, 2008. http://hdl.handle.net/1850/7788.
Pełny tekst źródłaWright, Karen Louise. "Seaforms /". Online version of thesis, 1988. http://hdl.handle.net/1850/10412.
Pełny tekst źródłaBlake, Tamlin. "South African botanical art : a study of nineteenth- and twentieth-century imagery". Thesis, Stellenbosch : Stellenbosch University, 2001. http://hdl.handle.net/10019.1/52458.
Pełny tekst źródłaENGLISH ABSTRACT: Botanical art consists of a complex combination of scientific fact and aesthetic awareness, and is concerned with more than the realistic representation of a plant and its flowers. It goes beyond the visual description of scientific information and speaks about the contributions artists have made through history to the conventions of both art and science. It contains a unique visual language, conventions which we read intelligently and an evolved tradition, and it is this language and the development of these conventions within the genre of South African botanical art, which this thesis investigates. In South Africa botanical art developed as a direct result of European interest in the flora and the colonisation of this country by the West. A brief history of responses to South African plants is discussed in the Introduction in order to begin to establish an understanding of this tradition and to contextualise the contributions made by 19th-and 20th -century South African botanical artists. Now that postmodernity has called for the reassessment and questioning of 'given truths', alternative ways of assessing botanical art are slowly evolving. Through study and the comparison of botanical art and artists of South Africa their evaluation as artists is reconsidered. This issue of defining art and artists is the subject of Chapter One of this study. Some of the factors that have a bearing on this include: relationships between text and image; art and science; art and illustration; and how society's expectations of gender roles affect the production of botanical art. In order to establish a context from which to discuss plant imagery in South Africa, it is important to study the history and development of botanical art in this country. Chapter Two discusses the emergence and development of this art form and its artists, starting with a short description of people and events from the 1600s and then takes a comprehensive look at developments in the 19th and 20m centuries. For the artists working within the genre of botanical art, the conventions and inventions are often explicitly formulated. It is an art based on the logic, scrutiny and informative tradition of science, where the main objective is to represent a plant's structural essence. Fundamental to our response to botanical art, however, is the style and technique employed by the artist. Chapter Three is devoted to a detailed discussion of the work of selected contemporary South African botanical art and artists. By comparing their work it is possible to establish trends and developments in representation and the role played by mediums and techniques in this highly skilled art form. Since this research has both a theoretical and a practical component, Chapter Four is devoted to discussion of my own work within the botanical art genre. I describe and illustrate several related series of paintings and explore established conventions and ways of developing my own stylistic identity as a botanical artist.
AFRIKAANSE OPSOMMING: Botaniese kuns bestaan uit 'n komplekse kombinasie van wetenskaplike feite en estetiese bewustheid, en is gemoeid met baie meer as net die realistiese voorstelling van 'n plant en sy blomme. Dit gaan verder as net die blote visuele uitbeelding van wetenskaplike informasie, en behels die bydraes wat kunstenaars deur die geskiedenis tot die konvensies van beide kuns en die wetenskap gemaak het. Botaniese kuns besit 'n unieke visuele taal, konvensies wat intelligent gelees word, en 'n ontwikkelde tradisie. Hierdie tesis ondersoek juis hierdie spesiale taal en ontwikkeling van konvensies binne die genre van Suid-Afrikaanse botaniese kuns. Botaniese kuns in Suid-Afrika het ontwikkel as In direkte gevolg van Europese belangstelling in die flora, en Westerse kolonialisasie van hierdie land. In die Inleidingword daar kortliks gekyk na die geskiedenis van die hantering van Suid-Afrikaanse plante, en het ten doelom eerstens 'n begrip van hierdie tradisie daar te stel, en tweedens om die bydraes van 19de en 20ste eeuse Suid-Afrikaanse botaniese kunstenaars te kontekstualiseer. Sedert Postmodernisme die herevaluering en bevraagtekening van gegewewe waarhede aangewakker het, is die ontwikkeling van alternatiewe maniere van kyk na botaniese kuns stadig besig om plaas te vind. Deur die bestudering en vergelyking van botaniese kuns en kunstenaars van Suid-Afrika, word die botaniese kunstenaar se status as kunstenaar uitgelig. Hierdie kwessie oor die defmieëring van kuns en kunstenaars is die onderwerp van Hoofstuk 1 van hierdie werkstuk. 'n Paar van die faktore wat In invloed op laasgenoemde het, sluit in: verhoudinge tussen beeld en teks; kuns en wetenskap; kuns en illustrasie; en hoe kwessies van geslag soos waargeneem deur die samelewing die produsering van botaniese kuns beïnvloed. Dit is belangrik om die geskiedenis en ontwikkeling van botaniese kuns in Suid-Afrika te bestudeer, sodat daar 'n konteks geskep kan word waarbinne die afbeelding van plante in hierdie land bespreek kan word. Hoofstuk 2 behandel die totstandkoming en ontwikkeling van hierdie kunsvorm en sy kunstenaars, en begin met 'n kort beskrywing van mense en gebeurtenisse van die 1600s wat gevolg word deur 'n uitgebreide kyk na ontwikkelinge gedurende die 19de en 20ste eeue. Vir die kunstenaars wat werk binne die genre van botaniese kuns, is die konvensies en bevindings van die medium dikwels breedvoerig geformuleer. Dit is 'n kunsvorm gebasseer op die logiese, navorsbare en insiggewende tradisie van die wetenskap, waar die hoofdoel die voorstelling van 'n plant se strukturele essensie is. Fundementeel in die benadering tot botaniese kuns is die styl en tegniek wat deur die kunstenaar gebruik word. Hoofstuk 3 word gewy aan 'n gedetailleerde bespreking van die werk van geselekteerde kontemporêre Suid-Afrikaanse bot~iese kuns en kunstenaars. Deur hul werk te vergelyk is dit moontlik om tendense en ontwikkelings in die voorstelling en aanbieding van botaniese kuns te bepaal, en wat die rol van verskillende mediums en tegnieke in hierdie hoogs geskoolde kunsvorm behels. Weens die feit dat hierdie navorsing uit 'n teoretiese en praktiese komponent bestaan, word Hoofstuk 4 gewy aan 'n bespreking van my praktiese werk binne die genre van botaniese kuns. Ek beskryf en illustreer verskeie verwante reekse werke en kyk na bestaande konvensies en die maniere hoe my eie stilistiese identiteit as botaniese kunstenaar kan ontwikkel binne die medium.
Gannon, Eleanor. "Botanica the earthly divine : an exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Art and Design, 2009 /". Click here to access this resource online, 2009. http://hdl.handle.net/10292/805.
Pełny tekst źródłaGray, Michael. "New Australian plants and animals. An exhibition - and - Physiology, phenomenology and photography: Picturing the indeterminate within an Australian art practice. An exegesis". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1923.
Pełny tekst źródłaDeffebach, Nancy. "Images of plants in the art of María Izquierdo, Frida Kahlo, and Leonora Carrington : gender, identity, and spirituality in the context of modern Mexico /". Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Pełny tekst źródłaKsiążki na temat "Plants in art"
Thorsen, Line Marie. Moving plants. Næstved: Rønnebæksholm, 2017.
Znajdź pełny tekst źródłaGupta, Shakti M. Plants in Indian temple art. Delhi: B.R. Pub. Corp., 1996.
Znajdź pełny tekst źródłaRoux, Barbara A. Society of plants. [S.l: B. Roux], 2001.
Znajdź pełny tekst źródłaJoyce, David. Topiary and the art of training plants. Toronto: Firefly Books, 2000.
Znajdź pełny tekst źródłaDine, Jim. Jim Dine: Tools and plants. London: Alan Cristea Gallery, 2005.
Znajdź pełny tekst źródłaSabina, Rüber, red. Painterly plants. London: Merrell, 2012.
Znajdź pełny tekst źródłaBlossfeldt, Karl. Natural art forms: 120 classic photographs. Mineola, N.Y: Dover Publications, 1998.
Znajdź pełny tekst źródłaCiencia y Naturaleza Grupo de Investigación Arte. Art al jardí. Valencia: Universitat de Valencia, Jardí Botànic, 2016.
Znajdź pełny tekst źródłaMayer Branco, Maria João, writer of added text i Galeria João Esteves de Oliveira (Lisbon, Portugal), red. Julião Sarmento: Women, houses, plants (2008-2011). Lisbon]: Galeria João Esteves de Oliveira, 2012.
Znajdź pełny tekst źródłaGeene, Anne. Book of plants. Rotterdam: Uitgeverij de Hef Publishers, 2021.
Znajdź pełny tekst źródłaCzęści książek na temat "Plants in art"
Janick, Jules. "Horticulture and Art". W Horticulture: Plants for People and Places, Volume 3, 1197–223. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8560-0_10.
Pełny tekst źródłaDost, Philip Karl-Heinz. "State of the Art". W Multi-functional Power Electronics Tailored for Energy Conversion Plants, 9–20. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29983-5_2.
Pełny tekst źródłaPalenzuela, Patricia, Diego-César Alarcón-Padilla i Guillermo Zaragoza. "State of the Art of Desalination Processes". W Concentrating Solar Power and Desalination Plants, 1–25. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20535-9_1.
Pełny tekst źródłaWu, Kejia. "Hong Kong, Plants and Ten Thousand Things". W A Modern History of China's Art Market, 235–53. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003298540-12.
Pełny tekst źródłaHornberger, Matthias. "State of the art". W Experimental Investigation of Calcium Looping CO2 Capture for Application in Cement Plants, 5–29. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-39248-2_2.
Pełny tekst źródłaRoychoudhury, Aryadeep, i Rituparna Bhowmik. "State-of-the-Art Technologies for Improving the Quality of Medicinal and Aromatic Plants". W Medicinal and Aromatic Plants, 593–627. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-58975-2_23.
Pełny tekst źródłaAhuja, M. R. "Genetic Engineering in Forest Trees: State of the Art and Future Perspectives". W Molecular Biology of Woody Plants, 31–49. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-017-2311-4_2.
Pełny tekst źródłaPalenzuela, Patricia, Diego-César Alarcón-Padilla i Guillermo Zaragoza. "Combined Fresh Water and Power Production: State of the Art". W Concentrating Solar Power and Desalination Plants, 27–60. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-20535-9_2.
Pełny tekst źródłaJagetiya, Bhagawatilal, Anubha Sharma, Akash Soni i Umesh Kumar Khatik. "Phytoremediation of Radionuclides: A Report on the State of the Art". W Radionuclide Contamination and Remediation Through Plants, 1–31. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07665-2_1.
Pełny tekst źródłaShrivastava, Smriti, Dilfuza Egamberdieva i Ajit Varma. "Plant Growth-Promoting Rhizobacteria (PGPR) and Medicinal Plants: The State of the Art". W Soil Biology, 1–16. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13401-7_1.
Pełny tekst źródłaStreszczenia konferencji na temat "Plants in art"
Leote, Rosangella. "Printing Art with plastic from plants". W ARTECH 2021: 10th International Conference on Digital and Interactive Arts. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3483529.3483772.
Pełny tekst źródłaHu, Youyang, Chiaochi Chou i Yasuaki Kakehi. "Lucid Dream: Sensing and Artistic Representation of Plant-Nature Interaction Based on Plants Biosignals". W 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-14-short-hu-et-al-lucid-dream.
Pełny tekst źródłaPurper, Marcus L., Adriane Prisco Petry i Letícia Jenisch Rodrigues. "Hybrid photovoltaic-wind power plants: Brazilian legislation and state of the art". W 19th Brazilian Congress of Thermal Sciences and Engineering. ABCM, 2022. http://dx.doi.org/10.26678/abcm.encit2022.cit22-0097.
Pełny tekst źródłaBaldissera de Souza, Marina, Sabrina Knoll Godoy Ilha, Leticia Renata De carvalho, Ruben Solarte Bolaños, Daniel Martins, Antonio Carlos Valdiero i Luís Antônio Bortolaia. "The State-of-the-Art of Hydrostatic Transmissions in Micro-Hydropower Plants". W 27th Brazilian Congress of Thermal Sciences and Engineering. ABCM, 2023. http://dx.doi.org/10.26678/abcm.cobem2023.cob2023-0757.
Pełny tekst źródłaLongo, Francesco, Giovanni Mirabelli i Sabrina Rondinelli. "Ants Systems, A State Of The Art Overview: Applications To Industrial Plants Problems". W 23rd European Conference on Modelling and Simulation. ECMS, 2009. http://dx.doi.org/10.7148/2009-0421-0429.
Pełny tekst źródłaHall, Iain, Kwang Han i Zheng-Rong Shui. "State of the Art Thermal Spray Technology in the International Waste to Energy Industry". W 12th Annual North American Waste-to-Energy Conference. ASMEDC, 2004. http://dx.doi.org/10.1115/nawtec12-2219.
Pełny tekst źródłaQuinkertz, Rainer, i Simon Hecker. "Development of Steam Turbines for State of the Art Combined Cycle Power Plants (CCPP)". W ASME Turbo Expo 2012: Turbine Technical Conference and Exposition. American Society of Mechanical Engineers, 2012. http://dx.doi.org/10.1115/gt2012-68419.
Pełny tekst źródłaSmit, Hermé C., i Arnold J. Rix. "State of the art Surge Protection Device Research and its Application to Photovoltaic Plants". W 2023 International Conference on Clean Electrical Power (ICCEP). IEEE, 2023. http://dx.doi.org/10.1109/iccep57914.2023.10247448.
Pełny tekst źródłaContreras, Paul Rosero. "The Revolution Will Launch in the Garden: Politics of representation and vegetal intellig(senti)ence". W 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-48-full-rosero-contreras-launch-in-the-garden.
Pełny tekst źródłaOttavi, Julien, i Jenny Pickett. "Motherplants: Mycelium Network and Artistic Research". W 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-21-short-ottavi-et-al-motherplants.
Pełny tekst źródłaRaporty organizacyjne na temat "Plants in art"
Rath, Lawrence. Assessment of Hydrogen Production with CO2 Capture Volume 1: Baseline State-of-the-Art Plants. Office of Scientific and Technical Information (OSTI), listopad 2011. http://dx.doi.org/10.2172/1767148.
Pełny tekst źródłaGlass, Samuel W., Leonard S. Fifield, Gerges Dib, Jonathan R. Tedeschi, Anthony M. Jones i Trenton S. Hartman. State of the Art Assessment of NDE Techniques for Aging Cable Management in Nuclear Power Plants FY2015. Office of Scientific and Technical Information (OSTI), wrzesień 2015. http://dx.doi.org/10.2172/1242348.
Pełny tekst źródłaLeptinsky, Sarah, Marc Turner, Mark Woods, Jeff Hoffmann, Gregory Hackett, Shannon McNaul i Norma Kuehn. Cost and Performance Estimates for State-of-the-Art and Advanced 1×1 H-Class Natural Gas-Fired Power Plants. Office of Scientific and Technical Information (OSTI), czerwiec 2024. http://dx.doi.org/10.2172/2376908.
Pełny tekst źródłaLindow, Steven, Isaac Barash i Shulamit Manulis. Relationship of Genes Conferring Epiphytic Fitness and Internal Multiplication in Plants in Erwinia herbicola. United States Department of Agriculture, lipiec 2000. http://dx.doi.org/10.32747/2000.7573065.bard.
Pełny tekst źródłaMarinkovic, Catalina, i Adrien Vogt-Schilb. Is Energy Planning Consistent with Climate Goals? Assessing Future Emissions from Power Plants in Latin America and the Caribbean. Inter-American Development Bank, październik 2023. http://dx.doi.org/10.18235/0005183.
Pełny tekst źródłaBALYSH, A. HOUSING CONSTRUCTION IN THE USSR IN THE 20T-30TH OF THE TWENTIETH CENTURY AND THE INFLUENCE OF THIS FACTOR ON THE DEVELOPMENT OF HEAVY AND DEFENSE INDUSTRY. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-14-23.
Pełny tekst źródłaBilyk, Zhanna I., Yevhenii B. Shapovalov, Viktor B. Shapovalov, Anna P. Megalinska, Fabian Andruszkiewicz i Agnieszka Dołhańczuk-Śródka. Assessment of mobile phone applications feasibility on plant recognition: comparison with Google Lens AR-app. [б. в.], listopad 2020. http://dx.doi.org/10.31812/123456789/4403.
Pełny tekst źródłaMorin, Shai, Gregory Walker, Linda Walling i Asaph Aharoni. Identifying Arabidopsis thaliana Defense Genes to Phloem-feeding Insects. United States Department of Agriculture, luty 2013. http://dx.doi.org/10.32747/2013.7699836.bard.
Pełny tekst źródłaRykken, Jessica. Pollinator diversity and floral associations in subarctic sand dunes of Kobuk Valley National Park, Alaska. National Park Service, 2024. http://dx.doi.org/10.36967/2302008.
Pełny tekst źródłaYoung, Craig. Problematic plant monitoring in Lincoln Boyhood National Memorial: 2006–2019. Redaktor Tani Hubbard. National Park Service, lipiec 2021. http://dx.doi.org/10.36967/nrr-2286660.
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